Your Unpublished Thesis, Submitted for a Degree at Williams College and Administered by the Williams College Libraries, Will Be Made Available for Research Use

Total Page:16

File Type:pdf, Size:1020Kb

Your Unpublished Thesis, Submitted for a Degree at Williams College and Administered by the Williams College Libraries, Will Be Made Available for Research Use WILLIAMS COLLEGE LIBRARIES COPYRIGHT ASSIGNMENT AND INSTRUCTIONS FOR A STUDENT THESIS Your unpublished thesis, submitted for a degree at Williams College and administered by the Williams College Libraries, will be made available for research use. You may, through this form, provide instructions regarding copyright, access, dissemination and reproduction of your thesis. The College has the right in all cases to maintain and preserve theses both in hardcopy and electronic format, and to make such copies as the Libraries require for their research and archival functions. _ The faculty advisor/s to the student writing the thesis claims joint authorship in this work. _ I1we have included in this thesis copyrighted material for which T/we have not received permission from the copyright holder/s. If you do not secure copyright permissions by the time your thesis is submitted. you will still be allowed to submit. However, if the necessary copyright permissions are not received, e-posting of your thesis may be affected. Copyrighted material may include images (tables, drawings, photographs, figures. maps, graphs , etc.), sound files, video material, data sets, and large portions of text I. COPYRIGHT An author by law owns the copyright to his/her work, whether or not a copyright symbol and date are placed on the piece. Please choose one of the options below with respect to the copyright in your thesis. _ I1we choose not to retain the copyright to the thesis, and hereby assign the copyright to Williams ColIege. Selecting this option will assign copyright to the College. If the author!s wishes later to publish the work, he/she/they will need to obtain permission to do so from the Libraries, which will be granted except in unusual circumstances. The Libraries will be free in this case to also grant permission 10 another researcher to publish some or all of the thesis. If you have chosen this option. you do not need to complete the next section and can proceed to the signature line. /.lLI1we choose to ;'etain the copyright to the thesis for a period of � years, or until my/our death/s, whichever is the earlier, at which time the copyright shaII be assigned to WilIiams ColIege without need of further action by me/lis or by my/our heirs, successors, or representatives of my/our estate/so Selecting this. option allows the author/s the flexibility of retaining his/her/their c, opyright for a . period of years or. for 'life. ···· __ ..· .. ....·---T ] I. ACCESS AND COPYING If you have chosen in section J, above, to retain the copyright in your thesis fo r some period of time, please choose one of the following options with respect to access to, and copying of, the thesis. L.tzI1we grant permission to Williams College to provide access to (and therefore copying of) the thesis in ekctronic format via the Internet or other means of electronic transmission, in addition to permitting access to and copying of the thesis in hardcopy format. Selecting this option allows the Libraries to transmit the thesis in electronic format via the lnternet. This option will therefore permit worldwide access to the thesis and, because the Libraries cannot control the uses of an electronic version once it has been transmitted, this option also permits copying of the electronic version. __ I1we grant permission to Williams College to maintain and provide access to the thesis in hardcopy format. In addition, I1we grant permission to Williams College to provide access to (and therefore copying of) the thesis in electronic format via the Internet or other means of electronic transmission after a period of ___ years. Selecting this option all()\ovs the Libraries to transmit the thesis in electronic format via the Internet after a period of years. Once the restriction period has ended, this option permits worldwide access to the thesis, and copying of the electronic and hardcopy versions. __ I/we grant permission to Williams College to maintain, provide access to, and provide copies of the thesis in hardcopy format only, for as long as I1we retain copyright. Selecting this option allows access to your work only from the hardcopy you submit for as long as you retain copyright in the work. Such access pertains to the entirety of your work, including any media that it incorporates. Selecting this option allows the Libraries to provide copies of the thesis to researchers in hardcopy form only, not in electronic format. _ IIwe grant permission to Williams College to maintain and to provide access to the thesis in hardcopy format only, for as long as IIwe retain copyright. Selecting this option allows access to your work only (i'om the hardcopy you submit for as long as you retain copyright in the work. Such acccss pertains to thc entircty of your work, including any mcdia that it incorporates. T'his option docs NO'I' permit thc Libraries to provide copies of the thesis to researchers. Signed (student author) � L...