GLAAD TRANS and INTERSEX MEDIA COLLECTION (Outfest Legacy Project) Collection 25
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I'm Still Here, Still: a Performance by Alexandra Billings
THEMEGUIDE I’m Still Here, Still TRANS REPRESENTATION BY THE A PERFORMANCE BY NUMBERS o GLAAD¹ has documented 102 episodes and non-recurring ALEXANDRA BILLINGS storylines of scripted TV featuring transgender characters Thursday, January 26, 2017, at 7 p.m. since 2002, and 54 percent of those were negative Bing Theatre representations. Transgender characters were often victims or killers, and anti-trans slurs were present in 61 Is Hollywood “Transparent”? percent of the episodes. o In 2010, Trans Media Watch conducted a survey in which Identity and “Mis”representation 21 percent of respondents said they had experienced at least one instance of verbal abuse they felt was related in the Industry to negative media representations of trans or intersex Friday, January 27, 2017, at 3 p.m. people. 20 percent had experienced negative reactions McClintock Theatre at work that they could trace to items in the media. o While TV shows like Transparent and Orange Is the New Black represent a significant improvement in trans visibility, 80 percent of trans students still feel unsafe in school and in 2015 more trans people were reported murdered than in any other year on record. DEFINITIONS CISGENDER: This adjective applies to a person whose gender identity corresponds with the sex they were identified as having at birth. MEDIA REPRESENTATION: The way the media portrays a given social group, community, or idea. TRANSGENDER: This adjective applies to a person whose gender identity differs from the sex they were identified as having at birth. TIMELINE OF TRANS VISIBILITY IN U.S. DOMINANT CULTURE 1952 Christine Jorgensen, a former Army private, becomes the first American to undergo what was then called a “sex change” operation. -
Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
OMC | Data Export
Amanda Potter, "Entry on: The Sarah Jane Adventures (Series): Eye of the Gorgon by Phil Ford", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2018). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/550. Entry version as of September 25, 2021. Phil Ford The Sarah Jane Adventures (Series): Eye of the Gorgon United Kingdom (2007) TAGS: Gorgons Greek mythology Medusa Perseus We are still trying to obtain permission for posting the original cover. General information Title of the work The Sarah Jane Adventures (Series): Eye of the Gorgon Country of the First Edition United Kingdom Country/countries of popularity United Kingdom Original Language English First Edition Date 2007 Phil Ford. The Sarah Jane Adventures: Eye of the Gorgon. First Edition Details London: Penguin, 2007. ISBN 978-1-40590-399-8 Official Website Official BBC website (accessed: October 17, 2018) Genre Adaptations, Fantasy fiction, Illustrated works, Novels Children (Children’s Science Fiction television novelization, with Target Audience large print and colour photographs from the television episodes) Amanda Potter, Open University, Author of the Entry [email protected] Susan Deacy, University of Roehampton, [email protected] Peer-reviewer of the Entry Elżbieta Olechowska, University of Warsaw, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. -
![Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory](https://docslib.b-cdn.net/cover/4839/sexuality-is-fluid-1-a-close-reading-of-the-first-two-seasons-of-the-series-analysing-them-from-the-perspectives-of-both-feminist-theory-and-queer-theory-264839.webp)
Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory
