Universal Film Magazine Is Magazine a Free Magazine That Delivers Passionate and Creative Coverage About the Global Fi Lm and Festival Communities

Total Page:16

File Type:pdf, Size:1020Kb

Universal Film Magazine Is Magazine a Free Magazine That Delivers Passionate and Creative Coverage About the Global Fi Lm and Festival Communities Issue 8 - 2013 UUniversalniversal FFilmilm About UFM The Universal Film Magazine is Magazine a free magazine that delivers passionate and creative coverage about the global fi lm and festival communities. The publication diff ers from the competition be- cause it is totally free. It is the mission of the Universal Editor TYRONE D MURPHY Film Magazine to uphold our uncompromising high standards Creative Director DOM MURICU in professional journalism with compelling stories that are unbi- Proof Editors TODD VOLZ ased and fact-based. MICHELLE GOODE KATE SPATOLA We are committed to the ad- PAUL PASTOR vancement of the industry by PAUL WOODS providing the very best in-depth LANNAH SAWYER-DIGGINS features and coverage that will have a positive impact in the Photographer KEVIN A MURPHY world. We aim to give our readers motivational and inspirational Marketing Director EV JOHNSON stories that embrace the spirit of independent fi lm and festivals and give them a voice in the Contributors VALERIA BANDINO media. ROY BENSON DEREK WINNER LINDA ARONSON Editor-in-Chief DAVID O RUSSELL CHRISTINE WILLIAMS Tyrone D Murphy CHRISTOPHER TEMPLETON JON PHILIPS LISA REZNIK Letters & E Mails Please Contribute Please send in your letters and stories [email protected] Copyright Notice: All editorial content and graphics on this site are protected by copyright and international treaties and may not be copied without the express per- mission of Universal Film Magazine, which reserves all rights. Re-use of any of this site content and graphics for any purpose is strictly prohibited. Questions and feedback: All third party trademarks. product names and company names in the mag- Universal fi lm Magazine azine are the property of their respective owners and or advertisers. Email: [email protected] Online: www.ufmag.org DISCLAIMER: Readers should consult with a lawyer before solely relying on any information contained herein. 1 www.ufmag.org Contents FEATURED STORIES: OSCAR NOMINATIONS Nominations for the 85th Academy 4 Awards® were announced OSCAR NOMINATION LIST 5 Complete list of nominations for the 85th Academy Awards Robert Deniro P. 7 KON TIKI 11 Oscar Nominated “Kon Tiiki” Best Foreign lan- guage fi lm of the year DJANGO UNCHAINED 17 Nominated best motion picture of the year and original screenplay THE HiSTORY OF THE OSCARS 19 The Oscar awards, from humble beginnings to one of the biggest ceremonies in the World LES MISERABLES 21 Nominated best motion picture of the year and Anne Hathaway for Actress in supporting role MICHAEL HANEKE - AMOUR Steven Spielberg P. 9 23 Nominated best motion picture of the year and original screenplay THE IMPOSSIBLE 25 Naomi Watts nominated for best performance of an actress in a leading role FLIGHT 27 Denzel Washington nominated for best per- formance of an actor in a leading role INTERVIEW WITH RAMON AGIRRE - AMOUR 33 Valeria Bandino interviews the star of Amour about his role in the fi lm TARANTINO GOES APE 35 The interview with the UK Channel 4 when Tarantino states “I’m no Monkey” FILM FESTIVALS - HISTORY Sally Field P.15 43 A look at the history of fi lm festivals and some notable festivals all over the world SIMON PHILLIPS - TOOLS OF DIRECTING 45 An introduction to the “Tools Of Directing” given by Simon Phillips Daniel Day-Lewis P.16 www.ufmag.orgg 2 CME Visual “making fi lms the best they can be” Film Production CME Cinematic Intros & Trailers CME Visual off er a full fi lm production and post pro- duction editing service Films and Documentaries SPECIAL RATES Music Videos, Trailers and Commercials for fi rst time fi lmmakers Full Post Production & Editing Services Keying for Green & Blue Screen Color correction & Color Grading Phone +44 (0) 20 