2012-Factbook.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Walt Disney and the Power of Music James Bohn
Libri & Liberi • 2018 • 7 (1): 167–180 169 The final part of the book is the epilogue entitled “Surviving Childhoodˮ, in which the author shares her thoughts on the importance of literature in childrenʼs lives. She sees literature as an opportunity to keep memories, relate stories to pleasant times from the past, and imagine things which are unreachable or far away. For these reasons, children should be encouraged to read, which will equip them with the skills necessary to create their own associations with reading and creating their own worlds. Finally, The Courage to Imagine demonstrates how literature can influence childrenʼs thinking and help them cope with the world around them. Dealing with topics present in everyday life, such as ethnic diversity, fear, bullying, or empathy, and offering examples of child heroes who overcome their problems, this book will be engaging to teachers and students, as well as experts in the field of childrenʼs literature. Its simple message that through reading children “can escape the adult world and imagine alternativesˮ (108) should be sufficient incentive for everybody to immerse themselves in reading and to start imagining. Josipa Hotovec Walt Disney and the Power of Music James Bohn. 2017. Music in Disneyʼs Animated Features: Snow White and the Seven Dwarfs to The Jungle Book. Jackson, Mississippi: University Press of Mississippi, 294 pp. ISBN 978-1-4968-1214-8 DOI: 10.21066/carcl.libri.2018-07(01).0008 “The essence of a Disney animated feature is not drawn by pencil […]. Rather, it is written in notes”, states James Bohn in the conclusion to his 2017 book Music in Disney’s Animated Features: Snow White and the Seven Dwarfs to The Jungle Book (201). -
TV Channel Distribution in Europe: Table of Contents
TV Channel Distribution in Europe: Table of Contents This report covers 238 international channels/networks across 152 major operators in 34 EMEA countries. From the total, 67 channels (28%) transmit in high definition (HD). The report shows the reader which international channels are carried by which operator – and which tier or package the channel appears on. The report allows for easy comparison between operators, revealing the gaps and showing the different tiers on different operators that a channel appears on. Published in September 2012, this 168-page electronically-delivered report comes in two parts: A 128-page PDF giving an executive summary, comparison tables and country-by-country detail. A 40-page excel workbook allowing you to manipulate the data between countries and by channel. Countries and operators covered: Country Operator Albania Digitalb DTT; Digitalb Satellite; Tring TV DTT; Tring TV Satellite Austria A1/Telekom Austria; Austriasat; Liwest; Salzburg; UPC; Sky Belgium Belgacom; Numericable; Telenet; VOO; Telesat; TV Vlaanderen Bulgaria Blizoo; Bulsatcom; Satellite BG; Vivacom Croatia Bnet Cable; Bnet Satellite Total TV; Digi TV; Max TV/T-HT Czech Rep CS Link; Digi TV; freeSAT (formerly UPC Direct); O2; Skylink; UPC Cable Denmark Boxer; Canal Digital; Stofa; TDC; Viasat; You See Estonia Elion nutitv; Starman; ZUUMtv; Viasat Finland Canal Digital; DNA Welho; Elisa; Plus TV; Sonera; Viasat Satellite France Bouygues Telecom; CanalSat; Numericable; Orange DSL & fiber; SFR; TNT Sat Germany Deutsche Telekom; HD+; Kabel -
A Totally Awesome Study of Animated Disney Films and the Development of American Values
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2012 Almost there : a totally awesome study of animated Disney films and the development of American values Allyson Scott California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Scott, Allyson, "Almost there : a totally awesome study of animated Disney films and the development of American values" (2012). Capstone Projects and Master's Theses. 391. https://digitalcommons.csumb.edu/caps_thes/391 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Social and Behavioral Sciences Department Senior Capstone California State University, Monterey Bay Almost There: A Totally Awesome Study of Animated Disney Films and the Development of American Values Dr. Rebecca Bales, Capstone Advisor Dr. Gerald Shenk, Capstone Instructor Allyson Scott Spring 2012 Acknowledgments This senior capstone has been a year of research, writing, and rewriting. I would first like to thank Dr. Gerald Shenk for agreeing that my topic could be more than an excuse to watch movies for homework. Dr. Rebecca Bales has been a source of guidance and reassurance since I declared myself an SBS major. Both have been instrumental to the completion of this project, and I truly appreciate their humor, support, and advice. -
Chapter 1, Case 1 UPS Global Operations with the DIAD IV
