DOCSLIB.ORG

Introduction to Korean Art

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Introduction to Korean Art Course Syllabus 2014 YONSEI INTERNATIONAL SUMMER SCHOOL Introduction to Korean Art CREDIT 3 INSTRUCTOR Sunglim Kim OFFICE OFFICE HOURS TIME TBA CLASSROOM LOCATIO TBA E-MAIL [email protected] * Please leave the fields blank which haven’t been decided yet. [COURSE INFORMATION] This course introduces the art, architecture, and archaeology of Korea within the larger framework of East Asian art. The class will cover more than five thousand years of Korean art history, beginning with the prehistoric period and continuing through the Three Kingdoms COURSE (57 B.C. – 668 A.D.), the Unified Silla (668-918), and the Goryeo dynasty (918-1392), Joseon DESCRIPTIOdynasty (1392-1910), the colonial period (1910-1945) and contemporary period. Art works in & GOALS diverse media, including ceramics, painting, metal crafts, sculpture, and architecture, will be examined in their cultural and historical contexts. We will also examine how Shamanism, Buddhism, Confucianism, regional and Western influences brought new ideas and shaped art objects. PREREQUIS No previous knowledge in Korean language, East Asian history, or Art History is expected. Attendance and Participation (30%): Class meeting will combine lectures, discussions, and field trips. Your attendance is mandatory and will be checked regularly. In class, we will proactice writing visual descriptions and art analysis. If for any reason you cannot attend class, please inform the professor in advance. Only documented excuses (doctor’s note, etc) will be accepted for absences. Two In-class Exams (40%): Each exam (20 % each) consists of slide identifications, several short-answer questions, and one essay question. The questions are based on the class COURSE lectures, readings, and class discussions. REQUIREMEGroup Research and Presentation (10%): A group of students will collaborate to conduct research on assigned art objects or architecture and will give a presentation during a field trip. The group must meet with the professor in advance. After presentation, a typed research paper should be turned in by the following Monday. Final Exam (20%): The final exam will be a cumulative one. The study guide will be given in advance and images to study will be also posted on Blackboard. The final exam consists of slide identifications, short answer questions, and one essay out of three essay questions given in advance. Course Syllabus 2014 YONSEI INTERNATIONAL SUMMER SCHOOL GRADING POLICY Jane Portal, Korea: Art and Archaeology (abbreviated as KAA), London: British Museum TEXTS & Press, 2000. REFERENCEInternational Journal of Korean Art and Archaeology: http://museum.go.kr/program/ebook/ebookList.jsp?menuID=002005006005&ebookTypeID=6 Koreana: http://www.koreana.or.kr/issues.asp Sunglim Kim is Assistant Professor of Art History and Asian Middle Eastern Studies at Dartmouth College. She received her PhD from University of California, Berkeley in 2009. Her research interests include the rise of consumer culture in late Joseon dynasty and the role INSTRUCTO of the professional nouveau riche, the so-called jungin in the production, distribution, PROFILE collection, and consumption of art in 18th and 19th century Korea; the shaping of images of Korea and her people during the Japanese colonial period; and the use of visual space as political tool in modern and contemporary Korea. [WEEKLY SCHEDULE] * Your detailed explanation would be very helpful for prospective students to get a pre-approval for credit-transfer from their home university in advance. COURSE MATERIAL & WEEK (PERIOD WEEKLY TOPIC & CONTENTS REFERENC ASSIGNMENTS KAA, 9-21, 27-29, 36-41, 54- Introduction to Pre-modern 59, 64-65, 100-107. Korean History (From Neolithic Yun Yong-I, “Koreans Shaped period to Joseon dynasty) Philosophy and Religions: Base for Japan’s Pottery: Film: Clay 1 Shamanism, Buddhism, and Origin of Satusma & Arita Oddysey Confucianism Wares,” Koreana (1991): 50- Pottery: Earthenware, Celadon, 55. Buncheong, and Porcelain Additional readings will be assigned. KAA 45-49, 89-92, 121-135, & 143-155. Lee Kyung-su, “The Painter’s Tools,” Koreana (Autumn 1992): 50-55. Field Trip Painting: Goguryeo Mural painting, to National Painting Formats in East Asian Goryeo Buddhist painting, Joseon Museum of 2 Landscape, Portraits, Genre, and Folk Art: Korea & painting. http://www.metmuseum.org/to Group 1 presentation ah/hd/pfor/hd_pfor.htm Mountain and Water: Korean Landscape Painting, 1400- 1800: Course Syllabus 2014 YONSEI INTERNATIONAL SUMMER SCHOOL COURSE MATERIAL & WEEK (PERIOD WEEKLY TOPIC & CONTENTS REFERENC ASSIGNMENTS http://www.metmuseum.org/to ah/hd/mowa/hd_mowa.htm Lee Tae-ho, “Painting from Actual Scenery and Painting from Memory: Viewpoint and Angle of View in Landscape Paintings of the Late Joseon Dynasty,” Journal of Korean Art & Archaeology, Vo l . 3 (2009): 106-149. Additional readings will be assigned. Jang Jiyeong, “Gyeongbokgung: The Primary Joseon Palace,” Koreana Vo l . 24, No. 4 (Winter, 2010): 8-15. Field Trip Lee Kang-Pyo, to Korean Palaces: Gyeongbok-gung, “Gyeongbokgung Palace Gyeongbok 3 Changgyeong-gung & Changdeok- Palace gung, and Deoksu-gung. Restoration: A 20-year First & Group 2 Phase,” Koreana Vol. 24, No. 4 presentation (Winter, 2010): 16-23. Additional readings will be assigned. Youngna Kim, 20th Century Field Trip Korean Art 10-39, 64-87, & to Seodaemun Korean art from the Japanese colonial 4 106-123. (PDF files will be Prison and period posted.) History Hall Additional readings will be & Group 3 assigned. presentation KAA 166-193. Field Trip to Museum 20-century Korean Art 172- of Modern 197, 198-229, 252-265, & 267- and 5 Korean Contemporary Art 281. (PDF files will be Contempora ry Art & available.) Group 4 Additional readings will be Presentation assigned. Course Syllabus 2014 YONSEI INTERNATIONAL SUMMER SCHOOL COURSE MATERIAL & WEEK (PERIOD WEEKLY TOPIC & CONTENTS REFERENC ASSIGNMENTS Jane Portal, Art Under Control in North Korea, 6-30, 53-79, 80-104, & 124-168. (PDF files North Korean Art & 6 Final Exam Wrap-up will be available) Additional readings will be assigned. .
Load more

Recommended publications
  • Representing the 'New Woman' and 'Modern Girl' in Korean Art
    Being Modern: Representing the 'New Woman' and 'Modern Girl' in Korean Art Young Na Kim (Seoul National Univ.) 1. Introduction " I was a doll A doll as my father's daughter A doll as my husband's wife I was a toy for them Let Nora go Gently let her go by knocking down the high walls and throwing open the gates at deep inner quarters walls Let her loose into the air filled with freedom I was a human being Even before being a husband 's wife and before a mother of chi Idren First of all, I am a human bei ng ... " (Na He-sok, Maeil Sinba, 3 April 192 1; translated by Kim Yung-hee) Before a woman is a wife, a daughter, and a mother, she is a human being. The content of this 192 1 poem by Korea's first Western style painter, Na He-sok, is significant as a manifesto of women 's liberation in poetic form. In a Confucian patriarchal family system in which the identity and social status of women were defined through their relationships with men, as mothers and Being Modern: Representing the 'New Woman' 217 and 'Modern Girl' in Korean Art Wives, this assertion of independence was an important change that rocked the country. By late nineteenth century, thought about the traditional woman was broadly challenged by the influx of modem Western thought. The first educational institution for women, Ehwa Women's School, was established in 1886. By 1895 the Chong-sin Women's School and other educational institutions for women had cropped up in various places.
    [Show full text]
  • Perempuan Korea Dalam Film Serial Drama Korea “Jewel in the Palace”
    Perempuan Korea dalam Film Serial Drama Korea “Jewel in The Palace” SKRIPSI Diajukan sebagai Salah Satu Syarat untuk Mendapatkan Gelar Sarjana Ilmu Sosial dalam Bidang Antropologi Oleh : Indri Khairani 130905027 DEPARTEMEN ANTROPOLOGI SOSIAL FAKULTAS ILMU SOSIAL ILMU POLITIK UNIVERSITAS SUMATERA UTARA MEDAN 2018 1 Universitas Sumatera Utara UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL DAN ILMU POLITIK PERNYATAAN ORIGINALITAS Perempuan Korea dalam Film Serial Drama Korea“Jewel in The Palace” SKRIPSI Dengan ini saya menyatakan bahwa dalam skripsi ini tidak terdapat karya yang pernah diajukan untuk memperoleh gelar kesarjanaan di suatu perguruan tinggi, dan sepanjang pengetahuan saya tidak terdapat karya atau pendapat yang pernah ditulis atau diterbitkan oleh orang lain, kecuali yang secara tertulis diacu dalam naskah ini dan disebut dalam daftar pustaka. Apabila dikemudian hari ditemukan adanya kecurangan atau tidak seperti yang saya nyatakan di sini, saya bersedia menerima sanksi sesuai dengan peraturan yang berlaku. Medan, Januari 2018 Penulis Indri Khairani i Universitas Sumatera Utara ABSTRAK Indri Khairani, 2018. Judul skripsi: Perempuan Korea dalam Film Serial Drama Korea “Jewel in The Palace”. Skripsi ini terdiri dari 5 BAB, 113 halaman, 18 daftar gambar, 57 daftar pustaka Tulisan ini berjudul Perempuan Korea dalam Film Serial Drama ―Jewel in The Palace”, yang bertujuan untuk mengetahui bagaimana perjuangan sosok seorang perempuan Korea yang tinggal di dalam istana “Gungnyeo” pada masa Dinasti Joseon di anad 15 dalam sebuah drama seri Jewel in The Palace Penelitian ini bersifat kualitatif. Metode yang digunakan adalah analisis wacana, dan model analisis yang digunakan adalalah analisis wacana dari Sara Mills yang merupakan model analisis wacana yang menaruh titik perhatian utama pada wacana mengenai feminisme.
