1-31 October 2013 BAKU - AZERBAIJAN

Total Page:16

File Type:pdf, Size:1020Kb

1-31 October 2013 BAKU - AZERBAIJAN since 2007 BAKU - AZERBAIJAN GUIDE to CULTURAL ENTERTAINMENTS What & Where 1-31 October 2013 BAKU - AZERBAIJAN GUIDE to CULTURAL ENTERTAINMENTS since 2007 95, Nizami str., Baku AZERBAIJAN STATE ACADEMIC Tel: (99412) 493 16 51, OPERA AND BALLET THEATRE 493 31 88, 93 16 51 2 P. Tchaikovsky Romeo & Juliet – ballet 19.00 M. Ravel Bolero – ballet 6 G.Garayev Leyli and Mejnun – ballet 19.00 F. Garayev “Shades of Gobustan” ballet (Premiere) 12 G. Verdi Rigoletto – opera 19.00 13 G.Garayev Don Quixote – ballet 19.00 N.Rimsky-Korsakov Scheherazada – ballet 19.00 18 Concert programme by the Winners of the “Viva Espana! ” 2013 19.00 International Flamenco Festival - “Amigos Del-Arte” Collective 19 F. Amirov 1001 Nights – ballet 19.00 20 L. Vaynshtein Zolushka (Cinderella) – opera 19.00 23 G. Donizetti The Elixir of Love – opera (Premiere) 19.00 26 P. Tchaikovsky Swan Lake – ballet 19.00 27 U. Hajibeyli Leyli and Mejnun – opera 19.00 30 F. Amirov Sevil-opera 19.00 Azebaijan State Academic Opera and Ballet Theatre The Opera Theater was built in 1914 and restored in 1988. Along with the performances of its own company, the main stage of the country has seen such luminaries of world opera and ballet as Jose Carreras, Montserrat Caballe, Elena Obraztsova, Galina Vishnevskaya, and others. 1, Fizuli Square, Baku AZERBAIJAN STATE ACADEMIC Tel: (99412) 594 44 03, NATIONAL DRAMA THEATRE 594 49 39, 594 48 40 4 Ali Amirli Agha Mohammad Shah Gajar 19.00 5 A. Shaig The Talking Doll 12.00, 14.00 M.Visniec The Old Clown 19.00 6 A. Shaig Gypsy Girl 12.00 F.Bruckner Napoleon 19.00 11 V.Hugo A Woman`s Love (based on Maria Tudor) 12.00 12 Elchin Shakespeare 19.00 13 A. Shaig The Talking Doll 12.00, 14.00 Ali Amirli Agha Mohammad Shah Gajar 19.00 18 Elchin Telescope 19.00 19 M.F.Akhundzade Monsieur Jordan and Dervish Mastali Shah 12.00 M.Visniec The Old Clown 19.00 20 A. Shaig Gypsy Girl 12.00 H. Miralamov Ganja Gates 19.00 25 Ali Amirli Agha Mohammad Shah Gajar 19.00 26 H.Hasanov Far Away Letter 12.00 R. Cooney Forced womanizer 19.00 27 A. Shaig The Talking Doll 12.00 Elchin Destiny of the Actor 19.00 Azerbaijan State Academic National Drama Theatre On 10 March 1873, a comedy by national classic M. F. Akhundzade, “A Vizier of the Lankaran Khanate”, was staged in Azerbaijan for the first time. This was when the foundations of the Academic Drama Theatre were laid. The theater initially acted in the form of individual troupes, but in 1919 they were joined together and received the status of a State Theater which has been preserved to this day. 7, Khagani str., Baku Tel: (99412) 493 00 63 AZERBAIJAN STATE RUSSIAN (ticket office) (99412) 493 40 48, DRAMA THEATRE 493 42 42, 498 65 06 www.rusdrama-az.com 4 Elchin Lodgers of the Hell 19.00 5 M. Zadovnov The Last Chance 19.00 6 V. Sigarev Lie Detector 19.00 11 Elchin Telescope 19.00 12 O.Yernev New Year`s Eve Love Affairs 19.00 13 M.F.Akhundzade The Adventures of the Vizier of Lankaran Khanate 19.00 18 A.N.Ostrovsky Wolves & Sheep 19.00 19 A. Ivanov Has Anyone Called for a Fiancé, Girls? 