TYRNAROUND Colour Your Mind

Total Page：16

File Type：pdf, Size：1020Kb

DESCRIPTION Originally issued as a 12" mini-album in 1986, Tyrnaround 's Colour Your Mind has become a touchstone of 1980s neo-psychedelia and almost certainly one of the best records of the second psychedelic era. Influenced by classic '60s British psychedelia, it was also inspired by The Dukes of Stratosphear 's "25-O- Clock" and perhaps exceeds that record's trip factor with the acid-infused title track -- featured on Amorphous Androgynous Wizards of Oz compilation, and also famously covered by Vibravoid -- blending searing acid fuzz guitar, swirling keyboards, surreal lyrics, and sumptuous early Floyd -like harmonies. Now expanded to a full-length LP, including all the bands singles as well as the rare Freakbeat Magazine 45 "Paragon-Smythe" (featuring the never released before unedited version), this could be seen as Tyrnaround's perfect debut album. Trippy '60s-styled psychedelia from Australia. Comes in '60s UK styled backflaps sleeve; includes insert with unseen photos and a full history of the band by Richard Allen (Freakbeat, Delerium, Shindig!); Includes download card which includes rare demo and live tracks. TRACKLISTING 01. Colour Your Mind TYRNAROUND 02. Francis 03. Uncle Sidney Colour Your Mind 04. Paragon-Smythe 05. Carroll By Candlelight (Expanded Mind Edition) 06. Suicidal Flowers 07. Want Of A Rhyme Label 08. Uncle Jack GUERSSEN RECORDS 09. Hello Or Goodbye Included download bonus tracks: 10. Colour Your Mind (4-track demo) Format 11. Want Of A Rhyme (4-track demo) LP 12. Pictures of Matchstick Men (4-track demo) Catalog Number 13. Astronomy Domine (4-track demo GUESS 155LP 14. Paragon-Smythe (7" version) 15. Theme From Dr. Who (Live at Shake Some Action Club) EAN 4040824089054 HIGHLIGHTS • Originally issued as a 12" mini-album in 1986, Tyrnaround 's Colour Your Y(0E08CE*KSTKPO( Mind has become a touchstone of 1980s neo-psychedelia. List Price • A blend of searing acid fuzz guitar, swirling keyboards, surreal lyrics, and $28.98 sumptuous early Floyd -like harmonies • Trippy '60s-styled psychedelia from Australia. Release Date • '60s UK styled backflaps sleeve; includes insert with unseen photos and a full 10/25/19 history of the band by Richard Allen (Freakbeat, Delerium, Shindig!). Territory • Includes download card which includes rare demo and live tracks. NORTH AMERICAN EXCLUSIVE • "A musical conglomerate of everything that you ever liked about '60s Genre psychedelia particularly the UK brand " --Freakbeat Magazine FILE UNDER - T - ROCK Press Contact: [email protected] Exclusively Distributed by 60 Lowell St, Arlington, MA 02476 ph: (781) 321-0320 • fx: (781) 321-0321 [email protected] .