- -­ Signed (faculty advisor) ----- ______ Signed (2d advisor, if applicable) __________ ___ Thesis title W\ of C1 fa (WHAt; IAJst Elenerz,hCV1 : Tk.t feLllt-DOfMll MD�n-r �Vld (A�Sfes" II 11M.-'''1Vtvct 0 ltt Date C;/-w J 2-0 Use ',:-Libniry ;- : ./' : -' -�:. ' '.">. - : - : " ' -:" . Accepted. By: .-+-'-':'-'-"-f:-c""-::-:-....:..;c;..:'--':-:-.,.,--'��"'c-�-,. ' . re�.March 26Jo FORMATION OF A LOST GENERATION: THE SENT-DOWN MOVEMENT AND THE "THREE OLD CLASSES" By SERENE-LORETTA Y. SHEN Anne Reinhardt, Advisor A thesis submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Honors in History WILLIAMS COLLEGE Williamstown, Massachusetts APRIL 18, 2011 T For the Yu Siblings Chenghan 7¥{)( Chengzao 7;p.17F:;+�,,",3- Chengfang if7!i Chengxue 7J(� Chengzhong 7¥ cp Chengyuan 7¥�� Chengzhe ;ij'(:$(O Chengru 7¥=gr Chengqing 7¥�� -- T 11 Contents Acknowledgements v Introduction 1 Chapter One: Rustication - "Show Your Red Heart by Going to the Villages" 23 Chapter Two: Back to the Cities 49 Chapter Three: Grappling with the Past and Present - The Zhiqing in New China 71 Conclusion 101 Selected Bibliography 103 iii T IV Acknowledgments Professor Reinhardt, your uncanny ability to preemptively soothe all my insecurities, frustrations and worries kept me going through the production of this thesis. Your patience, wisdom and guidance helped me stay confident and inspired my focus on the sent-down generation. I cannot thank you enough. Professor Bernhardsson, your classes ignited my passion for history and will remain part of my happiest memories of Williams. Gongi and Popi, you are my inspiration and motivation. Thank you for giving me such a rich family history. Baba and Mama, your unconditional love, support and willingness to stay up into the early hours of the morning were invaluable. Your insights and help with my Chinese comprehension and translation made this thesis possible. Meijie, your initial encouragement pushed me to pursue this work. I am so grateful for your confidence in my abilities. Gordon, your patience, kindness and care got me through the year. To the rest of my family and friends, you have my sincerest gratitude for indulgence throughout this process. v T Introduction On July 8, 1968, sixteen-year-old Jinmei Yu set out on a three day journey to begin a new life in Inner Mongolia. Leaving her home city of Tianjin, Yu took a train to Beijing. From there, she traveled west, past the Great Wall to Inner Mongolia, stopping in Hohhot and again further westward in Baotou. On a crowded train for the majority of her travels and without much entertainment, Yu was left to her thoughts, carrying a teaching from Mencius that would prove especially prescient over the next years of her life. So it is that whenever Heaven invests a person with great responsibilities, it first tries his resolve, exhausts his muscles and bones, starves his body, leaves him destitute, and confounds his every endeavor. In this way his patience and endurance are developed, and his weaknesses are overcome. 1 Yu was a willing participant of a larger phenomenon of urban educated youth (zhiqing) giving up their city residencies to live and labor in the countryside. Yu knew her life from then on would be difficult, but she believed in Mencius and the idea that her hard work would lead to a better future for China. In Baotou, Yu transferred to a local slow train, stopping in each small town before arriving in Wulateqianqi. From Wulateqianqi, Yu boarded a bus, traveling for four hours on a mud road leading to the Lu Sun commune, where she would spend the next decade of her life. Five months after Yu left Tianj in, on December 22, 1968, Chairman Mao formally called on the rest of Yu 's peers to transform their lives and head "up to the mountains and down to the villages" (shangshan xiaxiang). This directive then became a governmentmandated program requiring the relocation and rustication of the entire urban youth population. The result of this movement was the I David Hinton, trans., Mencius (Washington DC: Counterpoint, 1999), 230. "i!tx:*����*1:I-T�A ' &;\:)fC'5'A'L,\;G; , �AJW� , tftA1*fl� , �ZAffir ' 1:J:t�3LAPJT};J , ill piTj;J zJJiL,\;>2,ti ' 'I&�APJTT" 1 - -------T irrevocable change in up to an estimated 20 million lives.2 The sent-down movement turned many traditional "Chinese" values upside down. Peasants and cadres became the new teachers; reeducation in the countryside replaced the vigorous academic competition within the urban centers; the purpose of education was not upward social mobility but permanent integration in the countryside, which to many seemed to be downward mobility. Instead of aspiring to move into the bustling and prosperous cities, people were encouraged to give up their material aspirations and lead simpler lives in the villages.
