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Riley Thorn and the Dead Guy Next Door
RILEY THORN AND THE DEAD GUY NEXT DOOR LUCY SCORE Copyright © 2020 Lucy Score All rights reserved No Part of this book may be reproduced in any form or by any electric or mechanical means, including information storage and retrieval systems, without prior written permission from the publisher. The book is a work of fiction. The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is purely coincidental and not intended by the author. ISBN: 978-1-945631-67-2 (ebook) ISBN: 978-1-945631-68-9 (paperback) lucyscore.com 082320 CONTENTS Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Chapter 35 Chapter 36 Chapter 37 Chapter 38 Chapter 39 Chapter 40 Chapter 41 Chapter 42 Chapter 43 Chapter 44 Chapter 45 Chapter 46 Chapter 47 Chapter 48 Chapter 49 Chapter 50 Chapter 51 Chapter 52 Chapter 53 Chapter 54 Chapter 55 Chapter 56 Chapter 57 Chapter 58 Chapter 59 Chapter 60 Epilogue Author’s Note to the Reader WONDERING WHAT TO READ NEXT?: About the Author Acknowledgments Lucy’s Titles To Josie, a real life badass. 1 10:02 p.m., Saturday, July 4 he dead talked to Riley Thorn in her dreams. -
Clem's York Primer by Richard B
Clem’s York Primer By Richard B."Clem" Clement October Update The Primer is a composite of the personal experiences and views of several attendees and is designed to enrich Eastern Division, TCA’s York Week Experience. The Eastern Division, TCA, Newsletter is the official document for the York Meet. The Primer is not sponsored by any organization; business or company nor does it sell, endorse or promote a particular product. If you have a question about an activity or event listed herein, please contact the listed sponsor. Events off the York Fairgrounds or the NTTM site are not TCA sponsored. This version negates all previous versions. In my view, York is much more than a train-meet. It is about the gathering of families, friends and acquaintances. -Your TCA Family- This Primer highlights the TCA Eastern Division York Train Meet; the TCA Museum, Library and Business Office Activities; member meetings and specified train group activities; non-TCA sponsored train events locally; local attractions; restaurants, tips on navigating the events and the locale. For the price of admission which includes free parking, this is the best deal for a 3 day train meet in the universe. My hope is that the Primer will help you enjoy the week as much as I do. “New info is presented in red.” FLASH NEWS: CELL PHONES ARE NOW PERMITTED FOR USE IN THE YORK HALLS. NO PHOTOS ALLOWED. Reliance Restaurant is closed for breakfast. National Toy Train Museum Open House For your convenience, the schedule may be printed out from: nttmuseum.org/events/Open-House-Fall2013.pdf ------------------------------------ Recent Advice from York County Convention & Visitors Bureau: Hi Clem, I hope that all is well. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Keeping in Touch
May/June 2020 KEEPING IN TOUCH National Garden Clubs, Inc. 4401 Magnolia Avenue St. Louis, MO 63110 314•776•7574 gardenclub.org President’s Postcard GAY AUSTIN Postcard from home: As gardeners, we are always excited about the spring season. As the days started to become longer and warmer, dormant plants began to show life, and migratory birds appear in our gardens. We anticipate enjoyable time out- side in our natural landscapes. It is time to plant summer annuals and seeds for our home food gardens. Anticipation for growth is something we all look forward to. With very little warning, events occur that abruptly cause us to readjust our well- planned activities. The historic COVID-19 