''Sexuality is fluid''[1] a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It or is it? An analysis of television's The L Word from the demonstrates that even though the series deconstructs the perspectives of gender and sexuality normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The [1]Niina Kuorikoski argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the ("Seksualność jest płynna" - czy rzeczywiście? Analiza United States and the normative femininity of the lesbian telewizyjnego "The L Word" z perspektywy płci i seksualności) characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to STRESZCZENIE : Amerykański serial telewizyjny The L Word stretch the normative boundaries of gender and sexuality. Through (USA, emitowany od 2004) opowiada historię grupy lesbijek this, the article strives to give a diverse account of the series' first two i biseksualnych kobiet mieszkających w Los Angeles. Artykuł seasons and further critical discussion of The L Word and its analizuje pierwsze dwa sezony serialu z perspektywy teorii representations. feministycznej i teorii queer. Chociaż serial dekonstruuje normatywne kategorie płci kulturowej i seksualności, można ______________________ również twierdzić, że podtrzymuje on ideały heteronormatywnego The analysis in the article is grounded in feminist thinking and queer społeczeństwa. Przedstawiona argumentacja opiera się m. in. na theory. These theoretical disciplines provide it with two central analizie takich aspektów, jak promocja serialu w Finlandii i w USA concepts that are at the background of the analysis, namely those of oraz normatywna kobiecość postaci lesbijek. -
REALLY BAD GIRLS of the BIBLE the Contemporary Story in Each Chapter Is Fiction
Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page i Praise for the Bad Girls of the Bible series “Liz Curtis Higgs’s unique use of fiction combined with Scripture and modern application helped me see myself, my past, and my future in a whole new light. A stunning, awesome book.” —R OBIN LEE HATCHER author of Whispers from Yesterday “In her creative, fun-loving way, Liz retells the stories of the Bible. She deliv - ers a knock-out punch of conviction as she clearly illustrates the lessons of Scripture.” —L ORNA DUECK former co-host of 100 Huntley Street “The opening was a page-turner. I know that women are going to read this and look at these women of the Bible with fresh eyes.” —D EE BRESTIN author of The Friendships of Women “This book is a ‘good read’ directed straight at the ‘bad girl’ in all of us.” —E LISA MORGAN president emerita, MOPS International “With a skillful pen and engaging candor Liz paints pictures of modern sit u ations, then uniquely parallels them with the Bible’s ‘bad girls.’ She doesn’t condemn, but rather encourages and equips her readers to become godly women, regardless of the past.” —M ARY HUNT author of Mary Hunt’s Debt-Proof Living Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page ii “Bad Girls is more than an entertaining romp through fascinating charac - ters. It is a bona fide Bible study in which women (and men!) will see them - selves revealed and restored through the matchless and amazing grace of God.” —A NGELA ELWELL HUNT author of The Immortal “Liz had me from the first paragraph. -
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
Convent Slave Laundries? Magdalen Asylums in Australia
Convent slave laundries? Magdalen asylums in Australia James Franklin* A staple of extreme Protestant propaganda in the first half of the twentieth century was the accusation of ‘convent slave laundries’. Anti-Catholic organs like The Watchman and The Rock regularly alleged extremely harsh conditions in Roman Catholic convent laundries and reported stories of abductions into them and escapes from them.1 In Ireland, the scandal of Magdalen laundries has been the subject of extensive official inquiries.2 Allegations of widespread near-slave conditions and harsh punishments turned out to be substantially true.3 The Irish state has apologized,4 memoirs have been written, compensation paid, a movie made.5 Something similar occurred in England.6 1 ‘Attack on convents’, Argus 21/1/1907, http://trove.nla.gov.au/ndp/del/article/10610696; ‘Abbotsford convent again: another girl abducted’, The Watchman 22/7/1915, http:// trove.nla.gov.au/ndp/del/article/111806210; ‘Protestant Federation: Why it is needed: Charge of slavery in convents’, Maitland Daily Mercury 23/4/1921, http://trove.nla.gov. au/ndp/del/article/123726627; ‘Founder of “The Rock” at U.P.A. rally’, Northern Star 2/4/1947, http://trove.nla.gov.au/ndp/del/article/99154812. 2 Commission to Inquire into Child Abuse (Ireland, 2009), ch. 18, http://www. childabusecommission.ie/rpt/pdfs/CICA-VOL3-18.pdf; Report of the Inter-Departmental Committee to establish the facts of State involvement with the Magdalen Laundries (McAleese Report, 2013), http://www.justice.ie/en/ JELR/Pages/MagdalenRpt2013; summary at http://www.theguardian.com/world/2013/feb/05/magdalene-laundries-ireland-state- guilt 3 J.M. -