7193 8870 | e-mail [email protected] | www.cmevisual.tv Universal Film Issue 8 - 2013 ACADEMY AWARD NOMINATIONS The Academy of Motion Picture Arts and Sciences is the world’s preemi- nent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In ad- dition to the annual Academy Awards in which the members vote to select the nominees and winners— the Academy presents a diverse year- round slate of public programs, exhi- bitions and events; provides fi nancial support to a wide range of other movie-related organizations and en- deavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Marga- ret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Acad- emy serves students, historians, the entertainment industry and people everywhere who love movies. Nominations for the 85th Academy Awards® were announced today (Thursday, January 10) by this year’s Oscar host, Seth MacFarlane, and ac- tress Emma Stone. MacFarlane and Stone announced the nominees at a 5:38 a.m. PT live news conference attended by more than 400 international media representa- tives. For a complete list of nominees, visit the offi cial Academy Awards website, www.oscar.com. Offi cial screenings of all motion pic- tures with one or more nominations will begin for members on Saturday, January 19, at the Academy’s Samuel Goldwyn Theater. Screenings will also be held at the Academy’s Linwood Dunn Theater in Hollywood and in London, New York and the San Fran- cisco Bay Area. www.ufmag.org 4 Universal Film Issue 8 - 2013 SILVER LININGS PLAYBOOK ROBERT DENIRO BEST PERFORMANCE OF AN ACTOR IN A LEADING ROLE 7 www.ufmag.org Universal Film Issue 8 - 2013 Robert De Niro born August 17, 1943) is an American actor, director and producer. His fi rst major fi lm roles were in Bang the Drum Slowly and Mean Streets, both in 1973. In 1974, he played the young Vito Corleone in The Godfather Part II for which he won the Academy Award for Best Supporting Actor. Academy Award Won: Best Supporting Actor, The Godfather Part II (1974) Nominated: Best Actor, Taxi Driver (1976) Nominated: Best Actor, The Deer Hunter (1978) Won: Best Actor, Raging Bull (1980) Nominated: Best Actor, Awakenings (1990) Nominated: Best Actor, Cape Fear (1991) Nominated: Best Supporting Actor, Silver Linings Playbook (2012) BAFTA Award Nominated: Best Newcomer, The Godfather Part II (1976) Nominated: Best Actor, Taxi Driver (1977) Nominated: Best Actor, The Deer Hunter (1979) Nominated: Best Actor, Raging Bull (1980) Nominated: Best Actor, The King of Comedy (1984) www.ufmag.org 8 Universal Film Issue 8 - 2013 SPIELBERG ACHIEVEMENT IN DIRECTING FOR LINCOLN 9 www.ufmag.org Universal Film Issue 8 - 2013 Steven Spielberg was born December 18, 1946, in Cincinnati, Ohio. An amateur fi lmmaker as a child, Spielberg went on to become the enormously successful Academy Award-winner 2013 Nominated Oscar Best Achievement in Directing for: Lincoln (2012). 2013 Best Motion Picture of the Year for: Lincoln (2012). 2012 Nominated Oscar Best Motion Picture of the Year for: War Horse (2011) 2007 Nominated Oscar Best Motion Picture of the Year for: Letters from Iwo Jima (2006). 2006 Nominated Oscar Best Achievement in Directing for: Munich (2005). 2006 Best Motion Picture of the Yearfor: Munich (2005). 1999 Won Oscar Best Director for: Saving Private Ryan (1998). 1999 Nominated Oscar Best Picture for: Saving Private Ryan (1998). 1994 Won Oscar Best Director for: Schindler’s List (1993). 1994 Best Picture for: Schindler’s List (1993). 1987 Won Irving G. Th alberg Memorial Award 1986 Nominated Oscar Best Picture for: Th e Color Purple (1985). 1983 Nominated Oscar Best Director for: E.T. the Extra-Terrestrial (1982). 1983 Best Picture for: E.T. the Extra-Terrestrial (1982). 1982 Nominated Oscar Best Director for: Raiders of the Lost Ark (1981). 