DOCSLIB.ORG

The Graphic Work of Issachar Ber Ryback (1897–1935): an OUTSTANDING Example of Children’S Book Art

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Graphic Work of Issachar Ber Ryback (1897–1935): an OUTSTANDING Example of Children’S Book Art THE GRAPHIC WORK OF ISSACHAR BER RYBACK (1897–1935): AN OUTSTANDING EXAMPLE OF CHILDREN’s BOOK ART Serge-Aljosja Stommels and Albert Lemmens At the beginning of the twentieth century in Russia a modernist Jewish national style in art was achieved by artists of the Kultur Lige, when her- itage and tradition were combined with modernist art trends. Children were the main focus of this development; the new national identity was taught in educational programmes. Old and new tales were collected and written down by Jewish authors. Several were illustrated by Jew- ish artists such as Marc Chagall (1887–1985), El Lissitzky (1890–1941) and Issachar Ber Ryback (1897–1935). While the first two are more famous, the latter artist should not be overlooked in this respect. This paper will show Ryback’s role in the development of Jewish- Russian art in general and illustrations for children’s books in particu- lar as well as the importance of these illustrations within the œuvre of Ryback. In the first part the life and works of the artist will be described. The second part focuses on the nine children’s books for which he created illustrations. Life and Work Issachar Ber Ryback was born on February 2, 1897.1 His birth- place was Yelisavetgrad (nowadays Kirovohrad),2 in the government 1 For general biographical information the following sources were used: Raymond Cogniat, J. Ryback (Paris: Edition de l’Amitié Francaise, 1934); A. Tscherikower (ed.), Yis- sakhar Ber Ribak: zayn lebn un shafn (Paris: Komitet tsu fareybikn dem ondenk fun Yissakhar- Ber Ribak, 1937); I. Ryback 1897–1935. [Announcement leaflet for:] I. Ryback (His life and work) (London: Heinemann, s.a. [c.1937]); Dmitri Ia. Severiukhin, Oleg L. Leikind, Khudozhniki russkoi emigratsii2 (1917–1941). Biograficheskii slovar’ (St Petersburg: Cherny- sheva, 1994), pp. 402–404; Oleg L. Leikind, Kiril V. Makhrov, Dmitri Ia. Severiukhin, Khudozhniki russkogo zarubezh’ia. Biograficheskii slovar’ (St Petersburg: Notabene, 1999), pp. 505–506; ‘Biography’, on: http://www.comite-ryback.org/Biography.php, the official website of the Issachar Ber Ryback Committee & Foundation established in Israel in 2007. N.B. The single source for the date of birth is the biographical sketch by the Issachar Ber Ryback Committee & Foundation. Other sources only state the year of birth. 2 Founded as a fortress in 1754, it was named Yelisavetgrad for Empress Elizabeth 280 serge-aljosja stommels and albert lemmens of Kherson. It was located in the South part of the Pale, the con- fined area of the Russian empire where Jews were allowed to live.3 His father, from an important Chassid family, was a follower of the Haska- lah movement4 and an admirer of Russian culture. At the age of ten Ryback was sent to the local ‘heder’, the Jewish school for children. Rather than being occupied with regular Jewish teachings he mainly gave his attention, in secret, to the evening drawing classes for local factory workers taught by Kosachinsky.5 In 1911, at the age of four- teen, he went to study at the Faculty of Painting of the Kiev School of Arts, from which he graduated in 1916. During this period Ryback joined the faculty’s informal group of young artists seeking a modern Jewish culture. Among its members were Boris Aronson (1900–1980), Alexander Tyshler (1898–1980), Solomon Nikritin (1898–1965), Mark Epstein (1897–1949), and Isaac Rabinovich (1894–1961), all of whom would, like Ryback, become well known as painters, graphic artists, scenic designers or sculptors in the first half of the twentieth