DOCSLIB.ORG

ABU DHABI | AL AIN | SHARJAH © Asteco Property Management, 2015 Asteco.Com Customer Services: 600 54 7773 ASSET MANAGEMENT SALES LEASING

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ABU DHABI | AL AIN | SHARJAH © Asteco Property Management, 2015 Asteco.Com Customer Services: 600 54 7773 ASSET MANAGEMENT SALES LEASING ASSET MANAGEMENT SALES LEASING VALUATION & ADVISORY SALES MANAGEMENT OWNERS ASSOCIATION DUBAI | ABU DHABI | AL AIN | SHARJAH © Asteco Property Management, 2015 asteco.com Customer Services: 600 54 7773 ASSET MANAGEMENT SALES LEASING VALUATION & ADVISORY SALES MANAGEMENT OWNERS ASSOCIATION Carpet & Arts Oasis 2015 Find amazing floor coverings and antique souvenirs at this annual event. Date: Thursday, 1st January - Sunday, 1st February 2015 Duration: 1 month 2 days Category: Arts / Culture / Theatre Venue: Dubai Festival City Admission: Open to public A unique annual bonanza which now draws in thousands of tourist and visitors from all around the world to Dubai. It offers a treasure trove of carpets, with traders from all over the world offering good value on a comprehensive range of floor coverings. It covers a massive space of 12,000 square metres and contains around 100,000 carpets from around the world, including products from Iran, Turkey, Pakistan, Afghanistan, China, and East Europe. Carpet Oasis also offers a large collection of antique souvenirs. Dubai Shopping Festival 2015 The largest shopping and entertainment extravaganza in the Middle East. Date: Thursday, 1st January - Sunday, 1st February 2015 Duration: 1 month 2 days Category: Community, Family, Lifestyle Telephone: + 971 600 555 559 + 971 600 555 559 Celebrating its 20th anniversary in 2015, the Dubai Shopping Festival (DSF) is the largest shopping and entertainment extravaganza in the Middle East. Drawing visitors from across the globe, DSF kicks off Dubai’s calendar of events each year with a wide variety of events, activities and promotions. From international concerts, musicals and shows, to sports, outdoor, and fashion events, Dubai Shopping Festival caters to every age segment. DUBAI | ABU DHABI | AL AIN | SHARJAH © Asteco Property Management, 2015 asteco.com Customer Services: 600 54 7773 ASSET MANAGEMENT SALES LEASING VALUATION & ADVISORY SALES MANAGEMENT OWNERS ASSOCIATION Mamma Mia - The Smash Hit Musical The undying songs of ABBA brought to life on stage with the world famous musical. Date: Friday, 2nd - Saturday, 10th January 2015 Duration: 9 days Category: Arts / Culture / Theatre, Live Entertainment Venue: Dubai World Trade Centre Admission: Silver- AED 195, Gold 1- AED 295, Gold 2- AED 395, Platinum- AED 495, Diamond- AED 795, Royal- AED 1295 Mamma Mia is a song written and performed by ABBA that along with a number of other ever-popular songs was turned into a West End/Broadway musical back in 1999. Written by English playwright Catherine Johnson and composed by Benny Andersson and Bjorn, the play was translated onto film starring Meryl Streep and Colin Firth among other famous stars. Earlier this year, the musical became the 9th longest running Broadway musical of all time. On its international tour, the musical will make a stop-over in Dubai in January 2015. Tickets are available on Platinumlist DSF Fireworks 2015 Colour and light is what fireworks are all about and DSF fireworks 2015 will have plenty of both. Date: Friday, 2nd January - Sunday, 1st February 2015 Duration: 30 days Timings: 8:30 PM Category: Community Admission: Free Admission The spectacular DSF 2015 firework displays are back and bigger than before. This year, the fireworks will be taking place at JBR and Fazza'a (Kitesurf) beach Known as one of the most recognisable feature of DSF, the fireworks will cover theDUBAI night | ABU sky DHABI making | AL AIN | SHARJAH © Asteco Property Management, 2015 asteco.com Customer Services: 600 54 7773 them visible from