1978 Nominated Oscar Best Director for: Close Encounters of the Th ird Kind (1977). www.ufmag.org 10 Universal Film Issue 8 - 2013 KON TIKI BEST FOREIGN LANGUAGE FILM OF THE YEAR 11 www.ufmag.org Universal Film Issue 8 - 2013 Directors: Joachim Rønning, Espen Sandberg Th e story of legendary explorer Th or Heyerdal’s epic 4,300 miles crossing of the Pacifi c on a balsa wood raft in 1947, in an eff ort prove it was possible for South Americans to settle in Polynesia in pre-Columbian times. Director: Espen Sandberg 2012 Kon-Tiki 2008 Max Manus: Man of War 2006 Bandidas 1997 Dag 1 (short) Director Joachim Rønning 2012 Kon-Tiki 2008 Max Manus: Man of War 2007 Kubisten (short) 2006 Bandidas 1997 Dag 1 (short) www.ufmag.org 12 Universal Film Issue 8 - 2013 www.ufmag.org 14 Universal Film Issue 8 - 2013 LINCOLN SALLY FIELD BEST PERFORMANCE OF AN ACTRESS IN A SUPPORTING ROLE Sally Margaret Field was born in 1946 in Pasadena, California to actress Margaret Field and salesman Richard Dryden Field. Her parents divorced in 1950 and her mother remarried stuntman Jock Mahoney, and they had a daughter, Princess O’Mahoney. She also has a brother, Richard Field. Sally attended Bir- mingham High School in Van Nuys, California. 2013 Nominated Oscar Best Performance by an Actress in a Supporting Role for: Lincoln (2012) 1985 Won Oscar Best Actress in a Leading Role for: Places in the Heart (1984). 1980 Won Oscar Best Actress in a Leading Role for: Norma Rae (1979). 15 www.ufmag.org Universal Film Issue 8 - 2013 DANIEL DAY LEWIS BEST PERFORMANCE OF AN ACTOR IN A LEADING ROLE BEST MOTION PICTURE OF THE YEAR THE PICTURE OF BEST MOTION Daniel Michael Blake Day-Lewis was born in London, England, the second child of Cecil Day-Lewis (aka Nicholas Blake) (Poet Laureate of England) and his second wife, Jill Balcon. His maternal grand- father was Sir Michael Balcon, an important fi gure in the history of British cinema, head of the famous Ealing Studios.
Recommended publications
  • University of California, San Diego
    UNIVERSITY OF CALIFORNIA, SAN DIEGO Shanghai in Contemporary Chinese Film A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Comparative Literature by Xiangyang Liu Committee in charge: Professor Yingjin Zhang, Chair Professor Larissa Heinrich Professor Wai-lim Yip 2010 The Thesis of Xiangyang Liu is approved and it is acceptable in quality and form for publication on microfilm and electronically: ______________________________________________________________________ ______________________________________________________________________ ______________________________________________________________________ Chair University of California, San Diego 2010 iii TABLE OF CONTENTS Signature Page……………………………………………………………………… iii Table of Contents…………….…………………………………………………...… iv Abstract………………………………………………………………..…................ v Introduction…………………………………………………………… …………... 1 Chapter One A Modern City in the Perspective of Two Generations……………………………... 3 Chapter Two Urban Culture: Transmission and circling………………………………………….. 27 Chapter Three Negotiation with Shanghai’s Present and Past…………………………………….... 51 Conclusion………………………...………………………………………………… 86 Bibliography..……………………..…………………………………………… …….. 90 iv ABSTRACT OF THE THESIS Shanghai in Contemporary Chinese Film by Xiangyang Liu Master of Arts in Comparative Literature University of California, San Diego, 2010 Professor Yingjin Zhang, Chair This thesis is intended to investigate a series of films produced since the 1990s. All of these films deal with
    [Show full text]
  • Carol Raskin
    Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • Final Copy 2019 05 07 Lash
    This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Lash, Dominic Title: Lost and Found Studies in Confusing Films General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Lost and Found studies in confusing films Dominic John Alleyne Lash A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Doctor of Philosophy in the Faculty of Arts Department of Film and Television December 2018 76,403 words abstract This thesis uses the concepts of disorientation and confusion as a means of providing detailed critical accounts of four difficult films, as well as of addressing some more general issues in the criticism and theory of narrative film.
