»he Museum of Contemporary Crafts, 29 West 53rd Street, New York Q (Q § « ^ o.2 e (9 •g 0 § ^ 0 22 May—13 September 1964 s Trustees of the American Craftsmen's Councii Mrs. Vanderbilt Webb, Chairman of the Board

Kenneth Chorley, Vice-Chairman

William J. Barrett, President and, Treasurer

May E. Walter, Secretary

Mrs. 8. D. Adams Alfred Auerbach Thomas D'Arcy Brophy Rene d'Harnoncourt Mark EIIingson Mrs. John Houseman Bernard Kester Walter H. Kilham, Jr. V. Lada-Mocarski Harvey K. Littleton Francis S. Merritt Forrest D. Murden, Jr. Mary S. Nelson De Witt Peterkin, Jr. Frank Stanton John B. Stevens Mrs. R. Peter Straus Edward Worm ley

Museum Staff Paul J. Smith, Director

Sybil Frank Marion Lehane Robert Nunnelley Ben E. Watkins An introduction to THE AMERICAN CRAFTSMAN

In assembling this exhibition, emphasis was given to representing the wide range of work being done today by America •: ::";: ftsmen—from the strictly utilitarian object to the non-functional work of fine art, from use in personal adornment to application in architectural setting, from devotion t<^ traditional means of work- ing to experimentation with new fabrication pro: .. -rom creation of unique pieces to design application in industrial production. The thirty craftsmen rep- resented, chosen from the hundreds of craftsmen of equal stature, are from every section of the country, of all ages, with every type of background and a wide variety of training. In illustrating the diversity of the work of the American craftsmen no attempt has been made, however, to explain this diversity in terms of geographical areas; cultural influences, or mingling of various art forms. Though it is impossible to derive from this group a sense of a national style, it is apparent that there is something in their way of working as creative craftsmen that is distinctively American.

A special selection of work by American Indian and Eskimo craftsmen has been included in this exhibition to illustrate the too often ignored activity of individ- uals who continue to work within the traditions of this indigenous American culture. This group of objects, all of which have been made within the past five years, has been selected to illustrate the work of those who draw directly on their Indian artifact heritage. Mention should be made, however, of another direction taken by some Indian craftsmen who, while maintaining contact with their cultural past, are exploring the creative means of the present to find new ways of expressing through their work the estate of the Indian today. In a planned future exhibition the Museum will deal with this work. One of the most significant events in relation to the recent developments of contemporary Indian art has been the founding, in 1963, of the Institute of American Indian Art in Santa Fe, New Mexico, where the academic program includes study of Indian culture and craft techniques in various professional areas. Another important factor in encouraging and drawing attention to the work of the Indian and Eskimo has been the activity of the Indian Arts and Crafts Board of the De- partment of the Interior. These institutions and many others on the local level have accomplished a great deal in beginning to return the American Indian to his proper position in our national cultural scheme.

The Museum of Contemporary Crafts would like to express its gratitude to the following persons whose assistance in assembling this exhibition was invaluable: Mr. Robert G. Hart, General Manager, and Mr. Myles Libhart, Staff Curator, of the Indian Arts and Crafts Board of the IT. S. Department of the Interior, Washington, D. C.; Mr. Alexander Girard and the Girard Foundation, Santa Fe, New Mexico; Mrs. Carl Muschenheim of The American Indian Arts Center of the Association on American Indian Affairs, New York; the Editors of Woman's Day magazine. We are also grateful to the lenders of works to the exhibition, who were: Grace Dhaemers, Hella Hammid, Mrs. Sherman Handy, Mrs. Helen W. Lee, The Howard W. Lipman Foundation, Eeed & Barton, Mrs. Donald Sober, Mrs. E. E. Trefethen, Jr., and Mason Wells.

Paul J. Smith, Director Museum of Contemporary Crafts

JANICE BORNT 1 Tapestry/wool, mounted on wooden base, 22WX20" 2 Tapestry / wool, mounted on wooden base, 37"x28V2" r».-.4-^» 3 Tapestry/wool, 14" x 13 V2" ,3 4 Tapestry/wool, mounted on wooden base, 18" x 15" w< 5 Tapestry/wool, mounted on wooden base, 24" x 22" 6 Tapestry / wool, mounted on wooden base, 18Wx18V4" 7 Robe/wool, 30" x 32" 8 Tapestry/wool, mounted on box, 17" x 11 W 9 Tapestry/wool, mounted on box, 11V*"x 10V*"

IRENA BRYNNER 10 Bracelet/ 18K gold 11 Box/18K gold, peari and malachite crystal 12 Chain/18K gold 12 Four pill boxes/18K gold 14 Necklace/14K gold, rutiiated quartz, Chatham emerald 15 Ring/18K gold 16 Ring /22K gold, rutiiated amethyst 17 Ring/18K gold 18 Pyx/silver, 24K gold-plated, oriental jade

WENDELL CASTLE 19 Chest of drawers / cherry, dovetail construction, 31"x32" 20 Piano bench/Brazilian rosewood, 19" x 25" 21 Music rack / laminated oak and walnut, h. 56" 22 Chair /oak with leather sling, h. 48"

ROBERT DHAEMERS 23 Ring / cast gold, 22 rubies, 2 diamonds Lent by Mrs. E. E. Trefethen, Jr. 24 Ring / cast gold, star ruby Lent by Mrs. Helen W. Lee 25 Pin / cast bronze Lent by Grace Dhaemers 26 Ring/silver, cast pod 27 Necklace /14K gold, five pearls, Brazilian topaz 28 Necklace / bronze, cast Easter egg frosting and wax 29 Necklace / bronze, broken wax forms, baroque pearl 30 Pendant/bronze, cast mushroom, papaya seed and cake frosting 31 Pendant/silver, cast oranges and wax

