543 Cass Street, Chicago Copyright 1915 by Harriet Monroe
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Bookman Anthology of Verse
The Bookman Anthology Of Verse Edited by John Farrar The Bookman Anthology Of Verse Table of Contents The Bookman Anthology Of Verse..........................................................................................................................1 Edited by John Farrar.....................................................................................................................................1 Hilda Conkling...............................................................................................................................................2 Edwin Markham.............................................................................................................................................3 Milton Raison.................................................................................................................................................4 Sara Teasdale.................................................................................................................................................5 Amy Lowell...................................................................................................................................................7 George O'Neil..............................................................................................................................................10 Jeanette Marks..............................................................................................................................................11 John Dos Passos...........................................................................................................................................12 -
April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
A Bibliography of Edwin Arlington Robinson, 1941-1963
Colby Quarterly Volume 7 Issue 1 March Article 3 March 1965 A Bibliography of Edwin Arlington Robinson, 1941-1963 William White Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 7, no.1, March 1965, p.1-26 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. White: A Bibliography of Edwin Arlington Robinson, 1941-1963 Colby Library Quarterly Series VII March 1965 No.1 A BIBLIOGRAPHY OF EDWIN ARLINGTON ROBINSON, 1941-1963 By WILLIAM WHITE HIS bibliography of Edwin Arlington Robinson is a supple T ment to Charles Beecher Hogan's "Edwin Arlington Robin son: New Bibliographical Notes," The Papers of the Biblio graphical Society of America (New York), Vol. XXXV, pp. 115-144, Second Quarter 1941, which itself supplements Mr. Hogan's admirable A Bibliography of Edwin Arlington Robin son (New Haven: Yale University Press, 1936). I have fol lowed Mr. Hogan's organization and style, with some slight modifications, particularly in the descriptions of books by Robinson. Although an attempt has been made to be as com plete as possible, I certainly do not approach Mr. Hogan's work in this respect. While he says (on p. iii of his Bibliography) that his book is "intended primarily for collectors," the present supplement is meant for scholars and critics who would like to know what has been written on the creator of "Luke Havergal" and "Miniver Cheevy" in the past t\venty-two years. -
April Showers
PARTART 2 Realism and Naturalism Mrs. Charles Thursby, 1897–1898. John Singer Sargent. 3 Oil on canvas, 78 x 39 /4 in. Collection of The Newark Museum. “There are two ways of spreading light: to be The candle or the mirror that reflects it.” —Edith Wharton, “Vesalius in Zante” 531 The Newark Museum/Art Resource, NY 0531 U4P2-845481.indd 531 4/7/06 6:06:33 PM LITERARY HISTORY The Two Faces of Urban America N THE LATE NINETEENTH AND EARLY twentieth centuries, despite the emergence of a Igrowing middle class, rapid industrialization created two sharply contrasting urban classes: wealthy entrepreneurs and poor immigrants from Europe and Asia who provided them with cheap labor. Although dependent upon each other, these two groups seldom met, as they lived in starkly different neighborhoods. The wealthiest families established fashionable districts in the hearts of cities, where they built fabulous mansions. By contrast, the majority of factory workers squeezed into dark, overcrowded tenements where crime, violence, fire, and disease were constant threats. U.S. writers of the time responded to and reflected these urban conditions in their novels, stories, essays, and articles. Picnicking in Central Park, 1885. Robert L. Bracklow. Black and white photograph. “The entire metropolitan center possessed a high and mighty air her heroine Lily Bart’s descent from wealth into poverty is mirrored by a decline in the houses she is calculated to overawe and abash the forced to inhabit. common applicant, and to make the Wharton’s older contemporary and friend Henry James gulf between poverty and success was born into a distinguished Boston family in 1843. -