century. As well as being involved with the search for a Jewish national identity he was also very interested in new developments in art. In 1913–1914 he attended classes in the private studio of the avant-garde artist Alex- andra Exter (1882–1949). There he encountered the art of Picasso and Braque. The following year Ryback for the first time participated in an exhibition in which he showed paintings with avant-garde influences. At the Kiev Spring exhibition of 1915 the paintings he showed in fact bore witness to a combination of both interests: although modernist in style their content was inspired by life in the shtetl. Between 1881 and 1919 it was the scene of several pogroms. It was renamed Zinov’evsk in 1924, Kirovo in 1936, and Kirovograd (Kirovohrad) in 1939. (from The Columbia Encyclopedia, 6th ed., 2008, on: http://www.encyclopedia.com/doc/1E1- Kirovohr.html). 3 The Jewish Pale of Settlement was the confined part of the Russian empire where Jews were allowed to live after having been expelled from the empire by laws of 1795 and 1835. Its region stretched from the Western border with Europe to the cities of Pskov, Smolensk, Kursk, and Kharkov and included Russian Poland, Belarus, and Ukraine. See the map in Zvi Gitelman, A Century of Ambivalence: The Jews of Russia and the Soviet Union, 1881 to the Present (New York: YIVO Institute, 1988), p. 3. For a short discussion of its history, ibid., pp. XI–XV. 4 Followers of the Haskalah movement (called Maskilim) abandoned the exclusive- ness of Jewish culture and sought to acquire the knowledge, manners, and aspirations of the nations among whom they dwelt. See: http://www.jewishencyclopedia.com/ view.jsp?artid=350&letter=H. 5 Adolph Behne, in: Austellung J. Ryback, exhibition catalogue (Berlin: [Twardy], 1923), unpaginated; Bruno W. Reimann, ‘Issachar Ryback’, Menorah. Illustrierte Monatsschrift für die Jüdische Familie, vol. II, no. 6 ( June 1924), 15..
Load more

Recommended publications
  • TEL AVIV PANTONE 425U Gris PANTONE 653C Bleu Bleu PANTONE 653 C
    ART MODERNE ET CONTEMPORAIN TRIPLEX PARIS - NEW YORK TEL AVIV Bleu PANTONE 653 C Gris PANTONE 425 U Bleu PANTONE 653 C Gris PANTONE 425 U ART MODERNE et CONTEMPORAIN Ecole de Paris Tableaux, dessins et sculptures Le Mardi 19 Juin 2012 à 19h. 5, Avenue d’Eylau 75116 Paris Expositions privées: Lundi 18 juin de 10 h. à 18h. Mardi 19 juin de 10h. à 15h. 5, Avenue d’ Eylau 75116 Paris Expert pour les tableaux: Cécile RITZENTHALER Tel: +33 (0) 6 85 07 00 36 [email protected] Assistée d’Alix PIGNON-HERIARD Tel: +33 (0) 1 47 27 76 72 Fax: 33 (0) 1 47 27 70 89 [email protected] EXPERTISES SUR RDV ESTIMATIONS CONDITIONS REPORTS ORDRES D’ACHAt RESERVATION DE PLACES Catalogue en ligne sur notre site www.millon-associes.com בס’’ד MODERN AND CONTEMPORARY FINE ART NEW YORK : Tuesday, June 19, 2012 1 pm TEL AV IV : Tuesday, 19 June 2012 20:00 PARIS : Mardi, 19 Juin 2012 19h AUCTION MATSART USA 444 W. 55th St. New York, NY 10019 PREVIEW IN NEW YORK 444 W. 55th St. New York, NY. 10019 tel. +1-347-705-9820 Thursday June 14 6-8 pm opening reception Friday June 15 11 am – 5 pm Saturday June 16 closed Sunday June 17 11 am – 5 pm Monday June 18 11 am – 5 pm Other times by appointment: 1 347 705 9820 PREVIEW AND SALES ROOM IN TEL AVIV 15 Frishman St., Tel Aviv +972-2-6251049 Thursday June 14 6-10 pm opening reception Friday June 15 11 am – 3 pm Saturday June 16 closed Sunday June 17 11 am – 6 pm Monday June 18 11 am – 6 pm tuesday June 19 (auction day) 11 am – 2 pm Bleu PREVIEW ANDPANTONE 653 C SALES ROOM IN PARIS Gris 5, avenuePANTONE d’Eylau, 425 U 75016 Paris Monday 18 June 10 am – 6 pm tuesday 19 June 10 am – 3 pm live Auction 123 will be held simultaneously bid worldwide and selected items will be exhibited www.artonline.com at each of three locations as noted in the catalog.