    [Show full text]
  • Tape ID Title Language Type System
    Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year
    [Show full text]
  • Guide to the Papers of the Capri Community Film Society
    Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline.
    [Show full text]
  • FILM FESTIVAL 22Nd - 29Th November 2012
    UNDER THE AUSPICES OF THE EMBASSY OF THE REPUBLIC OF SERBIA IN PRETORIA SERBIAN ARTS AND CULTURE SOCIETY AFRICA SERBIAN FILM FESTIVAL 22nd - 29th November 2012 NU METRO, MONTECASINO An author’s perspective of the world Film, as a sublimation of all arts, is a true medium, a universal vehicle with which the broader public is presented with a world view, as seen by the eye of the fi lmmaker. Nowadays, due to the global economic crisis, which is ironically producing technological and all sorts of other develop- ments, an increasing number of people are pushed to the margins of average standards of living, and fi lmmakers are given the chance to bring under their ‘protection’ millions of disillusioned people with their fi lmmaking capabilities. Art, throughout its history, has always praised but has also been heavily critical of its subject. Film is not just that. Film is that and so much more. Film is life itself and beyond life. Film is everything many of us dream about but never dare to say out loud. That is why people love fi lms. That is why it is eternal. It tears down boundaries and brings together cul- tures. It awakens curiosity and builds bridges from one far away coast to another. Film is a ‘great lie’ but an even greater truth. Yugoslavian, and today the Serbian fi lm industry has always been ‘in trend’. It might sound harsh but, unfortunately, this region has always provided ample ‘material’ for fi lms. Under our Balkan clouds there has been an ongoing battle about which people are older, which came and settled fi rst, who started it and who will be fi rst to leave and such battles have been and continue to be an inspiration to fi lm producers.
    [Show full text]
  • Western Criticism, Labelling Practice and Self-Orientalised East Asian Films
    Travelling Films: Western Criticism, Labelling Practice and Self-Orientalised East Asian Films Goldsmiths College University of London PhD thesis (Cultural Studies) Ji Yeon Lee Abstract This thesis analyses western criticism, labelling practices and the politics of European international film festivals. In particular, this thesis focuses on the impact of western criticism on East Asian films as they attempt to travel to the west and when they travel back to their home countries. This thesis draws on the critical arguments by Edward Said's Orientalism: Western Conceptions of the Orient (1978) and self-Orientalism, as articulated by Rey Chow, which is developed upon Mary Louise Pratt's conceptual tools such as 'contact zone' and 'autoethnography'. This thesis deals with three East Asian directors: Kitano Takeshi (Japanese director), Zhang Yimou (Chinese director) and 1m Kwon-Taek (Korean director). Dealing with Japanese, Chinese and Korean cinema is designed to show different historical and cultural configurations in which each cinema draws western attention. This thesis also illuminates different ways each cinema is appropriated and articulated in the west. This thesis scrutinises how three directors from the region have responded to this Orientalist discourse and investigates the unequal power relationship that controls the international circulation of films. Each director's response largely depends on the particular national and historical contexts of each country and each national cinema. The processes that characterise films' travelling are interrelated: the western conception of Japanese, Chinese or Korean cinema draws upon western Orientalism, but is at the same time corroborated by directors' responses. Through self-Orientalism, these directors, as 'Orientals', participate in forming and confirming the premises of western Orientalism.
    [Show full text]
  • Pocket Product Guide 2006
    THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment.
