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TM Toy Story Midway Mania! Disney jr. Disney’s Hollywood Studios Live on Stage! ©D isn ey/ attractions Pixar 1 DisneyJr.—Live on Stage!1 – Interactive show featuring Playhouse Disney pals from Mickey Mouse Clubhouse, Little Einsteins ™ and more! ! 3 2 Voyage of The Little Mermaid – Join Ariel and her friends as they tell their story under the sea. This attraction does become dark at times with occasional loud noises. 10 Pixar Place 2 Voyage of 3 Toy Story Midway Mania! – Join your favorite “Toy Story” The Little Mermaid characters in a 4-D midway-style game-playing adventure.2 4 Honey, I Shrunk 4 Honey, I Shrunk the Kids Movie Set Adventure – Enter The Kids Movie Set LIGHTS, MOTORS, ACTION!™ Adventure a fun-fi lled, larger-than-life backyard play area. EXTREME STUNT SHOW 9 Animation Courtyard 5 Muppet★Vision 3-D –Laugh aloud at a hilarious fi lm starring the Muppets. Theater does become dark at times with 3 occasional loud noises. 11 Luigi’s Garage ROCK ’N’ ROLLER COASTER® entertainment STARRING AEROSMITH 12 6 6 Block Party Bash – Come play, party and dance with over 20 of ©DISNEY/PIXAR 1 Disney Jr.— the most popular Disney•Pixar Characters.4 Live on Stage! 7 Beauty and the Beast—Live on Stage! – Enjoy a musical, 5 Muppet★ Broadway-style show of a modern classic tale. Vision 3-D HOLLYWOOD 8 Fantasmic! – Cheer on Sorcerer Mickey as he battles Disney SUNSET BOULEVARD villains in an awe-inspiring spectacle of fi re, water, music and light. See Times Guide for exact times. This attraction does become dark at times with occasional loud noises. ! STAR TOURS– ECHO LAKE characters THE ULTIMATE STAR WARS™ THRILL RIDE BOULEVARD 9 Animation Courtyard – Meet the Little EinsteinsTM, Handy ©DISNEY/LUCASFILM LTD. Manny and more! THE TWILIGHT ZONE TM 5 10 Pixar Place – Meet some of your favorite characters from TOWER OF TERROR Disney•Pixar’s “Toy Story” fi lms. 7 Beauty and the 1 1 Luigi’s Garage – Meet some of your favorite characters Beast—Live on Stage! from Disney•Pixar’s “Cars.” Refer to offi cial Park Guidemap 1 2 Sorcerer’s Hat – Meet some of your favorite and Times Guide Disney Characters. for all attractions and entertainment details. ENTRANCE 8 Fantasmic! LEGEND Baby Care Center Disney’s PhotoPass® Stroller and Location Wheelchair Rentals First Aid Parade Route Restrooms ©Disney 1 LITTLE EINSTEINS IS A TRADEMARK OF THE BABY EINSTEIN COMPANY, LLC. ALL RIGHTS RESERVED. Play Break Area EINSTEIN IS A TRADEMARK OF THE HEBREW UNIVERSITY OF JERUSALEM. ©THE BABY EINSTEIN FASTPASS® This attraction may be COMPANY, LLC. ALL RIGHTS RESERVED. ! frightening for children 2 INSPIRED BY DISNEY•PIXAR’S “TOY STORY ” FILMS. 9 subject to availability 3 ©THE MUPPETS STUDIO, LLC. 4 INSPIRED BY SOME OF YOUR FAVORITE DISNEY•PIXAR FILMS. 5 THE TWILIGHT ZONE® IS A REGISTERED TRADEMARK OF CBS, INC. AND IS USED WITH PERMISSION PURSUANT TO A LICENSE FROM CBS, INC. WDSHE_GUIDE_r14.indd 9-10 6/22/09 3:12:37 PM.

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Consuming-Kids-Transcript.Pdf
1 MEDIA EDUCATION F O U N D A T I O N 60 Masonic St. Northampton, MA 01060 | TEL 800.897.0089 | [email protected] | www.mediaed.org Consuming Kids The Commercialization of Childhood Transcript INTRODUCTION The consumer embryo begins to develop during the first year of existence. Children begin their consumer journey in infancy. And they certainly deserve consideration as consumers at that time. – James U. McNeal | Pioneering Youth Marketer [TITLE SCREEN] Consuming Kids: The Commercialization of Childhood NARRATOR: Not since the end of World War II, at the height of the baby boom, have there been so many kids in our midst. There are now more than 52 million kids under 12 in all in the United States – the biggest burst in the U.S. youth population in half a century. And for American business, these kids have come to represent the ultimate prize: an unprecedented, powerful and elusive new demographic to be cut up and captured at all costs. There is no doubt that marketers have their sights on kids because of their increasing buying power – the amount of money they now spend on everything from clothes to music to electronics, totaling some 40 billion dollars every year. But perhaps the bigger reason for marketers’ interest in kids may be the amount of adult spending that American kids under 12 now directly influence – an astronomical 700 billion dollars a year, roughly the equivalent of the combined economies of the world’s 115 poorest countries. DAVID WALSH: One economic impact of children is the money that they themselves spend – the money that they get from their parents or grandparents, the money that they get as allowance; when they get older, the money that they earn themselves.
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Muppets Now Fact Sheet As of 6.22
“Muppets Now” is The Muppets Studio’s first unscripted series and first original series for Disney+. In the six- episode season, Scooter rushes to make his delivery deadlines and upload the brand-new Muppet series for streaming. They are due now, and he’ll need to navigate whatever obstacles, distractions, and complications the rest of the Muppet gang throws at him. Overflowing with spontaneous lunacy, surprising guest stars and more frogs, pigs, bears (and whatevers) than legally allowed, the Muppets cut loose in “Muppets Now” with the kind of startling silliness and chaotic fun that made them famous. From zany experiments with Dr. Bunsen Honeydew and Beaker to lifestyle tips from the fabulous Miss Piggy, each episode is packed with hilarious segments, hosted by the Muppets showcasing what the Muppets do best. Produced by The Muppets Studio and Soapbox Films, “Muppets Now” premieres Friday, July 31, streaming only on Disney+. Title: “Muppets Now” Category: Unscripted Series Episodes: 6 U.S. Premiere: Friday, July 31 New Episodes: Every Friday Muppet Performers: Dave Goelz Matt Vogel Bill Barretta David Rudman Eric Jacobson Peter Linz 1 6/22/20 Additional Performers: Julianne Buescher Mike Quinn Directed by: Bill Barretta Rufus Scot Church Chris Alender Executive Producers: Andrew Williams Bill Barretta Sabrina Wind Production Company: The Muppets Studio Soapbox Films Social Media: facebook.com/disneyplus twitter.com/disneyplus instagram.com/disneyplus facebook.com/muppets twitter.com/themuppets instagram.com/themuppets #DisneyPlus #MuppetsNow Media Contacts: Disney+: Scott Slesinger Ashley Knox [email protected] [email protected] The Muppets Studio: Debra Kohl David Gill [email protected] [email protected] 2 6/22/20 .