    [Show full text]
  • Henryk Berlewi
    HENRYK BERLEWI HENRYK © 2019 Merrill C. Berman Collection © 2019 AGES IM CO U N R T IO E T S Y C E O L L F T HENRYK © O H C E M N 2019 A E R M R R I E L L B . C BERLEWI (1894-1967) HENRYK BERLEWI (1894-1967) Henryk Berlewi, Self-portrait,1922. Gouache on paper. Henryk Berlewi, Self-portrait, 1946. Pencil on paper. Muzeum Narodowe, Warsaw Published by the Merrill C. Berman Collection Concept and essay by Alla Rosenfeld, Ph.D. Design and production by Jolie Simpson Edited by Dr. Karen Kettering, Independent Scholar, Seattle, USA Copy edited by Lisa Berman Photography by Joelle Jensen and Jolie Simpson Printed and bound by www.blurb.com Plates © 2019 the Merrill C. Berman Collection Images courtesy of the Merrill C. Berman Collection unless otherwise noted. © 2019 The Merrill C. Berman Collection, Rye, New York Cover image: Élément de la Mécano- Facture, 1923. Gouache on paper, 21 1/2 x 17 3/4” (55 x 45 cm) Acknowledgements: We are grateful to the staf of the Frick Collection Library and of the New York Public Library (Art and Architecture Division) for assisting with research for this publication. We would like to thank Sabina Potaczek-Jasionowicz and Julia Gutsch for assisting in editing the titles in Polish, French, and German languages, as well as Gershom Tzipris for transliteration of titles in Yiddish. We would also like to acknowledge Dr. Marek Bartelik, author of Early Polish Modern Art (Manchester: Manchester University Press, 2005) and Adrian Sudhalter, Research Curator of the Merrill C.
    [Show full text]
  • Dossier Pédagogique
    Un regard sur nos collections Dossier pédagogique < 19.10.2018 Musée Juif de Belgique Rue des Minimes 21 Miniemenstraat 1000 Brussels Joods Museum van België www.mjb-jmb.org Jewish Museum of Belgium Introduction à l’exposition 5 Objectifs de la visite 5 Objectifs du dossier pédagogique 5 1 Le judaïsme 7 Généralités 7 Les grands courants du judaïsme 7 2 Les Juifs de Molenbeek 10 3 La famille Kilimnik : un parcours d’immigration 11 4 La petite synagogue de Molenbeek 12 5 Les synagogues de Belgique 14 6 Le culte 17 Le Temple 17 La synagogue 18 La prière 19 Les textes 19 Les objets de la synagogue 20 Les symboles du judaïsme 22 7 Les rites 23 Naissance 23 Bar et Bat mitzvah 24 Mariage 26 Décès 28 8 Les Fêtes 30 Le Shabbat 30 Fêtes de pèlerinage 31 Hanoukkah 33 Pourim 34 Rosh Hashana et Yom Kippour 35 9 La musique juive 36 Musique religieuse 36 Musique traditionnelle 36 10 L’usage des langues 38 Le yiddish 38 L’hébreu 38 Autres langues juives 39 En Belgique 39 11 Bibliographie 40 Introduction à l’exposition Du berceau à la tombe, la vie religieuse est régie par des lois et coutumes. Ces traditions sont présentes tant dans la vie quotidienne que lors des temps forts de l’année juive et des grandes étapes de la vie. À la fois particuliers et universels, ces rites permettent d’établir des liens avec le sacré, mais aussi entre les individus. L’exposition débute avec l’histoire d’une modeste synagogue inaugurée en 1946 à Molenbeek, éclairant le parcours d’une famille et d’une communauté au sortir de la Seconde Guerre mondiale.