Resume | Actors Access
7/15/2017 JAY ACOVONE - Resume | Actors Access www.actorsaccess.com Breakdown Services, Ltd. JAY ACOVONE - AEA, - SAG-AFTRA Resume Contact Info: Rachel Kuchar (Assistant) 412-913-6278 [email protected] Official Website with demo reels: http://www.jayacovone.com/ TELEVISION-SERIES (Partial List) NCIS Guest Star CBS / d. James Whitmore Jr. VEGAS Guest Star CBS / d. Rob Corn CSI - CRIME SCENE INVESTIGATION Guest Star CBS / d. Frank Wardlock LEVERAGE Guest Star TNT / d. John Rogers THE MENTALIST Guest Star CBS / d. David Von Ancken PRIME SUSPECT Guest Star NBC / d. Michael Waxman HOW I MET YOUR MOTHER Guest Star CBS / d. Pamela Fryman http://resumes.actorsaccess.com/jayacovone 1/4 7/15/2017 JAY ACOVONE - Resume | Actors Access MONK Guest Star USA / d. Jerry Levine COLD CASE Guest Star CBS / d. Bill Eagles GENERAL HOSPITAL Recurring (9 Episodes) ABC / p. Jill Phelps CSI: NY Guest Star CBS / d. Greg Yaitanes 24 Guest Star FOX / d. Jon Cassar STARGATE SG-1 Recurring (5 Episodes) MGM / p. Brad Wright CRIMINAL MINDS Guest Star CBS / d. Kevin Bray LAS VEGAS Guest Star NBC / d. Robert Duncan McNeill JAG Recurring (2 Episodes) CBS/ p. Donald P. Bellisario PROVIDENCE Recurring (4 Episodes) NBC / p. John Masius THE X-FILES Recurring (3 Episodes) FOX / d. Kim Manners NYPD BLUE Recurring (3 Episodes) ABC / p. Steven Bochco LOCALS Series Regular (Pilot) Prod. Rich/Pollack FAST FORWARD Series Regular (Pilot) Prod. Bilson/De Meo BEAUTY AND THE BEAST Series Regular (55 Episodes) CBS / p. Ron Koslow HOLLYWOOD BEAT Series Regular (14 Episodes) ABC / p. Aaron Spelling FILM GUN Supporting Entelechy Films / Sam Upton A STRANGER IN PARADISE Supporting Hillin Entertainment / Corrado THE HILLS HAVE EYES 2 Supporting Fox Atomic / Martin Weisz PAVED WITH GOOD INTENTIONS Supporting JDC Multimedia / J.D. -
Riley Thorn and the Dead Guy Next Door
RILEY THORN AND THE DEAD GUY NEXT DOOR LUCY SCORE Copyright © 2020 Lucy Score All rights reserved No Part of this book may be reproduced in any form or by any electric or mechanical means, including information storage and retrieval systems, without prior written permission from the publisher. The book is a work of fiction. The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is purely coincidental and not intended by the author. ISBN: 978-1-945631-67-2 (ebook) ISBN: 978-1-945631-68-9 (paperback) lucyscore.com 082320 CONTENTS Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Chapter 35 Chapter 36 Chapter 37 Chapter 38 Chapter 39 Chapter 40 Chapter 41 Chapter 42 Chapter 43 Chapter 44 Chapter 45 Chapter 46 Chapter 47 Chapter 48 Chapter 49 Chapter 50 Chapter 51 Chapter 52 Chapter 53 Chapter 54 Chapter 55 Chapter 56 Chapter 57 Chapter 58 Chapter 59 Chapter 60 Epilogue Author’s Note to the Reader WONDERING WHAT TO READ NEXT?: About the Author Acknowledgments Lucy’s Titles To Josie, a real life badass. 1 10:02 p.m., Saturday, July 4 he dead talked to Riley Thorn in her dreams. -
Clem's York Primer by Richard B
Clem’s York Primer By Richard B."Clem" Clement October Update The Primer is a composite of the personal experiences and views of several attendees and is designed to enrich Eastern Division, TCA’s York Week Experience. The Eastern Division, TCA, Newsletter is the official document for the York Meet. The Primer is not sponsored by any organization; business or company nor does it sell, endorse or promote a particular product. If you have a question about an activity or event listed herein, please contact the listed sponsor. Events off the York Fairgrounds or the NTTM site are not TCA sponsored. This version negates all previous versions. In my view, York is much more than a train-meet. It is about the gathering of families, friends and acquaintances. -Your TCA Family- This Primer highlights the TCA Eastern Division York Train Meet; the TCA Museum, Library and Business Office Activities; member meetings and specified train group activities; non-TCA sponsored train events locally; local attractions; restaurants, tips on