threat caused us to HALT all spring garden club events, such as flower shows, public garden plans and even annual garden club meetings. As we follow mandates to keep us home and safe, deadly spring storms move across our nation, destroying property and taking lives along the way. President Gay taking a break in her garden. This spring, the life altering chain of events has forced us to PAUSE – to rethink how we should function as a national volunteer organization. Let me encourage KNOW YOUR OFFICERS! you to have confidence in the NGC leadership, as we are exploring avenues to help us continue to provide worthwhile projects in our communities. Inside This Issue A garden club friend recently emailed me this statement - Gardeners are known to be planners, dreamers, and believers, who think in terms of seasons—not days or Officer Interviews 2 - 8 weeks. -
Summer 2017 Issue
AestheticTECHNOLOGY AND TRENDS IN PRACTICE DEVELOPMENT & AESTDentistryHETICS • VOLUME 16 ISSUE 2 • SUMMER 2017 Pursue Perfection A case analysis shows the advantages of multidisciplinary dentistry. Eureka! 6 reports that reveal your hidden potential. Join the Club 8 ways membership plans will benefit your practice. EDITOR’S COMMENTARY n DR. DICK BARNES, D.D.S. Make Dentistry Great Again Practice the Best Dentistry for You and Your Patients. n the last year, everyone has heard the phrase “Make America underwent a full mouth reconstruction, and the results were Great Again.” Regardless of your personal political affiliations, more than satisfying for both doctor and patient (see the article Ithat slogan forces each of us to ask a very basic question. Are “Tackling Jack’s Smile” on page 14). we satisfied with the current state of affairs, and if not, what can Another common feature among those who are dissatisfied we do about it? with dentistry is a daunting feeling of isolation. When you’re in This is an especially important question for today’s dentists, a single provider practice, it can feel like it’s just you against the who should ask themselves, ‘Am I happy with the current state world and the competition is everywhere. of my practice, and if not, what can I do about it?’ Dentistry can only be great, however, when you have the The last decade has seen huge changes in the dental industry. right support structure. If you don’t currently have a mentor, find The emergence and growth of corporate dentistry is threatening one. Being able to talk with someone who knows your struggles the single practitioner/owner model that has defined dentistry and has found answers is key to being able to navigate the chal- for the past century. -
May 28, 2018 2 | Sun City Anthem | May 2018 May 2018 | Sun City Anthem | 3 SUN CITY ANTHEM Community Association
MAY 2018 MAY May 28, 2018 2 | Sun City Anthem | May 2018 May 2018 | Sun City Anthem | 3 SUN CITY ANTHEM Community Association ANTHEM CENTER All phone numbers are preceded by area code 702. 2450 Hampton Road ANTHEM CENTER FRONT DESK 614-5864 Henderson, NV 89052 ANTHEM CENTER 614-5800 phone / 614-5813 fax Administration Offices Hours SCA-HOA.org Weekdays 8 a.m. to 5 p.m. Weekdays 8 a.m. to 10 p.m. Saturdays 9 a.m. to 1 p.m. Saturdays 9 a.m. to 10 p.m. ADMINISTRATION 614-5800 [email protected] Sundays 9 a.m. to 9 p.m. General Manager Sandy Seddon Community FITNESS CENTER Association Manager Elyssa Rammos 614-5885 Executive Coordinator Anneliese Gamboa Weekdays 5 a.m. to 10 p.m. CFO Jim Orlick Saturdays 5:30 a.m. to 10 p.m. COMMUNITY STANDARDS [email protected] Sundays 5:30 a.m. to 9 p.m. Manager James Arteaga 614-5820 INDEPENDENCE CENTER Administrator Desi Rafailova 638-5751 614-5803 FACILITIES [email protected] Weekdays 6:30 a.m. to 10 p.m. Director Shawn Evans 614-5857 Saturday 6:45 a.m. to 7 p.m. Executive Coordinator Juvelyn Beale 614-5863 Sunday 7 a.m. to 7 p.m. FITNESS [email protected] LIBERTY CENTER Director Torey Crum 614-5828 [email protected] 2211 Somersworth Drive ACTIVITIES Henderson, NV 89044 Director Danielle Bartle 614-5822 [email protected] 638-5780 Activities Coordinator Pamela McKinley 614-5860 [email protected] Scheduling Weekdays 6 a.m. -
