DOCSLIB.ORG

P3 COPY Layout 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
P3 COPY Layout 1 LOCAL SUNDAY, FEBRUARY 16, 2014 Boeing delivers Kuwait first C-17 Globemaster LONG BEACH, California: Boeing employees emphatically waved American and Kuwaiti flags on Thursday as officials from the Kuwait Air Force accepted delivery of that nation’s first C-17 military airlifter. The ceremony at Boeing’s C-17 plant in Long Beach was a testament to the relevance of the Globemaster III more than two decades after its first flight. “It is always a great privilege to deliver a C-17, but it is an extremely high honor when that delivery is to a brand-new member of the C-17 global family,” said Nan Bouchard, Boeing vice president and C-17 program manager, to the assembled group. The event under a hot sun also served as a reminder that the aircraft facility’s days are numbered, as Boeing announced last year that it will close the plant in 2015 Shatha Hasoon Abadi Al-Johar because of insufficient orders. “We’re happy to have a new customer,” said Stan Klemchuk, president of the United Aerospace Workers Local 148, which represents 1,100 C-17 machinists and support staff. “We’re proud of this aircraft. My members are resilient and will get through this. It’s a happy day and a sad day.” This is the first of two C-17 planes that Kuwait has ordered. The second is set for delivery in the summer. Unlike most oth- er C-17 aircraft that Boeing has delivered, the Kuwait plane is not painted all in Air Force gray. Instead, the 174-foot-long craft has a custom paint job with bright white along the top half of the fuselage and the Kuwaiti flag colors separating the white from the traditional gray underneath. The bright white accentuates the lettering in English and Arabic that reads “Kuwait Air Force” on the nose and tail of the plane. “When this C-17 arrives delivering humanitarian aid or disaster relief any- where in the world, people in need will know that the aid came from Kuwait,” said Col. Abdullah Al Foudari, deputy com- mander of the Kuwait Air Force. Qatar is the other country that has received a C-17 with a similar eye-catching paint job. Bouchard praised the Boeing paint team, including Tony Giamberdino, manager of the C-17 paint shop. “We had the challenge to paint this as a decorative paint job, which we don’t usually do,” Giamberdino said. “Our saying in the paint Mutref Al-Mutref Balqis shop, because we know we’re closing, is we want to finish with pride.” A six-person Kuwaiti crew will fly the plane home accompanied by a US crew. The Kuwaiti crew recently com- pleted several months of training on operating the plane. The Popular singers enthral Kuwaiti audience C-17 plant has 19 more planes to deliver before closing in late 2015. —Daily Breeze By Nawara Fattahova festival. Najwa released her first album in his performance at 3:40 am. were teenagers. The second part of the 1989. She only sings in Lebanese slang, The forth concert of the Hala February concert witnessed a performance by the KUWAIT: The third concert of the Hala although other Arab singers are now Musical Festival took place on Friday young Yemeni singer Balqis, who is the Inspection campaigns February Musical Festival was held on singing in all dialects. She concluded at night, also at the Ice Skating Rink. It start- daughter of popular singer Ahmad Fathi. Thursday night at the Ice Skating Rink. It 1:10 am. Saudi veteran singer Abadi Al- ed at 10:10 pm with the young Kuwaiti She started her performance at 11:45 pm. around Kuwait started at 10:20 pm with Iraqi singer Johar was the third star of this concert. singer Mutref Al-Mutref. He is the son of Her modern and fast-paced songs roused By Hanan Al-Saadoun Shatha Hasoon, who is the first Iraqi He came onstage at 1:40 am with his the late singer Yousuf Al-Mutref, and the audience to try to dance and police- singer participating in the festival, but popular song “Dukhun”, which was 20 became popular playing the oud as his men took a woman with her daughters KUWAIT: The traffic department carried out several sur- she entered the country on a Moroccan minutes long. He started singing in 1968 father. He released his first song in 2011 out of the theatre. Balqis has only two prise inspection campaigns in all six governorates during passport. She participated in the reality when he was only 15 years old. He is also and became very popular, especially with albums released, yet she is very popular the last week resulting in registering 41,326 citations. TV show Star Academy three years ago known as the king of oud. During his sec- the younger generation. During his per- in