various points in the area. ASSET MANAGEMENT SALES LEASING VALUATION & ADVISORY SALES MANAGEMENT OWNERS ASSOCIATION Dubai Camel Racing Season 2014-2015 (Week 20) The camel races are on again for another season this 2014 & 2015 Date: Tuesday, 6th - Thursday, 8th January 2015 Duration: 3 days Category: Sports Venue: Al Marmoum Camel Racetrack, Dubai Al Ain Road Telephone: + 971 55 676 0006 + 971 55 676 0006 The Marmoum Camel Racing Championship is back for another exciting season this 2015 with there being six different categories. The categories begin with the Marmoum Introductory Races followed by the Olders Distinction and Habilitation, the Youngs Distinction and Habilitation and the Hagaga Habilitation. Come join the races and experience one of the UAE’s oldest traditions. Ping Pong Dubai Twelve hours of free-to-play ping pong, professional coaching sessions, competitions, prizes and celebrity visits. Date: Tuesday, 6th January 2015 Duration: 1 day Timings: 12:00 PM - 11:55 PM Category: Sports Venue: The Dubai Mall Admission: Free Admission Telephone: +971 4 383 3500 +971 4 383 3500 The Dubai Mall Ice Rink will be transformed into a sporting venue to host the 2015 Ping Pong Dubai Festival. There will be eight free-to-play tables and visitors can enter prize draws, take part in academy sessions with professional coaches, watch a celebrity match and even play against members of the Chinese National Table Tennis Team. It is a free event and runs from noon and until midnight. DUBAI | ABU DHABI | AL AIN | SHARJAH © Asteco Property Management, 2015 asteco.com Customer Services: 600 54 7773 ASSET MANAGEMENT SALES LEASING VALUATION & ADVISORY SALES MANAGEMENT OWNERS ASSOCIATION Ballet Gala with Stars from Paris Opera National The Paris Opera Ballet brings beautiful French classical ballet to Dubai. Date: Thursday, 8th - Saturday, 10th January 2015 Duration: 3 days Category: Arts / Culture / Theatre Venue: Madinat Theatre, Madinat Jumeirah Admission: Tickets from AED 295 to 525 Telephone: +971 43666546 +971 43666546 Bringing the beauty of French ballet to Dubai is the Ballet Gala with stars from the Paris Opera Ballet. The crew will perform a selection of both classical and contemporary works from the Paris Opera National Repertoire. Featuring Ludmila Pagliero and Karl Paquette, two of the most outstanding dancers in their field who hold the acclaimed Etoile title, awarded as the highest level of achievement within the Paris Opera. Joining them are soloists from the Paris Opera who represent the next generation of dancers of one of the greatest ballet companies in the world. Dubai World Cup Carnival 2015 (Race 1) The Dubai World Cup Carnival 2015 brings the finest horses and riders around the world back to the shores of Dubai. Date: Thursday, 8th January 2015 Duration: 1 day Category: Sports Venue: Meydan Racecourse Admission: Free Admission Telephone: + 971 4 327 0077 + 971 4 327 0077 A battle between the world's best horses, jockeys and trainers, Dubai World Cup Carnival will feature a series of nine highly-competitive race meetings. Since its inauguration the Dubai World Cup Carnival has served as an avant-garde festival and has grandly attracted the most famous stars of the international racing scene. The finale of the Dubai World Cup Carnival is the Dubai World Cup, sponsored by Emirates Airline which will be held on March 28, 2015 and it is the world's richest race meeting. DUBAI | ABU DHABI | AL AIN | SHARJAH © Asteco Property Management, 2015 asteco.com Customer Services: 600 54 7773 ASSET MANAGEMENT SALES LEASING VALUATION & ADVISORY SALES MANAGEMENT OWNERS ASSOCIATION ITTF World Team Cup 2015 Returning to Dubai is one of the hotly anticipated Table Tennis events of the year. Date: Thursday, 8th - Sunday, 11th January 2015 Duration: 4 days Category: Sports Venue: Al Nasr Leisure land Admission: Free Admission The International Table Tennis Federation