G.Curtis Jones Seminary Recruitment by Dono Id N. Miller God's

Total Page:16

File Type:pdf, Size:1020Kb

G.Curtis Jones Seminary Recruitment by Dono Id N. Miller God's MAY 1972 Does lhe Family Seminary God's Spirit Hove o Fulure? Recruitment at Work ~ G.Curtis Jones by Dono Id N. Miller by Aaron Buhl er r-- - - - - - - - - - - - - - - - - -1 You 're here-he's there. And the miles between won't just melt away. So stop SUMMER ~Youth Passport*: dreaming-and fly! YOUTH FAR E IOEHTIFICATIOH CARO APPLICAflON FOR ACES 12 THAU 21 With a TWA Youth Passport, air travel BoptistHerold I VACATION PLANS 6338 lindmar Dr. Goleta, CA 93017 I costs less than you think. You fly at dis­ I counts on over 20 U.S. airlines (including Na mt Alaska and Hawaii) and to Ca nada - also (please print) I I within countries overseas. And you can Volume 50 May 1972 No. 5 Home count on a long list of other savings: Address • V3 off regular coach fares on any TWA Cover, North American Baptist Seminary Seal plane-on a standby basis in continental Does the Family Have a Future, G . Curtis Jones, 4 Z,p State Code U.S. There are no lower youth fares avail­ Reconciliation and the Sem inary, Gerald L. Borchert, 6 able · Hotel discounts-up to 50% -at Hilton, Our Role in Seminary Recruitment, Donald N. Miller, 7 Date of Birth Sheraton and Pick hotels in the U.S. and Class of 72, David J. Draewell, 9 Month Oay Ye.u Male O remaleO Caribbean • Car discounts in Europe-on Priorities fo r Todays Church, N .A .B .S. Senior Students, 9 renting, buying, leasing ·Plus 700 exclusive H,m Eye SJ fee paid by: Forum, Dr. Gerald L. Borchert, 12 co_ _10_•____ co_ io_r ___ Cash O Check O Money Or der O discounts at hotels, shops, res tau ra nts Book Reviews, B . C. Schreiber, 12 around the world. Youth Scene : Contributing Editor, Mrs. Dorothy Ganoung, 13 Take advantage of these savings by Summer travel plans should include sending in the coupon with your check or God Gave the Increase, Donald A bsher checking your will. (s1ana ture) money order for $3. Remember - a Youth Womans World: Contributing Editor, Mrs. A dam Huber, 14 · strv1ce mark owned e1clustvely by Trans World Airlines, Inc. Passport is something like a dream. It can The Watcher, Mrs. H. Pankratz • Do you have a properly drawn I1-067-1 It l1lolsl3I take yo u a long, long way. What My Mother Means to Me, Christiana Nji will? · -------------------~ Why We Should Observe Mother's Day, Lloyd A . Harsch • Does your wife have a will of There's No One Like Mom, Four Children from Center, Colo. her own? Listen, Everybody, M elody K erber • Have you up-dated your will The Woman's Role in Japan, Mrs. Edwin Kem since moving to a different state a little dream can go Thank You, God, For Mother, Deborah K ern or province? What Mother is to Me, Kristeen Johnson • Have you chosen a legal guard­ Mother's Day, Andy Schauer ian for your children? God's Spirit at Work in Brazil and Cameroon, Aaron Buhler, 16 a ong, ong • Have you made provision for The Values and Dangers of Glossolalia, Peter Unruh, 18 the Lord's work? Insight Into Christi an Education: Contributing Editor, Mrs. Dorothy Ganoung, J 9 Build My Church, Bruce A . Rich Your vacation will be more leisurely way A Bible Study in the Book of Amos, Dr. Benjamin H. Breitkreuz, 20 when your house is in order. God Is Blessing Our Church, Rudy E. Lemke, 22 Hungarian Baptists Celebrate 125th Anniversary, Andrew D. MacR ae, 23 Write today for Will Information The World Family of Baptists (Statistics) Our Conference in Action, 25 by filling out the coupon below. In Memoriam, 27 A Tribute to Arthur A. Schade, D .D., Dr. Frank H. Woyke, 27 News and Views, 28 Please send me the following lea f­ As I See It, Paul Siewert, 28 lets: Chuckle With Bruno, 28 07Things That Ma y Have Made What's Happening, 29 Your Will O bsolete. Our Stewardship Record, 29 0 Every Woma n Should Have a Editorial Viewpoint: Y outh Has Come of Age, 30 Will of Her Own. Open Dialogue, 30 0 Making Your Will . What You Attract Those Vacationers to Church, J. Omar Brubaker, 32 Should Know Before You See Your Lawyer. Monthly P11blicatio11 of the Editor: D r. R . J. Kersta11 Name of the North American Baptist Assistant Editor: B. C. Schreiber R oger Williams Press General Conference Stewardship and Communications Address ... 