Live in Prague (Nevermore Inc./Moonjune Dvd)
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Thinking Plague a History Of
What the press has said about: THINKING PLAGUE A HISTORY OF MADNESS CUNEIFORM 2003 lineup: Mike Johnson (guitars & such), Deborah Perry (singing), Dave Willey (bass guitar & accordions), David Shamrock (drums & percussion), Mark Harris (saxes, clarinet, flute), Matt Mitchell (piano, harmonium, synths) - Guests: Kent McLagan (acoustic bass), Jean Harrison (fiddle), Ron Miles (trumpet), David Kerman (drums and percussion), Leslie Jordan (voice), Mark McCoin (samples and various exotica) “It has been 20 years since Rock In Opposition ceased to exist as a movement in any official sense… Nevertheless, at its best this music can be stimulating and vital. It’s only RIO, but I like it. Carrying the torch for these avant Progressive refuseniks are Thinking Plague, part of a stateside Cow-inspired contingent including 5uu’s and Motor Totemist Guild. These groups have…produced some extraordinary work… Their music eschews the salon woodwinds and cellos of the European groups for a more traditional electric palette, and its driving, whirlwind climaxes show a marked influence of King Crimson and Yes, names to make their RIO granddaddies run screaming from the room. …this new album finds the group’s main writer Mike Johnson in [an] apocalyptic mood, layering the pale vocals of Deborah Perry into a huge choir of doom, her exquisitely twisted harmonies spinning tales of war, despair and redemption as the music becomes audaciously, perhaps absurdly, complex. … Thinking Plague are exciting and ridiculous in equal measure, as good Prog rock should be.” - Keith Moliné, Wire, Issue 239, January 2004 “Thinking Plague formed in 1983…after guitarist and main composer Mike Johnson answered a notice posted by Bob Drake for a guitarist into “Henry Cow, Yes, etc.” …these initial influences are still prominent in the group’s sound - along with King Crimson, Stravinsky, Ligeti, Art Bears, and Univers Zero. -
Estonian Surf Team.Pdf
Toss-Ups for the 1st annual PBA-OCB1vtI \ 1'13 written by the Estonian Surf Team [Erdahl-Karels on-Nelson] 1. Its main ingredient is actually oatmeal, but most people only remember that part about including a sheep's internal organs boiled in the animal's stomach. FTP name this traditional delicacy of Scotland? ANSWER: Haggis 2. Jeremy Irons, Miranda Richardson and Juliette Binoche starred in the film version, but FTP who wrote the best-selling novel Damage? ANSWER: Josephine Hart 3. Guatemalan soldiers killed this Quiche Indian's mother and burned her brother alive. She learned Spanish to speak out on human rights. FTP name this Guatemalan woman who won the 1992 Nobel Peace Prize? ANSWER: Rigoberta Menchu 4. Let Us Now Praise Famous Men is a showcase for this photographer's craft. His photographs brilliantly illustrate the life of Southern sharecroppers. FTP name this American photographer whose works are part of a new display at New York's Metropolitan Museum of Art? ANSWER: Walker Evans 5. Cebu, Bohol, Samar, Panay, Palawan, Masbate, Mindoro, Negros, Leyte, Mindanao and Luzon are some of the over 7,000 islands of, FTP, what country? ANSWER: the Philippines 6. This two-word Latin legal phrase means that the prosecution does not wish to pursue matters further. FTP name this writ that ends court proceedings? ANSWER: Nolle Prosequi 7. Zero is dead calm, four a moderate breeze, nine a strong gale, and twelve is hurricane force winds with 30 foot plus waves. FTP name this naval weather scale? ANS WER: the Beaufort Scale 8. -
Marshall Magazine Summer 2013 Marshall University
Marshall University Marshall Digital Scholar Marshall Magazine Marshall Publications Summer 2013 Marshall Magazine Summer 2013 Marshall University Follow this and additional works at: http://mds.marshall.edu/marshall_magazine Part of the Higher Education Commons Recommended Citation Marshall University, "Marshall Magazine Summer 2013" (2013). Marshall Magazine. Book 5. http://mds.marshall.edu/marshall_magazine/5 This Book is brought to you for free and open access by the Marshall Publications at Marshall Digital Scholar. It has been accepted for inclusion in Marshall Magazine by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. Dr. Piyali Dasgupta Takes on Lung Cancer See page 39 for ALUMNI NEWS and more Summer 2013 www.marshall.edu Marshall President Stephen Kopp Chief of Staff Matt Turner Executive Editor Susan Tams Director of Communications Marshallmagazine Dave Wellman The official magazine of Marshall University Publisher Summer 2013 Jack Houvouras Managing Editor Anna Lafferre features Art Director Jenette Williams 7 Marshall builds its global profile to bring more Senior Graphic Designer international students to campus. Crista Bjornson Contributing Photographers 16 MU aims to preserve the bond between the Rick Haye, Rick Lee, university and its alumni. Liu Yang 18 Dr. Piyali Dasgupta conducts innovative Contributing Writers research on lung cancer. Jack Houvouras, Cory Jackson, Dawn Nolan, Keith Morehouse, Katherine Pyles, Carter Seaton 24 Smith Music Hall is alive with the sound of world-class music education. Alumni Editor Pat Dickson 30 Conference USA realignment brings games Editorial Advisory Board closer to home. William “Tootie” Carter, Maurice Cooley, Jeff O’Malley, Ginny Painter, Rudy Pauley, 34 The inaugural class of the School of Physical Therapy Leah Payne, Susan Tams, completes its first year. -
Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b. -
Treyzon, Thoreen Seize Top Posts
■ OPINION/6 ■ SPORTS/12 «ARTSWEBV1A l^ g g -«fab . ||j Eco-Avenger Speaks Out Vitulli Leaves as a Leader ¡ S i» * ? u É ^ _ _ J i Treyzon, Thoreen Seize Top Posts Group Given More Time to 12 Percent Voter Collect Funds for Property Turnout Decides By Nick Robertson This action protects the buy Staff Writer_______ ing rights of Land Trust for Santa Run-off Election Barbara County, wMch is in the process of raising the $1.9 mil By M. Jolie Lash After weeks of debate over the lion necessary to acquire the Staff Writer future of land on the Sedgwick ranch land as a reserve. If the Ranch, University officials final group succeeds, it plans to do ized an agreement Tuesday nate the property to the Univer The 1995 Associated Stu wMch extends a local environ sity, adding the parcel to a dents Election drew to a close mental group’s purchase option 5,110-acre Sedgwick plot al Wednesday night with the ap for the property by one year. ready belonging to the campus. pointment of President Leo Under stipulations of the Although the plan will greatly Treyzon and Internal Vice compromise, the University of benefit Land Trust’s crusade to President Bo Thoreen through California Natural Reserve Sys preserve the area, the extension run-off balloting three times tem will allot $13,000 a month is only a temporary reprieve, ac more extensive than that seen until April 1996 to the heirs of cording to Sheldon. last year. philanthropist Francis “Duke” “We came down to the dead Treyzon and Thoreen were Leo Treyzon Bo Thoreen Sedgwick, who were forced to line and we finally had an agree elected by 12 percent of the stu seU their 783-acre plot to pay in ment between the University dent body, which turned out to “I don’t know, I was basi president “I'm looking for heritance taxes. -
JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316)
Bio information: JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: JAZZ One of Europe’s foremost jazz musicians, John Surman is a masterful improvisor, composer, and multi-instrumentalist (baritone and soprano sax, bass clarinet, and synthesizers/electronics). For 45 years, he has been a major force, producing a prodigious and creative body of work that expands beyond jazz. Surman’s extensive discography as a leader and a side man numbers more than 100 recordings to date. Surman has worked with dozens of prominent artists worldwide, including John McLaughlin, Chick Corea, Chris McGregor’s Brotherhood of Breath, Dave Holland, Miroslav Vitous, Jack DeJohnette, Terje Rypdal, Weather Report, Karin Krog, Bill Frisell, Paul Motian and many more. Surman is probably most popularly known for his longstanding association with the German label ECM, who began releasing Surman’s recordings in 1979. Surman has won numerous jazz polls and awards and a number of important commissions. Every period of his career is filled with highlights, which is why Cuneiform is exceedingly proud to release for the first time ever this amazing document of the late 60s 'Brit-jazz' scene. Born in Tavistock, in England, Surman discovered music as a child, singing as soprano soloist in a Plymouth-area choir. He later bought a second- hand clarinet, took lessons from a Royal Marine Band clarinetist, and began playing traditional Dixieland jazz at local jazz clubs. -
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra. -
ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL
Bio information: ROBERT WYATT Title: ‘68 (Cuneiform Rune 375) Format: CD / LP / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: ROCK “…the [Jim Hendrix] Experience let me know there was a spare bed in the house they were renting, and I could stay there with them– a spontaneous offer accepted with gratitude. They’d just hired it for a couple of months… …My goal was to make the music I’d actually like to listen to. … …I was clearly imagining life without a band at all, imagining a music I could make alone, like the painter I always wanted to be.” – Robert Wyatt, 2012 Some have called this - the complete set of Robert Wyatt's solo recordings made in the US in late 1968 - the ultimate Holy Grail. Half of the material here is not only previously unreleased - it had never been heard, even by the most dedicated collectors of Wyatt rarities. Until reappearing, seemingly out of nowhere, last year, the demo for “Rivmic Melodies”, an extended sequence of song fragments destined to form the first side of the second album by Soft Machine (the band Wyatt had helped form in 1966 as drummer and lead vocalist, and with whom he had recorded an as-yet unreleased debut album in New York the previous spring), was presumed lost forever. As for the shorter song discovered on the same acetate, “Chelsa”, it wasn't even known to exist! This music was conceived by Wyatt while off the road during and after Soft Machine's second tour of the US with the Jimi Hendrix Experience, first in New York City during the summer of 1968, then in the fall of that year while staying at the Experience's rented house in California, where he was granted free access to the TTG recording facility during studio downtime. -