and the UAE Table Tennis Association bring the sport to Dubai for its second year. With an estimated USD$ 270,000 as the prize fund, this is going to be yet another exciting sporting event to start off the New Year. The top 16 men and women in the tournament compete in singles and doubles while the top eight boys and girls under 21 compete in singles. The event will be hosted by Al Nasr Leisure land. Hankook 24H Dubai Yet another endurance race lasting a whopping 24 hours at the Autodrome. Date: Thursday, 8th - Saturday, 10th January 2015 Duration: 3 days Category: Sports Venue: Dubai Autodrome, Motor City Admission: Free Admission This is a 24 hour endurance race that pits drivers against time and each other to last through the entire race. Held at the Autodrome, Dubai Motorcity for the first time back in 2006, it has since, been hosted each year for a total of nine times since then, making this their tenth race. A wide variety of ‘tin top’ touring cars, GTs and 24H- Specials (e.g. silhouette cars) are eligible to race, from ‘hot hatchbacks’ up to proper GT3 machinery and purpose-built race cars. An established structure of classes and liberal technical regulations allow teams to compete without having to change their cars for the 24H SERIES, thus helping them to save costs. Join in on the racing fun and experience an endurance race unlike any other in town. DUBAI | ABU DHABI | AL AIN | SHARJAH © Asteco Property Management, 2015 asteco.com Customer Services: 600 54 7773 ASSET MANAGEMENT SALES LEASING VALUATION & ADVISORY SALES MANAGEMENT OWNERS ASSOCIATION DSF Celebration Nights featuring Najwa Karam and Assi Helani This concert series will be the biggest in the region Date: Friday, 9th January 2015 Duration: 1 day Category: Arts / Culture / Theatre Venue: Dubai Media City Amphitheatre Admission: Platinum: 1,100 AED Gold: 600 AED Silver: 200 AED To celebrate 20th anniversary of Dubai Shopping Festival, DFRE is launching a concert with acclaimed Arabic superstars featuring Najwa Karam and Assi Helani Tickets are on sale at Platinumlist Made in Tunisia Comedy featuring Lotfi Abdelli 2015 Catch Tunisian comedian Lotfi Abdelli in Dubai Date: Friday, 9th - Saturday, 10th January 2015 Duration: 1 day Timings: 12:00 AM Category: Arts / Culture / Theatre Venue: DUCTAC, Mall of the Emirates Admission: 100 AED , 150 AED and 250 AED Made in Tunisia is Back, a one man comedy show performed by the famous actor and author Lotfi Abdelli, who is well known throughout Tunisia.
Load more

Recommended publications
  • This Day Author(S): Akram Zaatari Source: Framework: the Journal of Cinema and Media, Vol
    Drake Stutesman This Day Author(s): Akram Zaatari Source: Framework: The Journal of Cinema and Media, Vol. 43, No. 2, MIDDLE-EASTERN MEDIA ARTS (FALL 2002), pp. 184-195 Published by: Drake Stutesman; Wayne State University Press Stable URL: http://www.jstor.org/stable/41552342 Accessed: 09-02-2017 17:39 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Drake Stutesman, Wayne State University Press are collaborating with JSTOR to digitize, preserve and extend access to Framework: The Journal of Cinema and Media This content downloaded from 216.185.144.171 on Thu, 09 Feb 2017 17:39:15 UTC All use subject to http://about.jstor.org/terms This Day regroups recordings I N. used to produce as a child N. during the '82 Israeli invasion of South Lebanon (1981-85). They N. included clips from radio, audio lsraeli F_16 air fighter June 1981 clips of television programs, and audio recordings of daily life. I used to create my own radio programs, featuring my top hit songs, reading the news, and commercials ....etc. I developed those recording habits that soon extended to include photography, and a diary, reporting on the politico-military situation in the South, and daily reviews of all the films I managed to watch on the Lebanese, Egyptian and Israeli TV channels.