E-commerce. business. technology. society. KENNETH C. LAUDON AND CAROL G. TRAVER video case chapter 3 Building an E-commerce Presence case 1 ESPN Goes to eXtreme Scale watch the video at http://www.youtube.com/watch?v=NIqru81sjV4 summary ESPN is the world’s largest cable television sports programming network. In addition, it is the Web’s most popular online source for sports results, content, and commentary. Servicing an online audience of more than 50 million unique visitors every month requires ESPN to adopt processing technologies that are extremely efficient, powerful, and flexible. L= 5:4 0. case ESPN (Entertainment and Sports Programming Network) is a multimedia, global cable television network with headquarters in Bristol, Connecticut. Founded in 1979 with financing provided by The Getty Oil Company, ESPN grew along with the cable television industry to become a mainstay of American popular culture. After a series of investments by Hearst Publications, and ABC (the American Broadcasting Network), 80% of ESPN finally ended up in the hands of entertainment giant The Walt Disney Company, and 20% with the Hearst Corporation, a 100 year-old media company based largely on newspaper and magazine businesses. ESPN focuses on sports programming including live and pre-taped event telecasts, sports talk shows, and other original programming. While originally a cable media company, ESPN has since expanded aggressively to the Internet as well as radio and print magazines. continued CHAPTER 3 CASE 1 ESPN GOES TO EXTREME SCALE 2 ESPN is actually a family of sports networks and individual shows. There are eight 24-hour domestic television sports networks: ESPN, ESPN2, ESPNEWS, ESPN Classic, ESPN Deportes (a Spanish language network), ESPNU (a network devoted to college sports), ESPN 3D (a 3D service), and the regionally focused Longhorn Network (a network dedicated to The University of Texas athletics) and SEC Network (focused on Southeastern Athletic Conference sports). -
Canais De Televisão
Canais de Televisão Escola Básica Paulo da Gama Amora, novembro de 2014 Trabalho realizado pela aluna Margarida Pedro Martins, nº 17, da turma 7ºD, no âmbito da disciplina Tecnologia de Informação e Comunicação, sob a orientação do professor Sérgio Heleno. 2 Amora-Setúbal-Portugal Canais de Televisão Escola Básica Paulo da Gama Amora, novembro de 2014 Trabalho realizado pela aluna Margarida Pedro Martins, nº 17, da turma 7ºD, no âmbito da disciplina Tecnologia de Informação e Comunicação, sob a orientação do professor Sérgio Heleno. Margarida Martins 7ºD Canais de Televisão 3 Índice Conteúdo 1 Introdução .............................................................................................................. 4 2 O que são canais de televisão ............................................................................... 4 3 O que é a televisão? .............................................................................................. 5 3.1 As primeiras televisões ................................................................................... 5 4 SIC ........................................................................................................................ 8 5 TVI ........................................................................................................................... 11 6 24Kitchen ................................................................................................................. 13 7 RTP1 ..................................................................................................................... -
Disney Twenty-Three Celebrates 50 Enchanting Years of Walt Disney World Resort
DISNEY TWENTY-THREE CELEBRATES 50 ENCHANTING YEARS OF WALT DISNEY WORLD RESORT FROM CLASSIC ENTERTAINMENT TO INCREDIBLE NEW EXPERIENCES, THE NEW ISSUE DETAILS EVERY SHIMMERING SURPRISE FANS NEED TO KNOW ABOUT THIS MOST MAGICAL MILESTONE ALSO IN THE FALL ISSUE: THE STARS OF SHANG-CHI AND THE LEGEND OF THE TEN RINGS AND ETERNALS, DOOGIE KAMEALOHA, M.D.’S PEYTON ELIZABETH LEE, THE CREATORS OF LEGO STAR WARS TERRIFYING TALES, AND MUPPETS HAUNTED MANSION STARS GONZO THE GREAT AND PEPÉ THE KING PRAWN BURBANK, Calif. – August 5, 2021 – On November 15, 1965, Walt and Roy Disney announced their “Florida project” to the largest media aggregation in Florida history, and this year, on October 1, Walt Disney World Resort will celebrate its 50th anniversary. Disney twenty-three marks this milestone with more than 20 pages dedicated to “The Most Magical Place on Earth.” Stories include a deep dive into the festivities in store for guests when they arrive at the celebration, including a revealing look at the new EPCOT nighttime spectacular, Harmonious. Also included is a “bonus” chapter from the upcoming book A Portrait of Walt Disney World: 50 Years of the Most Magical Place on Earth, looking at some of the park’s most beloved entertainment through the years, as well a glimpse at classic park collectibles through the years. The front cover—featuring Mickey Mouse and Minnie Mouse in front of Cinderella Castle in their EARidescent attire—and back cover—with Remy and Emile from Disney and Pixar’s Ratatouille welcoming guests to their new attraction at the EPCOT France pavilion—were shot exclusively for Disney twenty-three. -