7308 Madison Street Secretary: John Binder Forest Park, Illinois 60130 Btuiness Manager: Eldon Janzen Send to: Everett A. Barker, North The Baptist H erald is a member of the A ssociatetl Church Press. Subscription Price: $3.50 per year in rhe U ni1ed States or Canada ($4.00 in foreign co1111rries) - 53.00 per rear /or "Church Family Subscription American Ba ptist General Confer­ Plan," and for ministers and m issionaries - 52.00 per rear for students, scrdcemen and reside11rs in homes for the aging. - 35 cents for single copies. All address cha111:e correspo11de11ce is to be addressed to B aptist H erald ence, 7308 Madison Street, Fo rest Subscription Depar1111ent. 7108 M adison St .. Forest Park. Ill. 60130. Six weeks notice required for change of Park, 111. 60130. Phone: (31 2) 771 - address. When ordering a change, please gfre the eOectil·e time and furnish mi a<ldress stencil impression from a r ece11t issue. A d1·ertisiflg Rates: $6.00 per inch single column 2 ~ inches wide. All editorial corre.fpOn<lence 8700. is to lie addri'<.1t•d tu Dr. II. J. Kt'rsta11, 7308 Mndiso11 St .. Fore~t Park. Ill. 60130. All b11si11ess corres11onde11ce 1s ro he a ddr~ssed to Eldon Jm1:e11. 7.108 Madison St.. Forest Park. ///. 601 .IO . S1•co111t class _postage 11aid at Forest Park, Ill. 60130 and at additional mailing offices. News reported and l'iews expresse~ m this m agazine are n ot 11 eces.rnrilr the 11ositio11 o/ the Nnrt/1 American Ba11 ti.•t Ge11 eml Con/emece. (Prmted '" U.S.A .) 2 RA P T l l:T J.HlR AT 0 Mm• 7071 admonition and love of God. year-old boy, H oward Ward III, a member of the con­ The congregation at Corinth asked Paul fo r domestic gregation, investigated the situation. With parts worth counsel. There were honest differences between professing 25¢, a pair of pliers and an oil can, he encouraged the Christians and pagans. Although the Apostle recom­ clock to run again. mended his own state - celibacy - he was careful not to This is American youth at its best! Equip them, point impose his opinions on others. He warned against mixed to need and turn them loose. But they must be free to marriages - that is, being "mismated with unbelievers." fail! However, I venture that Howard Ward and h is COES lRE &1MllY H~E A FlJrURE? As he put it, " For what partnership have righteousness kind will also get the Church going. and iniquity?" (II Corinthians 6: 14) . Will not the future of the family correspond to its During the Corinthian confrontation, Paul raised these ability to inspire children to live by demanding princi­ perennial questions: "Wife, how do you know whether ples? Permissiveness is no substitute for discipline. H onor by G. Curtis Jones you will save your husband? Husband, how do you know is never bequeathed; it must be earned. whether you will save your wife?" (I Corinthians 7: 16). You may remember the struggle of John D. R ocke­ The celebration of Christian Family Week and the return caring fo r children, the rising identity cns1s, is the fact Will not the future of the family be commensurate feller III. After attending prestigious universities in this of Mother's Day prompt perplexing questions: Does the that modern mothers are extremely busy. Surveys indi­ with its image, sense of values, awareness of God? country and abroad, semi-isolation from his family, iden­ American family have a future? Since 1890 divorces cate rural housewives spend 60 hours a week running the There is a pertinent story in the sixteenth chapter of tification with the poor, switch in political allegiance - have increased 521 percent. home, while their urban counterparts spend 80! No­ Exodus. The Israelites, wandering in the wilderness lev­ this young man faced and found himself. Does the family have a future when 33 percent of the where is Parkinson's Law (a law of triviality) more eled complaints against Moses. They found fault with the What fascinated me most, however, was to learn that at birth he was not given the initial "D" (which stands working fo rce in America are women, one-third of whom visible. ~han in the average middle class family. The food. are married? Thousands of children come home from pyram1dmg of gadgets, so-called timesavino devices, is God promised the whimpering nomads that they would for D avidson) . "I was told," he said, "that I should make school every day to empty houses, babysitters or defini­ deceptive. .:i be fed morning and night. T he record declares the supply up my mind whether I wanted to carry on the full name tive notes of instruction. In THE WORKING MOTHER Sidney Cornelia Cal­ covered the ground like a frost. The magnificent leader which I think stands for public service, a sense of re­ sponsibil ity and a high standard of demand on myself. Annually an estimated half-million teenagers run away lahan quotes a psychiatrist as saying: "The dichotomy warned the pilgrims not to gather more than a day's When I was twenty-one, I wrote a letter to my father from home! would seem to be not between motherhood and career, supply at a time.