    [Show full text]
  • Song, State, Sawa Music and Political Radio Between the US and Syria
    Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music.
    [Show full text]
  • Disorientalism-1.Pdf
    „French police make woman remove clothing on Nice beach following burkini ban.“ These words transcribe an image that flowed over the media this past summer, crystallizing the tensions that underpin questions of identity, religion, and representation at a time where the only thing worse than globalized terror propaganda is the possibility of Donald Trump becoming the next president of the United States (and vice versa). In this context, the image of a veiled woman surrounded by armed cops and stared at by bikini- and speedo-clad onlookers became a symbol of the deep and wide-open wound of identity quid pro quo in a post- 9/11 world. Alternately romanticizing it and fomenting fear towards it, the mainstream representational system of the West preserves an idea of the Middle East as a „serious“ subject matter, burdened with religious and poilitical subtext. DIS This is probably why so many artists from the region have obsessively pursued struggle narratives and a rhetoric of the past, creating works that reinforced what Moroccan scholar Mohamed Rachdi coined as a „tacit commission“ from the ORIENTAL West, arbitrarily linking authenticity with trauma tic backstory and dramatic storytelling. Through three extensive interviews, a round table, two think pieces and a visual insert by art collective GCC, this section is dedicated to a new generation of artists who are bringing nuance to this fossilized system of ISM thought, mining the intersections of technology, culture and identity politics. Through the work of these creators—who, in confronting media stigmatization and tokenism, challenge the question of representation and the expectations placed upon their production, and refuse to act as „native informants“ or spokespersons for a whole region—alternative narratives and a new visual language emerge.
    [Show full text]
  • My Voice Is My Weapon: Music, Nationalism, and the Poetics Of
    MY VOICE IS MY WEAPON MY VOICE IS MY WEAPON Music, Nationalism, and the Poetics of Palestinian Resistance David A. McDonald Duke University Press ✹ Durham and London ✹ 2013 © 2013 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Cover by Heather Hensley. Interior by Courtney Leigh Baker Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data McDonald, David A., 1976– My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance / David A. McDonald. pages cm Includes bibliographical references and index. isbn 978-0-8223-5468-0 (cloth : alk. paper) isbn 978-0-8223-5479-6 (pbk. : alk. paper) 1. Palestinian Arabs—Music—History and criticism. 2. Music—Political aspects—Israel. 3. Music—Political aspects—Gaza Strip. 4. Music—Political aspects—West Bank. i. Title. ml3754.5.m33 2013 780.89′9274—dc23 2013012813 For Seamus Patrick McDonald Illustrations viii Note on Transliterations xi Note on Accessing Performance Videos xiii Acknowledgments xvii introduction ✹ 1 chapter 1. Nationalism, Belonging, and the Performativity of Resistance ✹ 17 chapter 2. Poets, Singers, and Songs ✹ 34 Voices in the Resistance Movement (1917–1967) chapter 3. Al- Naksa and the Emergence of Political Song (1967–1987) ✹ 78 chapter 4. The First Intifada and the Generation of Stones (1987–2000) ✹ 116 chapter 5. Revivals and New Arrivals ✹ 144 The al- Aqsa Intifada (2000–2010) CONTENTS chapter 6. “My Songs Can Reach the Whole Nation” ✹ 163 Baladna and Protest Song in Jordan chapter 7. Imprisonment and Exile ✹ 199 Negotiating Power and Resistance in Palestinian Protest Song chapter 8.