Questioning the Constitutional Validity of Georgia's Perishable Produce Disparagement Law Julie J
Georgia State University Law Review Volume 12 Article 18 Issue 4 June 1996 May 2012 Must Peaches be Preserved at all Costs? Questioning the Constitutional Validity of Georgia's Perishable Produce Disparagement Law Julie J. Srochi Follow this and additional works at: https://readingroom.law.gsu.edu/gsulr Part of the Law Commons Recommended Citation Julie J. Srochi, Must Peaches be Preserved at all Costs? Questioning the Constitutional Validity of Georgia's Perishable Produce Disparagement Law, 12 Ga. St. U. L. Rev. (2012). Available at: https://readingroom.law.gsu.edu/gsulr/vol12/iss4/18 This Article is brought to you for free and open access by the Publications at Reading Room. It has been accepted for inclusion in Georgia State University Law Review by an authorized editor of Reading Room. For more information, please contact [email protected]. Srochi: Must Peaches be Preserved at all Costs? Questioning the Constitu MUST PEACHES BE PRESERVED AT ALL COSTS? QUESTIONING THE CONSTITUTIONAL VALIDITY OF GEORGIA'S PERISHABLE PRODUCT DISPARAGEMENT LAW INTRODUCTION As cognizant members of society, people demand access to information regarding the safety of a variety of products, perishable or not, so that they may make informed choices about the use, consumption, and purchase of these goods. For this reason alone, it may be chilling to learn that many state legislatures, including the Georgia General Assembly, have introduced legislation aimed at "anyone badmouthing the state's agricultural products."' A constant tension exists between open and unfettered debate on issues of public concern and protection of the rights of individuals or businesses who may suffer at the hands of speakers who overstep their bounds. -
Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames Permalink https://escholarship.org/uc/item/5pg3z8fg Author Chien, Irene Y. Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames by Irene Yi-Jiun Chien A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Williams, Chair Professor Kristen Whissel Professor Greg Niemeyer Professor Abigail De Kosnik Spring 2015 Abstract Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames by Irene Yi-Jiun Chien Doctor of Philosophy in Film and Media Designated Emphasis in New Media University of California, Berkeley Professor Linda Williams, Chair Programmed Moves examines the intertwined history and transnational circulation of two major videogame genres, martial arts fighting games and rhythm dancing games. Fighting and dancing games both emerge from Asia, and they both foreground the body. They strip down bodily movement into elemental actions like stepping, kicking, leaping, and tapping, and make these the form and content of the game. I argue that fighting and dancing games point to a key dynamic in videogame play: the programming of the body into the algorithmic logic of the game, a logic that increasingly organizes the informatic structure of everyday work and leisure in a globally interconnected information economy. -
Campaña Medicus Mundial De Rugby 2019
Campaña Medicus Mundial de Rugby 2019 Autor/es: Ascarrunz Prinzo, Florencia Belén – LU: 1075808 Doria, Camila Ayelén – LU: 1066616 Sartor, Fiamma Divina – LU: 1068416 Carrera: Licenciatura en Publicidad Tutor: Lic. Maison, F abian Gustavo - Lic. Pruneda , Maria L orena – Lic. Rocco, Maria Celia Año: 201 8 ÍNDICE 1 ÍNDICE 1 2 3 Introducción En el siguiente Trabajo Integrador Final de la carrera de Licenciatura en Publicidad de la Fundación UADE, presentaremos una estrategia integral para el anunciante MEDICUS S.A, en adelante “Medicus”, para implementar en el evento del Mundial de Rugby 2019 que se llevará a cabo en Japón durante los meses de Septiembre, Octubre y Noviembre. Las preguntas que sirvieron de base para desarrollar el siguiente trabajo de investigación fueron: ¿Qué?, ¿Dónde?, ¿Por qué?, ¿Quién?, ¿Cómo?. Estas preguntas fueron los primeros interrogantes que nos hicimos al iniciar la investigación y consideramos que fueron de gran utilidad para llegar a nuestro objetivo. Dado que consiste en una campaña que se llevará a cabo durante la competencia mundial de rugby, investigamos acerca de la historia del mundial y tomamos como referencia el Mundial de Rugby 2015 en Inglaterra. En segundo lugar, investigamos acerca del país sede donde se transcurrirá el evento para conocer acerca de su cultura, geografía, la organización del evento y su vínculo con el deporte. Para el tercer capítulo, hicimos énfasis en nuestro vínculo como argentinos con el Rugby, teniendo en cuenta que existen grandes seguidores del deporte y por otro lado aficionados esporádicos. Por esta razón optamos por realizar una comparación entre el rugby y otros deportes en cuanto a su audiencia. -
Your Favorite Disney Characters Return to Oklahoma City As Disney on Ice Presents Dream Big Comes to Jim Norick Arena During