WHARTON ESHERICK 32 High stools / walnut & hickory, elm & hickory, h. 25" 33 Low stools/elm & hickory, h. 19" 34 Tray/poplar, 17" x 17" 35 Three bowls/walnut, 3" x 11" 36 Bowl / mahogany, poplar, W x 18" "Galaxy," silk-screen 37 Pair of salad servers / boxwood, I. 13" printed fabric. 33 Spoon / cocobola, h. 17" SSarU1^ 39 Utensil board/cottonwood, 24" x 31" KENNETH FERGUSON FREDA KOBLICK 40 Storage jar/stoneware, h. 16" 77 Pierced panel/clear and Acrylic plastic, 28" x 70" 41 Casserole dish/stoneware, d. 11" 78 Cast panel with color/Acrylic, 16" x 53" 42 Water jar/stoneware, h. 16" 79 Cast structure with faceted areas/Acrylic, 70" x 19" 43 Tea pot / stoneware, h. 7" 80 Study for a fountain (wall hung) / Acrylic 44 Lasagna dish/stoneware, d. 11" (fabricated), 16" x 26" x 12" 45 Batter bowl / stoneware, h. 7" 46 Bread-rising bowl/stoneware, h. 8" MARY KRETSiNGER 47 Pitcher / stoneware, h. 14" 81 Box / gold, enamel, 1 W x 3W 48 Ramikins / stoneware, d. 5" 82 Box/silver, enamel, 1 W x2V*" 49 Set of mugs / stoneware, h. 7" 83 Box/gold, enamel, 1"x2V4" 50 Pie plate/stoneware, d. 10" 84 Pin/gold 51 Set of dessert dishes/stoneware, h. 4" 85 Pin/gold 86 Pin / gold, enamel PHILLIP FIKE 87 Pin / gold, enamel 52 Pendant/ebony, libidibia, gold, silver with nylon cord and ebony finding HARVEY L1TTLETON 53 Ring/silver, gold and niello 88 Vase / clear glass, 3" x 7W 54 Pendant/silver with nylon cord and ebony finding 89 Vase / red glass, 6" x 4" 55 Pendant / silver, ebony, gold with nylon cord and 90 Experimental vase / clear glass, S'/i" x 6V2'" gold finding 91 Vase/clear glass, rose tint, 3V2" x 6" 56 Pendant/gold and silver with nylon cord and gold 92 Vase/amber glass, 6V2" x 2" ,'" lng ., „._ ,, , 93 Experimental vase/clear glass, green tint, 6" x7V2" Lent by Mrs. Sherman Handy ' a , e, , p.» D J , u J -i •[ , -, J ,J 94 Vase / 6" x 3" 57 Pendant/gold and silver with nylon cord and gold ,, , , , , , , , , findine Vase/ clear glass with v/hite glass line decoration, Lent by Mrs. Donald Sober h- 9V2" 58 Ring /yellow and white gold 96 Vase^ clear glass with white glass fluted ;,•;.; Aril 59 Pendant/gold, silver and niello with nylon cord ' , , - and gold finding 97 "Croce" / glass form, h. 12" 60 Pin / gold, silver, and moonstone 61 Earrings / white and yellow gold 98 Drop leaf dining table with B drawers/43" x 84" TED HALLMAN " Rocking chair/ Brazilian rosewood, 46" x 25W 62 Dome screen / woven linen, steel, plastic, d. 60" 100 side chair/ splnd\e back' curved arms' Jack Lenor ,_ - -. , , , , , . ,. Larsen Hibiscus upholstery faerie, h. 37" 63 Group of interlaced forms/steel, nylon, linen ,-, - , . „ , , , , , , , ..,,,„. ,, . , , „ 101 Settee/spindle back, sculptured arms & back. Jack 64 Upholstery fabric / woven wool, rayon & cotton ^enor Larsen blue upholstery fabric, h. 39" 65 "Seamless Robe II"/wool, plain weave, purple, ^ Chair/sculptured arms & back, Jack Lenor Larsen green, blue, 36" x 38" , , , , , . , -,,„ green upholstery fabric, h. 37 66 Jacket/woven wool, cotton,' rayoni ,' linen,• oiai• n ..„•103, nBench/to i-/.. p grai• n Lblac] i k » tufteci Jd i leatherii. I, .h .iri 16i weave, 26" x 28" , , ,, , 104 Sculptured 9-candie menorah PAULHULTBERG -los Sculptured 6-candle candelabra 67 Panel/enamel on steel, 60" x 66" 10HN MASON 68 Panel / enamel on steel, 60" x 42" ...... „ , , , , . . , , ..„ 106 Cross form / clay, brown mustard glaze, h. 66 69 Panel/enamel on steel, 60" x 42" .,.., ., .. , , , , , , , „..„ 107 Vertical sculpture/clay, orange glaze, h. 90 70 Panel/enamel on steel, 60" x 78" .,,..,, ., . , , . , , ,, , , . , 108 Vertical sculpture/clay, gray-black glaze with spot of red, h. 66" BRENT KINGTON 71 Totem candlestick /cast sterling, h. 8W GLEN MICHAELS 72 Bell candlestick/cast steri ing, h.6V2" 109 Mosaic panel/white tile and glazed pottery, 73 Candlestick/cast sterling, h.4V2" 36" x 40" 74 Spring Easter egg bell candlestick/cast sterling, 110 Mosaic panel/white tile, porcelain and wood, h.SVi" 10V4"x18" 75 Bird whistle bell / cast sterling, h. 2'/2" 111 Mosaic panel / brown shale and polished wood, 76 Set of three bird whistles / cast sterling, 1" x W d. 48" 112 Mosaic panel / terra-cotta tile, brass and broken 146 Box / nickel silver with silver beads, h. 3W glass, 22" x 29V4" 147 Box / nickel, brass, silver, h. 8W 148 Box /brass, silver, h.3W GERTRUD & 149 Double-spouted coffeepot/silver, ebony, h. Wi" 113 Flat bowl / green brown, blue crystalline glaze, 150 Coffeepot/silver, ebony, h. 11Vi" d. 13" 151 Tea strainers/silver, ebony, I. 5W 114 Large bowl / pale green mat glaze with deep black 152 Plac-ie/cast pewter, mounted on wood. 12" x 12" craters, d. 16" 1S3 "Moongate"/figure, silver, stone, h. 7" 115 Bottle with flange top / deep blue glaze, h. 21" 154 "Laura" / figure, silver, stone, wood base, h. 5W 116 Bottle / blue and red glaze with crystal formations, 155 pendant/ ^^ amethyst, silver, gold reduction fire, h, 15 Vz" 156 Pendant/silver, moonstone 117 Bowl/orange mat glaze with black craters, d. 6" 157 Pendant/silver, quartz, topaz 118 Bowl/yellow, d.3W 119 Tall footed vase/h.10V4" COLIN RICHMOND 120 Bowl / bronze patina, d. 8" 158 Footed bowl / raised silver, 1.10" 121 Bowl/d.AW 15<) Muffevier/teak, silver, enamel, h.4V»" 122 Vase/red h 5W 160 Vase/silver, enamel, h. 3W 123 Bowl / red, crater glaze, d. 5" 161 pair of sa!ad server!i/ stlver' '• 9" Lent by Hella Hammid 162 sma11 vase / silver' enamel, h. 3W 163 Jewel box/silver, rosewood, h, 2 W n,.,^ MQ 164 Box/silver, rosewood, h. 2" 165 Box/silver, rosewood, h. 2" 124 "Wave #2"/stoneware, 1.84V," ^6 Bracelet/silver, jade 125 "Slab Disc"/ stoneware, h. 15" 167 Bracelet/silver, pearls 126 "Composition in Black" / stoneware, h. 12" 127 "Wheel" / stoneware, d. 21" ORMOND SANDERSON Lent by Mason Wells <-_ „_. .,. „ . ,. ..