19.00 20 E.Schmitt Libertine 19.00 25 F. Dostoyevsky The Brothers Karamazov 19.00 26 M. Camoletti La Bonne Anna 19.00 27 V. Stanilov Opera Mafiozo 19.00 FOR CHILDREN 5 Y. Shutskiy Morozko 12.00 6 V. Reznikova By the Pike's Wish 12.00 12 V. Neverov Ugaday Skazku-2 (Guess That Fairy Tale-2) 12.00 13 V. Reznikova Masha & the Bear 12.00 19 A. Nikushina A Gold Embroiderer and a Sweeper 12.00 20 E. Chernyak Vasilisa the Beautiful 12.00 26 V. Neverov Ugaday Skazku-1 (Guess That Fairy Tale-1) 12.00 27 V. Reznikova By the Pike's Wish 12.00 Azerbaijan State Russian Drama Theatre The Azerbaijan State Russian Drama Theatre named after Samad Vurgun was established in 1923. The theater's repertoire includes plays by foreign, Russian and national playwrights. 72, Nizami str., Baku AZERBAIJAN STATE THEATRE Tel: (99412) 493 79 28 FOR YOUNG SPECTATORS (99412) 493 88 25 5 Azerbaijan Folk Fairytale Goychek Fatma (Beautiful Fatma) 12.00 M.F.Akhundzade Haji Gara 19.00 6 Kh. Alibeyli The Rabbit`s Birthday 12.00 Elchin Stories of Buzovna Village 19.00 12 Ch. Perrault The Master Cat or Puss in Boots 12.00 T. Veliyeva My White Dove 19.00 13 P. Panchev Fairytale of Four Twins 12.00 19 Arabian Fairytale Alibaba and Forty Thieves 12.00 M.F.Akhundzade Haji Gara 19.00 20 A. Tolstoy The Golden Key or the Adventures of Buratino 12.00 M.F.Akhundzade Monsieur Jordan and Dervish Mastali Shah 19.00 26 A. Lindgren Karlsson 12.00 K. Hamsun Victoria 19.00 27 A. Hoffmann The Nutcracker 19.00 Azerbaijan State Theatre for Young Spectators The Azerbaijan State Theatre for Young Spectators is a professional theater intended for young audiences. It was established in 1928. The theater also operates a number of creative studios. It is this stage that often becomes the first step into the world of theater for thousands of young residents of Baku. AZERBAIJAN STATE PANTOMIME THEATRE 21 B. Khanizade No comment 18.00 22 B. Khanizade The Mime Bouquet 18.00 28 On the base of epos “Kitabi Dede Korkut” - Deli Domrul 18.00 29 A. de Saint Exupéry The Little Prince 14.00 29 S. Hajiyeva Deja Vu 18.00 49, Azadlig Ave., Baku Tel: (99412) 441 47 56 AZERBAIJAN STATE 36, Neftchiler ave., Baku PUPPET THEATRE Tel: (994 12) 492 64 25 1 E.Bakhish Malikmammad 12.00,14.00,16.00 T. Agayev Gochag Ahmed (Brave Ahmed) – in Russian18.00 2 A. Samadli Jik-Jik Khanim 12.00,14.00,16.00 3 N. Kazimov Aladdin 12.00,14.00,16.00 H.C.Andersen Fairytale about the Fairytale – in Russian 18.00 8 K. Agayeva Goychek Fatma (Beautiful Fatma) 12.00,14.00,16.00 H.C.Andersen Fairytale about the Fairytale – in Russian 18.00 9-16 The 2nd International Theatre Festival “Jirtdan” 17 G. Rodari Cipollino 12.00,14.00,16.00 G. Rodari Cipollino 18.00 22 M. Seyidzade Jirtdan 12.00,14.00,16.00 H.C.Andersen Fairytale about the Fairytale – in Russian 18.00 23 U. Hajibeyli O Olmasin, Bu Olsun 12.00,14.00 (If Not That One, Then This One) T. Agayev Gochag Ahmed (Brave Ahmed) – in Russian16.00, 18.00 24 C. Collodi The Adventures of Pinocchio 12.00,14.00,16.00 C. Collodi The Adventures of Pinocchio - in Russian 18.00 29 A. Oruj Cat with the Bell 12.00,14.00,16.00 Ch. Perrault Blue Beard 18.00 30 A. Lindgren Karlsson 12.00,14.00,16.00 A. Lindgren Karlsson – in Russian 18.00 Azerbaijan State Puppet Theatre The Azerbaijan State Puppet Theatre first built in 1910. Used in later years as a cinema theatre and an agricultural exhibition hall, the building was granted to the city puppet theatre in 1965. Already a few generations of young Baku residents enter the world of fairy tales and start enjoying the magic of the theatre. 