Contact: Jen Maninger/Feld Entertainment [email protected]; 314-800-3938 Your Favorite Disney Characters Return to Oklahoma City As Disney On Ice Presents Dream Big Comes to Jim Norick Arena during the Oklahoma State Fair from September 16–20, 2021 Feld Entertainment Introduces Guest Wellness Enhancements to the Beloved Live Family Experience Oklahoma City, OK (July 13, 2021) – Courage leads the way for Disney’s most adventurous heroes when Disney On Ice presents Dream Big comes to Oklahoma City for Opening Weekend at the Oklahoma State Fair. The nine performances run Thursday, September 16 through Monday, September 20. Dream Big features favorite Disney friends such as Mickey, Minnie, Miguel, Moana, Elsa, Belle, Genie, and more highlighting all the magic and adventure of Disney’s tales through world-class figure skating. Audiences will be transported to exciting worlds where heroes of every kind seek to fulfill their dreams at a live experience families will never forget! Disney On Ice Preferred Customers can purchase advance tickets starting today to get the best seats available before tickets go on-sale to the general public on July 20th. Fans can still sign up to become a Disney On Ice Preferred Customer and get exclusive access to the pre-sale offer code. Join the fearless Moana and the greatest demigod that ever lived, Maui, on an action-packed voyage to restore the stolen heart of Te Fiti. Explore the Land of the Dead as Miguel from Disney Pixar’s Coco brings the festivities of Día de los Muertos to the ice. Get tangled up in Rapunzel’s hair-raising quest to see the floating lights. -
1.11111Ims Volume 15, Issue 47
November 30, 1998 1.11111ims Volume 15, Issue 47 VOICE OF THE RADIOBROADCASTING INDUSTRY® 1-rTY771" .11111 Acoustics FCC wavers on waivers-radio-TV combos in trouble 2 The FCC is drawing upnew, what you might call"irregulations" which would limit Architecture the size of a radio -TVcombo-and some in Congress are not happy about it. TV LMAs are in the FCC'scrosshairs 2 Consoles Player #3 tries to getinto the OARS wars 3 Food for thought: Repeatcustomers responsible for new business 3 In like Flynn: Ex-politico/ambassadorkicks off radio show 3 Revolving door at thecourthouse: American View in, WW1 out 3 Engineering CBS, Chancellor topthe top groups in the top markets 6 IT1 .11INT` Ergonomics tr7 " " " " I n J111' Newspaper continuesits long slide:Times looks to go national 4 ZDTV gets Vulcanized; wireless cable bleeding unchecked 4 ntegration Bottom line: Growingnet for the Internet 4 MIN I 1,I 1 1/ . 1AI1r.111I 1 I 1 1/11.'1111-13 131,.1=11. 1/,1117...1,1 1 111:1113111,'I Furniture NMIMIMI 111.1k1.11-1 g n Sports format comesof age, racks up big totals 7-10 Stricken by the strike: Station hopes hinge on hoops 9-10 Peripherals Sports: Making the mostof theestrogen factor 10 1.1.1.V.11 W.L.M 1111 .1.11 1:1111111111,:=1jilA.1AAal-J11.111,111-111.117,Iti13,111.. Patch Bays Westower adds siteacquisitionand tower construction companies 11 Retlaw's TV group hooked by Fisher 11 Supervision OmniAmerica's board gives thumbs up to American Tower merger 11 V I IrS7ITM . -
Upholding the Disney Utopia Through American Tragedy: a Study of the Walt Disney Company’S Responses to Pearl Harbor and 9/11
Upholding the Disney Utopia Through American Tragedy: A Study of The Walt Disney Company's Responses to Pearl Harbor and 9/11 Lindsay Goddard Senior Thesis presented to the faculty of the American Studies Department at the University of California, Davis March 2021 Abstract Since its founding in October 1923, The Walt Disney Company has en- dured as an influential preserver of fantasy, traditional American values, and folklore. As a company created to entertain the masses, its films often provide a sense of escapism as well as feelings of nostalgia. The company preserves these sentiments by \Disneyfying" danger in its media to shield viewers from harsh realities. Disneyfication is also utilized in the company's responses to cultural shocks and tragedies as it must carefully navigate maintaining its family-friendly reputation, utopian ideals, and financial interests. This paper addresses The Walt Disney Company's responses to two attacks on US soil: the bombing of Pearl Harbor in 1941 and the attacks on September 11, 200l and examines the similarities and differences between the two. By utilizing interviews from Disney employees, animated film shorts, historical accounts, insignia, government documents, and newspaper articles, this paper analyzes the continuity of Disney's methods of dealing with tragedy by controlling the narrative through Disneyfication, employing patriotic rhetoric, and reiterat- ing the original values that form Disney's utopian image. Disney's respon- siveness to changing social and political climates and use of varying mediums in its reactions to harsh realities contributes to the company's enduring rep- utation and presence in American culture. 1 Introduction A young Walt Disney craftily grabbed some shoe polish and cardboard, donned his father's coat, applied black crepe hair to his chin, and went about his day to his fifth-grade class.