„ , 168 "Thorn Vine tray/ basse taille enamel on 128 Ceramic sculpture/stoneware, h. 36" coDDer 12" x 12" 129 Bottle/stoneware, h, 29" 169 "Looking-Glass No. 1" tray/basse taille enamei 130 Group of garden stools / stoneware, h. 17" on copper, 12" x 14" 170 "Madrigal after Monteverdi, Le lagrime d'amante ALICE PARROTT al sepolcro dell'amata" plaque/basse tailie enamel 131 Hanging / linen, maguey, silk, wool, rice grass, tulip °" ^PP" mounted on African rosewood, 8" x 20" pods 19"x29" 171 "Bird Tree" box/basse taille enamel mounted on 132 "God's Eye" / hanging, wool, maguey, silk, willow walnut, 12" x 4W branches 38" x 33" 172 "Domus" box/basse taille enamel mounted on walnut 4Vi" x ^" 133 "Byzantium"/hanging,/ wool, 60" x 20" ,,, „-,.,,',,, .„ , , • " 173 "Bird" box/basse taille enamel mounted on 134 Horizontal stripe fabric/wool walnut 3W x 3" 135 Horizontal stripe fabric / wool -174 "Microcosmos #4" box / basse taille enamel 136 Rug / wool, flossa, 72" x 24" mounted on rosewood, 4" x 3" 137 "Calloo Callay" / hanging, wool and silk 175 "Eye" box /basse taille enamel mounted on wainut, 5" x 3" MARY WALKER PHILLIPS 176 "Birds" box/basse taille enamel mounted on 138 Blanket/mohair, knit, 48" x 65" ,,, w.a,I.""t'2V2"x 2" .„, ,. .„ , Gift to the Museum of Contemporary Crafts from 177 "Microcosmos No. 1"box/basse taiile enamei Woman's Day magazine mounted on rosewood, h. 31/2 .— _ ,,. , . , 178 "Chrysalis" plaque / basse taille enamel on 139 Casement / linen, knit, natural ^^ ^^ ^ ^,^ ^,, ^ .,9,, 140 Casement /linen, knit, white ,79 "cells" tray/basse taille enamel on 141 Rug/wool, silk, linen, leather, white, 54" x 100" copper, 7" x 5" 142 Pair of shades / hand knit of linen and silk surface 180 "Commedia dell'arte" plaque/basse taille enamel enrichment by variation of stitches and yarn, for on copper mounted on pine, 18" x 18" Lumacryl lamp fixtures ROBERT SPERRY 181 Covered jar /stoneware, white slip, iron painting, 143 Teapot/ebony handle and coral beads, h. QW h. 10" 144 Pair of candleholders / sterling, h. 4" 182 Covered jar/stoneware, black and blue, textured. 145 "Dimension"/sterling flatware, manumCuired by h.13W Reed and Barton 183 Plate/stoneware, brush decoration, d. 20" 184 Covered jar / stoneware, yellow glaze, h. 10Vi" 218 "Solid Corbu" / bow! with lid, aluminum, h. 22" 185 Covered jar/cylindrical, stoneware, brush decora- 219 Bowl / manganese-bronze, d. 22" tion, h. 8" 220 Bowl / red bronze, h. 20" 186 Tall bottle / stoneware, brush decoration, h. 13" 221 Bowl / bronze, green patina, h. 11" 187 Tall bottle/stoneware, brush decoration, h. 15" 188 Slab bottle/stoneware, black glaze, white slip and rock decoration, h. 13" 222 Group of four sculptured plates / stoneware, 189 Large spherical bottle/blue and black applique diameters approximately 15" decoration, 28" x 24" 223 "Red River" / ceramic sculpture, h. 37" 190 Branch vase/stoneware, slab built, textural deco- Lent by Howard W. Lipman Foundation ration, h. 8" FRANS WILDENHA1N ZELDA THOMAS STRECKER 224 "Composition"/ceramic relief, 56" x 40" 191 "Galaxy" / silk-screen printed fabric 225 Ceramic sculpture/stoneware, h. 24" 192 "Statement" / silk-screen printed fabric 226 Sculptured vase/stoneware, h. 34" 193 "Parade" / silk-screen printed fabric 227 Oval vase / stoneware, carved decoration, 194 "City Morning"/panel, silk-screened print, unglazed, h. 19" 45W x 4r/2" 228 Vase/stoneware, h. 10" 195 "City Night" / panel, silk-screened print, 27" x 53" 229 Sculptured vase / stoneware, unglazed, h. 8V»" 196 "Algae" / cotton fabric, silk-screen printed 230 Double form vase / stoneware, h. 30V2" 197 "Spring" / cotton fabric, silk-screen printed 231 Bottle vase/stoneware, h. 18" Numbers 232 through 283 lent by the Indian Art* and Crafts Board of the Department of the Interior 198 "Seascape" / rug, flossa, woo! and silk, 46" x 90" 232 Jar / pottery, slip decorated, h. W 199 "Murasaki" / rug, flossa, wool, silk, rayon, linen, By Sadie Adams, Hopi Pueblo, Arizona " x -110" 233 Bottle / pottery, slip decorated, h. 7" 200 45"Manoa"/stoneware form, h. 41" By Sarah Garcia, Acoma Pueblo, New Mexico 201 Pot/stoneware, h.24V2" 234 Vase / pottery, slip decorated, h. 8W 202 "Uta" / stoneware form, h. 10" By Lucy M. Lewis, Acoma Pueblo, New Mexico 203 Form/stoneware, ash glaze, h. 8" 235 Bowl/pottery, slip decorated, h. 6" 204 "Sound" pot/stoneware, blue and brown glaze, By Lucy M. Lewis, Acoma Pueblo, New Mexico h.7V2" 236 Bowl / pottery, slip decorated, h. 6V«" 205 Form / porcelain, h. 7" Sy l-"^ M- Lewis, Acoma Pueblo, New Mexico 206 Plate / porcelain, cobalt blue glaze, d. 11 W 237 Bowl / pottery, burnished, h. W 207 Plate / stoneware, cobalt blue and ash, d. 13" ^Mari a ^tinez, San ildefonso Pueblo, N. Mex. 208 Square plate /stoneware, yellow, blue and white, 238 Bowl / pottery, burnished, h. 9W 12" x 12" ^y Maria Martinez, San Ildefonso Pueblo, N. Mex. Form/porcelain, blue glaze, h.6" 239 Bowl/pottery, 1. 8V." Museum of Contemporary Crafts Collection Catawba, Rock Hill, South Carolina 210 Plate/stoneware, blue glaze, d. 16" 240 Bowl / pottery, 31/2" x 10" Museum of Contemporary Crafts Collection Polingaysi, Hopi Pueblo, Arizona 211 Double form pot/ stoneware, h. 15W 241 Tray/birch bark, i. 9" Museum of Contemporary Crafts Collection Athabaskan, Yukon River, Alaska 242 Basket/coiled willow reed with feathers, w. 7" B^ Mrs' susie Biliie, Hopland, California .„,_.,_ „, . „ , , , ,. 243 Basket / coiled beachgrass, h. 6Vi" 212 "The Poet'/woven form, black and natural linen, Eskimo, Hooper Bay, Alaska feathers, wire, 94" x 16" ,'„,,., . „, , , ,. - . 