navigating the events and the locale. For the price of admission which includes free parking, this is the best deal for a 3 day train meet in the universe. My hope is that the Primer will help you enjoy the week as much as I do. “New info is presented in red.” FLASH NEWS: CELL PHONES ARE NOW PERMITTED FOR USE IN THE YORK HALLS. NO PHOTOS ALLOWED. Reliance Restaurant is closed for breakfast. National Toy Train Museum Open House For your convenience, the schedule may be printed out from: nttmuseum.org/events/Open-House-Fall2013.pdf ------------------------------------ Recent Advice from York County Convention & Visitors Bureau: Hi Clem, I hope that all is well. -
Computer Based Art 2 Computer Based Art 3
1 Computer based art 2 Computer based art 3 Computer based art 4 Computer based art ??5 Buzzanca vs Buzzanca6 7 9 L’arte contemporanea (quale sia la data d’inizio che le volessimo attribuire) è stata caratterizzata, lo si è già accennato, dalla adozione di materiali di espressione artistica i più disparati possibili. La scelta di utilizzare il computer per esprimere il fare artistico, per sviluppare un linguaggio della manifestazione artistica diviene strettamente connesso • al sistema operativo, • all’applicazione, • alla pagina definita dal codice ed • alle teorie che del computer prendono in considerazione gli aspetti logici, simbolici; E’ possibile attivare sul computer, in maniera chiara e fortemente innovativa, una rappresentazione del proprio agire artistico. La vera innovazione, sappiamo bene, non consiste certo nella tastiera più o meno user friendly ma nella capacità di usare il mezzo informatico alla stessa stregua dei più disparati materiali presi a base nelle rappresentazioni dell’arte contemporanea. 13 14 15 16 17 Quali possono essere, allora, le strategie per l'archiviazione e, principalmente, per la conservazione delle arti digitali e di altre pratiche artistiche contemporanee di natura effimera o variabile e comunque strettamente dipendente da un medium la cui sopravvivenza è abbondantemente messa in crisi dagli stessi assunti metodologici della tecnologia adottata? Trovo in questo senso diagrammatica, esulando solo per un attimo dalle arti figurative (che includono figurazione e rappresentazione comunque iconica) la composizione musicale Helicopter String Quartet di Karlheinz Stockhausen che prevede che i quattro esecutori siano ciascuno su un differente elicottero ed eseguano sincronicamente l’esecuzione essendo tra loro collegati mediante apparecchi di registrazione e trasmissione coordinati da terra dal regista o meglio ancora dal direttore tecnologico dell’orchestra. -
Disciplining the Transgendered: Brandon Teena, Public Representation, and Nonnativity
"Western ,Journal of Communication, 64(2) (Spring 2000),165-189 Disciplining the Transgendered: Brandon Teena, Public Representation, and Nonnativity John Mo Sloop "How can we have a discussion of how much sex and gender diversity actually exists in society, when an the mechanisw..s of legal and extralegal repression render our lives invisible?" (Feinberg 102). "P.e-enviilioning rhetoric as a constructor of gender rather than as constructed by gender is an essential step toward ... liberation" (Condit 110). HE CORE OF THE STORY of Brandon Teena is fascinating enough, and T emotional enough, that most people remember its outline with very little prompting. This story was retold repeatedly and widely, in local newspapers, as well as in The Village Voice and Playboy. It has been the subject of a true crime book, multiple web sites, a play, a documentary film (The Brandon Teena Story), a feature film (Boys Don't Cry), and the first on-line Guggenheim art project,! The bare bones of the story, as recounted through mass mediated outlets, go something like this: Bran don Teena (born Teena Brandon)2 was a 21 year old woman who moved from Lincoln, Nebraska, where she had been "living as a man," to the smaller town of Falls City, Nebraska in late 199303 'While Brandon's move was prompted by a number of brushes with the law based on his tendency to forge checks and use credit cards without permission, it was also a move that allowed Brandon a fresh start with a male identity in a community where he had no history as a woman.