    [Show full text]
  • Lebanon Page 1 of 16
    Lebanon Page 1 of 16 Lebanon Country Reports on Human Rights Practices - 2004 Released by the Bureau of Democracy, Human Rights, and Labor February 28, 2005 Lebanon is a parliamentary republic in which the President is a Maronite Christian, the Prime Minister a Sunni Muslim, and the Speaker of the Chamber of Deputies a Shi'a Muslim. President Emile Lahoud took office in 1998 after an election by Parliament that was heavily influenced by Syria. In September, in a locally unpopular move, Syria pressured parliamentarians to pass a Constitutional amendment to extend President Lahoud's term for 3 additional years; it will now end on November 24, 2007. The Parliament consists of 128 deputies, equally divided between Christian and Muslim representatives. In the 2000 parliamentary elections, incumbent Prime Minister Salim al-Hoss lost his seat in a contested election, and former Prime Minister Rafiq Hariri then was named Prime Minister by President Lahoud. According to international observers, the elections were flawed; however, there reportedly were fewer voting irregularities than in the 1996 parliamentary elections. The Constitution provides for an independent judiciary; however, in practice, it was subject to political pressure. Syrian military and Lebanese and Palestinian militias, particularly Hizballah, retained significant influence over much of the country. Approximately 15,000 Syrian troops were stationed in locations throughout the country, excluding the area bordering on Israel in the south of the country. In September, Syria claimed to have carried-out a redeployment of its troops in the country, withdrawing approximately 3,000; however, the actual number is believed to be less than 1,000.
    [Show full text]
  • Media and Muslim Women Empowerment
    DIPARTIMENTO DI SCIENZE POLITICHE Cattedra di Cultura e Politica dell'Islam MEDIA AND MUSLIM WOMEN EMPOWERMENT RELATORE Prof.ssa Francesca Maria Corrao CANDIDATA Julia del Papa Matr. 613772 CORRELATORE Prof.ssa Emiliana De Blasio ANNO ACCADEMICO 2011-2012 Table of Contents Abstract .................................................................................................... 3 Introduction ............................................................................................. 4 Women and Islam ................................................................................... 7 Women in Islam ....................................................................................................... 7 Women in the Quran and the Sunna ........................................................................ 7 Motherhood in Islam .............................................................................................. 11 Islam in Different Countries ................................................................................... 14 Brief History of Islam in Relation to the Role of Muslim Women ........................ 20 Interpretations of the Quran ................................................................................... 22 Islamic Feminism ................................................................................................... 24 Final Considerations............................................................................................... 26 Women in the Arab World Today ......................................................
    [Show full text]
  • Westminsterresearch Song Is the Secret of of Existence: Fairouz And
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Song is the Secret of of Existence: Fairouz and the Arab Diaspora in London and Doha Issa, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Ms Dima Issa, 2019. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] SONG IS THE SECRET OF EXISTENCE: FAIROUZ AND THE ARAB DIASPORA IN LONDON AND DOHA DIMA ISSA A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS OF THE UNIVERSITY OF WESTMINSTER FOR THE DEGREE OF DOCTOR OF PHILOSOPHY July 2019 Abstract Nestling in the hearts and minds of her listeners, the Lebanese singer and performer, Fairouz, travels across land and seas, offering gentle reminders of the past or inspiring hope for the future. With the objective of exploring the role that Fairouz plays in the lives of the Arab diaspora, this project examines possible identity constructions and concepts of belonging, investigating how Fairouz factors in diasporic space and how her music offers opportunities to navigate individual and social positions in such space. Through an ethnographic study, focusing on in-depth interviews, narratives of 59 members of the Arab diaspora living in Doha, Qatar and London, England were heard, understood and categorised thematically, highlighting how music can elucidate and situate experiences of migration, positioning listeners on a fluctuating continuum, which moves beyond standard private and public lines of domesticity, nationalism and religion.