244 Basket/coiled grass with dyed sealgut overlay, 213 Egyptian /woven form, natural linen, Egyptian h 3/" • wood, wire, 74" x 12" Eskimo, Alaska 214 "Little Egypf'/woven form, natural linen, Egyptian ^45 Plaque / coiled, galleta grass and yucca, a. ,aw wood, wire, 44" x 6" Hopi Pueblo, Arizona 215 "The Cage" / woven form, black and natural linen, ^ Tray / coiled grass, d. 13'A" wsre, 156" x 20" Eskimo, Tununak, Alaska 247 Cooking basket/coiled grass, h. 11 Ve" WILUAiVt l/NDERHILL By Mrs. Annie Wentz, Mono, California 216 Triangular bowl with lid / red bronze, h. 27" 248 Basket/river cane, h. 17V»" 217 "Flame Bowl #3" / red bronze, h. 36" Cherokee, North Carolina 249 Basket/river cane, h. 12" 277 Bear/ivory carving, I. 3V«" Cherokee, North Carolina Eskimo, Little Diomede Island, Alaska 250 Jingle bag / suede decorated with metal jingles, 278 Mask / cornhusk, 1.14" h. 12V4" Seneca, Saimanca, New York Apache, Anadarko, Oklahoma 279 Mask / whalebone, I. 7" 231 Belt/cotton, I. 58V4" Eskimo, Arctic Coast, Alaska Santa Clara Pueblo, New Mexico 280 Raven mask/yellow cedar, I. BW 252 Yei-bei-chai tapestry/wool, 1.48V2" x 29*/4" Sy Anthony Pushruk, Eskimo Is! ' 'age, Alaska By Mrs. William Woody, Navajo, Arizona 281 Wolf mask/yellow cedar, 1.11' 253 Saddieblanket/wool,29"x22" ^ Anthony Pushruk, Eskimo, King Island Village, By Rena McCabe, Navajo, Arizona Alaska 254 Doubleweave saddleblanket / wool, 57" x 30V4" 282 Tw0 com dancer dolls / cornhusk, buckskin and By Lucy Wilson, Navajo, Arizona fabrit: with cornhusk mask, h. 6V»" 25.11-,5. r-t.-Chief' t,s rug/wool,i i 60V4r^ii „" x r-,,,53" Iroquois,^ i Allegheny,u » New York Navaio Arizona 283 Shalako Katchina / painted cottonwocn,,. i73/*" i,., n , ' i ,^,, v-... „ Hopi Pueblo, Arizona 256 Rug / wool, 60" x 57V«" " By Sallie Lee, Begay, Navajo, Arizona Numbers 284 through 310 lent by the Girard 257 Dance rattle / beaded, • -" •-&" Foundation, Santa Fe, New Mexico By Jennie and Joe Rai, •.., Sioux, Standing Rock Reservation, North Dakota 284 Three gourd figures/small bowl, stand, and wood 258 Medallion necklace / beaded, 1. 307/." head piece, 29" x 10"; bird, 7" x 4W; bird, 8" x 3" By Nettie Standing, Kiowa, Anadarko, Oklahoma SY F- Shendo, Jemez Pueblo 259 Two medallions / beaded, d. 2V." 285 ^ure / painted wood, orange, black, green and Kiowa, Anadarko, Oklahoma white'15" x 7" 260 Medallion/ beaded, d. 2W NavaJ0 Comanche, Anadarko, Oklahoma 286 ^S^ /Painted wood, rubbed off white, black, 261 Bottle/ beaded, h. lOVa" N^va'l 3" Paiute, Pyramid Lake, Nevada ' ,...,. , 262 Basket/beaded, h.6Vi 287 ^hi^/painted wood, black body, green face, Paiute, Pyramid Lake, Nevada ; ^^ Pueb\o 263 Necklace /turquoise and silver, 1. 31" 283 Katchina/black hair, white cloak, white feather on Santo Domingo Pueblo, New Mexico head 6" x 2W 264 Necklace/silver beads,!. 18W Hopi' Navajo, Arizona 289 Katchina / yellow face, green collar, 12'A" x 3V»" 265 Bracelet/silver and turquoise, I. 6V»" Hopi Zuni Pueblo, New Mexico 290 Shalako Katchina/figure with horns, h. 14" 266 Bracelet/silver overlay with oxidation, I. 6V4" Hopi Hopi Pueblo, Arizona ^y, p^ f^ "Mooteleek" / brown painted pottery 267 Bracelet/oxidized silver and turquoise, 6V." with yellow eyes, 4" x 5Va"; brown painted pot- Navajo, Arizona tery with yellow eyes, 3'A" x W; 3W x 6Vi"; 268 Bracelet/silver inlaid with jade and ivory, I. 65/16" green with yellow eyes, 4V2" x 5" By Jerry Norton, Eskimo, Alaska Zuni 269 Bracelet/silver and turquoise, I. 611/16" 292 Owl / painted pottery, 7W x 6" Navajo, Arizona By Anita Lowden, Acoma, New Mexico 270 Worm Woman Pin / cast silver 293 Turkey/painted pottery, 6W x 7W By Lincoln Wallace, Tlingit, Alaska By Anita Lowden, Acoma, New Mexico 271 Necklace/caribou hoof, I. 20V4" 294 Swan / ceramic, 5" x 5" Eskimo, Kivalina, Alaska By Rosemary Garcia, Acoma, New Mexico 272 Breast plate / quilled, for men, IS'A" x 12" 295 Turtle / ceramic, 2W x 7" By Sophia New Holy, Pine Ridge Sioux, S. Dakota Acoma, New Mexico 27S Squaw whistle/carved ash wood, I. 20'/4" 296 Chicken / ceramic, 4" x 5" By Joe Rainbow, Sioux, Standing Rock Reservation, Acoma, New Mexico North Dakota 297 Two small turtles/ceramic, white, brown 274 Walrus / ivory carving By Lucy Lewis, Acoma, New Mexico Eskimo, Little Diomede Island, Alaska 298 Four small snakes / ceramic 275 Walrus / ivory carving, 1.2'A By Lucy Lewis, Acoma, New Mexico By Mrs. Billie, Navajo, Arizona 299 Standing figure of woman with basket on back / 276 Walrus/ivory carving, 1. 2 V4" ceramic, 6V»" x 3" Eskimo, Little Diomede Island, Alaska Acoma, New Mexico 300 Two seated figures / black hair, 5" x 3"; yellow hair, 5" x 3" Acoma, New Nexico 301 "Koshare" Clown By Frances Suina, Cochiti, New Mexico 302 "Koshare" Clown/painted wood, white with black stripes, cornhusk head dress, 14" x 3" By Lorenzo Aquino, San Juan, New Mexico 303 Five "Koshare" animals/rabbit, sitting, white body, pink eyes, 7" x 2"; yellow with spots, 3" x SVi"; gray with spots, white and pink eyes, y/i" x 8W; goat with horns, white body, red mouth, 3" x 5"; brown with black horns, 3" x 5" By Lorenzo Aquino, San Juan, New Mexico 304 Group of ceramic figures/three men, painted pot- tery, brown coat and boots, white body: 7" x y/i"; 5V2" x 3"; 5W x 3". Two seated women, painted pottery, brown coat and boots, white body: 3V2" x 3";3"x3V2" By Nellie Bica, Zuni, New Mexico 305 Group of five figures / seated woman with baby on lap, 10" x 7"; standing woman, 10'/2"x 4W; seated woman holding baby, SV?" x 4Va"; man with flute, standing, 14" x 5"; standing man, 13" x 7" Cochiti, New Mexico 306 Large pottery figure with raised hand/10"x 7" By Mrs. Damacio, Cochiti, New Mexico 307 Three owls/painted pottery: 7" x 5W; 6" x 5"; 4" x 3Va" Cochiti, New Mexico 308 Bear / 9" x 7" Cochiti, New Mexico 309 Two dogs/with bird, 5" x W', sitting with fish (2 pieces), 6" x 4" Cochiti, New Mexico 310 Figure/3" x3Vi" By Frances Suina, Cochiti, New Mexico