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May 13, 2020 FAN-FAVORITE MUPPET TWINS, SKEETER AND
May 13, 2020 FAN-FAVORITE MUPPET TWINS, SKEETER AND SCOOTER, WILL MAKE THEIR PLAYROOM DEBUT IN A NEW EPISODE OF DISNEY JUNIOR'S 'MUPPET BABIES,' PREMIERING FRIDAY, MAY 22 ♪♪♪♪♪♪♪ Muppet Babies They Make Their Dreams Come True! ♪♪♪♪♪♪♪ Beloved twin Muppets Skeeter and Scooter visit Miss Nanny's playroom in a special episode of Disney Junior's hit Emmy® Award-nominated series "Muppet Babies," premiering FRIDAY, MAY 22 (8:30 a.m. EDT/PDT) on Disney Channel and DisneyNOW. Photo credit: Disney Junior* Photos are available here. Both 11-minute stories in the all-new episode will feature Skeeter and Scooter: "Win a Twin" – When Skeeter volunteers to help Miss Nanny bake, her twin, Scooter, isn't sure he can have fun playing without her. "Skeeter and the Super Girls" – Skeeter is so excited to save the day with Super Fabulous and Captain Ice Cube, but she doesn't think she can be a superhero if she wears her glasses. Based on the original Emmy Award-winning series, "Muppet Babies" chronicles the hilarious playroom antics of a young Kermit the Frog, Piggy, Fozzie Bear, Gonzo, Animal and Summer Penguin. Tom Warburton ("Codename: Kids Next Door") is executive producer, Matt Danner ("Gravity Falls") is co-executive producer and supervising director, Chris Moreno ("Xiaolin Chronicles") is co-producer and art director, and Robyn Brown ("WellieWishers") is story editor. Danner also voices the role of Kermit. In addition to Danner, the series voice cast includes Jenny Slate (Disney's Academy Award®-winning "Zootopia") as Miss Nanny, Melanie Harrison ("Fish Hooks") as Piggy, Dee Bradley Baker ("Milo Murphy's Law") as Animal, Eric Bauza ("The Adventures of Puss in Boots") as Fozzie, Jessica DiCicco ("Puppy Dog Pals") as Summer and 2019 Emmy Award winner for Outstanding Performer in a Preschool Animated Program Ben Diskin ("The Spectacular Spider-Man") as Gonzo.
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Business Wire: Artisan Entertainment Launches Artisan Digital Media And
FindArticles > Business Wire > Sept 13, 2000 > Article > Print friendly Artisan Entertainment Launches Artisan Digital Media and iArtisan Business Editors/High-Tech Writers NEW YORK--(BUSINESS WIRE)--Sept. 13, 2000 Leading Entertainment Company Creates Visionary New Unit Devoted to New Media Activities and Strategic Investments with Venture Capital Partners Artisan's Nicolas van Dyk Takes On Additional Role of President, Artisan Digital Media and Announces Hiring of Dominic Ianno as Senior Vice President of Strategic Marketing and Business Development, Artisan Digital Media Artisan Entertainment has launched a new business unit, Artisan Digital Media, designed to oversee the Company's new media efforts, including an investment vehicle named iArtisan LLC which is designed to invest up to $50 million in investment capital through the commitment of its participants and co-investments by fund participants in companies in which the fund makes investments. The announcement, made today by Artisan Chief Executive Officer Amir Malin, illustrates the company's continued commitment to new media and further diversification of its multi-platform business model. Artisan, renowned in the industry for the Internet savvy exemplified by its ground-breaking marketing of The Blair Witch Project, has constructed iArtisan in partnership with several of the nation's leading private equity firms, including Grove Street Advisors, Audax Ventures and others. iArtisan, innovative among movie studios because of this strong institutional backing, will explore strategic investment opportunities in new media companies, particularly those that provide tools and enabling technologies for the creation and delivery of rich media content to consumers. Created to propel the Company's new economy vision, Artisan Digital Media's mission is to support and diversify the Company in multiple capacities.