Recommended publications
  • TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
    THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much.
    [Show full text]
  • Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
    Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism.
    [Show full text]
  • The Public Integrity Section During 2008
    REPORT TO CONGRESS ON THE ACTIVITIES AND OPERATIONS OF THE PUBLIC INTEGRITY SECTION FOR 2008 Public Integrity Section Criminal Division United States Department of Justice Submitted Pursuant to Section 603 of the Ethics in Government Act of 1978 INTRODUCTION This Report to Congress is submitted pursuant to the Ethics in Government Act of i 978, which requires the Attorney General to report annually to Congress on the operations and activities of the Justice Department's Public Integrity Section. The Report describes the activities of the Public Integrity Section during 2008. It also provides statistics on the nationwide federal effort against public corrption during 2008 and over the previous two decades. The Public Integrity Section was created in i 976 in order to consolidate into one unit of the Criminal Division the Department's oversight responsibilities for the prosecution of criminal abuses of the public trust by government officials. Section attorneys prosecute selected cases involving federal, state, or local officials, and also provide advice and assistance to prosecutors and agents in the field regarding the handling of public corrption cases. In addition, the Section serves as the Justice Department's center for handling various issues that arise regarding public corrption statutes and cases. An Election Crimes Branch was created within the Section in 1980 to supervise the Department's nationwide response to election crimes, such as voter fraud and campaign- financing offenses. The Branch reviews all major election crime investigations throughout the countr and all proposed criminal charges relating to election crime. During the year, the Section maintained a staff of approximately twenty-nine attorneys, including experts in extortion, bribery, election crimes, and criminal conflicts of interest.
    [Show full text]
  • Still on the Road Session Pages: 1961
    STILL ON THE ROAD 1961 FEBRUARY OR MARCH East Orange, New Jersey The Home of Bob and Sid Gleason, “The East Orange Tape” MAY 6 Branford, Connecticut Montewese Hotel, Indian Neck Folk Festival Minneapolis, Minnesota Unidentified coffeehouse, “Minnesota Party Tape 1961” JULY 29 New York City, New York Riverside Church, Hootenanny Special SEPTEMBER 6 New York City, New York Gaslight Café, “The First Gaslight Tape” Late New York City, New York Gerde's Folk City 30 New York City, New York Columbia Recording Studios, Carolyn Hester studio session OCTOBER 29 New York City, New York WNYC Radio Studio Late New York City, New York Folklore Center NOVEMBER 4 New York City, New York Carnegie Chapter Hall 20, 22 New York City, New York Studio A, Columbia Recordings, Bob Dylan recording sessions Late New York City, New York Unidentified Location, Interview conducted by Billy James 23 New York City, New York The Home Of Eve and Mac McKenzie DECEMBER 4 New York City, New York The Home Of Eve and Mac McKenzie 22 Minneapolis, Minnesota The Home Of Bonnie Beecher, Minnesota Hotel Tape Bob Dylan sessions 1961 20 The Home of Bob and Sid Gleason East Orange, New Jersey February or March 1961 1. San Francisco Bay Blues (Jesse Fuller) 2. Jesus Met The Woman At The Well (trad.) 3. Gypsy Davey (trad., arr Woody Guthrie) 4. Pastures Of Plenty (Woody Guthrie) 5. Trail Of The Buffalo (trad., arr Woody Guthrie) 6. Jesse James (trad.) 7. Car, Car (Woody Guthrie) 8. Southern Cannonball (R. Hall/Jimmie Rodgers) 9. Bring Me Back, My Blue-Eyed Boy (trad.) 10.