the Gulf region. She concluded at 1:05 During the campaign 1,388 cars were impounded and 167 and has released one album. Shatha sur- ond song, a technical problem occurred formance, he played on the oud for three am. The last star of this concert was Saudi people were taken into custody. prised the audience by singing songs at the theatre and the lighting system of his songs, and he sang two of his veteran Rabih Saqer, who came onstage Statistic showed 5,710 violations in the capital, 347 cars about Kuwait with young girls onstage. went down. The stage went dark and father’s songs. He concluded at 11:25 pm at 1:45 am. The audience welcomed him impounded and 14 persons were referred to the traffic She concluded at 11:30 pm. spotlights had to be switched on, but with great applause. with great applause. Rabih started his department, while 6,270 citations were issued in Farwaniya The second star of the concert was Johar continued singing and didn’t stop. Surprisingly, the theatre was com- career in 1983, when he released his first governorate, and 156 cars impounded while 20 persons popular Lebanese signer Najwa Karam, He remarked humorously that whether it pletely full and more seats were opened album. Hundreds of his Saudi fans came were detained. Meanwhile, 8617 citations were issued in who came onstage at midnight. This is is was a mistake or deliberate, he will on the side for single spectators without to Kuwait to attend this concert. He con- Hawally, 105 vehicles impounded, 39 persons detained and the third time she has participated in this keep singing with his fans. He concluded families. The majority of the audience cluded a few minutes after 4:00 am. four motorcycles confiscated. In Ahmadi 5896 citations and 189 cars impounded. Assembly panel to reject security pact Govt able to convince MPs By A Saleh “has tackled Kuwait’s reservation bloodshed. He expressed regret for the regarding some terms of the GCC heart-breaking events in Syria and KUWAIT: The parliament’s foreign Security Pact, in harmony with the hoped the Geneva conciliation talks affairs committee is expected to reject Kuwaiti laws and legislations.” would end up with peaceful solutions; the Gulf security pact when it releases Al-Zayani said the treaty, which had at least by securing safe corridors for its anticipated report on March 3, been proposed a long time ago, would the stranded civilians. according to informed sources. “contribute to coordination among the On Iran, Al-Zayani called on Tehran Committee members are currently GCC police and security apparatuses “to translate its rhetoric into facts and divided on the controversial agreement. and bolster joint security effort” among express good intentions toward the While Hamad Al-Harshani and MPs the Council countries. regional states.” He also urged it to stop Kamel Al-Awadhi reportedly support it, Joint GCC action is governed by cer- meddling in internal affairs of other MPs Saleh Ashour and Hamdan Al-Azmi tain strategies and accords “that regu- countries, pull its forces from Syria and already announced that they reject it. late the work, and help in realizing the end its occupation of the UAE islands The decision of committee chairman aspired integration (of the member “so that it could address positive signals MP Ali Al-Rashed is expected to decide states) at the economic, security and of its desire to ensure the region securi- whether the panel approves it or not. In defense levels,” he said. ty and stability.” this regard, the sources revealed that Consultations are proceeding Rashed has made the decision to reject among the Council members regarding Nuclear file the pact after discussing it recently with establishment of the GCC federation The GCC has repeatedly urged Iran members of his ‘Al-Masar’ political “which has drawn applause on part of to withdraw from the UAE islands; Abu group. Even if the committee rejects it, the (top) leaders,” Al-Zayahi said, adding Moussa, Greater and Lesser Tunbs, the final decision on the security pact that result of the final consultations which it occupied in 70s of the past cen- will be for the parliament where the would be referred to the top leaders at tury. government is believed to have the the Riyadh summit. As to the international accord capability to “convince a large number Al-Zayani indicated that the GCC is regarding the Iranian nuclear file, he of MPs to approve it”, according to the important for the regional stability, par- affirmed that the GCC states welcome sources who spoke on the condition of ticularly in shadow of current surround- the agreement noting that this file is anonymity.