Numbers 311 through 320 lent by The American Indian Arts Center, New York, New York

311 Necklace By Roger Tsabetsaye, Zuni, New Mexico 312 Ring By Roger Tsabetsaye, Zuni, New Mexico 313 Pendant/inlay shell Santo Domingo Pueblo, New Mexico 314 Necklace/shell and silver discs Santo Domingo Pueblo, New Mexico 315 Necklace/turquoise and shell Santo Domingo Pueblo, New Mexico 316 Ceremonial fan/beaded, 1.17" Kiowa, Oklahoma 317 Pouch bag / beaded buckskin, h. 9W Apache, Oklahoma 318 Cornhusk bag/1.12" Nez Perce, Idaho 319 Basket / split stitch with cover, h. 9" Interlaced form / green, Papago, Arizona blue olive strands, .,,.,_„ steel reinforcement, 320Basket /large tray with star design, d. 15" 96" x 36". By Ted Hailman, Papago, Arizona Souderton, Pennsylvania.

The Exhibitors

Janice Bornt, Berkeley, California Studied at Cranbrook Academy of Art; Haystack Moun- tain School of Crafts. Full-time craftsman; has designed textiles for Jack Lenor Larsen and has taught privately. Exhibited at Oakland Art Museum, 1961; Detroit Insti- tute of Arts, 1964; Young Americans 1962, Museum of Contemporary Crafts; Scripps College Invitational 1962; New Taient 1963, University of Illinois.