Copy Link

Recommended publications

Freak Emporium
Search: go By Artist By Album Title More Options... Home | Search | My Freak Emporium | View Basket | Checkout | Help | Links | Contact | Log In Bands & Artists: a b c d e f g h i j k l m n o p q r s t u v w x y z | What's New | DVDs | Books | Top Sellers Browse Over 120 Genres: Select a genre... 60's & 70's Compilations - Blues (9 Email Me about new products in this genre | More Genres products) > LIST ALL | New See Also: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Year Offer 60's & 70's Euro Folk Rock 60's & 70's UK Folk Rock 60's & 70's Japanese / Korean / Asian Rock and Pop 60's & 70's Compilations - Pop & Rock Search 60's & 70's Compilations - Blues : go! 60's & 70's Acid Folk & Singer/Songwriter Search Entire Catalogue > 60's & 70's Compilations - Psychedelia 60's & 70's Psychedelia 60's & 70's Compilations - Garage, Beat, Freakbeat, Surf, R&B 60's & 70's Prog Rock 60s Texan Psych And Garage Mod / Freakbeat Latest additions & updates to our catalogue: Paint It Black - Various. CD, £12.00 Blues For Dotsie - Various. CD, £12.00 (Label: EMI, Cat.No: 367 2502) (Label: Ace, Cat.No: CDCHD 1115) Fascinating twenty track Everything from Jump to Down Home to Boogie compilation CD of Rolling Stones Woogie babes on this collection of West Coast covers by some of the greatest Blues cut for and by Dootsie Williams.
[Show full text]
P&C Music Rsd20 List for Aug 29 Customer Version 12/9/20
P&C MUSIC RSD20 LIST FOR AUG 29 CUSTOMER VERSION 12/9/20 List no. Artist Title Format Primary Genre Genre UK QTY Globa Price l QTY £ 1. 3 Pieces, The Iwishcan William 12" Dance Funk 500 1000 10.50 2. Ace Of Base The Sign 7" picture disc Dance Pop 700 1000 9.00 3. Acid Mothers Temple Nam Myo Ho Ren Ge Kyo 2LP Left-Field/ Psych 500 23.99 Experimental 4. Acid Mothers Temple Minlstrel in the galaxy NOT RSD, BACK LP, 300 copies CATALOGUE 22.99 5. Al Green Green Is Blues 12" Blues Soul 500 3000 24.50 6. Alex Lahey I love you like a brother. Love Record Peach vinyl LP 17.99 Stores release 20/6/20 7. Alison Limerick Where Love Lives 12" Dance Electronic 500 1000 10.50 8. Alpha & Omega meets Sacred Art Of Dub volume 1 LP Reggae Dubstep 500 1000 22.99 The Disciples 9. Alpha & Omega meets Sacred Art Of Dub volume 2 LP Reggae Reggae 500 1000 22.99 The Disciples 10. Alphaville Sounds Like a Melody 1 x 180g 12" yellow Pop Electronic 300 17.50 vinyl album. 11. Alvvays Alvvays. Love Record Stores release LP 20.99 20/6/20 12. Alvvays Antisocialites. Love Record Stores LP 20.99 release 20/6/20 13. Amorphous A Monster Psychedelic Bubble LP Electronic Rock 1000 1000 23.99 Androgynous, The 14. Andy and The Odd Happy Birthday / Remember You're An 7" Pic Disc Children's Pop 750 13.99 Socks Odd Sock 15. Anna of the North Dream girl.
[Show full text]
Text-Based Description of Music for Indexing, Retrieval, and Browsing
JOHANNES KEPLER UNIVERSITAT¨ LINZ JKU Technisch-Naturwissenschaftliche Fakultät Text-Based Description of Music for Indexing, Retrieval, and Browsing DISSERTATION zur Erlangung des akademischen Grades Doktor im Doktoratsstudium der Technischen Wissenschaften Eingereicht von: Dipl.-Ing. Peter Knees Angefertigt am: Institut für Computational Perception Beurteilung: Univ.Prof. Dipl.-Ing. Dr. Gerhard Widmer (Betreuung) Ao.Univ.Prof. Dipl.-Ing. Dr. Andreas Rauber Linz, November 2010 ii Eidesstattliche Erklärung Ich erkläre an Eides statt, dass ich die vorliegende Dissertation selbstständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt bzw. die wörtlich oder sinngemäß entnommenen Stellen als solche kenntlich gemacht habe. iii iv Kurzfassung Ziel der vorliegenden Dissertation ist die Entwicklung automatischer Methoden zur Extraktion von Deskriptoren aus dem Web, die mit Musikstücken assoziiert wer- den können. Die so gewonnenen Musikdeskriptoren erlauben die Indizierung um- fassender Musiksammlungen mithilfe vielfältiger Bezeichnungen und ermöglichen es, Musikstücke auffindbar zu machen und Sammlungen zu explorieren. