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Casting Call: Spatial Impressions in the Work of Rachel Whiteread
The Plan Journal 0 (0): 97-110, 2016 doi: 10.15274/TPJ-2016-10008 CASTING CALL: SPATIAL IMPRESSIONS IN THE WORK OF RACHEL WHITEREAD CROSS-DISCIPLINARY STUDIES PETER L. WONG Rachel Whiteread, Ghost, 1990. Casting Call: Spatial Impressions in the Work of Rachel Whiteread Peter L. Wong ABSTRACT - For more than 20 years, Rachel Whiteread has situated her sculpture inside the realm of architecture. Her constructions elicit a connection between: things and space, matter and memory, assemblage and wholeness by drawing us toward a reciprocal relationship between objects and their settings. Her chosen means of casting solids from “ready- made” objects reflect a process of visual estrangement that is dependent on the original artifact. The space beneath a table, the volume of a water tank, or the hollow undersides of a porcelain sink serve as examples of a technique that aligns objet-trouvé with a reverence for the everyday. The products of this method, now rendered as space, acquire their own autonomous presence as the formwork of things is replaced by space as it solidifies and congeals. The effect is both reliant and independent, familiar yet strange. Much of the writing about Whiteread’s work occurs in the form of art criticism and exhibition reviews. Her work is frequently under scrutiny, fueled by the popular press and those holding strict values and expectations of public art. Little is mentioned of the architectural relevance of her process, though her more controversial pieces are derived from buildings themselves – e,g, the casting of surfaces (Floor, 1995), rooms (Ghost, 1990 and The Nameless Library, 2000), or entire buildings (House, 1993). -
Watergate Landscaping Watergate Innovation
Innovation Watergate Watergate Landscaping Landscape architect Boris Timchenko faced a major challenge Located at the intersections of Rock Creek Parkway and in creating the interior gardens of Watergate as most of the Virginia and New Hampshire Avenues, with sweeping views open grass area sits over underground parking garages, shops of the Potomac River, the Watergate complex is a group of six and the hotel meeting rooms. To provide views from both interconnected buildings built between 1964 and 1971 on land ground level and the cantilivered balconies above, Timchenko purchased from Washington Gas Light Company. The 10-acre looked to the hanging roof gardens of ancient Babylon. An site contains three residential cooperative apartment buildings, essential part of vernacular architecture since the 1940s, green two office buildings, and a hotel. In 1964, Watergate was the roofs gained in popularity with landscapers and developers largest privately funded planned urban renewal development during the 1960s green awareness movement. At Watergate, the (PUD) in the history of Washington, DC -- the first project to green roof served as camouflage for the underground elements implement the mixed-use rezoning adopted by the District of of the complex and the base of a park-like design of pools, Columbia in 1958, as well as the first commercial project in the fountains, flowers, open courtyards, and trees. USA to use computers in design configurations. With both curvilinear and angular footprints, the configuration As envisioned by famed Italian architect Dr. Luigi Moretti, and of the buildings defines four distinct areas ranging from public, developed by the Italian firm Società Generale Immobiliare semi-public, and private zones. -
The Watergate Project: a Contrapuntal Multi-Use Urban Complex in Washington, Dc