Recommended publications
  • Xin Huang Dissertation April 12
    THE LEGACY OF THE MAOIST GENDER PROJECT IN CONTEMPORARY CHINA by Xin Huang M.A., Institute of Social Studies, 2002 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Women’s and Gender Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2010 ©Xin Huang, 2010 ABSTRACT This study examines various ways in which the Maoist gender project manifests itself in Chinese women’s lives today, as conveyed by a range of women currently living in Beijing. Oral histories were collected from fifteen women, four of whom were selected for in-depth analysis using a method informed by narrative studies and feminist approaches to women’s auto/bio/graphy. Judith Butler’s ideas on gender as performative serve as a framework to examine these individual negotiations with changing models of femininity, and the first chapter presents a critical account of the limits and applicability of her theory in this specific transnational context. The four following chapters provide detailed, contextualized analysis of these particular performances of gender in relation to the Maoist model woman (fun!, or socialist labourer), whose presence remains in the shadow of the currently preferred n!xing (feminine, consumer-oriented woman), while the even older pre-revolutionary devoted wife and mother remains in the background. Their gender performances bring out the intersections of physical embodiment and the construction of subjectivity through discourse. Analysis of the content of each story is complemented by a discussion of the structure and language of their narratives, including an innovative interviewing method of “telling and retelling”.
    [Show full text]
  • Access to History
    access to history China 1839-1997 MICHAEL LYNCH �o��B��� '-1 LEARN MORE DYNAMIC LEARNING China 1839-1997 is available as a Student eTextbook. Student eTextbooks are downloadable versions of the printed textbooks that teachers can assign to students. Students can: • Download and view them on any device or browser • Add, edit and synchronise notes across two devices • Access their personal copy on the move Find out more and sign up for a free trial -visit: www.hoddereducation.eo.uk/dynamiclearning access to history China 1839-1997 MICHAEL LYNCH access to history China 1839-1997 MICHAEL LYNCH HODDER i7 EDUCATION AN HACHETTE UK COMPANY In memory of Brian Peter Lynch (1933-2015) Acknowledgements: are listed on page 322. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the Publishers will be pleased to make the necessary arrangements at the first opportunity. Although every effort has been made to ensure that website addresses are correct at time of going to press, Hodder Education cannot be held responsible for the content of any website mentioned in this book. It is sometimes possible to find a relocated web page by typing in the address of the home page for a website in the URL window of your browser. Hachette UK's policy is to use papers that are natural, renewable and recyclable products and made from wood grown in sustainable forests. The logging and manufacturing processes are expected to conform to the environmental regulations of the country of origin. Orders: please contact Bookpoint Ltd, 130 Milton Park, Abingdon, Oxon OX14 4SB.
    [Show full text]
  • Cities and Stability
    Cities and Stability Cities and Stability Urbanization, Redistribution, and Regime Survival in China JEREMY L. WALLACE 1 3 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2014 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Wallace, Jeremy L. Cities and stability : urbanization, redistribution, & regime survival in China / Jeremy L. Wallace. pages cm Includes bibliographical references. ISBN 978–0–19–937898–2 (hardback : alk.
    [Show full text]
  • Mao's War on Women
    Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 8-2019 Mao’s War on Women: The Perpetuation of Gender Hierarchies Through Yin-Yang Cosmology in the Chinese Communist Propaganda of the Mao Era, 1949-1976 Al D. Roberts Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History Commons Recommended Citation Roberts, Al D., "Mao’s War on Women: The Perpetuation of Gender Hierarchies Through Yin-Yang Cosmology in the Chinese Communist Propaganda of the Mao Era, 1949-1976" (2019). All Graduate Theses and Dissertations. 7530. https://digitalcommons.usu.edu/etd/7530 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. MAO’S WAR ON WOMEN: THE PERPETUATION OF GENDER HIERARCHIES THROUGH YIN-YANG COSMOLOGY IN THE CHINESE COMMUNIST PROPAGANDA OF THE MAO ERA, 1949-1976 by Al D. Roberts A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Approved: ______________________ ____________________ Clayton Brown, Ph.D. Julia Gossard, Ph.D. Major Professor Committee Member ______________________ ____________________ Li Guo, Ph.D. Dominic Sur, Ph.D. Committee Member Committee Member _______________________________________ Richard S. Inouye, Ph.D. Vice Provost for Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2019 ii Copyright © Al D. Roberts 2019 All Rights Reserved iii ABSTRACT Mao’s War on Women: The Perpetuation of Gender Hierarchies Through Yin-Yang Cosmology in the Chinese Communist Propaganda of the Mao Era, 1949-1976 by Al D.