Load more

Recommended publications
  • This Day Author(S): Akram Zaatari Source: Framework: the Journal of Cinema and Media, Vol
    Drake Stutesman This Day Author(s): Akram Zaatari Source: Framework: The Journal of Cinema and Media, Vol. 43, No. 2, MIDDLE-EASTERN MEDIA ARTS (FALL 2002), pp. 184-195 Published by: Drake Stutesman; Wayne State University Press Stable URL: http://www.jstor.org/stable/41552342 Accessed: 09-02-2017 17:39 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Drake Stutesman, Wayne State University Press are collaborating with JSTOR to digitize, preserve and extend access to Framework: The Journal of Cinema and Media This content downloaded from 216.185.144.171 on Thu, 09 Feb 2017 17:39:15 UTC All use subject to http://about.jstor.org/terms This Day regroups recordings I N. used to produce as a child N. during the '82 Israeli invasion of South Lebanon (1981-85). They N. included clips from radio, audio lsraeli F_16 air fighter June 1981 clips of television programs, and audio recordings of daily life. I used to create my own radio programs, featuring my top hit songs, reading the news, and commercials ....etc. I developed those recording habits that soon extended to include photography, and a diary, reporting on the politico-military situation in the South, and daily reviews of all the films I managed to watch on the Lebanese, Egyptian and Israeli TV channels.
    [Show full text]
  • Song, State, Sawa Music and Political Radio Between the US and Syria
    Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music.
    [Show full text]
  • Disorientalism-1.Pdf
    „French police make woman remove clothing on Nice beach following burkini ban.“ These words transcribe an image that flowed over the media this past summer, crystallizing the tensions that underpin questions of identity, religion, and representation at a time where the only thing worse than globalized terror propaganda is the possibility of Donald Trump becoming the next president of the United States (and vice versa). In this context, the image of a veiled woman surrounded by armed cops and stared at by bikini- and speedo-clad onlookers became a symbol of the deep and wide-open wound of identity quid pro quo in a post- 9/11 world. Alternately romanticizing it and fomenting fear towards it, the mainstream representational system of the West preserves an idea of the Middle East as a „serious“ subject matter, burdened with religious and poilitical subtext. DIS This is probably why so many artists from the region have obsessively pursued struggle narratives and a rhetoric of the past, creating works that reinforced what Moroccan scholar Mohamed Rachdi coined as a „tacit commission“ from the ORIENTAL West, arbitrarily linking authenticity with trauma tic backstory and dramatic storytelling. Through three extensive interviews, a round table, two think pieces and a visual insert by art collective GCC, this section is dedicated to a new generation of artists who are bringing nuance to this fossilized system of ISM thought, mining the intersections of technology, culture and identity politics. Through the work of these creators—who, in confronting media stigmatization and tokenism, challenge the question of representation and the expectations placed upon their production, and refuse to act as „native informants“ or spokespersons for a whole region—alternative narratives and a new visual language emerge.
