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Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
ISO/IEC JTC1/SC2/WG2 N3196R2 1. Summary
ISO/IEC JTC1/SC2/WG2 N3196R2 Page 1 of 10 ISO/IEC JTC1/SC2/WG2 N3196R2 Title Proposal to Disunify U+4039 Source Andrew West and John Jenkins Document Type Expert Contribution Date 2007-05-01 1. Summary 䀹 目 夾 The character U+4039 is a unification of two different glyphs, one written as (i.e. mù radical and ji 䀹 目 㚒 phonetic) and one written as (i.e. mù radical and sh n phonetic). It is the former of these two glyph forms that is used to represent this character in the Unicode code charts and in most CJK fonts. The glyph form of U+4039 in various sources are shown below : ISO/IEC 10646:2003 page 307 Super CJK Version 14.0 page 1049 The Unicode Standard 5.0 code charts page 301 JIS X 0213:2000 Plane 2 Row 82 Col.2 (J4-7222) ISO/IEC JTC1/SC2/WG2 N3196R2 Page 2 of 10 Ѝ There is also a simplified form of the ji phonetic glyp䀹h (U+25174 ), aᴔs well as two compatability ideographs that are canonically equivalent to U+4039 : U+FAD4 and U+2F949 . The situation is summarised in the table below : Source References Code Point Character (from ISO/IEC 10646:2003 Amd.1) G3-5952 T4-3946 4039 䀹 J4-7222 H-98E6 KP1-5E34 FAD4 䀹 KP1-5E2B 25174 Ѝ G_HZ 2F949 ᴔ T6-4B7A 䀹 䀹 We believe that the two glyph forms of U+4039 ( and ) are non-cognate, and so, according to the rules for CJK unification (see ISO/IEC 10646:2003 Annex S, S.1.1), should not have been unified. -
Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
Han, Wei, Six Dynasties Syllabus
Topics in Classical Chinese Poetry and Poetics (16:217:527) Han, Wei and Six Dynasties Course Guidelines and Syllabus Spring 2020 Instructor: Professor Wendy Swartz [email protected] Scott Hall 323 Office Hour: T 11:00-12:00, and by appointment Course Description: This course introduces the major poetic genres and works of the Han, Wei and Six Dynasties, the formative period for classical poetry. It will focus primarily on the art of reading poetry, with attention to relevant historical, biographical and literary-historical contexts. Emphasis will thus be placed on 1) learning the conventions of particular genres and subgenres, 2) assessing the qualities of individual poets and poems through an examination of their manipulation of these conventions, and a comparison with other voices in the tradition, and 3) recognizing the larger stylistic shifts and literary concerns that developed over the course of early medieval China. Readings from a selection of modern criticism will be helpful for understanding individual poets, issues and themes. Primary texts and commentaries are in Chinese, therefore proficiency in reading both modern and classical Chinese is required. Requirements and Grading: 1. Participation (10%): Participation in the translation and analysis of poems in class is mandatory. Students will need to come to class having read and translated all of the assigned poems and critical literature. 2. Class presentation (20%): Each week a student will be delegated to present on the weekly secondary readings (highlighted in bold). These brief presentations should summarize and analyze the main arguments of the readings and pose questions about them. All other students will read in advance the selected material and be ready to pose questions about the reading. -
Digital Editions of Premodern Chinese Texts: Methods and Problems – Exemplified Using the Daozang Jiyao1道藏輯要
Chung-Hwa Buddhist Journal (2012, 25:167-194) Taipei: Chung-Hwa Institute of Buddhist Studies 中華佛學學報第二十五期 頁 167-194 (民國一百零一年),臺北:中華佛學研究所 ISSN:1017-7132 Digital Editions of Premodern Chinese Texts: Methods and Problems – Exemplified Using the Daozang Jiyao1道藏輯要 Christian Wittern Kyoto University Abstract Digital editions do have a great potential for new avenues of research, but they also pose vexing research questions that have to be resolved adequately in order to make the resulting edition useful in the long run. One of the many differences between printed editions of texts and digital editions is the open-endedness of the latter, which means that it can be done incrementally and updated without incurring substantial expenses. The medium of digital editions requires the creator to make many assumptions about the texts explicit and record them in a way that can be processed automatically. This is a new concept, which