    [Show full text]
  • AMO Cover-F-Eng
    1 ss;s; PRODUCTION TABLE OF CONTENTS ACKNOWLEDGEMENTS 02 Project Team Foreword: Dubai Press Club 04 Foreword: Deloitte Maryam Bin Fahad, Executive Director 06 Acknowledgements Nadin Al Lahham, Business Development Supervisor 08 Executive Summary Adel Ibrahim, Senior Manager Operations 12 Methodology Muna Busamra, Deputy Manager Arab Journalism Award Sadiq Jarrar, Communications & PR Manager Section 1: Arab Media in a Global Context 15 Jasim Al Shemsi, Deputy Project Manager Mohab Mazen, Deputy Events Manager 1. Print 25 Afra Matar, Brand Executive 2. TV 41 Khalid Jamal, PR Coordinator 3. Digital 57 Ahmad Khalid, Events Coordinator 4. Other Platforms 77 Khulood Alkhoory, Media Relations Coordinator 5. TV Series 81 Rajeev Kandathil, Administrative Executive 6. Movies 95 Mohamed Al Hosany, Events Coordinator 7. Sports 109 Ahmed Al Muhairbi, Media Relations Coordinator 8. Music 123 Ahmed Al Hashimi, Media Relations Coordinator Abdul Hani Aliouat, Arabic Editor & Proofreader Section 2: Regional Update 135 Dana Beydoun, Senior Editor In-focus countries 137 Sireen Jannoun, Senior Editor Country-by-country update 175 Section 3: The Media Revolution For Feedback and Review 1. Introduction 223 Dr. Hessa Lootah, Assistant Professor Department of Public Media and Communications - Emirates University 2. Social Media 224 Mamoon Sbeih, Managing Director - Arab Region, APCO Worldwide 3. Satellite TV 229 Craig D`Silva, Project Consultant, APCO Worldwide 4. Implications for the Future 232 Musab Zakarya – For translation 5. Conclusion 238 For Deloitte Glossary
    [Show full text]
  • Tesi Doctoral Ruben Gomez Muns
    LA WORLD MUSIC EN EL MEDITERRÁNEO (1987-2007): 20 AÑOS DE ESCENA MUSICAL, GLOBALIZACIÓN E INTERCULTURALIDAD Rubén Gómez Muns ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora.
    [Show full text]
  • Rhythms and Rhymes of Life: Music and Identification Processes of Dutch-Moroccan Youth Gazzah, Miriam
    www.ssoar.info Rhythms and rhymes of life: music and identification processes of Dutch-Moroccan youth Gazzah, Miriam Veröffentlichungsversion / Published Version Monographie / phd thesis Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Gazzah, M. (2008). Rhythms and rhymes of life: music and identification processes of Dutch-Moroccan youth. (ISIM Dissertations). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-271792 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de RHYTHMSRHYMES AND RHYTHMS AND RHYMES OF LIFE Rhythms and Rhymes of Life: Music and Identification Processes of Dutch- Moroccan Youth is a comprehensive anthropological study of the social significance of music among Dutch-Moroccan youth. In the Netherlands, a Dutch-Moroccan music scene has emerged, including events and websites. Dutch-Moroccan youth are often pioneers in the Dutch hip- OF hop scene, using music as a tool to identify with or distance themselves from others. They (re)present and position themselves in society through LIFE music and musical activities. The chapters deal with the development of the Dutch-Moroccan music scene, the construction of Dutch-Moroccan identity, the impact of Islam on female artists and the way Dutch- Moroccan rappers react to stereotypes about Moroccans.