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Fact Book 2010
Fact Book 2010 Fact Book 2010 MANAGEMENT TEAM Board of Directors 3 Senior Corporate Officers 4 Principal Businesses 5 OPERATIONS DATA Studio Entertainment 6 Parks and Resorts 8 Consumer Products 11 Media Networks 12 Interactive Media 15 COMPANY HISTORY 2010 17 2009 - 1999 18 - 21 1998 - 1923 22 - 25 Table of Contents 2 BOARD OF DIRECTORS Susan E. Arnold John E. Bryson John S. Chen Judith L. Estrin Robert A. Iger Director since 2007 Director since 2000 Director since 2004 Director since 1998 Director since 2000 Steve Jobs Fred H. Langhammer Aylwin B. Lewis Monica C. Lozano Robert W. Matschullat Director since 2006 Director since 2005 Director since 2004 Director since 2000 Director since 2002 John E. Pepper, Jr. Sheryl Sandberg Orin C. Smith Chairman of the Board Director since 2010 Director since 2006 since 2007 Management Team 3 SENIOR CORPORATE OFFICERS Robert A. Iger President and Chief Executive Officer Jay Rasulo Senior Executive Vice President and Chief Financial Officer Alan N. Braverman Senior Executive Vice President, General Counsel and Secretary Jayne Parker Executive Vice President and Chief Human Resources Officer Christine M. McCarthy Executive Vice President, Corporate Real Estate, Sourcing, Alliances, and Treasurer Kevin A. Mayer Executive Vice President, Corporate Strategy and Business Development Zenia B. Mucha Executive Vice President, Corporate Communications Ronald L. Iden Senior Vice President, Global Security Brent A. Woodford Senior Vice President, Planning and Control Management Team 4 PRINCIPAL BUSINESSES STUDIO ENTERTAINMENT Rich Ross Chairman, The Walt Disney Studios PARKS AND RESORTS Thomas O. Staggs Chairman, Walt Disney Parks and Resorts Worldwide MEDIA NETWORKS George W.
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Tom Nazziola (Composer) Website: Phone: 917-280-5011 E-Mail: [email protected]
Tom Nazziola (Composer) Website: www.tomnazziola.com Phone: 917-280-5011 E-mail: [email protected] Grants / Commissions / Awards: • Commissioned by Rutgers University Percussion Department to create three new works for percussion ensemble (2015 - 2018). • Minnesota Orchestra Composer Institute Honorable Mention status: Night Unfolding (2017). • Winner of the 2016 Percussive Arts Society Composition Contest for Large Percussion Ensemble (2016). • Commissioned by Cantori New York (under the direction of Mark Shapiro) to create a choral work for upcoming tour in Europe as well as a New York City premier in the fall of (2013). • Commissioned by the Brooklyn Center for the Performing Arts to create a new score for the 1920 film “The Golem.” (2007). • Received a commission from the New Jersey Youth Symphony to create a new orchestral work - Beneath the Sea (2006). • Received a commission from VocalEssence and the American Composer’s Forum to create a new choral work for the 2004-2005 concert season. • Recipient of the Cerf Award in Music at Brooklyn College for outstanding achievements in music (2004 and 2005). • Recipient of the Julia Schwabe Award at Brooklyn College for outstanding achievements in music (2004). • Co-Recipient of the Oppenheim Toy Portfolio Gold Seal Award 2002 for performing on both Disney’s Baby Vivaldi and Baby Beethoven CD (2002). • Received a commission from the Museum of the Moving Image (NYC) to score Charlie Chaplin’s silent film “The Gold Rush” which premiered May 6th, 1999 at the Director's Guild of America in Manhattan (1998). Live Performances of Original Work: • World premiere of “Spiral Dance” (sextet) by Rutgers Saxophone Ensemble (2018).