seems foreign to the agenda of a scholar whose ultimate aim is to engage with the text. This article demonstrates that what seems like a detour is actually advancing the understanding of the text and the need objectify a text in this gives access to new dimensions of a text. It then goes on to provide details of a conceptual model for describing a premodern text digitally that has been developed working on a digital edition of the early Qing Daoist collection Daozang jiyao. Keywords: Text Encoding, Digital Editions, Character Encoding, XML, Doaist Studies 1 I would like to thank the anonymous reviewers for this journal for their very helpful suggestions for clarifications and general improvement of the article. -
Chapter Iv Strategy Analysis
CHAPTER IV STRATEGY ANALYSIS 4.1 Marketing Mix 4.1.1 Products Through the multiple Internet platforms in China, Tencent offers diversified services which include QQ, Weixin or Wechat for communications; Qzone for social networking; QQ Game platform for online games; QQ.com for information; Soso for search engine; Paipai and Tenpay for ecommerce transaction. The company’s business scope mainly covers four ereas: Internet value-add service (IVAS), mobile and telecommunication value-add services (MVAS), online advertising and e-Commerce transactions, to meet the various needs of Internet users including communication, information, entertainment, ecommerce and others. 4.1.2 Price Table 4. 1 Tencent major products and services’ usage fees Usage fee Communications QQ Free Weixin/Wechat Free Value-Added Services (VAS) a) Social Networks QQ Membership RMB 10 per month Super QQ Membership RMB 20 per month 26 Qzone Free; monthly subscription fee for VIP privileges (RMB10); and items sales from apps on open platform Tencent Microblog Free; monthly subscription fee for VIP privileges (RMB10); QQ Show (Avatars) Free; Monthly subscription fee for VIP privileges (RMB10); or item sales QQ Music Free; Monthly subscription fee for VIP privileges (RMB10); or item sale QQ mail Free Mobile VAS Monthly subscription fee for VIP privileges (RMB5-15); or item sales (RMB1- 2 per item) b) Online Games QQ Game Platform Monthly subscription fee for VIP privileges (RMB10-15) or item sales ACGs Monthly subscription fee for VIP privileges (RMB10-30) or item sales MMOGs Monthly subscription fee for VIP privileges (RMB20) or item sales; Time-based Mobile Games Monthly subscription fee for VIP privileges (RMB10) or item sales c) eCommerce Paipai.com Free Tenpay Free Online Advertising Brand display Inventories on QQ.com and verticals; online video platform; QQ IM, Mobile Browser etc; Pricing mainly by cost per time (CPT) or cost per day(CPD). -
Homophone Density and Word Length in Chinese 1. the Issue
[Type text] [Type text] [Type text] Homophone Density and Word Length in Chinese San Duanmu and Yan Dong Abstract Chinese has many disyllabic words, such as 煤炭 meitan ‘coal’, 老虎 laohu ‘tiger’, and 学习 xuexi ‘study’, most of which can be monosyllabic, too, such as 煤 mei ‘coal’, 虎 hu ‘tiger’, and 学 xue ‘study’. A popular explanation for such length pairs is homophone avoidance, where disyllabic forms are created to avoid homophony among monosyllables. In this study we offer a critical review of arguments for the popular view, which often rely on cross-linguistic comparisons. Then we offer a quantitative analysis of word length pairs in the Chinese lexicon in order to find out whether there is internal evidence for a correlation between homophony and word length. Our study finds no evidence for the correlation. Instead, the percentage of disyllabic words is fairly constant across all degrees of homophony. Our study calls for a reconsideration of the popular view. Alternative explanations are briefly discussed. 1. The issue: elastic word length in Chinese Chinese has many synonymous pairs of word forms, one short and one long. The short one is monosyllabic and the long one is made of the short one plus another morpheme. Since the long form has the same meaning as the short (evidenced by their mutual annotation in the dictionary), the meaning of its extra morpheme is either redundant or lost. Some examples are shown in (1), where Chinese data are transcribed in Pinyin spelling (tones are omitted unless relevant). In each case, the extra part of the long form is shown in parentheses. -
Multimedia Systems Engineering