    [Show full text]
  • Clothing and Post-Mao Reforms: the Tutoring Role of Chinese Fashion Magazines, 1980-1986
    CLOTHING AND POST-MAO REFORMS: THE TUTORING ROLE OF CHINESE FASHION MAGAZINES, 1980-1986. by Rhea V. Low B.A., The University of British Columbia, 2000 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDTES (Department of History) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA July 2002 (C) Rhea V. Low, 2002 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of j- iSt~opj The University of British Columbia Vancouver, Canada Date Auy. °i , 2fl05 DE-6 (2/88) Abstract Beginning in 1978, the People's Republic of China embarked on new economic reforms that aimed to modernize the country. It wanted to convey that in sharp contrast to the radical, turbulent, ultra leftist days of the Cultural Revolution, the post-Mao period has been experiencing higher consumption levels, greater material progress, and modern living. An area that has been strongly influenced by this message about China's shift in policy and direction is clothing. As a case study, two state-run fashion magazines produced in China between the years 1980 to 1986 have been analyzed.
    [Show full text]
  • Mao Zedong and China's Revolutions
    THE BEDFORD SERIES IN HISfORY AND CULTURE Mao Zedong and China's Revolutions A Brief History with Documents Related Titles in THE BEDFORD SERIES IN HISTORY AND CULTURE Advisory Editors: Natalie Zemon Davis, Princeton University Ernest R. May, Harvard University Lynn Hunt, University of California at Los Angeles David W. Blight, Amherst College The japanese Discovery ofAmerica: A Brief History with Documents Peter Duus, Stanford University Schools and Students in Industrial Society: japan and the West, 1870-1940 Peter N. Stearns, Carnegie Mellon University Pearl Harbor and the Coming of the Pacific War: A Brief History with Documents and Essays Akira lriye, Harvard University My Lai: A Brief History with Documents James S. Olson, Sam Houston State University, and Randy Roberts, Purdue University THE BEDFORD SERIES IN HISTORY AND CULTURE Mao Zedong and China's Revolutions A Brief History with Documents Timothy Cheek University of British Columbia palgrave *MAO ZEDONG AND CHINA'S REVOLUTIONS, by Timothy Cheek The library of Congress has catalogued the paperback edition as follows: 2001097845 Copyright© Bedford/St. Martin's 2002 Softcover reprint of the hardcover 1st edition 2002 978-0-312-29429-8 All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address: PALGRAVE, 175 Fifth Avenue, New York, NY 10010 First published by PALGRAVE, 175 Fifth Avenue, New York, NY 10010. Companies and representatives throughout the world. PALGRAVE is the new global imprint of St. Martin's Press LLC Scholarly and Reference Division and Palgrave Publishers Ltd.
    [Show full text]
  • Why Did Chinese Youth Get Swept up in the Cultural Revolution?
    Cultural Revolution Lesson Plan Central Historical Question: Why did Chinese youth get swept up in the Cultural Revolution? Materials: • Cultural Revolution PowerPoint • Cultural Revolution Timeline • Cultural Revolution Documents A-D Plan of Instruction: 1. Introduction: Today we are going to study the Cultural Revolution in China, which occurred between 1966 and 1976. In particular, we’re going to look at a group of youth called the Red Guards who were responsible for much of the violence and abuse of the Cultural Revolution. 2. Project PPT slide 1. Tell students this photograph was taken in February 1967. It shows Red Guards displaying leaders of “Anti-Revolutionary Groups.” Ask students what they see in the image. • What are the Red Guards doing? (Answer: Harassing or punishing people.) • What are the punishments? (Answer: Wearing dunce caps; handled with force.) • Where are they being punished? (Answer: In public, in front of a large crowd.) Explain to students that many of the people targeted by Red Guards during the Cultural Revolution were teachers and professors. Project PPT slide 2. Explain that this is a propaganda poster from the Cultural Revolution and ask students what they see in the image: • What objects are in the foreground? (Answer: Religious icons, literature, film reels. If you look very closely you see “USA” on one of the books.) • What might these symbolize? (Answer: Old traditions -- religion, literature, capitalism, and imperialism.) • What is happening to these objects or symbols? (Answer: The Red Guards are destroying them.) • Whose picture is on the flag? (Answer: Mao Zedong.) • How are the Red Guards depicted? (Answer: They are depicted as valiant.