John Gould Fletcher - Poems
Classic Poetry Series John Gould Fletcher - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive John Gould Fletcher(3 January 1886 – 10 May 1950) John Gould Fletcher was an Imagist poet, author and authority on modern painting. He was born in Little Rock, Arkansas to a socially prominent family. After attending Phillips Academy, Andover Fletcher went on to Harvard University from 1903 to 1907, when he dropped out shortly after his father's death. <b>Background</b> Fletcher lived in England for a large portion of his life. While in Europe he associated with <a href="http://www.poemhunter.com/amy-lowell/">Amy Lowell</a>, <a href="http://www.poemhunter.com/ezra-pound/">Ezra Pound</a>, and other Imagist poets, he was one of the six Imagists who adopted the name and stuck to it until their aims were achieved. Fletcher resumed a liaison with Florence Emily “Daisy” Arbuthnot (née Goold) at her house in Kent. She had been married to Malcolm Arbuthnot and Fletcher's adultery with her was the grounds for the divorce. The couple married on July 5, 1916. Their marriage produced no children, but Arbuthnot’s son and daughter from her previous marriage lived with the couple. On January 18, 1936 he married a noted author of children's books, Charlie May Simon. The two of them built "Johnswood", a residence on the bluffs of the Arkansas River outside Little Rock. They traveled frequently, however, to New York for the intellectual stimulation and to the American Southwest for the climate, after Fletcher began to suffer from arthritis. -
Edwin Arlington Robinson's Interpretation of Tristram
/ EDWIN ARLINGTON ROBINSON’S INTERPRETATION OF TRISTRAM BY MARY EDNA MOLSEED 'r A THESIS Submitted to the Faculty of The Creighton University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of E n g l i s h OMAHA, 1937 TABLE OF CONTENTS CHAPTER PAGE F O R E W O R D ................................................. i I. AN INTRODUCTION TO ROBINSON .......................... 1 II. THE POSSIBLE ORIGIN OF THE TRISTRAM L E G E N D ..................................................... 13 III. SOME CHARACTERISTICS OF THE TRISTAN STORY BY THOMAS ........................................ 19 IV. LATER VERSIONS OF TRISTRAM .......................... 24 V. ROBINSON'S INTERPRETATION OF TRISTRAM .............33 BIBLIOGRAPHY 44 i FOREWORD ■ The third great epic, Tristram, which was to complete the Arthurian trilogy, so majestically and movingly in terpreted the world-famous medieval romance that the out standing excellences of Robinson's verse, thus far ignored by the large reading public, forced themselves into recognition, and he, after thirty years' patient waiting and unflagging trust in his own genius, at last was greeted with universal applause. Although America in the interval had witnessed an exceptional efflorescence of good poetry, he was hailed, not only as the dean, but as the prince of American bards.* The writer, who considers this statement as valid, bases her thesis on the premise that Robinson did appeal to the modem reader. She aims, first, through a study of the poet in general, to show how he appealed to the public. Because Tristram is classed as a medieval character, she will consider the possible origin of the story. -
Bibliographic Annual in Speech Communication 1973
DOCUMENT RESUME ED 088 129 CS 500 620 AUTHOR Kennicott, Patrick C., Ed. TITLE Bibliographic Annual in Speech Communication 1573. INSTITUTION Speech Communication Association, New York, N.Y. PUB DATE 74 NOTE 267p. AVAILABLE FROM Speech. Communication Association, Statler Hiltcn Hotel, New York, N. Y. 10001 ($8.00). EDRS PRICE MF-$0.75 HC-$12.60 DESCRIPTORS *Behavioral Science Research; *Bibliographies; *Communication Skills; Doctoral Theses; Literature Reviews; Mass Media; Masters Theses; Public Speaking; Research Reviews (Publications); Rhetoric; *Speech Skills; *Theater Arts IDENTIFIERS Mass Communication; Stagecraft ABSTRACT This volume contains five subject bibliographies for 