    [Show full text]
  • Resource62314 0.Pdf
    Daesoon Jinrihoe A New Religion Emerging from Traditional East Asian Philosophy Copyright ⓒ The Daesoon Academy of Sciences 2016 All Rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission of The Daesoon Academy of Sciences. First Paperback printing June 30, 2016 Daesoonjinrihoe Press 875, Gangcheon-ro, Gangcheon-myeon Yeoju-si, Gyeonggi-do, Korea, 12616 A CIP catalogue record of the National Library of Korea for this book is available at the homepage of CIP(http://seoji.nl.go.kr) and Korean Library Information System Network(http://www.nl.go.kr/kolisnet). CIP Control No. : CIP2016015603 Find The Daesoon Academy of Sciences here : Homepage : http://www.daos.or.kr E-mail : [email protected] ISBN 978-89-954862-7-6 Contents Preface 1 Daesoon Sasang: A quintessential Korean philosophy 1 Don Baker 2 Kang Jeungsan: Trials and Triumphs of a Visionary Pacifist/Nationalist, 1894-1909 17 Key Ray Chong 3 The Correlative Cosmology of Daesoon and Ecology 59 Young Woon Ko 4 Daesoonjinrihoe’s Religious Thought: From a Confucian and Comparative Perspective 85 Edward Chung 5 Truth and Spatial Imagination: Buddhist Thought and Daesoonjinrihoe 113 Jin Y. Park 6 Hoo‐cheon‐gae‐byeok as a Korean Idea of Eschaton: 135 A Comparative Study of Eschatology between Christianity and Daesoon Thought Hiheon Kim 7 Investigating Daesoon Thought: A Korean New Reiligion’s Approach to 157 Identifying and Creatively Sublimating the Values of Korea’s Traditional Religions Gyungwon Lee 8 Kang Jeungsan’s Taoistic Tendency and the Taoism Elements of Mugeukdo 187 Namsik Ko 9 The History and Theology of Daesoonjinrihoe 199 Daesoon Institute of Religion and Culture Preface ⅰ Preface Daesoon thought is a comprehensive system of truth representing the Great Dao of ‘resolution of grievances into mutual beneficence’.