    [Show full text]
  • Marina Dmitrieva* Traces of Transit Jewish Artists from Eastern Europe in Berlin
    Marina Dmitrieva* Traces of Transit Jewish Artists from Eastern Europe in Berlin In the 1920s, Berlin was a hub for the transfer of culture between East- ern Europe, Paris, and New York. The German capital hosted Jewish art- ists from Poland, Russia, and Ukraine, where the Kultur-Liga was found- ed in 1918, but forced into line by Soviet authorities in 1924. Among these artists were figures such as Nathan Altman, Henryk Berlewi, El Lissitzky, Marc Chagall, and Issachar Ber Ryback. Once here, they be- came representatives of Modernism. At the same time, they made origi- nal contributions to the Jewish renaissance. Their creations left indelible traces on Europe’s artistic landscape. But the idea of tracing the curiously subtle interaction that exists between the concepts “Jewish” and “mod- ern”... does not seem to me completely unappealing and pointless, especially since the Jews are usually consid- ered adherents of tradition, rigid views, and convention. Arthur Silbergleit1 The work of East European Jewish artists in Germany is closely linked to the question of modernity. The search for new possibilities of expression was especially relevant just before the First World War and throughout the Weimar Republic. Many Jewish artists from Eastern Europe passed through Berlin or took up residence there. One distinguish- ing characteristic of these artists was that on the one hand they were familiar with tradi- tional Jewish forms of life due to their origins; on the other hand, however, they had often made a radical break with this tradition. Contemporary observers such as Kurt Hiller characterised “a modern Jew” at that time as “intellectual, future-oriented, and torn”.2 It was precisely this quality of being “torn” that made East European artists and intellectuals from Jewish backgrounds representative figures of modernity.
    [Show full text]
  • Issachar Ber Ryback
    H&H_2019_Meidler-Waks_final.qxp__ 12.03.19 23:48 Seite 3 Sigalit Meidler=Waks ISSACHAR BER RYBACK Leben und Werk H&H_2019_Meidler-Waks_final.qxp__ 12.03.19 23:48 Seite 4 Issachar Ber Ryback 1897–1935 H&H_2019_Meidler-Waks_final.qxp__ 12.03.19 23:48 Seite 5 Inhalt 1. Einleitung 9 2. Stand der Forschung 11 3. Die jüdische Renaissance in Russland 16 3.1. Die politische und gesellschaftliche Situation der Juden in Russland 16 im 19. und 20. Jahrhundert 3.2. Die erste Generation jüdischer Künstler 19 3.3. Die zweite Generation jüdischer Künstler 25 4. Die politische Situation in der Ukraine 30 Anfang des 20. Jahrhunderts bis 1921 5. Ryback in Kiew 42 5.1. Ryback an der Kunstakademie 42 5.2. Rybacks Expeditionen und die Synagoge von Mohilew 46 5.3. Die Kultur-Lige 54 5.4. In Kiew entstandene Ölgemälde und Zeichnungen 73 5.4.1. Frühwerk 73 5.4.2. Ölgemälde und Zeichnungen der Jahre 1916–1921 79 5.4.2.1. Arbeiten zum Schtetl 83 5.4.2.2. Portraits 97 5.5. In Kiew entstandene Bühnendekorationen 104 5.6. In Kiew entstandene Buchillustrationen und Signets 111 5.7 „Wege der jüdischen Malerei“ – zum kunsttheoretischen Manifest 116 von Issachar Ryback und Boris Aronson 5.8. Zur Rezeption Rybacks in Kiew 127 5.9. Ryback in Moskau 128 6. Russen in Berlin 144 7. Ryback in Berlin 155 7.1. In Berlin entstandene Ölgemälde und Zeichnungen 157 7.2. In Berlin entstandene Buchillustrationen 173 7.3. In Berlin veröffentlichte Graphikmappen 178 5 H&H_2019_Meidler-Waks_final.qxp__ 12.03.19 23:48 Seite 6 Inhalt 7.3.1.