Irena Brynner, New York, New York Studied at Ecole Cantonal d'Art et de I'Art Applique, Lausanne, Switzerland; private studies in painting and sculpture. Full-time craftsman; maintains retail shop for her own jewelry. Exhibited in American Pavilion at Brussels World Fair, 1958; one-man show at Museum of Contemporary Crafts, 1959; International Exhibition of Modern jewellery, London, 1961; received Bavarian Srate Prize, International Show, Munich, 1963.

Wendeii Castle, Rochester, New York Studied at University of Kansas, BFA in industrial de- sign, MFA in sculpture. Teaching Fellowship, University of Kansas. Instructor in Furniture Design at School for American Craftsman, Rochester Institute of Technology. Exhibited at National Decorative Arts Exhibition, Wichi- ta; Wichita Art Museum, 1960; One Man Show, Little Gallery, Kansas City, 1960,1961; Young Americans 1962 and Craftsmen of the Eastern States, 1963, Museum of Contemporary Crafts; Rundel Gallery, Rochester, 1963; Schuman Gallery, Rochester, 1963.

Robert Dhaemers, Oakland, California Studied at California College of Arts and Crafts, BFA and MFA. Has taught at California College of Arts and Crafts, 1952 to 1956; Mills College, 1957 to 1964, Art Department Head, 1963-1964. Does commission work in sculpture and jewelry. Exhibited at Oakland Art Mu- seum; San Francisco Museum of Art; American Jewelry and Related Objects; Designer-Craftsmen of the Far West; Wichita Crafts Annual, E. B. Crocker Art Gallery; Fiber-Clay-Metal, St. Paul Gallery of Art; American Federation of Art "New Talent USA"; M. H. De Young Museum; Oakland Art Gallery.

Wharton Esherick, Paoli, Pennsylvania Studied at Philadelphia School of Industrial Art; Penn- sylvania Academy of Fine Arts. Full-time craftsman: sculpture, furniture and interiors in wood. Awards in- clude: competition for monument to "Unknown Politi- cal Prisoner," 1953; Architectural League of New York Gold Medal of Honor in Design and Craftsmanship, 1954. Exhibited at One Man Retrospective, 1958, Crafts- men of the Eastern States, 1964, Museum of Contem- State College, Brooklyn Museum Art School. Taught at porary Crafts; Masters of Contemporary Crafts, The Brooklyn Museum Art School. Exhibited at Brooklyn Brooklyn Museum, 1961; The Metropolitan Museum of Museum; ; Museum of Contem- Art, New York; Whitney Museum; Philadelphia Museum porary Crafts, 1959,1962; Contemporaries Gallery, New of Art. York; Zabriskie Gallery, New York; Martha Jackson Gal- lery, New York. Architectural Commissions for enamel Kenneth R. Ferguson, Helena, Montana murals include: Hotel Manhattan, New York; The Living Studied at Carnegie Institute of Technology, Pittsburgh, Theater, New York; four-story outdoor escalator for Pennsylvania, BFA (painting and design); New York Anhueser-Busch, Tampa, Florida; Pittsburgh National State College of Ceramics at Alfred, New York, MFA Bank, Pennsylvania; Henry J. Kaiser Residence, ; (ceramic design). Teaching Fellowship and Graduate Abraham & Straus, Huntington, L. I., New York; Hotel Assistant at New York State College of Ceramics, Alfred, Statler, Washington, D. C.; Pan Am building, New York. New York, 1956-1958; Resident Potter and Manager of Archie Bray Foundation, 1958-1963. Exhibited at Fiber- Brent Kington, Carbondale, Illinois Clay-Metal, St. Paul, Minnesota, T961, 1962; Contem- Studied at University of Kansas, BFA; Cranbrook Acad- porary Craftsman of the Far West, Museum of Con- emy of Art, M.F.A. Assistant Professor, Art Department, temporary Crafts, New York, 1961; 21st and 22nd Ce- Southern Illinois University. Exhibited at One Man Show, ramie National, Syracuse, New York; International Ce- 1961, Group Show, 1961, 1963, 1964, The Mitchell ramie Exhibition, Prague, Czechosio'.'ai

Paul Hultberg, Mount Ivy, Pomona, New York Harvey K. Uttleton, Verona, Wisconsin Studied at University of Southern California. Fresno Studied at University of Michigan, B.A. (Design); Cran- brook Academy of Art, M.F.A.; studies at the Brighton as a team producing ceramics, Gertrud throwing the School of Art, Brighton, England; studied with Nora pots and Otto glazing. One-man exhibits of Natzler Braden and . Associate Professor, Univer- ceramics have been shown at: The Jewish Museum, New sity of Wisconsin. 1962 salary grant University of Wiscon- York, 1958; Bezalel National Museum, Jerusalem, Israel, sin Research Committee; Toledo Museum Travel Grant 1959; Museum of Modem Art, Haifa, Israel, 1959; $500. Ceramics exhibited at 15th, 16th, 17th, 18th, 19th, Kunstegewerbemuseum, Zurich, Switzerland, 1959;j 20th, 21st, 22nd, Ceramic National Syracuse Museum Stedelijk Museum, Amsterdam, Holland, 1959; Cincin- of Fine Arts, Syracuse, New York; 1st International Ex- nati Art Museum, Ohio, 1960; Tulane University, New position of Ceramics, Cannes, France, 1955; 2nd Inter- Orleans, Louisiana, 1961; The Art Institute of Chicago, national Exhibition of Ceramics, Ostend, Belgium, 1959; Illinois, 1963; San Francisco Museum of Art, California, 8th International Exhibition of Ceramic Art, Smithsonian 1963; Saint Paul Art Center, Minnesota, 1963; Museum Institution, Washington, D. C., 1961. Glass exhibited at of Contemporary Crafts, New York, 1963. Among the Tweed Gallery, University of Minnesota, 1963; Brooks numerous awards they have received are: Museum of Memorial Art Center, Memphis, Tennessee, 1963; Toledo Modern Art "Good Design," 1952, 1953; Several Pur- Museum of Art, 1963; Milwaukee Art Center, 1963. One chase Prizes at the National Ceramic Exhibitions, Syra- Man exhibitions at St. Louis Artists' Craftsmen's League; cuse; Silver Medal, International Ceramics Exhibition, Chicago Art Institute; Museum of Contemporary Crafts. Prague, Czechoslovakia, 1962.