CONSENT DECREE and PERMANENT INJUNCTION By
Warner Bros Home Entertainment Inc v. Robert Bach et al Doc. 18 1 J. Andrew Coombs (SBN 123881) [email protected] 2 Annie S. Wang (SBN 243027) [email protected] 3 J. Andrew Coombs, A Prof. Corp. 517 East Wilson Avenue, Suite 202 4 Glendale, California 91206 Telephone: (818) 500-3200 5 Facsimile: (818) 500-3201 6 Attorneys for Plaintiff Warner Bros. Home Entertainment Inc. 7 Dorisa Shahmirzai (SBN 254024) 8 [email protected] IP Law Click, PC 9 655 North Central Avenue, 17th Floor Glendale, California 91203 10 Telephone: (818) 334-5204 ext. 101 11 Attorney for Defendant Robert Bach, an individual and d/b/a as Amazon.com 12 Seller yavin4our and Robert E Bach 13 UNITED STATES DISTRICT COURT 14 CENTRAL DISTRICT OF CALIFORNIA 15 ) 16 Warner Bros. Home Entertainment Inc., ) Case No. CV12-6518 JAK (JCGx) ) 17 Plaintiff, ) CONSENT DECREE AND ) PERMANENT INJUNCTION 18 v. ) ) JS-6 19 Robert Bach, an individual and d/b/a as ) Amazon.com Seller yavin4our and Robert ) 20 E Bach and Does 1-10, inclusive, ) ) 21 Defendants ) ) 22 23 The Court, having read and considered the Joint Stipulation for Entry of 24 Consent Decree and Permanent Injunction that has been executed by Plaintiff Warner 25 Bros. Home Entertainment Inc. (“Plaintiff”) and Defendant Robert Bach, an individual 26 and d/b/a as Amazon.com Seller yavin4our and Robert E Bach (“Defendant”), in this 27 action, and good cause appearing therefore, hereby: 28 Warner Bros. v. Bach: [Proposed] Consent Decree - 1 - Dockets.Justia.com 1 ORDERS that based on the Parties’ stipulation and only as to Defendant, his 2 successors, heirs, and assignees, this Injunction shall be and is hereby entered in the 3 within action as follows: 4 1) This Court has jurisdiction over the parties to this action and over the subject 5 matter hereof pursuant to 17 U.S.C. -
REPRESENTING 9/11 in the SOPRANOS a Thesis by VITO V
“SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS A Thesis by VITO V. PETRUZZELLI Submitted to the Cratis D. Williams School of Graduate Studies Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2015 Department of English “SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS A Thesis by VITO V. PETRUZZELLI December 2015 APPROVED BY: Craig Fischer, Ph.D. Chairperson, Thesis Committee Germán Campos-Muñoz, Ph.D. Member, Thesis Committee Başak Çandar, Ph.D. Member, Thesis Committee Carl Eby, Ph.D. Chairperson, Department of English Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Vito V. Petruzzelli 2015 All Rights Reserved Abstract “SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS Vito V. Petruzzelli B.A., Rutgers University M.A., Appalachian State University Chairperson: Craig Fischer Broadly definable as an interdisciplinary study of televisual texts, literature, and history, this thesis analyses David Chase’s The Sopranos (1999-2007) and its engagement of the September 11, 2001 terror attacks. Tracing the show’s narrative and aesthetic roots to its pilot episode, I explore how narrative and aesthetic elements contained in 9/11 television newscasts elicited both an alteration and an exaggeration of the show’s structural and symbolic elements. Furthermore, I illustrate the impact of televisual mediation on the act of viewership, demonstrating the manner in which The Sopranos and 9/11 newscasts employed authoritative narrative perspectives as a means of disseminating vital information to viewers. Methodologically, I employ a narratological approach to show through close textual analysis how elements of location and sequential ordering inform the creation of unique story worlds, and how these story worlds operate symbiotically with viewers in creating meanings beyond the texts. -