    [Show full text]
  • El Lissitzky – Jewish As Universal: from Jewish Style to Pangeometry Style Jewish from As Universal: – Jewish El Lissitzky Fig
    El Lissitzky – Jewish as Universal: From Jewish Style to Pangeometry Igor Dukhan “Avant-garde oeuvre” implies certain dualities. On the one metaphorical textures are constructed and designed. To hand, it attempts to present a new vision of the totality put it differently, the strongest rationalistic will towards of the world, a rational proposal for the “reconstruction synthesis moves Lissitzky beyond rationality, just as the of the world.” On the other hand, it might imply refined Jewishness of his “Jewish-style” works contains formative symbolist play, full of direct, and especially hidden, impulses of universality. From yet another viewpoint, his references and quotations. Furthermore, the avant-garde abstract suprematist and post-suprematist creations and oeuvre is intended to speak universally; yet, it contains theories imply a hidden, genuine Jewishness. diverse national, nationalistic, and even chauvinistic Despite the artist’s own theories about his works, traits (the latter flourished during and immediately after despite a perfect intellectual biography of Lissitzky written World War I), which internally contradict its universalism by his wife and the recollections of his contemporaries,3 from within. Lissitzky’s ecstatic evolution and balance between With regard to formative avant-garde dualities, El artistic trends and national traditions create problems for Lissitzky is a characteristic case. The “enigmatic artist” of researchers. The artist’s passage from Darmstadt, where he the avant-garde epoch,1 he was both Jewish and universal, was trained in late Art Nouveau perspective to pre- and rationally-constructive and symbolically-enigmatic. He post-revolutionary Russia, where he discovered Jewish attempted to be universal while playing with sophisticated tradition and searched for Jewish style, followed by the and hidden Jewish metaphors.
    [Show full text]
  • HFA Fine Art 09Fev2020 Combine All 3.Indd
    FINE ART, JEWELLERY & MANUSCRIPTS 26 FEBRUARY 2021 MONACO HERMITAGE FINE ART TEAM AUCTIONEER & EXPERTS PAR LE MINISTERE DE MAITRE CLAIRE NOTARI HUISSIER DE JUSTICE A MONACO FINE ART, JEWELLERY & MANUSCRIPTS Elena Efremova Anna Chouamier Stephen Cristea Evgenia Lapshina Sergey Podstanitsky Director Deputy Director Auctioneer Expert Specially Invited Manuscripts & Expert Russian rare Books (Moscow) paintings RUSSIAN ART & HISTORY FEBRUARY 25, 2021 - 10.00 FINE ART & JEWELLERY MANUSCRIPTS Yolanda Lopez Maria Lorena Elisa Passaretti Hélène Foutermann Stéphane Pepe Administrator Franchi Auction assistant Jewellery Expert Furniture and Work Public Relations of art, XXVII - XIX FEBRUARY 26, 2021 - 10.00 Manager Lots: 611, 612, 613, 614, 615, 616, 619 PREVIEW BY APPOINTMENT Hermitage Fine Art would like to express its Catalogue Design: Contact : gratitude to Igor Kouznetsov for his support Camille Maréchaux Tel: +377 97773980 with IT. Fax: +377 97971205 Photography: All lots marked with the symbol + are under François Fernandez info@hermitagefi neart.com temporary importation and are subject to import Eric Teisseire tax (EU) Sun Offi ce Business Center - 5 bis Avenue Saint-Roman, Monaco Maxime Melnikov Cataloguing notes: Yolanda Lopez Elisa Passaretti Scan QR for online catalogue Enquiries - tel: +377 97773980 - Email: info@hermitagefi neart.com TRANSPORTATION LIVE AUCTION WITH 25, Avenue de la Costa - 98000 Monaco Tel: +377 97773980 www.hermitagefi neart.com Between the 16th and 17th centuries, Italy witnessed the flourishing painting art of the Bolognese School or the School of Bologna, rival to Florence and Rome. Pioneered by the Carracci family, this school merged together the solidity of High Renaissance painting and the rich colours of the Venetian school.