    [Show full text]
  • Il Lin I S University of Illinois at Urbana-Champaign
    H IL LIN I S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana- Champaign Library Large-scale Digitization Project, 2007. \W 4 If. OF TIE UNIVERSITY OF ILLINOIS FEB 2 1962 Vol. 2, No. 2 November 3, 1961 JIMM IE DRIFTWdOOD COMES to C FMUS NOVEMBER 17 CONCERT PROFESSOR FLANAGAN LAUNCHES The Campus Folksong Club will CLUB SEMINAR SERIES present Jimmie Driftwood, "The Backwoods John Flanagan, English Dept., Troubadour" in a concert of Ozark folk opened our seminar series with an music on Friday, Nov. 17, 8 p.m. in informal talk on the colorful pageantry 122 Gregory Hall. of Belgium. Driftwood has been described as a Tuesday, Nov. 7, 4 p.m., Doyle composer, educator, singer and collector, Moore, Art Dept., will speak on "Ameri- and all of these he certainly is. He can Folk Instruments." He will supple- is as much at home in the school room ment his talk with slides and some as he is on the concert stage or before musical instruments that aren't "store- the microphone in an RCA recording boughten." studio. He taught in an Ozark 8-grade, Later this semester, Henri one-room school before he finished high Stegemeier, German Dept., will talk on school, and he also worked as a princi- "The Grimm Tales" and Joseph Gusfield, pal, a superintendent of an independent Sociology Dept., will take up problems school system, and a remedial reading in "Urban vs. Rural Folklore." expert. All seminars are in the YWCA Aud. The ballads that Jimmie collects and composes reflect the history of our GUITAR-BANJO WORKSHOPS country--songs like "The Battle of New Instrument workshops sponsored by Orleans" and "The Tennessee Stud." the Club got off to a damp but spirited Jimmie has sung in Carnegie Hall, start on Oct.
    [Show full text]
  • Blue Horizon Records Discography 7700 Series
    Blue Horizon Records Discography 7700 series BH 7701 - Smiling Like I’m Happy - DUSTER BENNETT [1968] Country Jam/40 Minutes From Town/Got A Tongue In Your Head/Jumping At Shadows/Life Is A Dirty Deal/My Love Is Your Love/My Lucky Day/Shady Little Baby/Shame Shame Shame/Times Like These/Trying To Paint It In The Sky/Worries Mind [*] BH 7702 - When You Feel The Feeling You Was Feeling - CHAMPION JACK DUPREE [1969] A Racehorse Called Mae/Gutbucket Blues/I’ve Been Mistreated/Income Tax/Mister Dupree Blues/My Home’s In Hell/Roll On/See My Milk Cow/Street Walking Woman/Ugly Woman/Yellow Pocahontas [*] BH 7703 - Now Resident In Europe - CURTIS JONES [1969] Born In Naples, Texas/Cherie/Dryburgh Drive/Gee Pretty Baby/I Want To Be Your Slave/Jane/Let Your Hair Down/Maggie Campbell Blues/Morocco Blues/Please Believe Me/Soul Brother Blues/You Don’t Have To Go [*] BH 7704 - Presenting The Country Blues - ROOSEVELT HOLTS [1969] Another Mule Kickin’/Big Road Blues/Feelin’ Sad And Blue/I’m Going To Build Right On/Lead Pencil Blues/Let’s Talk It All Over Again/Little Bitty Woman/Prison Bound Blues/Red River Blues/She Puts Me Outdoors/The Good Book Teach You [*] BH 7705 - O.K. Ken? - CHICKEN SHACK [1969] A Woman Is The Blues/Baby’s Got Me Crying/Fishing In Your River/Get Like You Used To Be/I Wanna See My Baby/Mean Old World/Pony And Trap/Remington Ride/Sweet Sixteen/Tell Me/The Right Way Is My Way [*] BH 7706 - 100 Ton Chicken - CHICKEN SHACK [1969] Anji/Evelyn/Horse And Cart/Look Ma, I’m Crying/Midnight Hour/Reconsider Baby/Still Worried About My Woman/Tears
    [Show full text]
  • Comparative Study of Translations of Lyrics by Bob Dylan
    Masarykova univerzita Filozofická fakulta Katedra anglistiky a amerikanistiky Magisterská diplomová práce Bc. AnežkaBc. Sanitrová 20 20 20 2020 Bc. Anežka Sanitrová Masaryk University Faculty of Arts Department of English and American Studies English-language Translation Bc. Anežka Sanitrová Comparative Study of Translations of Lyrics by Bob Dylan Master’s Diploma Thesis Supervisor: Ing. Mgr. Jiří Rambousek, Ph. D. 2020 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to thank my supervisor Ing. Mgr. Jiří Rambousek, Ph.D., for his patience, kind support and useful advice. I would also like to thank those around me for being here for me when I could not be fully present, especially my mom, my friend Fína and my partner. Thanks to Ondřej H. for his patience and technical advice. Finally, thanks to Póža for providing me with inspiration. Table of Contents Introduction ................................................................................................................................ 