    [Show full text]
  • Welcome to Korea Day: from Diasporic to Hallyu Fan-Nationalism
    International Journal of Communication 13(2019), 3764–3780 1932–8036/20190005 Welcome to Korea Day: From Diasporic to Hallyu Fan-Nationalism IRINA LYAN1 University of Oxford, UK With the increasing appeal of Korean popular culture known as the Korean Wave or hallyu, fans in Israel among Korean studies students have joined—and even replaced— ethnic Koreans in performing nationalism beyond South Korea’s borders, creating what I call hallyu fan-nationalism. As an unintended consequence of hallyu, such nationalism enables non-Korean hallyu fans to take on the empowering roles of cultural experts, educators, and even cultural ambassadors to promote Korea abroad. The symbolic shift from diasporic to hallyu nationalism brings to the fore nonnationalist, nonessentialist, and transcultural perspectives in fandom studies. In tracing the history of Korea Day from the 2000s to the 2010s, I found that hallyu fan-students are mobilized both by the macro mission to promote a positive image of Korea in their home societies and by the micro motivation to repair their own, often stigmatized, self-image. Keywords: transcultural fandom studies, hallyu, Korean Wave, Korean studies, Korea Day, diasporic nationalism While talking with Israeli students enrolled in Korean studies (mostly female fans of Korean popular culture) in an effort to understand their motivations behind organizing Korea Day and promoting Korean culture in Israel in general, I was surprised when some of them used the Hebrew word hasbara, which literally translates as “explanation.” As a synonym for propaganda, hasbara refers to the public diplomacy of Israel that aims to promote a positive image of Israel to the world and to counter its delegitimization.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • NCKS News Fall 2014.Pdf
    N A M C E N T E R FOR K O R E A N S T U D I E S University of Michigan 2014-2015 Newsletter Hallyu 2.0 volume Contemporary Korea: Perspectives on Minhwa at Michigan Exchange Conference Undergraduate Korean Studies INSIDE: 2 3 From the Director Korean Studies Dear Friends of the Nam Center: Undergraduate he notion of opportunity underlies the Nam Center’s programming. Studies Scholars (NEKST) will be held on May 8-9 of 2015. In its third year, TWhen brainstorming ideas, setting goals for an academic or cultural the 2015 NEKST conference will be a forum for scholarly exchange and net- Exchange program, and putting in place specific plans, it is perhaps the ultimate grati- working among Korean Studies graduate students. On May 21st of 2015, the fication that we expect what we do at the Nam Center to provide an op- Nam Center and its partner institutions in Asia will host the New Media and Conference portunity for new experiences, rewarding challenges, and exciting directions Citizenship in Asia conference, which will be the fourth of the conference that would otherwise not be possible. Peggy Burns, LSA Assistant Dean for series. The Nam Center’s regular colloquium lecture series this year features he Korean Studies Undergraduate Exchange Conference organized Advancement, has absolutely been a great partner in all we do at the Nam eminent scholars from diverse disciplines. jointly by the Nam Center and the Korean Studies Institute at the Center. The productive partnership with Peggy over the years has helped This year’s Nam Center Undergraduate Fellows program has signifi- T University of Southern California (USC) gives students who are interested open many doors for new opportunities.
    [Show full text]
  • Number 3 2011 Korean Buddhist Art
    NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities.
    [Show full text]
  • Western Influence on Korean Painting of the Late Chosŏn Period
    Western Influence on Korean Painting of the Late Chosŏn Period YiSŏng-mi TheAcademyofKoreanStudies FromtheThreeKingdoms periodon,Koreanculturedevelopeditsuniquenesswhile receivingcontinuousstimuliandinfluencefrom continentalChinese culture;inturn,it hadasignificantimpact onthedevelopmentofJapaneseculture.Viewedfromthe larger contextofworldculture,culturalexchange amongthethreeEastAsiannations presupposeda certaindegreeofhomogeneity.However,the contactwiththeWestern civilizationandculturethroughChristianityinChina beginninginthefirsthalfofthe 16thcentury,andinKorea bywayofChinaduringthelate17thcentury,meantaclash oftwoquitedifferentcivilizations,WesternandEastAsian. Sucha"clashofcivilizations,"toborrowHuntington'sterm,canbediscernedinthe writingsoftheChineseliteratioftheCh'ing periodandinthoseoftheirKorean counterpartsofthelateChosŏnperiod,whotookWesterncultureas a"shock".This paperexaminesthe processofthereceptionofWesterninfluenceonKoreanpaintings ofthe18ththroughtheearly20thcentury before Korea wasfullyexposedtoWestern culture.Documentaryevidenceof contacts aswellasactualworksofartinwhichthe Westerninfluenceisevidentwill bethemainobjectsofexamination. Fromthe beginningofthehistoryof paintingintheWestandinEastAsia,thereexisted afundamentaldifferenceinwhata paintingshouldrepresent.UnlikeintheWest,where theaimof paintingwastoreproducefaithfullytheoutwardappearanceoffiguresor objects,thatinEastAsia wastocapturetheuniversaltruthorspiritualaspects.Inthe NorthernSung period,thisemphasisoncapturing metaphysicalconceptsinpainting developedintothetheoryofliterati
    [Show full text]
  • A Theological Analysis of the Non-Church Movement in Korea with a Special Reference to the Formation of Its Spirituality
    A THEOLOGICAL ANALYSIS OF THE NON-CHURCH MOVEMENT IN KOREA WITH A SPECIAL REFERENCE TO THE FORMATION OF ITS SPIRITUALITY by SUN CHAE HWANG A Thesis Submitted to The University of Birmingham For the Degree of MASTER OF PHILOSOPHY School of Philosophy, Theology and Religion College of Arts and Law The University of Birmingham June 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This study provides a new theological approach for interpreting the Non- Church Movement (NCM) in Korea. Previous studies have been written from a historical perspective. Therefore, an examination of the spirituality and characteristics of the NCM from a theological standpoint is a new approach. The present study investigates the connection between the NCM and Confucianism. It attempts to highlight the influence of Confucian spirituality on the NCM, in particular the Confucian tradition of learning. It also examines the link between the NCM and Quakerism, in particular the influence of Quaker ecclesiology on the NCM. This too has not been examined in previous studies. The thesis argues that the theological roots of NCM ecclesiology lie in the relatively flat ecclesiology of the Quaker movement in the USA.