    [Show full text]
  • Télécharger Le Catalogue De Toutes Les Chansons Dédicace
    TrackId Title Artist Album Genre SCRTCG 11001 Need You Now Adele & Darius rucker Lady Antebellum Need You Now. AMOUR 6641510 11002 Million A7ebak Elissa Aychalek AMOUR 6641510 11003 Je t'aime Gilbert Becaud Gilbert becaud AMOUR 6641510 11004 Ne Me Quitte Pas Jack Brel Jacque Brel,ses 16 plus belles chansons AMOUR 6641510 11005 Je t'aime Lara Fabian Carpe Diem AMOUR 6641510 11006 My All Mariah Carrey Butterfly AMOUR 6641510 11007 Ba7ebek Zay Manty Ragheb Alama Taw2am Rou7i AMOUR 6641510 11008 El Hob El Kebir Ragheb Alama El Hob El Kebir AMOUR 6641510 11009 I Cant Stop Loving You Ray Charles Definitive Ray Charles AMOUR 6641510 11010 I Just Call To Say I Love You Stevie Wonder The Woman In Red AMOUR 6641510 11011 Besame Mucho Cesaria Evora Great Expectations - The Album AMOUR 6641510 11012 You Make Me Feel So Youn Charles Aznavour & Franck Sinatra Charles Aznavour AMOUR 6641510 11013 Million Ahebak Elissa Aychalek AMOUR 6641510 11014 Ta3a Elissa Bastannek AMOUR 6641510 11015 Asi son los amigos Eros Ramazzoti Musica es AMOUR 6641510 11016 Fuego en el Fuego Eros Ramazzoti Musica es AMOUR 6641510 11017 Por ti me casare Eros Ramazzoti Musica es AMOUR 6641510 11018 Et Pourtant Charles Aznavour 40 chansons d'or cd2 AMOUR 6641510 11019 Avec le temps Léo Ferré Leo Ferre AMOUR 6641510 11020 Yemkn Kelmet Ba7ebak Nancy Za3balawy Panet AMOUR 6641510 11021 Vivo Per Lei Hélène Ségara & Andrea Bocelli Cœur de VERRE AMOUR 6641510 11022 Malione A7ebbak Wael Jassar Jer7 El Madhi AMOUR 6641510 11023 Jer7 El Madhi Wael Jassar Jer7 El Madhi AMOUR 6641510 11024
    [Show full text]
  • Anti-Israel Slurs Top Ten Anti-Semitic
    2013 Top Ten Anti-Semitic/ Anti-Israel Slurs 2013 Top Ten Anti-Semitic/ Anti-Israel Slurs AYATOLLAH ALI KHAMENEI SUPREME LEADER OF IRAN “Rabid dog…its leaders… cannot be called human” Even as the world’s top diplomats celebrated a tentative nuclear/sanctions deal that many believe will not 1 stop Iran’s capacity to go nuclear, few leaders condemned Supreme Leader Ayatollah Khamenei for his unabated public slurs and genocidal threats against the Jewish State. Referring to Israel as the, “rabid dog in the region,” he added, “Its leaders look like beasts and cannot be called human.” Throughout 2013, as the US conducted secret talks with Tehran, the Ayatollah’s anti-Semitic and anti-Israel hate flowed unabated. On the eve of Iranian elections, Khamenei declared, “Zionists” were the real power in the United States, updating the old canard of a global Jewish conspiracy. RECIP TAYYIP ERDOGAN PRIME MINISTER OF TURKEY The “Interest rate lobby” is to blame Recip Erdogan’s tenure as Turkish Prime Minister has been 2 marked by extreme animus toward Israel, historically Ankara’s strategic friend and trading partner. His mindset was on full display during two pivotal political crises in 2013. First, in response to anti-government demonstrations earlier in the year in Istanbul’s Gezi Park, PM Erdogan, blamed the public’s expressions of dissent on the so-called “interest rate lobby” -- a term defined by his deputy as “The Jewish Diaspora.” Later, Erdogan also intimated that the Egyptian military’s ouster of Mohammed Morsi was instigated by Israel. Then in December, Erdogan and his media allies who blamed a conspiracy by “foreign powers” for a burgeoning corruption scandal, again deployed charges that the “interest rate lobby” had instigated the latest crisis as well.
    [Show full text]