78071 187 14782.Pdf
03 "Se han convertido en una de esas bandas que están más allá de los géneros" “Tuvo muy buen muy recibimiento, pero casi inmediatamente“Tuvo después se transformó en una rareza, era difícil de pillar. id Smith, colaborador de las presti- ro 30, pensé que sería bueno hacer la versión que ejercen escapa a los confines del rock progresivo y giosas revistas Prog Magazine, MOJO, nueva para esa fecha, veinte años después. Por creo que la razón es que la música creada por la banda Classic Rock y Record Collector —en- fortuna, fui capaz de sacarlo a tiempo”, dice desde los sesenta y setentas, hasta los años ochenta, ha tre otras— mantuvo desde el año 1999 riendo. Esquizoides en el siglo XXI cubierto mucho terreno estilísticamente. No solo han un blog en el sitio oficial de King Crim- tocado un único tipo de música. Los discos que van des- Sson, posteriormente llamado Krimson News y -Imagino que nunca pensaste ver a King Crim- de In the court of the Crimson King hasta Discipline en luego Postcards from the yellow room. En el son activo 50 años después de su creación. Al el 81 -e incluso más allá, como Thrak en 1994-, casi to- año 2001 editó la biografía titulada In the court comienzo el proyecto se disolvió apenas se lan- dos suenan diferentes, en especial los primeros cuatro. of King Crimson, coincidiendo con el aniversa- zó el disco debut, y ha pasado por muchos quie- Incluso así, todos suenan como King Crimson. rio número 30 de la banda. ¿Por qué? “La res- bres en su historia. -
Downbeat.Com April 2011 U.K. £3.50
£3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, -
22Nd International Congress on Acoustics ICA 2016
Page intentionaly left blank 22nd International Congress on Acoustics ICA 2016 PROCEEDINGS Editors: Federico Miyara Ernesto Accolti Vivian Pasch Nilda Vechiatti X Congreso Iberoamericano de Acústica XIV Congreso Argentino de Acústica XXVI Encontro da Sociedade Brasileira de Acústica 22nd International Congress on Acoustics ICA 2016 : Proceedings / Federico Miyara ... [et al.] ; compilado por Federico Miyara ; Ernesto Accolti. - 1a ed . - Gonnet : Asociación de Acústicos Argentinos, 2016. Libro digital, PDF Archivo Digital: descarga y online ISBN 978-987-24713-6-1 1. Acústica. 2. Acústica Arquitectónica. 3. Electroacústica. I. Miyara, Federico II. Miyara, Federico, comp. III. Accolti, Ernesto, comp. CDD 690.22 ISBN 978-987-24713-6-1 © Asociación de Acústicos Argentinos Hecho el depósito que marca la ley 11.723 Disclaimer: The material, information, results, opinions, and/or views in this publication, as well as the claim for authorship and originality, are the sole responsibility of the respective author(s) of each paper, not the International Commission for Acoustics, the Federación Iberoamaricana de Acústica, the Asociación de Acústicos Argentinos or any of their employees, members, authorities, or editors. Except for the cases in which it is expressly stated, the papers have not been subject to peer review. The editors have attempted to accomplish a uniform presentation for all papers and the authors have been given the opportunity to correct detected formatting non-compliances Hecho en Argentina Made in Argentina Asociación de Acústicos Argentinos, AdAA Camino Centenario y 5006, Gonnet, Buenos Aires, Argentina http://www.adaa.org.ar Proceedings of the 22th International Congress on Acoustics ICA 2016 5-9 September 2016 Catholic University of Argentina, Buenos Aires, Argentina ICA 2016 has been organised by the Ibero-american Federation of Acoustics (FIA) and the Argentinian Acousticians Association (AdAA) on behalf of the International Commission for Acoustics. -
Book Review with TTU Libraries Cover Page
BOOK REVIEW: BEYOND AND BEFORE: THE FORMATIVE YEARS OF YES BY PETER BANKS The Texas Tech community has made this publication openly available. Please share how this access benefits you. Your story matters to us. Citation Weiner, R.G. (2008). [Review of the book Beyond and Before: The Formative Years of Yes by Peter Banks]. Popular Music and Society, 31(1), 136-139. https://doi.org/10.1080/03007769908591748 Citable Link http://hdl.handle.net/2346/1546 Terms of Use CC-BY Title page template design credit to Harvard DASH. 136 Book Reviews Hammond’s myopic vision, his unrelenting determination, and his deep personal sorrows, but to his friends and supporters Hammond was a trying project. Perhaps, as Prial suggests, Hammond’s relationship to the Vanderbilts did him more good in his early years in music than his social skills. There are questions unanswered and undeveloped in this biography related to Hammond the man, such as his falling out with Aretha Franklin or his quick parting with Dylan. Each chapter of this book comes (another assault on your pocketbook) with a wonderful ‘‘discography’’ that should slow down the pace of reading but will contribute to a great start in building a library of American music of the 20th century. It is quite something how much music Hammond had a role in, and this portion of the book is an important reminder of the times and genres Hammond touched. As with all biographies there are problems and limitations. For those of us raised in the second half of the century, The Producer fails to deliver the same magic surrounding the discovery and signing of ‘‘our’’ heroes as it does around the early stars.