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The Animation Industry: Technological Changes, Production Challenges, and Global Shifts
THE ANIMATION INDUSTRY: TECHNOLOGICAL CHANGES, PRODUCTION CHALLENGES, AND GLOBAL SHIFTS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Hyejin Yoon, M.A. ***** The Ohio State University 2008 Dissertation Committee: Approved by Professor Edward J. Malecki, Adviser Professor Nancy Ettlinger Adviser Graduate Program in Geography Professor Darla K. Munroe ABSTRACT Animated films have grown in popularity as expanding markets (such as TV and video) and new technologies (notably computer graphics imagery) have broadened both the production and consumption of cartoons. As a consequence, more animated films are produced and watched in more places, as new “worlds of production” have emerged. The animation production system, specialized and distinct from film production, relies on different technologies and labor skills. Therefore, its globalization has taken place differently from live-action film production, although both are structured to a large degree by the global production networks (GPNs) of the media conglomerates. This research examines the structure and evolution of the animation industry at the global scale. In order to investigate these, 4,242 animation studios from the Animation Industry Database are used. The spatial patterns of animation production can be summarized as, 1) dispersion of the animation industry, 2) concentration in world cities, such as Los Angeles and New York, 3) emergence of specialized animation cities, such as Annecy and Angoulême in France, and 4) significant concentrations of animation studios in some Asian countries, such as India, South Korea and the Philippines. In order to understand global production networks (GPNs), networks of studios in 20 cities are analyzed.
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NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.
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Sunset Boulevard Hollywood Boulevard Echo Lake Streets Of
L Guest Amenities Restrooms Hollywood Boulevard Streets of Americacontinued Pixar Pals For Character Greeting, First Aid Presented by Dining, Show and Attraction Times, Florida Hospital ATTRACTION 8 Lights, Motors, Action!® Extreme Stunt Show® Countdown To Fun! See how big-time vehicle stunts are done for blockbuster pick up a TIMES GUIDE. Guest Relations 1 The Great Movie Ride® Travel through Parade classic film scenes and Hollywood moments. Hollywood action films. 38-minute shows with limited ATMs ® E Presented by CHASE Continuous 22-minute tours. capacity. Presented by Brawny . Dance along and join the AED AEDAutomated External 9 Studio Backlot Tour party in this countdown to fun! Defibrillators DINING A walking/tram tour of moviemaking magic. Continuous 8 AED Inspired by some of your Audition for The Designated smoking area A The Hollywood Brown Derby R L D $$ Steak, seafood, 35-minute tours. chicken, the famous Brown Derby Cobb salad, desserts. AED favorite Disney•Pixar films. American Idol Experience! Baby Care Center‘ DINING See TIMES GUIDE We’re looking for Park Guests Locker rentals for times. Echo Lake H Pizza Planet Arcade L D $ Pizza, salads, meatball subs 9 (anyone 14+) to experience the thrill of being a Kodak® “PictureSpot” and beer. rock star. Audition today in a private area Disney's PhotoPass® ATTRACTIONS 10 Service I Mama Melrose’s Ristorante Italiano R L D $$ K The American Idol Experience with a friendly Casting Director who can help Disney Vacation Club® 2 Brick-oven pizza, pasta, chicken, seafood and steak. J AED Watch your fellow Guests take the stage and compete I make your performance dreams G Information Center J Studio Catering Co.
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Annual Report
July 1, 2007–June 30, 2008 AnnuAl RepoRt 1 Contents 3 Board of Trustees 4 Trustee Committees 7 Message from the Director 12 Message from the Co-Chairmen 14 Message from the President 16 Renovation and Expansion 24 Collections 55 Exhibitions 60 Performing Arts, Music, and Film 65 Community Support 116 Education and Public Programs Cover: Banners get right to the point. After more than 131 Staff List three years, visitors can 137 Financial Report once again enjoy part of the permanent collection. 138 Treasurer Right: Tibetan Man’s Robe, Chuba; 17th century; China, Qing dynasty; satin weave T with supplementary weft Prober patterning; silk, gilt-metal . J en thread, and peacock- V E feathered thread; 184 x : ST O T 129 cm; Norman O. Stone O PH and Ella A. Stone Memorial er V O Fund 2007.216. C 2 Board of Trustees Officers Standing Trustees Stephen E. Myers Trustees Emeriti Honorary Trustees Alfred M. Rankin Jr. Virginia N. Barbato Frederick R. Nance Peter B. Lewis Joyce G. Ames President James T. Bartlett Anne Hollis Perkins William R. Robertson Mrs. Noah L. Butkin+ James T. Bartlett James S. Berkman Alfred M. Rankin Jr. Elliott L. Schlang Mrs. Ellen Wade Chinn+ Chair Charles P. Bolton James A. Ratner Michael Sherwin Helen Collis Michael J. Horvitz Chair Sarah S. Cutler Donna S. Reid Eugene Stevens Mrs. John Flower Richard Fearon Dr. Eugene T. W. Sanders Mrs. Robert I. Gale Jr. Sarah S. Cutler Life Trustees Vice President Helen Forbes-Fields David M. Schneider Robert D. Gries Elisabeth H. Alexander Ellen Stirn Mavec Robert W.