15 22 1 7 29 20 31 33 24 19 27 25 4 6 2 23 1729 18 21 28 16 32 3 13 14 5 12 11 30 9 26 10 8 1. Azerbaijan State Academic National Drama 12. State Museum of Azerbaijan 21. Samed Vurgun Home-Museum Theatre Carpet & Applied Art 22. Uzeyir Hajibeyli Home-Museum 2. Azerbaijan State Academic Opera and Ballet 13. The State Museum of 23. Azerbaijan State Picture Gallery Theatre Azerbaijan Musical Culture 24. Institute of Manuscripts 3. Azerbaijan State Theatre of Musical Comedy 14. Azerbaijan State Theatre Museum 25. National Azerbaijan History Museum 4. Azerbaijan State Russian Drama Theatre named after Jafar Jabbarli 26. Museum of Independence of Azerbaijan 5. Azerbaijan State Puppet Theatre 15. Abdulla Shaig Home-Museum 27. Gobustan State Historical-Artistic Preserve 6. Azerbaijan State Theatre for Young Spectators 16. Boyuk Gala 19 Art Gallery 28. State Historical & Architectural Museum- 7. Azerbaijan State Pantomime Theater 17. Bulbul Memorial Museum Preserve “Complex of Shirvanshahs` Palace” 8. YUG Azerbaijan State Theatre 18. Center of Azerbaijan Miniature Art 29. Vajiha Samedova Exhibition Centre 9. Museum Center 19. Huseyn Javid Home-Museum 30. Jafar Jabbarli Home-Museum 10. Museum of Modern Art 20. Leopold & Mstislav Rostropovich Home- 31. The Heydar Aliyev Palace 11. Azerbaijan National Museum of Arts Museum 32. Azerbaijan State Philharmonic Hall 33. Baku Jazz Center 15 22 1 7 29 20 31 33 24 19 27 25 4 6 2 23 1729 18 21 28 16 32 3 13 14 5 12 11 30 9 26 10 8 1. Azerbaijan State Academic National Drama 12. State Museum of Azerbaijan 21. Samed Vurgun Home-Museum Theatre Carpet & Applied Art 22. Uzeyir Hajibeyli Home-Museum 2. Azerbaijan State Academic Opera and Ballet 13. The State Museum of 23. Azerbaijan State Picture Gallery Theatre Azerbaijan Musical Culture 24. Institute of Manuscripts 3. Azerbaijan State Theatre of Musical Comedy 14. Azerbaijan State Theatre Museum 25. National Azerbaijan History Museum 4. Azerbaijan State Russian Drama Theatre named after Jafar Jabbarli 26. Museum of Independence of Azerbaijan 5. Azerbaijan State Puppet Theatre 15. Abdulla Shaig Home-Museum 27. Gobustan State Historical-Artistic Preserve 6. Azerbaijan State Theatre for Young Spectators 16.
Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • Baku News and Events May 2013
    Baku News and Events May 2013 Hungarian WizzAir Company will launch Budapest-Baku-Budapest flights - Nijat Mustafayev - APA The Hungarian WizzAir Company will launch a Budapest-Baku-Budapest flight on June 17, 2013, said the WizzAir’s Director Gyorgy Abran. According to him, ticket sales have already begun: “The flights from Budapest to Baku will be implemented on Mondays and Fridays at 20:35 (local time) and from Baku to Budapest – on Tuesdays and Saturdays at 03:55.” Abran noted that the Air Company has 40 Airbus A-320 aircrafts and the company will increase the number of aircrafts to 45 this year. For the present, the company has flights on more than 270 routes (33 countries). It carried 12 million passengers last year and this year is expected to reach 13.5 million. It is well known for flying all over Europe to 89 destinations including Warsaw, Barcelona, Frankfurt, Riga, and London. The current price is 120-150 euro from Baku to Budapest. Baku Charity Triathlon The 9th annual Baku Charity Triathlon will take place on Saturday, June 8, 2013. The race is a sprint-distance triathlon: 500m swim, 20km bike, 5 km run. The swim will take place at the Hyatt Oasis Club indoor pool during the morning, while the afternoon bike and run will take place at Stonepay Royal Park. The categories are an Open Race (men and women), an over 40’s race (men and women), an over 50s race (men and women) and two team races – teams of two or teams of three (no gender difference here).