Dictionaries and ideology: examples from The Contemporary Chinese Dictionary (Xiandai hanyu cidian 现代汉语词典) Chiara Bertulessi Università degli Studi di Milano Email: [email protected] Abstract: Any dictionary-making process involves choices about the selection of words that can be included in (or excluded from) the list of entries as well as about the nature of their definitions (Crowley 2005: 138). As Fishman pointed out (1995: 29), dictionaries are cultural artifacts and, as such, they always tell us something about the characteristics of their compilers, of their intended users as well as of the society and culture to which they belong. In this sense, dictionaries can also be seen from an ideological perspective, i.e. by considering them as potential means of expressions of the dominant ideology (Fairclough 1989) of the specific political, social and cultural context in which the compilation has occurred. The paper discusses the results of a case study conducted on different editions of The Contemporary Chinese Dictionary (Xiandai hanyu cidian 现代汉语词典), one of the most authoritative monolingual Chinese dictionaries, which is compiled by the Institute of Linguistics of the Chinese Academy of Social Sciences. By presenting the analysis of selected entries and definitions, the paper aims at examining if, and to what extent, the several ideological shifts The Contemporary Chinese Dictionary has gone through (Lee 2014: 429) reflect the ideological, political, social and cultural changes that have taken place in the People’s Republic of China during the nearly forty years of its publication (1978 – 2016). References Crowley, T. (2005). Encoding Ireland: Dictionaries and Politics in Irish History. -
Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700 *
EASTM 26 (2007): 68-116 Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700 * Bruce Rusk [Bruce Rusk is Assistant Professor of Chinese Literature in the Department of Asian Studies at Cornell University. From 2004 to 2006 he was Mellon Humani- ties Fellow in the Asian Languages Department at Stanford University. His dis- sertation was entitled “The Rogue Classicist: Feng Fang and his Forgeries” (UCLA, 2004) and his article “Not Written in Stone: Ming Readers of the Great Learning and the Impact of Forgery” appeared in The Harvard Journal of Asi- atic Studies 66.1 (June 2006).] * * * But if a savage or a moon-man came And found a page, a furrowed runic field, And curiously studied line and frame: How strange would be the world that they revealed. A magic gallery of oddities. He would see A and B as man and beast, As moving tongues or arms or legs or eyes, Now slow, now rushing, all constraint released, Like prints of ravens’ feet upon the snow. — Herman Hesse 1 Visitors to the Far East from early modern Europe reported many marvels, among them a writing system unlike any familiar alphabetic script. That the in- habitants of Cathay “in a single character make several letters that comprise one * My thanks to all those who provided feedback on previous versions of this paper, especially the workshop commentator, Anthony Grafton, and Liam Brockey, Benjamin Elman, and Martin Heijdra as well as to the Humanities Fellows at Stanford. I thank the two anonymous readers, whose thoughtful comments were invaluable in the revision of this essay. -
Reconceptualizing Translation – Some Chinese Endeavours Martha P.Y
Document generated on 09/24/2021 8:21 p.m. Meta Journal des traducteurs Translators’ Journal Reconceptualizing Translation – Some Chinese Endeavours Martha P.Y. Cheung Volume 56, Number 1, March 2011 Article abstract This article examines, in the context of Chinese discourse on translation, a URI: https://id.erudit.org/iderudit/1003507ar phenomenon observable in translation studies in the Euro-American world in DOI: https://doi.org/10.7202/1003507ar the last few decades, namely the reconceptualization of translation. Based on historical research, the article shows that in different periods in the history of See table of contents translation in China, there have been repeated attempts to respond to the realities of translation of the time by offering new (as opposed to established) conceptualizations and explications of translation (fanyi 翻譯). What these Publisher(s) conceptualizations are will be analyzed with reference to a number of texts taken from different periods of Chinese discourse on translation. The article Les Presses de l’Université