THE WATERGATE PROJECT: A CONTRAPUNTAL MULTI-USE URBAN COMPLEX IN WASHINGTON, DC Adrian Sheppard, FRAIC Professor of Architecture McGill University Montreal Canada INTRODUCTION Watergate is one of North America’s most imaginative and powerful architectural ensembles. Few modern projects of this scale and inventiveness have been so fittingly integrated within an existing and well-defined urban fabric without overpowering its neighbors, or creating a situation of conflict. Large contemporary urban interventions are usually conceived as objects unto themselves or as predictable replicas of their environs. There are, of course, some highly successful exceptions, such as New York’s Rockefeller Centre, which are exemplars of meaningful integration of imposing projects on an existing city, but these are rare. By today’s standards where significance in architecture is measured in terms of spectacle and flamboyance, Watergate is a dignified and rigorous urban project. Neither conventional as an urban design project, nor radical in its housing premise, it is nevertheless as provocative as anything in Europe. Because Moretti grasped the essence of Washington so accurately, he was able to bring to the city a new vision of urbanity. Watergate would prove to be an unequivocally European import grafted unto a typical North-American city, its most remarkable and successful characteristic being its relationship to its immediate context and the city in general. As an urban intervention, Watergate is an inspiring example of how a Roman architect, Luigi Moretti, succeeded in introducing a project of considerable proportions in the fabric of Washington, a city he had never visited before he received the commission. 1 Visually and symbolically, the richness of the traditional city is derived from the fact that there exists a legible distinction and balance between urban fabric and urban monument. -
Mussolini's Ambiguous and Opportunistic Conception of Romanità
“A Mysterious Revival of Roman Passion”: Mussolini’s Ambiguous and Opportunistic Conception of Romanità Benjamin Barron Senior Honors Thesis in History HIST-409-02 Georgetown University Mentored by Professor Foss May 4, 2009 “A Mysterious Revival of Roman Passion”: Mussolini’s Ambiguous and Opportunistic Conception of Romanità CONTENTS Preface and Acknowledgments ii List of Illustrations iii Introduction 1 I. Mussolini and the Power of Words 7 II. The Restrained Side of Mussolini’s Romanità 28 III. The Shift to Imperialism: The Second Italo-Ethiopian War 1935 – 1936 49 IV. Romanità in Mussolini’s New Roman Empire 58 Conclusion 90 Bibliography 95 i PREFACE AND ACKNOWLEDGEMENTS I first came up with the topic for this thesis when I visited Rome for the first time in March of 2008. I was studying abroad for the spring semester in Milan, and my six-month experience in Italy undoubtedly influenced the outcome of this thesis. In Milan, I grew to love everything about Italy – the language, the culture, the food, the people, and the history. During this time, I traveled throughout all of Italian peninsula and, without the support of my parents, this tremendous experience would not have been possible. For that, I thank them sincerely. This thesis would not have been possible without a few others whom I would like to thank. First and foremost, thank you, Professor Astarita, for all the time you put into our Honors Seminar class during the semester. I cannot imagine how hard it must have been to read all of our drafts so intently. Your effort has not gone unnoticed. -
Where Diplomacy Meets Art
Ugo Colombo Sacco di Albiano WHERE DIPLOMACY MEETS ART FOREWORD t gives me great pleasure to present this important work by Ugo Colombo Sacco di Albiano which I takes a look at the history of the buildings that have housed Italian diplomacy in almost a century and a half of activity. In so doing, it also looks at the stages in the evolution of our profession. This original and valuable research, reconstructing the events intimately linked to the buildings in which the Italian Ministry of Foreign Affairs has carried out its work, travels along those same dual paths that tradition- ally characterise the approach of Italian diplomacy: to conserve the memory and rich legacy of an assuredly glorious past as an ideal ‘launching pad’ for projecting itself towards new challenges and the increasingly com- plex missions of the present and future. It would also appear that the route along which this book has travelled towards its publication – and espe- cially its passionate promotion effected by Gaetano Cortese – corroborates another ‘typical’ aspect of the diplomatic system: the particular relationships that are created among its members. In fact, our Representations abroad bear a certain resemblance to ships, in that the common destiny of the crew, surrounded by the high seas, inevitably depends in the main on the united aims and commitment of all those aboard. This leads to the WHERE DIPLOMACY MEETS ART forming of both professional and personal bonds – sometimes so strong as to be almost familial – between the head of a Mission and his collaborators. Often, these bonds resist the changing fortunes arising from the requirements of duty that may beset individual life paths and careers. -