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Open Violathesis.Pdf
The Pennsylvania State University The Graduate School College of Earth and Mineral Sciences DECONSTRUCTING THE MYTH OF CALIFORNIA: GENDER AND RACE IN DISNEY’S CALIFORNIA ADVENTURE A Thesis in Geography by Marina R. Viola 2009 Marina R. Viola Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science December 2009 The thesis of Marina R. Viola was reviewed and approved* by the following: Lorraine Dowler Associate Professor of Geography and Women‘s Studies Thesis Advisor Melissa W. Wright Associate Professor of Geography and Women‘s Studies Karl Zimmerer Professor of Geography Head of the Department of Geography *Signatures are on file in the Graduate School ABSTRACT Disney turns fantasy into reality. ―Imagineers‖ are Disney‘s team of dream makers responsible for creating the magic. Nearly one dozen international theme parks, a cruise ship line, shopping centers, hotels and ownership of the community Celebration, Florida attest to Imagineering‘s cultural influence and success. This vast and variant space along with widely recognized topographic neologisms such as ―Disneyscapes,‖ and ―Disneyfied,‖ illustrate the Company‘s ability to transform ordinary landscapes into fantasy-scapes. In 2001, Disney deviated from its traditional Imagineering practices and attempted to re-recreate reality. Disney‘s California Adventure park opened as a celebration of the Golden State and the Golden Dreams that brought countless individuals in search of opportunity. Using qualitative methods, this study textually analyses the stories conveyed throughout the park‘s artwork, architecture, landscape and iconography. This thesis reveals that the lives and ―dreams‖ of various California subcultures are represented in demeaning and stereotypical manners that reinforce the superiority and dominance of white males over California‘s landscape.
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Independent Video Games and the Games ‘Indiestry’ Spectrum: Dissecting the Online Discourse of Independent Game Developers in Industry Culture By
Independent Video Games and the Games ‘Indiestry’ Spectrum: Dissecting the Online Discourse of Independent Game Developers in Industry Culture by Robin Lillian Haislett, B.S., M.A. A Dissertation In Media and Communication Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Robert Moses Peaslee Chair of Committee Dr. Todd Chambers Dr. Megan Condis Dr. Wyatt Philips Mark Sheridan Dean of the Graduate School December, 2019 Copyright 2019, Robin Lillian Haislett Texas Tech University, Robin Lillian Haislett, December 2019 ACKNOWLEDGMENTS This is the result of the supremely knowledgeable Dr. Robert Moses Peaslee who took me to Fantastic Fest Arcade in 2012 as part of a fandom and fan production class during my doctoral work. This is where I met many of the independent game designers I’ve come to know and respect while feeling this renewed sense of vigor about my academic studies. I came alive when I discovered this area of study and I still have that spark every time I talk about it to others or read someone else’s inquiry into independent game development. For this, I thank Dr. Peaslee for being the catalyst in finding a home for my passions. More pertinent to the pages that follow, Dr. Peaslee also carefully combed through each malformed draft I sent his way, narrowed my range of topics, encouraged me to keep my sense of progress and challenged me to overcome challenges I had not previously faced. I feel honored to have worked with him on this as well as previous projects.
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