00001. Rugby Pass Live 1 00002. Rugby Pass Live 2 00003
00001. RUGBY PASS LIVE 1 00002. RUGBY PASS LIVE 2 00003. RUGBY PASS LIVE 3 00004. RUGBY PASS LIVE 4 00005. RUGBY PASS LIVE 5 00006. RUGBY PASS LIVE 6 00007. RUGBY PASS LIVE 7 00008. RUGBY PASS LIVE 8 00009. RUGBY PASS LIVE 9 00010. RUGBY PASS LIVE 10 00011. NFL GAMEPASS 1 00012. NFL GAMEPASS 2 00013. NFL GAMEPASS 3 00014. NFL GAMEPASS 4 00015. NFL GAMEPASS 5 00016. NFL GAMEPASS 6 00017. NFL GAMEPASS 7 00018. NFL GAMEPASS 8 00019. NFL GAMEPASS 9 00020. NFL GAMEPASS 10 00021. NFL GAMEPASS 11 00022. NFL GAMEPASS 12 00023. NFL GAMEPASS 13 00024. NFL GAMEPASS 14 00025. NFL GAMEPASS 15 00026. NFL GAMEPASS 16 00027. 24 KITCHEN (PT) 00028. AFRO MUSIC (PT) 00029. AMC HD (PT) 00030. AXN HD (PT) 00031. AXN WHITE HD (PT) 00032. BBC ENTERTAINMENT (PT) 00033. BBC WORLD NEWS (PT) 00034. BLOOMBERG (PT) 00035. BTV 1 FHD (PT) 00036. BTV 1 HD (PT) 00037. CACA E PESCA (PT) 00038. CBS REALITY (PT) 00039. CINEMUNDO (PT) 00040. CM TV FHD (PT) 00041. DISCOVERY CHANNEL (PT) 00042. DISNEY JUNIOR (PT) 00043. E! ENTERTAINMENT(PT) 00044. EURONEWS (PT) 00045. EUROSPORT 1 (PT) 00046. EUROSPORT 2 (PT) 00047. FOX (PT) 00048. FOX COMEDY (PT) 00049. FOX CRIME (PT) 00050. FOX MOVIES (PT) 00051. GLOBO PORTUGAL (PT) 00052. GLOBO PREMIUM (PT) 00053. HISTORIA (PT) 00054. HOLLYWOOD (PT) 00055. MCM POP (PT) 00056. NATGEO WILD (PT) 00057. NATIONAL GEOGRAPHIC HD (PT) 00058. NICKJR (PT) 00059. ODISSEIA (PT) 00060. PFC (PT) 00061. PORTO CANAL (PT) 00062. PT-TPAINTERNACIONAL (PT) 00063. RECORD NEWS (PT) 00064. -
CONSENT DECREE and PERMANENT INJUNCTION Filed By
Warner Bros Home Entertainment Inc v. Said Almoradi et al Doc. 22 1 J. Andrew Coombs (SBN 123881) [email protected] 2 Annie S. Wang (SBN 243027) [email protected] 3 J. Andrew Coombs, A P. C. 517 East Wilson Avenue, Suite 202 JS-6 4 Glendale, California 91206 Telephone: (818) 500-3200 5 Facsimile: (818) 500-3201 6 Attorneys for Plaintiff Warner Bros. Home Entertainment Inc. 7 M. Stephen Cho (SBN 218430) 8 Carlo C. Ignacio (SBN 259608) [email protected] 9 Cho Sheasby Chung & Ignacio, LLP 10535 Foothill Boulevard, Suite 460 10 Rancho Cucamonga, California 91730 Telephone: (909) 581-1445 11 Facsimile: (909) 581-1332 12 Attorney for Defendant Said Almoradi, an individual and d/b/a Amazon.com 13 Seller Best Deal$ 14 UNITED STATES DISTRICT COURT 15 CENTRAL DISTRICT OF CALIFORNIA 16 ) 17 Warner Bros. Home Entertainment Inc., ) Case No. CV13-241 VAP (OPx) ) 18 Plaintiff, ) [PROPOSED] CONSENT DECREE ) AND PERMANENT 19 v. ) INJUNCTION ) 20 Said Almoradi, an individual and d/b/a ) Amazon.com Seller Best Deal$, and Does ) 21 1-10, inclusive, ) ) 22 Defendants. ) ) 23 24 The Court, having read and considered the Joint Stipulation for Entry of 25 Consent Decree and Permanent Injunction that has been executed by PLAINTIFF 26 Warner Bros. Home Entertainment Inc. (“Plaintiff”), by and through its counsel of 27 record, Annie S. Wang, of J. Andrew Coombs, A P.C., and Defendant Said Almoradi, 28 Warner Bros. v. Almoradi: [Proposed] Consent Decree - 1 - Dockets.Justia.com 1 an individual and d/b/a Amazon.com Seller Best Deal$ (“Defendant”), in this action, 2 and good cause appearing therefore, hereby: 3 ORDERS that based on the Parties’ stipulation and only as to Defendant, his 4 successors, heirs, and assignees, this Injunction shall be and is hereby entered in the 5 within action as follows: 6 1) This Court has jurisdiction over the parties to this action and over the subject 7 matter hereof pursuant to 17 U.S.C. -