1 1. Bob Dylan’s Life .................................................................................................................... 3 1.1. From Robert Zimmermann to Bob Dylan ....................................................................... 3 1.2. Dylan’s Repertoire ........................................................................................................... 5 1.3. Dylan and the Protest Movement
    [Show full text]
  • 'The Lonesome Bedroom Blues'
    ‘The Lonesome Bedroom Blues’.” Jefferson no. 124 (2000): p14-15. It’s lonesome in my bedroom, just me an’ myself alone It’s lonesome in my bedroom, just me an’ myself alone I have no one to love me, each night when I come home A room without a woman, is like a heart without a beat A room without a woman, is like a heart without a beat Seem like every woman I get, always wants to mistreat me So began the plaintive lyric of a 1937 blues which was to produce from the black record buying public of the day a measure of adulation and fame for the then, unknown, Texas blues singer Curtis Jones. The song, “Lonesome Bedroom Blues”, was to remain in Columbia’s catalogue until the demise of the 78 rpm record in the late fifties eventually to become a “blues standard” in the repertoire of a new generation of bluesmen and their white copyists. The originator, despite various attempts by enthusiasts to promote and re-record him in the sixties, was to die a forgotten, sad and embittered individual. One of seven children Curtis Jones was born on August 18,1906 in the sharecropping community of Naples, Cass County, Texas. His early child hood was much the same as that of other black children of the day; as soon as he was able he was working in the fields, but in Curtis’s case his time came quicker due to the death of his mother in 1912. By the time he reached his teens he had suffered sufficiently from the sharecropping regime - “Sometimes you have a good year and sometimes a very bad year.
    [Show full text]
  • Still on the Road 1963 Concerts and Recording Sessions
    STILL ON THE ROAD 1963 CONCERTS AND RECORDING SESSIONS JANUARY 30 December, London, England BBC TV Studios, Madhouse On Castle Street 4 January sessions. 14 & 15 London, England Dobell's Jazz Record Shop New York City, New York Alan Lomax’s apartment, Manhattan FEBRUARY New York City, New York Folkways Studio 8 New York City, New York The Basement of Gerde's Folk City New York City, New York WBAI Studios, Skip Weshner Show “Winter” New York City, New York Witmark Studio MARCH New York City, New York WNBC Radio Studios, Oscar Brand Show New York City, New York Witmark Studio 3 New York City, New York Westinghouse Studios, Folk songs and more folk songs 28 New York City, New York WBAI Studios, Bob Fass Show, Radio Unnameable APRIL New York City, New York Witmark Studio 12 New York City, New York Town Hall, soundcheck 12 New York City, New York Town Hall 19 New York City, New York The Home Of Eve and Mac MacKenzie, Second MacKenzies Tape 19 & 20 New York City, New York Café Yana 21 Cambridge, Massachusetts Club 47 24 New York City, New York Studio A, Columbia Recording Studios, The 8th and last Freewheelin’ Bob Dylan session, produced by John Hammond. 24 New York City, New York Gerde’s Folk City 25 Chicago, Illinois The Bear 26 Chicago, Illinois WFMT-Radio Studio, Studs Terkel Wax Museum MAY New York City, New York Witmark Studio 10 Waltham, Massachusetts Brandeis University 12 New York City, New York CBS TV-Studio 18 Monterey, California Monterey Folk Festival Bob Dylan recording sessions & concerts 1963 Minneapolis, Minnesota The Home Of Tony Glover JULY 6 Greenwood, Mississippi Silas Magee's Farm, Vote Registration Rally 17 Minneapolis, Minnesota The Home Of Dave Whitaker “Summer” New York City, New York Unidentified Recording Studio 26 Newport, Rhode Island Freebody Park, Newport Folk Festival.