    [Show full text]
  • Archives of the Center for Studies in History and Culture of East European Jewry
    Archives of the Center for Studies in History and Culture of East European Jewry LIST OF CONTENTS Foreword. Leonid Finberg ......................................................................................................5 І. Archives of the Writers .....................................................................................................13 1. Matvii Talalaievsky .............................................................................................16 2. Natan Zabara ...................................................................................................... 24 3. Oleksandr Lizen ..................................................................................................29 4. Borys Khandros .................................................................................................. 35 5. Ikhil Falikman .................................................................................................... 38 6. Dora Khaikina..................................................................................................... 42 7. Ryva Baliasna ......................................................................................................46 8. Isaak Kipnis .........................................................................................................49 9. Mykhailo Pinchevsky ......................................................................................... 53 10. Yosyp Bukhbinder............................................................................................. 58
    [Show full text]
  • Download Catalogue
    F i n e Ju d a i C a . he b r e W pr i n t e d bo o K s , ma n u s C r i p t s , au t o g r a p h Le t t e r s & gr a p h i C ar t K e s t e n b a u m & Co m p a n y We d n e s d a y , oC t o b e r 27t h , 2010 K e s t e n b a u m & Co m p a n y . Auctioneers of Rare Books, Manuscripts and Fine Art A Lot 315 Catalogue of F i n e Ju d a i C a . PRINTED BOOKS , MANUSCRI P TS , AUTOGRA P H LETTERS & GRA P HIC ART Including: German, Haskallah and Related Books from the Library of the late Philosopher, Prof. Steven S. Schwarzschild Exceptional Rabbinic Autograph Letters: A Private Collection American-Judaica from the Library of Gratz College (Part II) Featuring: Talmudic Leaves. Guadalajara, 1480. * Machzor. Soncino, 1486. Spinoza, Opera Posthuma. Amsterdam, 1677. Judah Monis, Grammar of the Hebrew Tongue. Boston, 1735. The Toulouse Hagadah, 1941. Extensive Kabbalistic Manuscript Prayer-Book, 1732. Manuscript Kethubah. Peoria, Illinois, 1861. ——— To be Offered for Sale by Auction, Wednesday, 27th October, 2010 at 1:00 pm precisely (NOTE EARLIER TIME) ——— Viewing Beforehand: Sunday, 24th October - 12:00 pm - 6:00 pm Monday, 25th October - 10:00 am - 6:00 pm Tuesday, 26th October - 10:00 am - 6:00 pm NO VIEWING ON THE DAY OF SALE This Sale may be referred to as: “Agatti” Sale Number Forty-Nine Illustrated Catalogues: $35 (US) * $42 (Overseas) KestenbauM & CoMpAny Auctioneers of Rare Books, Manuscripts and Fine Art .
    [Show full text]
  • Judaic-Slavic Journal № 1
    Российская Академия наук Центр научных работников Институт славяноведения и преподавателей иудаики в вузах «Сэфер» ISSN: 2658-3364 DOI: 10.31168/2658-3364 DOI выпуска: 10.31168/2658-3364.2019.1 № 1 (2) Judaic-Slavic Journal 2019 При поддержке / Supported by Москва Редакционная коллегия Editorial Board Олег Будницкий (Национальный исследовательский Oleg Budnitskiy (National Research University Higher университет «Высшая школа экономики», Москва) School of Economics, Moscow) Джеффри Вайдлингер (Мичиганский университет, Mikhail Chlenov (Sefer, Moscow) Энн Арбор) Valery Dymshits (European University at St. Petersburg) Франсуа Гене (Университетский колледж Лондона) Gennady Estraikh (New York University) Цви Гительман (Мичиганский университет, Энн Zvi Gitelman (University of Michigan, Ann Arbor) Арбор) François Guesnet (University College London) Валерий Дымшиц (Европейский университет Brian Horowitz (Tulane University, New Orleans, LA) в Санкт-Петербурге) Alexander Ivanov (European University Аркадий Зельцер (Яд Вашем, Иерусалим) at St. Petersburg) Александр Иванов (Европейский университет Sabine Koller (University of Regensburg) в Санкт-Петербурге) Ber Kotlerman (Bar Ilan University, Ramat Gan) Аркадий Ковельман (Московский государственный Arkady Kovelman (Lomonosov Moscow State University) университет имени М.