    [Show full text]
  • Esi Document Id 128.Pdf
    Generation Facebook in Baku Adnan, Emin and the Future of Dissent in Azerbaijan Berlin – Istanbul 15 March 2011 “... they know from their own experience in 1968, and from the Polish experience in 1980-1981, how suddenly a society that seems atomized, apathetic and broken can be transformed into an articulate, united civil society. How private opinion can become public opinion. How a nation can stand on its feet again. And for this they are working and waiting, under the ice.” Timothy Garton Ash about Charter 77 in communist Czechoslovakia, February 1984 “How come our nation has been able to transcend the dilemma so typical of defeated societies, the hopeless choice between servility and despair?” Adam Michnik, Letter from the Gdansk Prison, July 1985 Table of contents Executive Summary ......................................................................................................................... I Cast of Characters .......................................................................................................................... II 1. BIRTHDAY FLOWERS ........................................................................................................ 1 2. A NEW GENERATION ......................................................................................................... 4 A. Birth of a nation .............................................................................................................. 4 B. How (not) to make a revolution .....................................................................................
    [Show full text]
  • Building Cultural Bridges: Benjamin Britten and Russia
    BUILDING CULTURAL BRIDGES: BENJAMIN BRITTEN AND RUSSIA Book Review of Benjamin Britten and Russia, by Cameron Pyke Maja Brlečić Benjamin Britten visited Soviet Russia during a time of great trial for Soviet artists and intellectuals. Between the years of 1963 and 1971, he made six trips, four formal and two private. During this time, the communist regime within the Soviet Union was at its heyday, and bureaucratization of culture served as a propaganda tool to gain totalitarian control over all spheres of public activity. This was also a period during which the international political situation was turbulent; the Cold War was at its height with ongoing issues of nuclear armaments, the tensions among the United States, the Soviet Union, and the United Kingdom ebbed and flowed, and the atmosphere of unrest was heightened by the Vietnam War. It was not until the early 1990s that the Iron Curtain collapsed, and the Cold War finally ended. While the 1960s were economically and culturally prosperous for Western Europe, those same years were tough for communist Eastern Europe, where the people still suffered from the aftermath of Stalin thwarting any attempts of artistic openness and creativity. As a result, certain efforts were made to build cultural bridges between West and East, including efforts that were significantly aided by Britten’s engagements. In his book Benjamin Britten and Russia, Cameron Pyke portrays the bridging of the vast gulf achieved through Britten’s interactions with the Soviet Union, drawing skillfully from historical and cultural contextualization, Britten’s and Pears’s personal accounts, interviews, musical scores, a series of articles about Britten published in the Soviet Union, and discussions of cultural and political figures of the time.1 In the seven chapters of his book, Pyke brings to light the nature of Britten’s six visits and offers detailed accounts of Britten’s affection for Russian music and culture.
    [Show full text]
  • YULIA MENNIBAEVA Mezzosoprano