    [Show full text]
  • 12.8 MB Download UIC-Scribe-2016
    DEAN’S LETTER “The Meaning of Knowing” As a professor who teaches philosophy and literature, I sometimes contemplate the meaning of knowing. When I say “I Know”, what does it really mean? What do I know about the things that I think I know? This may sound quite silly, however, it is no simple matter. Chuang Tzu, the ancient Chinese classic, discloses the fallacy of sensory conviction that we associate with certainty. What we believe to be the most real and obvious is little more than subjective bias. Let’s read the following example from “Discussion on Making All Things Equal”. Men claim that Mao-ch’iang and Lady Li were beautiful, but if fish saw them they would dive to the bottom of the stream......If so, which knows how to fix the standard of beauty for the world? (Translated by Burton Watson) According to the logic proposed in this argument, our concept of beauty is not based on the object of our aesthetic appreciation but it exists in our subjective cognitive faculty. In other words, the beauty of an object has in fact nothing to do with the form or appearance of the object, and therefore we can never secure precise clue to objectively characterizing our judgment of beauty. In this sense, the basis of our sensory conviction which we assume is the most real and empirical becomes dismantled. Considering the underlying implication of the above quote, it seems that Chuang Tzu might have suggested the limitation of our knowledge. Put simply, we do not know the extent of what we know.
    [Show full text]
  • Impact of China on South Korea's Economy
    Dynamic Forces on the Korean Peninsula: Strategic & Economic Implications 61 IMPACT OF CHINA ON SOUTH KOREA’S ECONOMY Cheong Young-rok* CONTENTS I. Introduction II. Evaluations of Sino-Korean Economic Interactions III. Measuring the Impact of China on Korean Economy IV. Other Critical Issues V. Concluding Remarks: Is Korea Rational or National? *Cheong Young-rok is Professor at the Graduate School of International Stud- ies at Seoul National University. The author thanks those who commented on this paper as well as his research assistants. 62 U.S.–Korea Academic Symposium I. Introduction In 2005, the Korean ambassador to China was excited about the completion within five years of the target trade volume of over $100 billion with China, which was set by the Korean government at the time of the inauguration of President Roh Moo-hyun in 2003. China also became the number one recipient of Korea’s outflow of investment as well as the destination of one of the largest groups of Korean students studying overseas. On the one hand, many businesspeople talk about the further importance of China, and they even send their children to China.1 On the other hand, many of the high-society households in Korea, especially in the Kangnam district that is considered to be the Korean Beverly Hills, hire ethnic Koreans who have returned from China to serve as their housemaids. On the increased importance of China for the Korean economy, there are two different schools of thought in Korean academia: one school argues that China is a mere clone or extension of other Asian countries that were once glorified as newly industrializing economies or high-performing Asian economies .
    [Show full text]
  • Supplementary Information
    Supplementary information PAINTINGS & SCREENS OF THE JOSEON DYNASTY The Lee Ufan Collection in the Musée Guimet, Paris Art Gallery of New South Wales • 5 March – 8 June 2009 This exhibition presents decorative paintings class of patrons expanded to include minor civil of the latter part of Korea’s Joseon dynasty servants (jungin), merchants and landowners. (1392–1910) when Confucianism was the state The diverse backgrounds and education ideology, and Confucian-infused Ming China of the artists who catered to this growing (1368–1644) was the dream state. Indeed Joseon clientele, from Academy-trained court painters Korea saw itself as the true heir to the Ming to itinerant self-taught craftsmen, resulted in tradition, and sent annual envoys to the Chinese great stylistic diversity in decorative painting. imperial capital. The veneration afforded Popular subjects within this genre include Chinese culture is reflected in painting subjects, landscapes, paintings of books and scholars’ styles, and inscriptions that are in Chinese objects (chaekkori), paintings of Chinese characters rather than the native Korean script characters (munja-do), birds-and-flowers and of Hangeul. animal paintings. Apart from Confucianism, Chinese Daoism and Korean shamanism were sources of All paintings in the exhibition are part of the inspiration for artists, with the emphasis being Lee Ufan Collection in the Musée Guimet, Paris, on the auspicious and the edifying. Initially which has co-organised this exhibition with the the patrons for decorative paintings were
    [Show full text]