Tony Soprano and the American Way
Butler University Digital Commons @ Butler University Scholarship and Professional Work - LAS College of Liberal Arts & Sciences 6-24-2011 From Here to InFinnerty: Tony Soprano and the American Way Terri Carney Butler University, [email protected] Follow this and additional works at: https://digitalcommons.butler.edu/facsch_papers Part of the American Popular Culture Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Carney, Terri R. "From Here to InFinnerty: Tony Soprano and the American Way.” The Essential Sopranos Reader. Eds. David Lavery, Douglas Howard, and Paul Levinson. Lexington: University Press of Kentucky, 2011. 157-165. Available from: http://digitalcommons.butler.edu/facsch_papers/406 This Article is brought to you for free and open access by the College of Liberal Arts & Sciences at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - LAS by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. From Here to InFinnerty Tony Soprano and the American Way Terri Carney As fellow critics have pointed out in a myriad of published studies on the series, The Sopranos challenges the traditional gangster genre for- mula and brings the mob closer to all of us: Tony and his gang inhabit a recognizable world of Starbucks, suburbia, and SUVs. They discuss issues of the day, the same ones we discuss when we turn off the TV after the episode.1 In short, they inhabit a quotidian reality that is continuous with our own, and we are prevented from drawing the neat lines that allow us a comfortable remove from the horror of the “criminal world,” as David Simon’s book Tony Soprano’s America convincingly demon- strates. -
Hegemonic Masculinity and Un-Made Men in the Sopranos Jordan Senior
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Huddersfield Repository WALK LIKE A MAN: HEGEMONIC MASCULINITY AND UN-MADE MEN IN THE SOPRANOS JORDAN SENIOR A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Masters by Research in English Literature. May 2017 ABSTRACT This thesis is intended to provide a re-evaluation of The Sopranos in response to recent contributions made to the field of film and television studies regarding the rise of “Quality Television” (Albrecht 2015 p. 5) and the “male-centred serial” (Lotz 2014 p. 21) as a popular medium. The thesis will examine the degree to which the depiction of a crisis in masculinity in The Sopranos can be said to represent a patriarchal or feminist configuration of masculinity (Lotz 2014 p. 35), and to what extent it either reaffirms or repudiates Connell’s (2005) model of hegemonic masculinity. The argument will focus on three main areas; the embodiment of masculinity, the performance of masculinity, and the presentation of violence in The Sopranos. The argument of this essay is that The Sopranos employs gendered processes of pleasure, unpleasure and identification to deconstruct hegemonic masculinity as part of a demythologising project which uses affective learning to achieve its aims (Tan 1996 p.28), and in doing so, the thesis suggests that The Sopranos creates a space for imagining new ways of performing masculinity and new, feminist configurations of male gender identity based on the acceptance and internalisation of “prohibit[ed] forms of emotion, attachment and pleasure” (Connell 2005 p.