    YULIA MENNIBAEVA mezzosoprano Yulia Mennibaeva has begun her musical studies under the guidance of Victor Minakov; then, from 2005 to 2010, she has studied with the soprano Galina Pisarenko at the Moscow Tchaikovsky Conservatory and as conclusion of her studies' path she has graduated at the Academy of Choral Arts with Dmitry Vdovin. Her career has begun thanks to the debut in the opera Orfeo ed Euridice. Furthermore, since 2010 she has been performing as soloist at the Kolobov Novaya Opera Theatre in Moscow where she has sung such important roles as Fenena in Nabucco, Dido in Dido and Aeneas, Maddalena in Rigoletto, Third Nymph in Rusalka, Olga in Eugeny Onegin, Kontchakovna in Prince Igor, Tisbe in La Cenerentola, Feodor in Boris Godunov, Spring in The Snow Maiden, Myrtale in Thais, the little robber girl in The Story about Kay and Gerda and Laura in Iolanta. Besides the opera repertoire, she has also been involved in lots of concert, among which we remember the Coronation Cantata by Glazunov at the Festival of the World Orchestras in Moscow (2012), the Mass of the world Armed Man by Karl Jenkins in the Great Hall of the Moscow Conservatory (2014), the Gloria by Vivaldi and Mozart's Requiem at the Moscow Philharmonic (2014), the Petite Messe Solennelle by Rossini at the Yaroslavl Philharmonic (2014), the Alexander Nevsky cantata by Sergei Prokofiev at the Novaya Opera (2016) and the final winners concert of Viñas Competition at the Teatro Real de Madrid (2016). During the Season 2016/2017 of the Opernhaus Zurich Yulia has been soloist of the International Opera Studio.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • 3 0 J Une 2 0
    BAKU - AZERBAIJAN GUIDE to CULTURAL ENTERTAINMENTS since 2007 BAKU - AZERBAIJAN GUIDE to CULTURAL ENTERTAINMENTS since 2007 What & Where 1 - 3 0 J u n e 2 0 1 3 BAKU - AZERBAIJAN GUIDE to CULTURAL ENTERTAINMENTS since 2007 Uzeyir Hajibeyli Home-Museum Museum of Modern Art 69/69, Shamil Azizbeyov str., Baku 5, Yusif Safarov str., Baku Tel: (99412) 595 25 58 Tel: (99412) 490 84 84 (99412) 595 25 34 Opening hours: Opening hours: Tuesday-Sunday 10:00 – 18:00 11:00-21:00 Monday www.mim.az Jalil Mammadguluzade Home-Museum “Gallery 1969” 56, S. Taghiade str., Baku 27, Uz.Hajibeyli str., Baku Tel: (99412) 492 24 09 Tel: (994 12) 493 28 36 Opening hours: (994 12) 493 28 41 10:00 – 18:00 Opening hours: Tuesday-Sunday 10:00-18:00 Monday-Friday Nariman Narimanov Memorial Museum 35, Istiglaliyyat str., Baku Vajiha Samadova Exhibition Centre Tel: (99412) 492 05 15 19, Khagani str., Baku Opening hours: Tel: (99412) 493 62 30 09:00-18:00 (99412) 493 65 01 Monday-Sunday (99412) 493 17 44 (99412) 498 69 26 Mammad Said Ordubadi Memorial Museum Opening hours: 19/19, Khagani str., Baku 11:00-17:00 Tel: (99412) 493 50 85 Monday-Sunday Opening hours: 13:00-18:00 Boyuk Gala 19 Art Gallery Monday-Friday 19, Boyuk Gala str., Icherisheher, Baku Tel: (99412) 492 05 78 Hasan bey Zardabi Natural History Museum (99412) 493 05 01 3, Lermontov str., Baku Opening hours: Tel: (99412) 492 06 67 10:00 – 18:00 Opening hours: Tuesday-Sunday 10:00-17:00 Tuesday-Saturday Center of Azerbaijan Miniature Art 15, Gasr str., Icherisheher, Baku Jafar Jabbarli Home-Museum Tel: (99412) 492 59 06 44, S.
    [Show full text]
  • Azerbaijan on the International Arena
    Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y Azerbaijan on the international arena Azerbaijan - UN Azerbaijan – European Union Azerbaijan - Council of Europe Azerbaijan - OSCE Azerbaijan - UNESCO Azerbaijan – OIC Azerbaijan – Guam Azerbaijan - NATO 1 Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y Azerbaijan on the international arena Azerbaijan has been following an independent foreign policy since gaining independence in 1991. This policy aims at the strengthening and development of the state system and the protection of the national interests of Azerbaijan. Azerbaijan builds its foreign policy on the principle of respect to the international legal standards and norms, the state sovereignty and territorial integrity and the principles of nonintervention into the internal affairs. The foreign policy of Azerbaijan, adhering to these principles and speaking on behalf of the national interests targets such urgent issues as the risks and challenges to the national security and territorial integrity, sovereignty and independence of the republic and the prevention of the intervention of the Republic of Armenia. The major priorities of the foreign policy of Azerbaijan are the establishment of the regional peace and stability, the implementation of large transport and cooperation projects. The attraction of the foreign capital to the implementation of different projects on the development of the country's economics for more effective protection of the national interests plays a great role in the foreign policy of Azerbaijan in the present-day world.