05 92 111 Pós 47 Ing.P65
Lisandra Franco de ussolini’s swimming pool in Mendonça m the former PALAZZO DELLE TERME (current EDIFICIO DELLE “PISCINE CONI”) at the FORO ITALICO, in rome: historical analysis and conservation 92 pós- Abstract The former Palazzo delle Terme has its two wings connected by a volume in reinforced concrete that acts like a “bridge”, which contains a hanging pool: the former Piscina del Duce, current Piscina Pensile. The pool is subjected to extreme artificial environmental conditions: the relative humidity in the room is linked to the temperature of the water in the pool, the heating of the air and the lack of appropriate ventilation mechanisms. These conditions lead to condensation on the walls of the perimeter and to the formation of mold. The condensation contains traces of chlorine, hence it is particularly corrosive and may undermine the resistance of the structure, as well as the many technological elements necessary for heating and air and water treatment. This research was developed in several archives in Rome in which the author was able to consult the architectural project, technical descriptions of the building and photographic surveys. The architectural survey was done simultaneously and was followed by the survey of construction pathologies. The research allowed a discussion pertinent to the restoration of a designated modern building that is still functioning and subject to a great load of technical equipment and energy expenses. Keywords Foro Italico. Piscina Pensile. Conservation project. Conservation of Modern Architecture. Construction pathologies of Twentieth- century architecture. doi: http://dx.doi.org/10.11606/issn.2317-2762.v25i47p92-111 Pós, Rev. -
The Power of Images in the Age of Mussolini
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Power of Images in the Age of Mussolini Valentina Follo University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Follo, Valentina, "The Power of Images in the Age of Mussolini" (2013). Publicly Accessible Penn Dissertations. 858. https://repository.upenn.edu/edissertations/858 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/858 For more information, please contact [email protected]. The Power of Images in the Age of Mussolini Abstract The year 1937 marked the bimillenary of the birth of Augustus. With characteristic pomp and vigor, Benito Mussolini undertook numerous initiatives keyed to the occasion, including the opening of the Mostra Augustea della Romanità , the restoration of the Ara Pacis , and the reconstruction of Piazza Augusto Imperatore. New excavation campaigns were inaugurated at Augustan sites throughout the peninsula, while the state issued a series of commemorative stamps and medallions focused on ancient Rome. In the same year, Mussolini inaugurated an impressive square named Forum Imperii, situated within the Foro Mussolini - known today as the Foro Italico, in celebration of the first anniversary of his Ethiopian conquest. The Forum Imperii's decorative program included large-scale black and white figural mosaics flanked by rows of marble blocks; each of these featured inscriptions boasting about key events in the regime's history. This work examines the iconography of the Forum Imperii's mosaic decorative program and situates these visual statements into a broader discourse that encompasses the panorama of images that circulated in abundance throughout Italy and its colonies. -
Rome Hotel Eden