    [Show full text]
  • Collective Memory and Cultural Trauma in Red Guard Autobiographies
    Remembering in Memoirs: Collective Memory and Cultural Trauma in Red Guard Autobiographies by Xuan (Jossie) Duan Bachelor of Arts, Guangzhou University (China), 2018 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Pacific and Asian Studies © Xuan (Jossie) Duan, 2021 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Remembering in Memoirs: Collective Memory and Cultural Trauma in Red Guard Autobiographies by Xuan (Jossie) Duan Bachelor of Arts, Guangzhou University (China), 2018 Supervisory Committee Dr. Angie Chau, Department of Pacific and Asian Studies Supervisor Dr. Sujin Lee, Department of Pacific and Asian Studies Departmental Member iii Abstract Supervisory Committee Dr. Angie Chau, Department of Pacific and Asian Studies Supervisor Dr. Sujin Lee, Department of Pacific and Asian Studies Departmental Member China’s Great Proletarian Cultural Revolution (1966-1976) deeply wounded the collective identity of the nation’s population, as it caused dramatic chaos and violence in every social arena, bringing the country into a decade-long crisis. In the 1980s and 1990s, a wave of autobiographical works was published in China and overseas, commemorating the authors’ (mainly former Red Guards) participation in the Cultural Revolution and post-1968 Rustication Movement (1968-1980). Focusing on the Red Guards, the main participants of the movements, this research inquiries how autobiographical works reflect the impacts of their direct engagement in the history on their self-identification. This study applies a theoretical framework combining Maurice Halbwachs’s insights into collective memory and Jeffrey C.
    [Show full text]
  • Sent-Down Body‖ Remembers: Contemporary Chinese Immigrant Women‘S Visual and Literary Narratives
    The ―Sent-Down Body‖ Remembers: Contemporary Chinese Immigrant Women‘s Visual and Literary Narratives Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Dong Li Isbister, M.A. Graduate Program in Women‘s Studies. The Ohio State University 2009 Dissertation Committee: Linda Mizejewski, Advisor Sally Kitch, Co-advisor Rebecca Wanzo Judy Wu Copyright by Dong Li Isbister 2009 Abstract In this dissertation, I use contemporary Chinese immigrant women‘s visual and literary narratives to examine gender, race, ethnicity, migration, immigration, and sexual experiences in various power discourses from a transnational perspective. In particular, I focus on the relationship between body memories and history, culture, migration and immigration portrayed in these works. I develop and define ―the sent-down body,‖ a term that describes educated Chinese urban youths (also called sent-down youths in many studies) working in the countryside during the Chinese Great Proletarian Cultural Revolution (1966-1976). The ―sent-down body‖ in this context and in my analysis is the politicized and sexualized migrant body. The term also describes previous sent-down youths‘ immigration experiences in the United States, because many of them became immigrants in the post-Cultural Revolution era and are usually described as ―overseas sent-down youths‖ (yangchadui). Therefore, the ―sent-down body‖ is also the immigrant body, and it is racialized. Moreover, the ―sent-down body‖ is gendered, but I study the female ―sent-down body‖ and its represented experiences in specific political, historical, cultural, and sexual contexts. By using ―the sent-down body‖ as an organizing concept in my dissertation, I introduce a new category of analysis in studies of Chinese immigrants‘ history and culture.