Sam Maloof, AIta Loma, California Win Ng, San Francisco, California Full-time craftsman, works for architectural firms and Studied at San Francisco City College; California School through decorators. Commissions include: Gimbels, of Fine Arts, BFA. Full-time craftsman in ceramics. Ex- Philadelphia; Goldwaters, Phoenix, Arizona; Livingstons, hibited at Mi Chou Gallery, New York, 1959,1961,1962; San Francisco; Saks Fifth Avenue, Palm Springs, Cali- Fiber-Clay-Metal, Saint Paul Gallery, Minnesota, 1959; fomia; Henry Kaiser, Sr., office furniture, Kaiser Center, American Crafts Exhibition, United States Information Oakland; all for Welton Becket and Associates, F.A.I.A. Agency, Italy and other European countries, 1959; 21st Exhibited at Henry Gallery, University of Washington; & 22nd Ceramic National Exhibition, Everson Museum Los Angeles County Museum; Saint Paul Gallery, 1959; of Art, Syracuse, New York; 8th International Exhibition Museum of Contemporary Crafts, New York, 1956 & of Ceramic Arts, Smithsonian Institution, 1961; U.S.A. 1960; Oakland Museum, One Man Show, 1958; Pasa- Entry, The 3rd International Exhibition of Contemporary dena Art Museum. Gold Key Award presented by Ceramics, U.S. State Department, Prague, Czechoslo- Southern California Chapter of the National Home vakia, 1962; Adventures in Art, Fine Art Pavilion, Seattle Furnishings League. World's Fair; Forms From the Earth, Museum of Con- temporary Crafts, New York, 1963. John Mason, Los Angeles, California Studied at Los Angeles County Art institute; Los Angeles Alice Kagawa Parrott, Santa Fe, New Mexico City College. Full-time craftsman; has taught ceramics Studied at University of Hawaii, BA; Cranbrook Acad- and sculpture and has executed numerous commissions emy of Art, MA; University of Mexico, Pond Farm of architectural wall reliefs and ceramic sculpture. One Workshop. Alice and her husband, Alan, work together Man Shows at Gumps Gallery, San Francisco, California; in their production studio and craft shop where their Oregon Ceramic Studio, Portland, Oregon; Ferus Gal- own textiles and other local craftsmen's designs are lery, Los Angeles, California, 1958 and 1959; Pasadena sold. Exhibited at Contemporary Hand Weaving, Uni- Art Museum, Pasadena, California, 1960. Also exhibited versity of Nebraska, Lincoln, Nebraska, 1958-1959; De- at Syracuse Ceramic Nationals, Everson Museum, Syra- signer Craftsmen U.S.A., Museum of Contemporary cuse. New York, 1956, 1960; International Ceramic Ex- Crafts, 1960; Fabrics International, Philadelphia Museum hibition, Ostend, Belgium, 1959; Fiber-Clay-MetaI, St. College of Art, Philadelphia, Pennsylvania, and Museum Paul Gallery, Minnesota, 1959; Collaboration: Artist and of Contemporary Crafts, New York, 1961; Modem Architect, Museum of Contemporary Crafts, New York, American Wall Hangings, Victoria and Albert Museum, 1962; Third International Exhibit of Contemporary London, England, 1962-1963; The Fine Art of Crafts, Ceramics, Prague, Czechoslovakia. Nelson Gallery, Atkins Museum, Kansas City, Missouri, 1963. Awarded the Louis Comfort Tiffany Award, Na- Glen Michaels, Birmingham, Michigan tional Competition for Textiles, 1959; One Man Exhibi- Studied at Yale School of Music; Eastern Washington tions at the Roswell Museum and Art Center, Roswell, College, B.A.; Cranbrook Academy of Art, M.F.A. Super- New Mexico, 1960, and Members Gallery, Museum of visor Young People's Art Center, Cranbrook Academy of Contemporary Crafts, New York l9<;3, Art. Exhibited his wood and stone mosaics at Little Gallery, Birmingham, Michigan, 1960,1962,1963; Bertha Mary Walker Phillips, New York, New York Schaefer Gallery, New York, 1960, 1961, 1962; Martha Studied at Fresno State College; San Francisco State Jackson Gallery, New York, 1960. Recent mural corn- College; Mills College; School of missions include: Ford Building, World's Fair; E! Al Design; Cranbrook Academy of Art, BFA and MFA. Israel, reception area Rockefeller Center; J. W. Thomp- Free-lance designer of knit materials and knit articles son Agency, reception area. for fashion and the home. Exhibited at Contemporary Handweavers Exhibit, M. H. De Young Museum, San Gertrud and Otto Natzler, Los Angeles, California Francisco, 1955; Wichita Decorative Arts and Ceramic The Natzlers devote themselves full-time to working Exhibition, Wichita, Kansas, 1956; Fiber-Clay-Meta11962, Saint Paul Art Center, Minnesota; One Woman Show, niers, New York; Smithsonian Invitational Exhibition, Presno Arts Center, Fresno, California, 1963. Washington, D. C, 1957,1958,1961,1962; Art Institute of Chicago, 1960; Albright Art Gallery, Buffalo, New , Duxbury, Massachusetts York, 1960; J. Blumenfeld Galler/, New York, 1961; -,.;sited at Copenhagen Technical School in Denmark. Brussels World Fair, 1958; Ostend International Show, Taught at the School for American Craftsmen in New 1959,1961. York. Presently part-time designer of flatware and hoi- Sow ware for Reed and Barton and teacher at the Rhode Lenore Tawney, New York, New York Ssianc! School of Design; also designs metal sculpture Studied at University of Illinois; Institute of Design, and je-valry in his own studio. Chicago; drawing and sculpture with Alexander Archi- penko; tapestry techniques with Martta Taipale. Full- Colin Richmond, Newburyport, Massachusetts time craftsman. Exhibited tapestries at Seattle World's George Peabody College for Teachers, Nashville, Ten- Ftlir'' ^'^go Art Institute; Dallas Museum of Fine Arts; nessee, BA and MA (Fine and Industrial Arts Education); staten Island ^seum of Art; Woven Forms, Museum School for American Craftsmen, Rochester, New York, of Contemporary Crafts; Kunstgewerbe Museum, Zurich; graduate Citation (Metalcraft, Hoiloware and Jewelry). Brussel's World's Fair; Philadelphia Museum College of Designer-craftsman, Towie Silversmiths. Exhibited at Art; Renaissance Society, Chicago; American House, Designer-Craftsman, U.S.A., Museum of Contemporary New York ^^ Crafts, 1960; American Crafts-New Talent, University of Illinois, 1961; Designed for Production, Museum of William Underhili, Byram, Connecticut Contemporary Crafts 1964. Studied at California College of Arts and Crafts; Univer- sity of California, BA and MA. Full-time craftsman in Ormond Sanderson, Durham, North Carolina ca<>tmetals:,Exhibited '" the,permit\wt co"ections of Studied at University of North Carolina; University of tl-le ^ ofsan rrwasc0' oakland ArtMuseum and the Michigan. B. Music and M. Music. Full-time craftsman Museum ,ofcontemPora^y Ci-a^^hib'ted at the J. in enameling and co-owner of business. Straw Valley, Biumenfeld Gallery, New York 1963; Young Americans Inc., selling contemporary objects of American crafts- -i%2 and cre-itlve ^'"S' -l%3' Museum of contem- men as well as pieces designed and produced by San- porary ra s. derson and associate Robert Black. Exhibited at 22nd _ ., „ , , _ , , Ceramic National Exhibition, Syracuse, New York, 1962- pt!ter VOUIkos' Berke\e^' ca lforma „ ,„ . „ „ 1964; Fiber-Clay-Metal, St. Paul Gallery of Art, Minne- studled at Montana State College, BS; California College sota, 1962; Craftsmen of the Southeastern States, Mu- of Arts & crafts/ MFA- Has taught at, B!ack Mountain seum of Contemporary Crafts, 1963; The Crafts and co\^, Black Mountain, North Carolina, Los Angeles Worship, Dallas Museum of Fine Arts, 1964. ^""^ Art lnstitute' Monttlna state University and is now Associate Professor at the University of California, . i. 11 1. Berkeley, California. Exhibited pottery and ceramic sculp- Robert Sperry, Bothell Washington tuie at Museum of Modern Art, New York City; Gump's, Studied at University of Saskatchewan, Canada, BA; Art ^ Francisco; Felix Landau Gallery, Los Angeles; Chi- Institute of Chicago, BFA; University of Washington, ^gg ^rt Institute; Bonniers, New York City; Pasadena MFA. Tiffany scholarship, 1957. Associate Professor of ^rt Museum; Primus Stuart Gallery. Los Angeles; Art Ceramics, University of Washington. Second Prize, 8th Unlimited, San Francisco; Brussels World Fair; Inter- International Exhibition of Ceramics, Washington, D. C. rational Ceramics Exhibition, Belgium; Seattle World Exhibited at Ostend International Exhibition; Third In- pair; San Francisco Museum of Art; Whitney Museum. ternation Exhibition of Contemporary Ceramics, Prague, ^g^y York Citv Czechoslovakia; One Man Show America House, New York; USIA Traveling Exhibition, South America. ^ Wiidenhain, Pittsford, New York Sludied at the Bauhaus at Weimar; State School of Ap- Zeida Thomas Strecker, St. Charles, Illinois plied Art at HaIIe-Saale, Master of Craft. Guggenheim Studied at College for Teachers, State University of New fellow 1958. Taught at State School of Applied Art at York at Buffalo, BS; Syracuse University; Skidmore Col- HaIIe-Saale, Germany; School of Applied Arts in Amster- lege, Saratoga Springs, New York; Aurora College, dam, Holland; Presently Professor at School for Ameri- Aurora, Illinois. Textile designer-craftsman specializing can Craftsmen of the Rochester Institute of Technology, in drapery and upholstery fabrics produced by the silk- Rochester, New York. Designed and executed 100 foot screen process. Exhibited at One Man exhibition, Mem- ceramic mural for Strasenburgh Laboratories, Rochester, bers' Gallery, Museum of Contemporary Crafts, 1961; 1959; 200 foot ceramic mural for National Library of Collaboration: Artist and Architect, Museum of Con- Medicine, Washington D. C., 1963. Exhibited at Ceramic temporary Crafts, 1962. International, Cannes, France, 1955; Ostend, Belgium, 1959; Prague, Czechoslovakia, 1962: Collaboration: Artist Toshiko Takaezu, Cleveland, Ohio and Architect and Forms From The Earth, Museum of Studied at Art School; University of Hawaii; Contemporary Crafts, New York, 1962; One Man exhibi- Cranbrook Academy of Art; University of Wisconsin; tions—Munson-William-Proctor, Utica, 1952; Memorial Haystack School of Crafts; Flint Institute of Art; Cleve- Art Gallery, Rochester, 1953; Elizabeth Nelson Galleries, land Institute of Art. Louis Comfort Tiffany Foundation Chicago, 1953; Members Room, Albright Art Gallery, scholarship, 1963-1964. Presently, a full-time teacher of Buffalo, 1959; Joe and Emily Lowe Art Gallery, Coral ceramics at Cleveland Institute of Art. Exhibited at Bon- Gables, Florida, 19fi2. Mosaic panel / brown shale and polished wood, diam. 48". By Glen Michaels Birmingham, Michigan.