ROME HOTEL EDEN Two day itinerary: Teenagers With strong historical and cultural appeal, it isn’t difficult to find activities to entertain and educate the whole family in Rome. While travelling with teenagers can have its challenges, the key to a fantastic trip lies in a little imagination and a lot of creative planning. Visit these popular places for teenagers with this two-day travel guide to Rome. Day One Start the day with a 15-minute drive to Castel Sant’Angelo, crossing over the River Tiber. CASTEL SANT’ANGELO T: 006 32810 | Lungotevere Castello 50, 00193 Rome An unmissable attraction for history buffs, Castel Sant’Angelo is more than just a castle. The ancient Roman fortress is home to Hadrian’s tomb, built by the 2nd century emperor himself. Starting at the tomb, young adventurers can explore the castle and discover the National Museum of Castel Sant’Angelo with its collections of antique weapons, pottery and art. Next, take a leisurely 10-minute walk to St. Peter’s Basilica in Vatican City. ST PETER’S BASILICA T: 006 6988 3229 | Piazza San Pietro, Vatican City, 00120 Instantly recognisable by its enormous domed roof, St Peter’s Basilica is among the most famous sights in Rome. Treat teenagers to an alternative view by climbing to the top of the dome. From the roof level of the basilica, it’s over 500 steps to the top of the dome, but it’s worth the effort for incredible panoramic views of the Eternal City. To reach Pizzarium, take either a 10-minute drive or a 20-minute walk. -
The Economic Costs of Civil War: Synthetic Counterfactual Evidence and the Effects of Ethnic Fractionalization 1
H i C N Households in Conflict Network The Institute of Development Studies - at the University of Sussex - Falmer - Brighton - BN1 9RE www.hicn.org The Economic Costs of Civil War: Synthetic Counterfactual Evidence and the Effects of Ethnic Fractionalization 1 Stefano Costalli 2, Luigi Moretti3 and Costantino Pischedda4 HiCN Working Paper 184 September 2014 Abstract: There is a consensus that civil wars entail enormous economic costs, but we lack reliable estimates, due to the endogenous relationship between violence and socio-economic conditions. This paper measures the economic consequences of civil wars with the synthetic control method. This allows us to identify appropriate counterfactuals for assessing the national-level economic impact of civil war in a sample of 20 countries. We find that the average annual loss of GDP per capita is 17.5 percent. Moreover, we use our estimates of annual losses to study the determinants of war destructiveness, focusing on the effects of ethnic heterogeneity. Building on an emerging literature on the relationships between ethnicity, trust, economic outcomes, and conflict, we argue that civil war erodes interethnic trust and highly fractionalized societies pay an especially high “price”, as they rely heavily on interethnic business relations. We find a consistent positive effect of ethnic fractionalization economic war-induced loss. 1 We would like to thank participants at the Conflict Research Society Conference (University of Essex, 2013), the Midwest Political Science Association 72nd Annual Conference (Chicago, 2014), and the European Political Science Association Conference (Edinburgh, 2014) for comments on previous drafts of the paper. The usual disclaimer applies. 2 Stefano Costalli, Department of Government, University of Essex, Wivenhoe Park, Colchester, CO43SQ, United Kingdom. -
MUSSOLINI's ITALIAN and ITALIAN AMERICAN STUDIES Stanislao G
MUSSOLINI'S ITALIAN AND ITALIAN AMERICAN STUDIES Stanislao G. Pugliese Hofstra University Series Editor This publishing initiative seeks to bring the latest scholarship in Italian and Ital ian American history, literature, cinema, and cultural studies to a large audience of specialists, general readers, and students. I&IAS will feature works on mod ern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices in the academy. This endeavor will help to shape the evolving fields of Italian and Italian American Studies by re emphasizing the connection between the two. The following editorial board of esteemed senior scholars are advisors to the series editor. REBECCA WEST JOHN A. DAVIS University of Chicago University of Connecticut FRED GARDAPHE PHILIP V. CANNISTRARO Stony Brook University Queens College and the Graduate School, CUNY JOSEPHINE GATTUSO HENDIN VICTORIA DeGRAZIA New York University Columbia University Queer Italia: Same-Sex Desire in Italian Literature and Film edited by Gary P. Cestaro July 2004 Frank Sinatra: History, Identity, and Italian American Culture