    [Show full text]
  • The Conclusive Scene: Mao and the Red Guards in July 1968 Alessandro Russo
    The Conclusive Scene: Mao and the Red Guards in July 1968 Alessandro Russo positions: east asia cultures critique, Volume 13, Number 3, Winter 2005, pp. 535-574 (Article) Published by Duke University Press For additional information about this article https://muse.jhu.edu/article/190199 Access provided by Columbia University (13 Sep 2017 19:42 GMT) The Conclusive Scene: Mao and the Red Guards in July 1968 Alessandro Russo In the very early hours of July 28, 1968, some of the most famous figures of the subjective turbulence that in the two previous years had invested the fundamental conditions of politics in China—the Red Guards and the Mao- ist leaders—met in a long and dramatic face-to-face meeting, a transcript of which was kept in such a deliberately meticulous way that even the emo- tional tones of the dialogue were recorded.1 The result, thanks to compilers endowed with a remarkable literary culture (probably one or more of Mao’s secretaries), is much more than the bare proceedings of the meeting. One would be inclined to call it rather a theatrical pièce whose “authors” are the “characters” themselves. These characters were subjective figures who met in the final moment of the political situation in which their existence is grounded. As of the next day, the situation would be totally different—the Red Guards would not exist anymore as independent organizations, and positions 13:3 © 2005 by Duke University Press. positions 13:3 Winter 2005 536 in the following months they would be dissolved, with consequences that would unavoidably rebound on Mao and on his allies.
    [Show full text]
  • Positive Accounts of the Down to the Countryside Movement
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Differing Perspectives: Positive Accounts of the Down to the Countryside Movement Michael Nettina University of Central Florida Part of the Chinese Studies Commons, and the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Nettina, Michael, "Differing Perspectives: Positive Accounts of the Down to the Countryside Movement" (2018). Electronic Theses and Dissertations, 2004-2019. 5999. https://stars.library.ucf.edu/etd/5999 DIFFERING PERSPECTIVES: POSITIVE ACCOUNTS OF THE DOWN TO THE COUNTRYSIDE MOVEMENT by MICHAEL NETTINA B.S. UNIVERSITY OF CENTRAL FLORIDA, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2018 Major Professor: Hong Zhang © 2018 Michael Nettina ii ABSTRACT Despite the number of narratives regarding the negative outcomes and experiences of the Down to the Countryside Movement during the Cultural Revolution, there is a scarce amount of literature in the West regarding the fringe benefits of the movement. The historiography in the field is limited, with most Western writers only focusing on the unfortunate consequences of the movement, such as violence, rape, limited access to education, and the strain on families affected by the political movement.
    [Show full text]
  • (China). INSTITUTION National Committee on United States-China Relations, New York, NY
    DOCUMENT RESUME ED 475 612 SO 034 775 TITLE China: Tradition and Transformation. Curriculum Projects. Fulbright-Hays Summer Seminars Abroad Program, 2002 (China). INSTITUTION National Committee on United States-China Relations, New York, NY. SPONS AGENCY Center for International Education (ED), Washington,. DC. PUB DATE 2002-00-00 NOTE 405p. PUB TYPE Collected Works General (020) Guides Classroom Teacher (052) Reports Descriptive (141) EDRS PRICE EDRS Price MF01/PC17 Plus Postage. DESCRIPTORS Area Studies; *Asian History; *Asian Studies; *Chinese Culture; Clothing; *Cultural Context; *Curriculum Development; Food; Foreign Countries; Global Approach; High Schools; Higher Education; Political Issues; Social Problems; Social Studies; Thematic Approach IDENTIFIERS *China; Chinese Civilization; Chinese Literature; Fulbright Hays Seminars Abroad Program ABSTRACT This collection of 15 curriculum projects is the result of a summer seminar in China for teachers and scholars. Projects in the collection are: (1) "Perspectives on Modern Political/Social Issues in China" (Sandy Conlon);(2) "Ancient History X Projects/China" (Michael Corey); (3) "Education and Development: China, a Case Study" (Marcia J. Frost); (4) "Homo Erectus in China: Zhoukoudian and Peking Man" (Nancy Hazam); (5) "Getting to Know China and Its Diversity" (A Technology-Based Project) (James E. Kerr); (6) "Chinese Cuisine: A Reference Guide for Students and Teachers" (Marion Makin); (7) "China/US Relations" (Maureen McCorry); (8) "Three Kingdoms Project" (R. W. Purdy);(9) "Following Tripitaka: Hsuan Tsang in History and Literature" (Paul Ragan); (10)"The Ancient Shu Culture, Evidence of Civilization" (Leah Renzi);(11) "Aspects of Miao Costume and Clothing" (Judith Lynn Sebesta);(12) "China and Industrialization: A Curricular Unit" (Curtis L. Thompson);(13) "Breaking Down the Wall: Suggestions for Teachers Starting on China" (Matthew Wernsdorfer);(14) "China Project Report" (Pat Wine); and (15)"China Economic Development vs.
    [Show full text]