    [Show full text]
  • Eurimages Supports 16 European Co-Productions
    T +33(0)388412560 www.coe.int [email protected] Ref. 217(2011) Eurimages supports 16 European co-productions Strasbourg, 15.03.2011 - At its 122nd meeting, held from 8 to 10 March 2011 in Istanbul, the Board of Management for the Council of Europe's Eurimages Fund agreed to support the co-production of 16 feature films for a total amount of 5 260 000 Euros: A small chance - Nicole Van Kilsdonk (Netherlands) (Netherlands, Belgium) Blind Watching - Andrzej Jakimowski (Poland) (Poland, France, Portugal) Child Miner - Alexandra Gulea (Romania) (Romania, Germany, France) Comrade - Peter Naess (Norway) (Norway, Sweden) In Flames - Murat Saracoglu (Turkey) (Turkey, Germany) IPU - Convicted to live - Bogdan Dumitrescu Dreyer (Germany - Romania) (Romania, Germany) Kon-Tiki - Espen Sandberg et Joachim Ronning (Norway) (Norway, Sweden, Denmark) Night Boats - Igor Mirkovic (Croatia) (Croatia, Slovenia, Serbia) Niko - Family Affairs - Jorgen Lerdam (Denmark) et Kari Juusonen (Finland) (Finland, Germany, Denmark, Ireland) Animation film Nos Enfants (Aimer à perdre la raison) - Joachim Lafosse (Belgium) (Belgium, Luxembourg, Switzerland) Quartier Libre- Frédéric Fonteyne (Belgium) (Belgium, Luxembourg, France) Tante Hilda ! - Jacques-Rémy Girerd (France) (France, Luxembourg) Animation film Team Mario - Nic Balthazar (Belgium) (Belgium, Netherlands) The Girl with nine wigs - Marc Rothemund (Germany) (Germany, Belgium) The Parade - Srdjan Dragojevic (Serbia) (Serbia, Slovenia, Croatia, “The former Yugoslav Republic of Macedonia”) The Shadow Master/Le
    [Show full text]
  • Kon-Tiki“ Norsk Tale
    Vi viser Golden Globe og Oscar kandidaten : „Kon-Tiki“ Norsk tale Dato: Onsdag, den 20. februar 2013 Tid: kl.: 19:00 Sted: ETH Zentrum Hauptgebäude, Kinosaal HG F1, Rämistrasse 101, 8006 Zürich. Preis: Gratis Påmelding: Terje Wølner-Hanssen, 056 290 10 51, [email protected] I N V I T A T I O N Only Scandinavian Sharks Were Used in the Making of This Film By LARRY ROHTER, New York Times, February 13, 2013 Joachim Rønning and Espen Sandberg, who jointly directed “Kon-Tiki,” one of the five nominees for the Academy Award for best foreign-language film, came naturally to their subject, the explorer Thor Heyerdahl’s 1947 voyage across the Pacific Ocean on a balsawood raft. Friends since they were 10 years old, both men are from a small town in southern Norway that neighbors Heyerdahl’s birthplace, and as boys were enthralled when they visited the Kon-Tiki Museum in Oslo. At age 40, they now live, with their wives and children, a block apart in Oslo, within walking distance of the museum. “Kon-Tiki” is their third feature and second consecutive biopic, coming after “Bandidas,” with Salma Hayek and Penélope Cruz, in 2006, and “Max Manus: Man of War,” a 2008 drama about a Norwegian World War II resistance hero. But Mr. Rønning and Mr. Sandberg, who had started an advertising agency together, first came to attention, at least in the United States, as a result of their prize-winning Budweiser commercial for the Super Bowl telecast featuring Rex the Dog. They spoke by telephone last week from Los Angeles about the origins of “Kon-Tiki” and the evolution of their careers.
    [Show full text]
  • Dramaturgies of Power a Dissertat
    UNIVERSITY OF CALIFORNIA, SAN DIEGO UNIVERSITY OF CALIFORNIA, IRVINE The Master of Ceremonies: Dramaturgies of Power A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Drama and Theatre by Laura Anne Brueckner Committee in charge: University of California, San Diego Professor James Carmody, Chair Professor Judith Dolan Professor Manuel Rotenberg Professor Ted Shank Professor Janet Smarr University of California, Irvine Professor Ian Munro 2014 © Laura Anne Brueckner, 2014 All rights reserved The Dissertation of Laura Anne Brueckner is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ Chair University of California, San Diego University of California, Irvine 2014 iii DEDICATION This study is dedicated in large to the sprawling, variegated community of variety performers, whose work—rarely recorded and rarely examined, so often vanishing into thin air—reveals so much about the workings of our heads and hearts and My committee chair Jim Carmody, whose astonishing insight, intelligence, pragmatism, and support has given me a model for the kind of teacher I hope to be and Christopher
    [Show full text]