edited by Stanislao G. Pugliese October 2004 The Legacy ofPrimo Levi edited by Stanislao G. Pugliese December 2004 Italian Colonialism edited by Ruth Ben-Ghiat and Mia Fuller July 2005 Mussolini's Rome: Rebuilding the Eternal City Borden W Painter Jr. July 2005 Representing Sacco and Vanzetti edited by Jerome A. Delamater and Mary Ann Trasciatti forthcoming, September 2005 Carlo Tresca: Portrait ofa Rebel Nunzio Pernicone forthcoming, October 2005 MUSSOLINI'S Rebuilding the Eternal City BORDEN W. PAINTER, JR. MUSSOLINI'S ROME Copyright © Borden Painter, 2005. Softcover reprint of the hardcover 1st edition 2005 978-1-4039-6604-9 All rights reserved. -
Spaziosport Luglio/Settembre 2014 Numero 30 Anno VIII
IL CONI PER GLI IMPIANTI SPORTIVI Rivista trimestrale di architettura per lo sport di Coni Servizi CONI FOR SPORT FACILITIES Quarterly review of sport architecture of Coni Servizi Luglio/Settembre2014 | Numero 30 | Anno VIII July/September 2014 | Number 30 | Year VIII Autorizzazione del Tribunale di Roma n. 486 del 13.12.2006 - ISSN 1125-12568 STORIA DEL CONI E DELLO SPORT HISTORY OF CONI AND SPORT Editore/Publisher Coni Servizi S.p.A. Largo Lauro De Bosis, 15 - 00135 Roma Tel. 06 3685 1 100 anni di storia del CONI per costruire il futuro 8 [email protected] 100 years of CONI history to build the future www.impiantisportivi.coni.it di Giovanni Malagò - Presidente del CONI/CONI President Direttore/Senior Editor Roberto Fabbricini Agenda Olimpica 2020 del CIO 10 IOC Olympic Agenda 2020 Direttore responsabile/Editor in Chief Michele Uva di Thomas Bach - Presidente del CIO/IOC President Manager di progetto/Project Manager Luigi Ludovici Lo sport nell’Italia che cambia 12 Sport in a changing Italy Coordinamento/Coordination Enrico Carbone di Graziano Delrio - Sottosegretario alla Presidenza del Consiglio dei Ministri Undersecretary of Council of Ministers Segreteria/Secretariat Anna Maria Ponci Giulio Onesti padre nobile del CONI Progetto grafico e impaginazione/Graphic project and 14 making-up Giulio Onesti, CONI noble father Giuseppe Giampaolo di Franco Carraro - Membro del CIO/IOC Member Traduzioni/Translation MTC S.r.l. 100 anni della Bandiera Olimpica 16 Stampa/Printing 100 years of the Olympic Flag Tipografia Facciotti di Mario Pescante -
Sustainability Report 2013 Coni Sustainability Report 2013
SUSTAINABILITY REPORT 2013 CONI SUSTAINABILITY REPORT C M Y CM CONI.IT MY CY CMY K 2013 EDITED BY SUSTAINABILITY REPORT 2013 CONTENTS PRESIDENT’S LETTER 4 STRATEGIC OBJECTIVES AND STAKEHOLDER ENGAGEMENT 6 APPROACH TO SOCIAL RESPONSIBILITY 11 METHODOLOGY AND MATERIALITY ASSESSMENT 14 1 2 3 SPORTS IN ITALY 20 ABOUT CONI 32 CONI’S CONTRIBUTION TO SPORTS 52 The organisational CONI’s history 32 structure of sports 20 CONI’s activities 52 CONI today 38 Sports regulation CONI’s social role 63 The governance model 40 framework in Italy 23 The control and Key sports figures 24 risk management system 47 The CONI and Coni Servizi Code of Ethics and Conduct 48 4 5 6 ECONOMIC PERFORMANCE RELATIONSHIPS WITH CONI AND THE AND VALUE DISTRIBUTED STAKEHOLDERS 86 ENVIRONMENT 116 TO STAKEHOLDERS 80 Stakeholders and Environmental policy 116 The CONI system’s dialogue channels 86 CONI’s environmental impact 117 economic value 80 National and international Supporting the Italian institutions 88 sports system 83 Sports bodies 92 Our people 96 Suppliers 108 Our partners 112 ANNEXES 122 GRI Content Index 122 Report of the Independent Auditors 129 4 CONI 2013 SUSTAINABILITY REPORT PRESIDENT’S LETTER CONI is presenting its first Sustainability Report to confirm its commitment to consistently, effectively and transparently managing administration and implementing its strategic objectives. This Sustainability Report has been prepared with the contribution of all Coni Servizi’s areas and divisions and reports on the results of social, environmental, governance and financial activities. This document, which has been prepared in accordance with the current international guidelines of the Global Reporting Initiative (GRI) and complements the financial information published in the Annual Report, gives all stakeholders access to complete disclosure of CONI’s strategies, actions and Giovanni Malagò results in the pursuit of its mission.