1972, and two lists of these and dissertations. The bibliographies are "Studies in Mass Communication," "Behavioral Studies in Communication," "Rhetoric and Public Address," "Oral Interpretation," and "Theatrical Craftsmanship." Abstracts of many of the doctcral disertations produced in 1972 in speech communication are arranged by subject. ALso included in a listing by university of titles and authors of all reported masters theses and doctoral dissertaticns completed in 1972 in the field. (CH) U S Ol l'AerVE NT OF MEAL.TH r DUCA ICON R ,Stl. I, AWE NILIONAt. INST I IUI EOF E DOCA I ION BIBLIOGRAPHIC ANNUAL CO IN CD SPEECH COMMUNICATION 1973 STUDIES IN MASS COMMUNICATION: A SELECTED BIBLIOGRAPHY, 1972 Rolland C. Johnson BEHAVIORAL STUDIES IN COMMUNICATION, 1972 A SELECTED BIBLIOGRAPHY Thomas M. Steinfatt A SELECTED BIBLIOGRAPHY OF RHETORIC AND PUBLIC ADDRESS, 1972 Harold Mixon BIBLIOGRAPHY OF STUDIES IN ORAL INTERPRETATION, 1972 James W. Carlsen A BIBLIOGRAPHY OF THEATRICAL CRAFTSMANSHIP, 1972. r Christian Moe and Jay E. Raphael ABSTRACTS OF DOCTORAL DISSERTATIONS IN THE FIELD OF SPEECH COMMUNICATION, 1972. -
An Interpretation of Amy Lowell's Poems from Emerson's
ISSN 1712-8358[Print] Cross-Cultural Communication ISSN 1923-6700[Online] Vol. 13, No. 5, 2017, pp. 38-41 www.cscanada.net DOI:10.3968/9694 www.cscanada.org Picturing Her Landscape: An Interpretation of Amy Lowell’s Poems From Emerson’s Transcendentalism ZHENG Chang[a],* [a]College of International Studies, Southwest University, Chongqing, posthumously won Pulitzer Prize for Poetry in 1926. China. From 1913 until 1925, Lowell was deeply involved in *Corresponding author. Imagism. After the break from Ezra Pound, she redirected Received 18 February 2017; accepted 15 April 2017 the Imagist Movement, and then literary people called Published online 26 May 2017 the American Imagist Movement “Aymgist” Movement, which indicated Amy was really a woman of importance Abstract in this undertaking. The current studies on Imagism have Amy Lowell is a female poet in the American Imagist showed that people have placed much importance on movement in the twentieth century. The former studies Pound, but so rare efforts have been directed to Lowell. have mainly focused on the images in her poems from the Few of her poems have been thoroughly understood, and perspective of aesthetics. Few studies have pointed out much more still waits probing. Considering this problem, the philosophical implications of her poetry. This paper the paper will shed some new light on Lowell studies. A tries to approach Lowell’s poems from the perspective of new spectrum for viewing her poems is from Emerson’s Emerson’s transcendental philosophy. Although the two transcendental philosophy. great figures lived in different times, a direct link between It is hard to find a direct link between imagism and them can hardly be built, they share some similarities, and transcendentalism, for they are the voices of different their poems are colored by transcendental thoughts: Both times in American history. -
Myths, Legends, and Apparitional Lesbians: Amy Lowell's Haunting Modernism
This is a repository copy of Myths, Legends, and Apparitional Lesbians: Amy Lowell's Haunting Modernism. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/122951/ Version: Accepted Version Article: Roche, H (2018) Myths, Legends, and Apparitional Lesbians: Amy Lowell's Haunting Modernism. Modernist Cultures, 13 (4). pp. 568-589. ISSN 2041-1022 https://doi.org/10.3366/mod.2018.0230 This article is protected by copyright. All rights reserved. This is an author produced version of a paper accepted for publication in Modernist Cultures, published by the Edinburgh University Press, at: http://www.euppublishing.com/loi/mod. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Myths, Legends, and Apparitional Lesbians: Amy Lowell’s Haunting Modernism Dr Hannah Roche Email: [email protected] Affiliation: University of Leeds 1 Abstract By the end of the twentieth century, Amy Lowell’s poetry had been all but erased from modernism, with her name resurfacing only in relation to her dealings with Ezra Pound, her distant kinship with Robert Lowell, or her correspondence with D. -
CHAN 10036 BOOK.Qxd 3/5/07 12:05 Pm Page 2