В. Ломоносова) Mark Kupovetsky (Russian State University for Сабине Колер (Университет Регенсбурга) the Humanities, Moscow) Бер Котлерман (Университет имени Бар-Илана, Vladimir Levin (Hebrew University of Jerusalem) Рамат Ган) Harriet
    [Show full text]
  • Trump Battu, Le « Trumpisme » N'est Pas Mort Marc Chagall Et Les Revues
    La PNM aborde de manière critique les problèmes politiques et culturels, nationaux et internationaux. Elle se refuse à toute diabolisation et combat résolument toutes les manifestations d’antisémitisme et de racisme, ouvertes ou sournoises. La PNM se prononce pour une paix juste au Proche-Orient, basée sur le droit de l’État d’Israël à la sécurité et celui du peuple palestinien à un État. ISSN: 0757-2395 MENSUEL ÉDIT É PAR L’U.J.R.E. e PNM n° 381 - Décembre 2020 - 39 année Union des Juifs pour la Résistance et l’Entraide Le N° 6,00 € Trump battu, le « trumpisme » n’est pas mort Jugeons sur les faits Henri Blotnik par Christophe Deroubaix par es multiples déboires face aux tribunaux, plus que le verdict clair et net des urnes, l’ont fina - ’année s’achève sur une pandémie, toujours lement ramené à une forme de raison. Deux semaines après le vote, Donald Trump a enfin active, qui révèle et accélère, tant par ses causes autorisé, le 23 novembre, l’agence gouvernementale chargée de la transition à prendre que par ses effets, des crises économiques, contact avec l’équipe de Joe Biden et à partager tous les éléments et documents, souvent secrets Lenvironnementales ou sociales déjà en cours. S Les facteurs de risque s’aggravant avec l’apparition et confidentiels, nécessaires pour que l’administration du 46e président des États-Unis puisse être à pied d’œuvre après l’inauguration prévue le 20 janvier prochain. Donald Trump n’en a pas pour possible de nouveaux virus, ou de bactéries multirésis - autant reconnu sa défaite et promet de poursuivre ses démarches devant d’autres tribunaux afin de tantes, de nouvelles pandémies menacent.
    [Show full text]
  • Fi N E Ju D a I
    F i n e Ju d a i C a . he b r e w pr i n t e d bo o K s , ma n u s C r i p t s , Gr a p h i C & Ce r e m o n i a l ar t K e s t e n b a u m & Co m p a n y th u r s d a y , ap r i l 2n d , 2009 K ESTENBAUM & COMPANY . Auctioneers of Rare Books, Manuscripts and Fine Art A Lot 38 Catalogue of F INE JUDAICA . PRINTED BOOKS, MANUSCRIPTS, AUTOGRAPH LETTERS, CEREMONIAL & GRAPHIC ART Including: The Prague Hagadah, 1526 An Extraordinarily Fine Copy of Abraham ibn Ezra’s Commentary to the Torah, Naples, 1488 An Autograph Manuscript Signed by R. Yonassan Eybescheutz Governor Worthington’s Speech on the Maryland Test Act, Baltimore, 1824 Photographic Archive by Issacher Ber Ryback Selections from the Rare Book-Room of a College Library (Final Part) (Short-Title Index in Hebrew available upon request) ——— To be Offered for Sale by Auction, Thursday, 2nd April, 2009 at 3:00 pm precisely ——— Viewing Beforehand on: Sunday, 29th March - 10:00 am - 6:00 pm Monday, 30th March - 10:00 am - 6:00 pm Tuesday, 31st March - 10:00 am - 6:00 pm Wednesday, 1st April - 10:00 am - 6:00 pm Thursday, 2nd April - 10:00 am - 2:30 pm Gallery-Talk with the Auction Expert: Tuesday, 31st March at 6:00 pm This Sale may be referred to as: “Merari” Sale Number Forty-Three Illustrated Catalogues: $35 (US) * $42 (Overseas) KESTENBAUM & COMPANY Auctioneers of Rare Books, Manuscripts and Fine Art .
    [Show full text]