de Montréal will also explore the connections amongst these conceptualizations and show how a mental frame could be produced that could serve as the blueprint of a ISSN project of international collaborative research, one in which ethnocentric bias of all kinds will have no place. In the last section of the article, the author will 0026-0452 (print) continue the tradition of reconceptualizing translation by offering one more 1492-1421 (digital) definition of fanyi 翻譯. Explore this journal Cite this article Cheung, M. P. (2011). Reconceptualizing Translation – Some Chinese Endeavours. Meta, 56(1), 1–19. https://doi.org/10.7202/1003507ar Tous droits réservés © Les Presses de l’Université de Montréal, 2011 This document is protected by copyright law. -
1 LUNDS UNIVERSITET Institutionen För Kinesiska
LUNDS UNIVERSITET Institutionen för kinesiska "道生一,一生二,二生三,三生万物" (Laozi) [Vägen frambringar en, en frambringar två, två frambringar tre, tre frambringar myriad av varelser] - En översikt av utvecklingshistoria på kinesiskans ordförråd ur ordlängdens och ordkonstruktionens perspektiv Fen Han [email protected] 1 Innehållsförteckning 1 Sammanfattning 2 1. Inledning 3 1.1 Bakgrund 3 1.2 Frågeställning 3 1.3 Något om begrepp 3 2. Theorier om ordkonstruktion 5 2.1 Forskningsteorier runt ordkonstruktion 5 2.1.1 Kring den traditionella typen 5 2.1.2 Kring den anti-traditionella typen 5 2.1.3 Kring den mångsidiga typen 6 2.2 Den klassiska grupperingen av kinesiska ord ur ett konstruktionsperspektiv 6 2.2.1 Isolerade ord 6 2.2.2 Komplexa ord 7 2.3 Konstruktionsprinciper för komplexa ord 8 2.3.1 Repetition 8 2.3.2 Affixation 9 2.3.3 Sammansättning 11 2.3.3.1 Parallella principen 11 2.3.3.2 Attributiva principen 14 2.3.3.3 Komplementiva principen 15 2.3.3.4 Verb-objektiv principen 17 2.3.3.5 Subjekt-predikativ principen 18 2.3.4 Multipel principen 18 3. Den tvåstaviga tendensen i utvecklingshistoria av kinesiskans ordlängder 20 3.1 Kortfattad utvecklingshistoria av kinesiskans ordlängder och den tvåstaviga tendensen 20 3.1.1 Enstaviga ord 20 3.1.2 Tvåstaviga ord 20 3.1.3 Flerstaviga ord 23 3.2 Den tvåstaviga tendensen i språkutvecklingen 24 3.3 Anledningar bakom den tvåstaviga tendensen 26 3.3.1 Kommunikationsbehov 27 3.3.2 Uttrycksbehov 27 3.3.3 Estetiskt behov 28 3.4 Användning av ordkonstruktionsprinciperna under historien och i nu tid 29 3.3.1 De mest produktiva ordkonstruktionsprinciperna under historien 29 3.3.2 Enstaviga ord och tvåstaviga ord i modern kinesiska, mer eller mindre? 30 4. -
Concise English-Chinese Chinese-English Dictionary Free
FREECONCISE ENGLISH-CHINESE CHINESE-ENGLISH DICTIONARY EBOOK Manser H. Martin | 696 pages | 01 Jan 2011 | Commercial Press,The,China | 9787100059459 | English, Chinese | China Excerpt from A Concise Chinese-English Dictionary for Lovers | Penguin Random House Canada Notable Chinese dictionariespast and present, include:. From Wikipedia, the free encyclopedia. Wikipedia list article. Dictionaries of Chinese. List of Concise English-Chinese Chinese-English Dictionary dictionaries. Categories : Chinese dictionaries Lists of reference books. Concise English- Chinese Chinese-English Dictionary categories: Articles with short description Short description is different from Wikidata. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Add links. First Chinese dictionary collated in single-sort alphabetical order of pinyin, John DeFrancis. A Chinese-English Dictionary. Herbert Allen Giles ' bestselling dictionary, 2nd ed. A Dictionary of the Chinese Language. A Syllabic Dictionary of the Chinese Language. Small Seal Script orthographic primer, Li Si 's language reform. Chinese Concise English-Chinese Chinese-English Dictionary English Dictionary. Popular modern general-purpose encyclopedic dictionary, 6 editions. Concise Dictionary of Spoken Chinese. Tetsuji Morohashi 's Chinese- Japanese character dictionary, 50, entries. Oldest extant Chinese dictionary, semantic field collationone of the Thirteen Classics. Yang Xiongfirst dictionary of Chinese regional varieties. Le Grand Ricci or Grand dictionnaire Ricci de la langue chinoise,". First orthography dictionary of the regular script. Grammata Serica Recensa. Great Dictionary of Modern Chinese Dialects. Compendium of dictionaries for 42 local varieties of Chinese. Zhang Yi 's supplement to the Erya. Rime dictionary expansion of Qieyunsource for reconstruction of Middle Chinese.