    [Show full text]
  • My Voice Is My Weapon: Music, Nationalism, and the Poetics Of
    MY VOICE IS MY WEAPON MY VOICE IS MY WEAPON Music, Nationalism, and the Poetics of Palestinian Resistance David A. McDonald Duke University Press ✹ Durham and London ✹ 2013 © 2013 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Cover by Heather Hensley. Interior by Courtney Leigh Baker Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data McDonald, David A., 1976– My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance / David A. McDonald. pages cm Includes bibliographical references and index. isbn 978-0-8223-5468-0 (cloth : alk. paper) isbn 978-0-8223-5479-6 (pbk. : alk. paper) 1. Palestinian Arabs—Music—History and criticism. 2. Music—Political aspects—Israel. 3. Music—Political aspects—Gaza Strip. 4. Music—Political aspects—West Bank. i. Title. ml3754.5.m33 2013 780.89′9274—dc23 2013012813 For Seamus Patrick McDonald Illustrations viii Note on Transliterations xi Note on Accessing Performance Videos xiii Acknowledgments xvii introduction ✹ 1 chapter 1. Nationalism, Belonging, and the Performativity of Resistance ✹ 17 chapter 2. Poets, Singers, and Songs ✹ 34 Voices in the Resistance Movement (1917–1967) chapter 3. Al- Naksa and the Emergence of Political Song (1967–1987) ✹ 78 chapter 4. The First Intifada and the Generation of Stones (1987–2000) ✹ 116 chapter 5. Revivals and New Arrivals ✹ 144 The al- Aqsa Intifada (2000–2010) CONTENTS chapter 6. “My Songs Can Reach the Whole Nation” ✹ 163 Baladna and Protest Song in Jordan chapter 7. Imprisonment and Exile ✹ 199 Negotiating Power and Resistance in Palestinian Protest Song chapter 8.
    [Show full text]
  • Lebanon Page 1 of 16
    Lebanon Page 1 of 16 Lebanon Country Reports on Human Rights Practices - 2004 Released by the Bureau of Democracy, Human Rights, and Labor February 28, 2005 Lebanon is a parliamentary republic in which the President is a Maronite Christian, the Prime Minister a Sunni Muslim, and the Speaker of the Chamber of Deputies a Shi'a Muslim. President Emile Lahoud took office in 1998 after an election by Parliament that was heavily influenced by Syria. In September, in a locally unpopular move, Syria pressured parliamentarians to pass a Constitutional amendment to extend President Lahoud's term for 3 additional years; it will now end on November 24, 2007. The Parliament consists of 128 deputies, equally divided between Christian and Muslim representatives. In the 2000 parliamentary elections, incumbent Prime Minister Salim al-Hoss lost his seat in a contested election, and former Prime Minister Rafiq Hariri then was named Prime Minister by President Lahoud. According to international observers, the elections were flawed; however, there reportedly were fewer voting irregularities than in the 1996 parliamentary elections. The Constitution provides for an independent judiciary; however, in practice, it was subject to political pressure. Syrian military and Lebanese and Palestinian militias, particularly Hizballah, retained significant influence over much of the country. Approximately 15,000 Syrian troops were stationed in locations throughout the country, excluding the area bordering on Israel in the south of the country. In September, Syria claimed to have carried-out a redeployment of its troops in the country, withdrawing approximately 3,000; however, the actual number is believed to be less than 1,000.
    [Show full text]
  • Westminsterresearch Song Is the Secret of of Existence: Fairouz And
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Song is the Secret of of Existence: Fairouz and the Arab Diaspora in London and Doha Issa, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Ms Dima Issa, 2019. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] SONG IS THE SECRET OF EXISTENCE: FAIROUZ AND THE ARAB DIASPORA IN LONDON AND DOHA DIMA ISSA A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS OF THE UNIVERSITY OF WESTMINSTER FOR THE DEGREE OF DOCTOR OF PHILOSOPHY July 2019 Abstract Nestling in the hearts and minds of her listeners, the Lebanese singer and performer, Fairouz, travels across land and seas, offering gentle reminders of the past or inspiring hope for the future. With the objective of exploring the role that Fairouz plays in the lives of the Arab diaspora, this project examines possible identity constructions and concepts of belonging, investigating how Fairouz factors in diasporic space and how her music offers opportunities to navigate individual and social positions in such space. Through an ethnographic study, focusing on in-depth interviews, narratives of 59 members of the Arab diaspora living in Doha, Qatar and London, England were heard, understood and categorised thematically, highlighting how music can elucidate and situate experiences of migration, positioning listeners on a fluctuating continuum, which moves beyond standard private and public lines of domesticity, nationalism and religion.