    [Show full text]
  • IAUP Baku 2018 Semi-Annual Meeting
    IAUP Baku 2018 Semi-Annual Meeting “Globalization and New Dimensions in Higher Education” 18-20th April, 2018 Venue: Fairmont Baku, Flame Towers Website: https://iaupasoiu.meetinghand.com/en/#home CONFERENCE PROGRAMME WEDNESDAY 18th April 2018 Fairmont Baku, Flame Towers 18:30 Registration 1A, Mehdi Hüseyn Street Fairmont Baku, Flame Towers, 19:00-21:00 Opening Cocktail Party Uzeyir Hajibeyov Ballroom, 19:05 Welcome speech by IAUP President Mr. Kakha Shengelia 19:10 Welcome speech by Ministry of Education representative 19:30 Opening Speech by Rector of ASOIU Mustafa Babanli THURSDAY 19th April 2018 Visit to Alley of Honor, Martyrs' Lane Meeting Point: Foyer in Fairmont 09:00 - 09:45 Hotel 10:00 - 10:15 Mr. Kakha Shengelia Nizami Ganjavi A Grand Ballroom, IAUP President Fairmont Baku 10:15 - 10:30 Mr. Ceyhun Bayramov Deputy Minister of Education of the Republic of Azerbaijan 10:30-10:45 Mr. Mikheil Chkhenkeli Minister of Education and Science of Georgia 10:45 - 11:00 Prof. Mustafa Babanli Rector of Azerbaijan State Oil and Industry University 11:00 - 11:30 Coffee Break Keynote 1: Modern approach to knowledge transfer: interdisciplinary 11:30 - 12:00 studies and creative thinking Speaker: Prof. Philippe Turek University of Strasbourg 12:00 - 13:00 Panel discussion 1 13:00 - 14:00 Lunch 14:00 - 15:30 Networking meeting of rectors and presidents 14:00– 16:00 Floor Presentation of Azerbaijani Universities (parallel to the networking meeting) 18:30 - 19:00 Transfer from Farimont Hotel to Buta Palace Small Hall, Buta Palace 19:00 - 22:00 Gala
    [Show full text]
  • Benjamin Britten in the Music Culture of the Soviet Union in the 1960S (To the 100Th Anniversary of the Composer's Birth)
    International Journal of Humanities and Social Science Vol. 3 No. 14 [Special Issue - July 2013] Benjamin Britten in the Music Culture of the Soviet Union in the 1960s (to the 100th Anniversary of the Composer's Birth) Alexander Rossinsky Department of Art Altai State University Russia Ekaterina Vorontsova Department of History Altai State University Russia Abstract The period of the 1960-s was difficult and controversial. Former allies of the anti-Hitler coalition turned to be on different sides of the acute ideological struggle which nearly led to the world war. Tremendous work was carried by artists, musicians who united disparate peoples into the community calling for the universal values. The central place in such the sphere of music belongs to one of the greatest composers of the 20th century, Benjamin Britten. Together with the Soviet musicians he pushed the world back from the sharp ideological confrontation. Keywords: B.Brittten, P.Pears, USSR, M.Rostropovich, G.Vishnevskaya, D.Shostakovich, symphonic and chamber music. The events unfolding in the world, which had survived the most destructive war in the history of human civilization, were dramatic and characterised by multi-vector directions of their development. The countries that joined the anti-Hitler coalition in the 40s, in the 60s were experiencing the peak of their ideological hostility, teetering on the verge of unleashing the third world war. At the same time, the Soviet Union, headed the unpredictable and highly controversial leader Nikita Khrushchev, pursued a policy of flirtations with liberalism in an attempt to overcome the cult of personality of Joseph Stalin and remove the notorious “Iron Curtain”, which for decades had protected the USSR from Western influence.
    [Show full text]
  • Verdi's Rigoletto
    Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered.
    [Show full text]
  • Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I a L L I B R a R Y
    Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y CHRONOLOGY Chronology of events that led Azerbaijan to independence and remarkable days after gaining the independence An extraordinary session of the Council of People's Deputies February 20,1988 of the Nagorno Karabakh Autonomous Republic (NKAR) was held in Hankendi. The session appealed to the Presidium of Supreme Soviet of Azerbaijan and Armenia with the request that they treat with understanding the decision to sever the NKAR from Azerbaijan SSR and transfer it to Armenian SSR. It was also applied to the Supreme Soviet of the USSR for the positive solution of this issue. February 22,1988 Two young Azerbaijanis were killed by Armenians in Askeran February 28,1988 Bloody outrages were perpetrated by Armenian instigators in Sumgait March 24, 1988 By the decree of the Presidium of the Supreme Council of Azerbaijan SSR an official prohibition was imposed on activity of separatist organization "Krung" to be accused of breeding strife among the peoples. Abdurrahman Vezirov was elected the first secretary of the Central May 21,1988 Committee of the Azerbaijan Communist Party. The session of the Council of People's Deputies of the NKAR July 12, 1988 adopted an illegal decree on annexation of autonomous region to the Armenian SSR. July 18, 1988 The issue “About decisions of the Supreme Councils of the Armenian SSR and the Azerbaijan SSR regarding Nagorno- Karabakh” was discussed at the enlarged meeting of the Presidium of the USSR Supreme Council.
    [Show full text]