    [Show full text]
  • This Boy's Dreadful Tragedy: Emmett Till As the Inspiration for the Civil
    Tenor of Our Times Volume 3 Article 4 2014 This Boy's Dreadful Tragedy: Emmett iT ll as the Inspiration for the Civil Rights Movement Jackson House Harding University, [email protected] Follow this and additional works at: https://scholarworks.harding.edu/tenor Part of the History Commons Recommended Citation House, Jackson ( 2014) "This Boy's Dreadful Tragedy: Emmett iT ll as the Inspiration for the Civil Rights Movement," Tenor of Our Times: Vol. 3, Article 4. Available at: https://scholarworks.harding.edu/tenor/vol3/iss1/4 This Article is brought to you for free and open access by the College of Arts & Humanities at Scholar Works at Harding. It has been accepted for inclusion in Tenor of Our Times by an authorized editor of Scholar Works at Harding. For more information, please contact [email protected]. THIS BOY’S DREADFUL TRAGEDY: EMMETT TILL AS THE INSPIRATION FOR THE CIVIL RIGHTS MOVEMENT By Jackson House “Twas down in Mississippi not so long ago When a young boy from Chicago town stepped through a Southern door This boy’s dreadful tragedy I can still remember well The color of his skin was black and his name was Emmett Till” The Death of Emmett Till - Bob Dylan When Emmett Till’s body was pulled from the Tallahatchie River, it was beyond recognition. The Sheriff of Tallahatchie County, H.C. Strider testified that “the skin had slipped...it had slipped on the entire body. The fingernails were gone from the left hand...and [on] the entire body, the skin was slipping or it had completely gone off it.” He went on to say, “the tongue was extending...about two and a half or three inches.
    [Show full text]
  • Curtis Jones in November 1963 Neil Slaven Interviewed Bluesman Curtis Jones
    From The Vaults……. “You can’t find my records anywhere, not even in America” Neil Slaven Interviews Curtis Jones In November 1963 Neil Slaven interviewed bluesman Curtis Jones. The interview appeared in Jazz Monthly in January 1964. Here we reproduce the interview, edited by Neil from the original published article. I like many of the famous pianists and their styles. Charlie Oliver, he was a great pianist. I don’t know about his musical activities ’cause his kids was all my age. Therefore I wouldn’t know about his history, his age, or how his career was, but he was very good. He learned all his kids, and quite naturally I bummed around with his kids as much as there was the possibility available, so I learned quite a bit from them. But his son, he was very terrific, his name was Jack Oliver. We had many terrific good singers down there and musicians, pianists and all. A lot of them wouldn’t record because of their American situation of life. They didn’t know how to protect their royalties rights and things like that. And they couldn’t stand to give up nothing. So they just stayed around one place or another, but they still made money round in there. Sometimes, not in the territory where I was, but in other parts of the country over there, the white people would take them recording machines and go down and record them out in the woods, out in the streets or any way they could get them, you know. But they still wouldn’t give them no royalties.
    [Show full text]
  • New World Records
    New World Records NEW WORLD RECORDS 701 Seventh Avenue, New York, New York 10036; (212) 302-0460; (212) 944-1922 fax email: [email protected] www.newworldrecords.org Let’s Get Loose: Folk and Popular Blues Styles from the Beginnings to the Early 1940s New World NW 290 lues began to be sung in the eighteen- Kentucky, and Maryland, and in the western Bnineties. By the nineteen-twenties they had states, where blacks were a fairly small minority, become the dominant folk- and popular-song and where there was a certain amount of social form among American blacks and had exerted mobility, ragtime became popular among the enormous influence on white popular and folk black working class in the cities and towns. music.At the time of their earliest development, Drawing about equally on black and white folk blues were part of an extraordinary ferment tak- and popular styles, ragtime quickly spread into ing place in black cultural circles. By the nineties the cities of the North and Deep South and a new generation had grown to maturity, born developed various folk offshoots.A kind of vocal out of slavery but still struggling to obtain the ragtime developed among quartets that got freedom and to chart the direction of their cul- together at barber shops and at social gatherings. ture in America. Some of the more fortunate Quartets also sang spirituals, reinjecting some of members of this generation graduated from the the syncopation, antiphonal style, and dis- many newly established black colleges and tinctively black approach to harmonizing that entered professions such as the ministry,the law, had been removed from these songs in the business, medicine, and education.
    [Show full text]