    [Show full text]
  • AMO Cover-F-Eng
    1 ss;s; PRODUCTION TABLE OF CONTENTS ACKNOWLEDGEMENTS 02 Project Team Foreword: Dubai Press Club 04 Foreword: Deloitte Maryam Bin Fahad, Executive Director 06 Acknowledgements Nadin Al Lahham, Business Development Supervisor 08 Executive Summary Adel Ibrahim, Senior Manager Operations 12 Methodology Muna Busamra, Deputy Manager Arab Journalism Award Sadiq Jarrar, Communications & PR Manager Section 1: Arab Media in a Global Context 15 Jasim Al Shemsi, Deputy Project Manager Mohab Mazen, Deputy Events Manager 1. Print 25 Afra Matar, Brand Executive 2. TV 41 Khalid Jamal, PR Coordinator 3. Digital 57 Ahmad Khalid, Events Coordinator 4. Other Platforms 77 Khulood Alkhoory, Media Relations Coordinator 5. TV Series 81 Rajeev Kandathil, Administrative Executive 6. Movies 95 Mohamed Al Hosany, Events Coordinator 7. Sports 109 Ahmed Al Muhairbi, Media Relations Coordinator 8. Music 123 Ahmed Al Hashimi, Media Relations Coordinator Abdul Hani Aliouat, Arabic Editor & Proofreader Section 2: Regional Update 135 Dana Beydoun, Senior Editor In-focus countries 137 Sireen Jannoun, Senior Editor Country-by-country update 175 Section 3: The Media Revolution For Feedback and Review 1. Introduction 223 Dr. Hessa Lootah, Assistant Professor Department of Public Media and Communications - Emirates University 2. Social Media 224 Mamoon Sbeih, Managing Director - Arab Region, APCO Worldwide 3. Satellite TV 229 Craig D`Silva, Project Consultant, APCO Worldwide 4. Implications for the Future 232 Musab Zakarya – For translation 5. Conclusion 238 For Deloitte Glossary
    [Show full text]
  • Télécharger Le Catalogue De Toutes Les Chansons Dédicace
    TrackId Title Artist Album Genre SCRTCG 11001 Need You Now Adele & Darius rucker Lady Antebellum Need You Now. AMOUR 6641510 11002 Million A7ebak Elissa Aychalek AMOUR 6641510 11003 Je t'aime Gilbert Becaud Gilbert becaud AMOUR 6641510 11004 Ne Me Quitte Pas Jack Brel Jacque Brel,ses 16 plus belles chansons AMOUR 6641510 11005 Je t'aime Lara Fabian Carpe Diem AMOUR 6641510 11006 My All Mariah Carrey Butterfly AMOUR 6641510 11007 Ba7ebek Zay Manty Ragheb Alama Taw2am Rou7i AMOUR 6641510 11008 El Hob El Kebir Ragheb Alama El Hob El Kebir AMOUR 6641510 11009 I Cant Stop Loving You Ray Charles Definitive Ray Charles AMOUR 6641510 11010 I Just Call To Say I Love You Stevie Wonder The Woman In Red AMOUR 6641510 11011 Besame Mucho Cesaria Evora Great Expectations - The Album AMOUR 6641510 11012 You Make Me Feel So Youn Charles Aznavour & Franck Sinatra Charles Aznavour AMOUR 6641510 11013 Million Ahebak Elissa Aychalek AMOUR 6641510 11014 Ta3a Elissa Bastannek AMOUR 6641510 11015 Asi son los amigos Eros Ramazzoti Musica es AMOUR 6641510 11016 Fuego en el Fuego Eros Ramazzoti Musica es AMOUR 6641510 11017 Por ti me casare Eros Ramazzoti Musica es AMOUR 6641510 11018 Et Pourtant Charles Aznavour 40 chansons d'or cd2 AMOUR 6641510 11019 Avec le temps Léo Ferré Leo Ferre AMOUR 6641510 11020 Yemkn Kelmet Ba7ebak Nancy Za3balawy Panet AMOUR 6641510 11021 Vivo Per Lei Hélène Ségara & Andrea Bocelli Cœur de VERRE AMOUR 6641510 11022 Malione A7ebbak Wael Jassar Jer7 El Madhi AMOUR 6641510 11023 Jer7 El Madhi Wael Jassar Jer7 El Madhi AMOUR 6641510 11024
    [Show full text]
  • Anti-Israel Slurs Top Ten Anti-Semitic