CHAN 10036 BOOK FRONT/BACK.qxd 3/5/07 12:01 pm Page 1 CHAN 10036(2) CHAN 10036 BOOK.qxd 3/5/07 12:05 pm Page 2 Benjamin Britten (1913–1976) Albert Herring, Op. 39 Lebrecht Collection Lebrecht An opera in three acts Libretto by Eric Crozier, after a story by Guy de Maupassant Albert Herring ......................................................................................................................James Gilchrist tenor Nancy, the baker’s daughter ............................................................Pamela Helen Stephen mezzo-soprano Sid, the butcher’s assistant ....................................................................................Roderick Williams baritone Lady Billows, an elderly autocrat ................................................................................Susan Bullock soprano Florence Pike, Lady Billows’ housekeeper ....................................................Sally Burgess mezzo-soprano Mr Gedge, the vicar ................................................................................................................Alan Opie baritone Superintendent Budd................................................................................................Stephen Richardson bass Mr Upfold, the Mayor................................................................................................................Robert Tear tenor Miss Wordsworth, the headmistress..........................................................................Rebecca Evans soprano Mrs Herring, a greengrocer ................................................................................Anne -
The Fragmentation of Imagism It Was 1912, and a New Mode of Poetry Was Taking Root
The Fragmentation of Imagism It was 1912, and a new mode of poetry was taking root. Sparked by the ideas of T.E. Hulme and from distaste of the drippy sentimentalism of the Romantic era (Britannica “Imagist”), Ezra Pound, Richard Aldington, and H.D. literally wrote the rules of Imagism. Their dry, concise look at an image or “complex,” as Pound described it, helped lay the foundation for modernist poetry. However, the Imagists’ granite rules could not ensure strict adherence to their form, not even from founding members of Imagism themselves. As the years went by, the Imagists themselves grew weary of their own form by both their own admittance and through their later works. Ezra Pound was the first leader of the Imagist movement, and his autocratic grip on the concept of Imagism may be partly to blame for the fragmentation of the movement. Pound makes it quite clear that, “At least for myself, I want [twentieth-century poetry] so, austere, direction, free from emotional slither (“A Retrospect” 23).” He carefully selected and edited poems for published volumes of Imagist poetry, but the appearance of the popular and wealthy poet heiress Amy Lowell swept in a new democratic format for the group’s publications. Authors were to select what they considered their best work, without the stamp of approval from Pound deeming it true to the Imagist credo (Bradshaw 159). Amy Lowell and Ezra Pound clashed quite famously over the direction Imagism would take, as seen in Lowell’s poem to Pound, harshly dubbed “Astigmatism.” The poem pulls no punches; the analogy is clear in Lowell’s image of the Poet smashing lovely flowers of all kinds, saying “They are useless. -
Vol. 19 No 3 December 2015
Journal December 2015 Vol.19, No. 3 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] December 2015 Vol. 19, No. 3 Editorial 3 President ‘My tunes are ne’er forgotten’: Elgar, Blackwood and The Starlight Express 4 Julian Lloyd Webber FRCM Kevin Mitchell Elgar the violin teacher: was it really such a bad life for him? 27 Richard Westwood-Brookes Vice-Presidents Cost-cutting and cloth-cutting: 37 Diana McVeagh Elgar’s 1916 Violin Concerto recording with Marie Hall Michael Pope Peter Adamson Dame Janet Baker, CH, DBE Leonard Slatkin Marie Hall: the Elgarian connection 42 Sir Andrew Davis, CBE Martin Bird Donald Hunt, OBE Christopher Robinson, CVO, CBE Discovered: a letter from Alice Elgar – and more … 47 John Ling and Martin Bird Andrew Neill Sir Mark Elder, CBE Music reviews 51 Martyn Brabbins Martin Bird Tasmin Little Book reviews 53 Martin Bird, Geoff Hodgkins Chairman CD reviews 59 Steven Halls Martin Bird, Stuart Freed Letters 63 Vice-Chairman Barry Collett, Andrew Lyle, Robert Kay Stuart Freed Recording notes 66 Treasurer Michael Plant Helen Whittaker 100 Years Ago 68 Secretary Helen Petchey The Editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Cover of the sheet music of the Organ Grinder’s songs from The Starlight Express, published by Elkin & Co. Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format.