    2013 Top Ten Anti-Semitic/ Anti-Israel Slurs 2013 Top Ten Anti-Semitic/ Anti-Israel Slurs AYATOLLAH ALI KHAMENEI SUPREME LEADER OF IRAN “Rabid dog…its leaders… cannot be called human” Even as the world’s top diplomats celebrated a tentative nuclear/sanctions deal that many believe will not 1 stop Iran’s capacity to go nuclear, few leaders condemned Supreme Leader Ayatollah Khamenei for his unabated public slurs and genocidal threats against the Jewish State. Referring to Israel as the, “rabid dog in the region,” he added, “Its leaders look like beasts and cannot be called human.” Throughout 2013, as the US conducted secret talks with Tehran, the Ayatollah’s anti-Semitic and anti-Israel hate flowed unabated. On the eve of Iranian elections, Khamenei declared, “Zionists” were the real power in the United States, updating the old canard of a global Jewish conspiracy. RECIP TAYYIP ERDOGAN PRIME MINISTER OF TURKEY The “Interest rate lobby” is to blame Recip Erdogan’s tenure as Turkish Prime Minister has been 2 marked by extreme animus toward Israel, historically Ankara’s strategic friend and trading partner. His mindset was on full display during two pivotal political crises in 2013. First, in response to anti-government demonstrations earlier in the year in Istanbul’s Gezi Park, PM Erdogan, blamed the public’s expressions of dissent on the so-called “interest rate lobby” -- a term defined by his deputy as “The Jewish Diaspora.” Later, Erdogan also intimated that the Egyptian military’s ouster of Mohammed Morsi was instigated by Israel. Then in December, Erdogan and his media allies who blamed a conspiracy by “foreign powers” for a burgeoning corruption scandal, again deployed charges that the “interest rate lobby” had instigated the latest crisis as well.
    [Show full text]
  • Lebanon's Culture
    © Lonely Planet Publications 248 lonelyplanet.com LEBANON’S CULTURE •• Lifestyle 249 will marry within their religion; however, like many social expectations, this is slowly changing. Since Lebanon currently only legally recognises Lebanon’s Culture civil marriages contracted overseas, many mixed-religion couples opt for marriage in Cyprus or Greece, if one half of the couple (usually the THE NATIONAL PSYCHE woman) doesn’t choose to convert. Like its neighbour Syria, hospitality in Lebanon is spelt with a capital For young Lebanese, Christians – both male and female – usually ‘H’ and despite its multiple setbacks and political upheavals, Lebanon have far greater social freedom than Muslims or members of other reli- remains one of the friendliest places in the world to visit. Beirut, in par- gions, evident in Beirut’s profusion of largely Christian-populated bars ticular, welcomes visitors with open arms. Instead of being intimidated and clubs. But while these freedoms may at first appear similar to their by heavily armed soldiers perched atop tanks on street corners, you’ll counterparts in the West, there is a limit to what is deemed acceptable soon find that even a simple smile will generally get you a ‘welcome’ and behaviour. an enthusiastic wave. Moreover, the Lebanese diaspora is so widespread Drinking heavily, sleeping around or taking drugs is frowned upon in that no matter where you come from, almost everyone you meet will Lebanese society – not that you’d necessarily know it on a night out on Emily Nasrallah’s Flight likely have a sibling, cousin or uncle living in your country – a link that Beirut’s Rue Monot.
    [Show full text]
  • Air France Radios
    Air France Radios NOVEMBRE / DECEMBRE 2013 NOVEMBER / DECEMBER 2013 Compilations RADIO CLASSIQUE 4 Grandes œuvres classiques / Classical Composers RADIO CLASSIQUE 5 Evénement classique / Classical Highlights TSF 6 Jazz classique / Jazz Legends L’ESPRIT JAZZ 7 Jazz contemporain / Jazz Mix RFM 8 Le meilleur de la musique / The Best Of Music NOVA 9 Le grand mix / The Grand Mix LA MUSIQUE DU FAUBOURG 10 De la musique avant toute chose RTL2 11 Rock PHUNK 12 Avant-premières et raretés / Future Hits & Rareties LES INROCKUPTIBLES 13 RFI 14 Musique du Moyen Orient / North Africa-Middle East RFI 15 Musique d'Afrique / Africa RADIO LATINA 16 Musique d’Amérique Latine / Latin America Compilations RFI 17 Autour du monde / Around The World MUSIQUE POUR LES ENFANTS 18 MUSIC FOR THE YOUNG 19 RADIO CLASSIQUE Grandes œuvres classiques / Classical Composers Compositeur Titre Label Composer Title Label 1 Franz Schubert Sonate pour piano D.960 : 3e mvt "Scherzo" Ambroisie 2 Wolfgang Amadeus Mozart Symphonie n°40 : 3e mvt "Menuetto - Allegretto" Linn Records 3 Jan Dismas Zelenka Sonate en trio n°6 : 2e mvt "Allegro" Hérissons 4 Jean-Sébastien Bach Concerto Brandebourgeois n°1 : 3e mvt "Allegro" Alpha 5 George Frederic Haendel Water Music - Suite n°2 : Alla Hornpipe Hänssler 6 Ludwig van Beethoven Sonate pour piano n°7 : 1er mvt "Presto" Avi-Music 7 Emmanuel Chabrier Suite pastorale : Idylle Chandos 8 Camille Saint-Saëns Romance pour violon et piano Naxos 9 Bernhard Henrik Crusell Concerto pour clarinette n°2 : Rondo allegretto final Ars Produktion 10 Gioacchino Rossini Le Barbier de Séville : "Una voce poco fa" Virgin 11 Félicien David Quatuor à cordes n°2 : 3e mvt "Allegretto" Ambroisie 12 Franz Liszt Années de Pèlerinage : "Les jeux d'eau à la Villa d'Este" Naïve 13 Hector Berlioz Symphonie fantastique : 2e mvt "Un bal" Naxos 14 Johannes Brahms Concerto pour piano n°1 : Final "Rondo.
    [Show full text]
  • Not Arabi Or Ajnabi: Arab Youth and Reorienting Humor
    International Journal of Communication 14(2020), 3202–3219 1932–8036/20200005 Not Arabi or Ajnabi: Arab Youth and Reorienting Humor SULAFA ZIDANI University of Southern California, USA This article examines a type of online content created by Arab youth that mixes local and foreign popular culture and politics. This content is examined in relation to the position of Arab youth within transnational power dynamics looking at how they build on longstanding meanings to define their own unique culture. These creations mixing Arabic and foreign (arabi–ajnabi) languages, music, images, and videos, result in content that is humorous specifically to those who are literate in both of the cultures being juxtaposed. Drawing on academic literature on humor, remix, and mash-up culture, this article looks into how this new content, labeled here as reorienting humor, becomes a way for doubly marginalized youth to be cultural agents for themselves and disrupt the direction of cultural flows in a way that creates a disturbance in the power relations and calls into question binaries such as local–global dominant–marginalized, and center–periphery. Keywords: mash-up, remix, power, humor, transnational, Arab, Middle East A music video released in October 2016 shows Japanese artist DJ Pikotaro dancing in an animal print outfit singing a repetitive electronic song called Pen Pineapple Apple Pen (PPAP). The images in Figure 1 are not from that video, but from an Arabic page on the social networking website Facebook called Tamt Altargama, which focuses on “translation of foreign arts.” These edited images dress Arab celebrities such as Umm Kulthum, Amr Diab, and Fairouz with Pikotaro’s iconic animal print scarf.
    [Show full text]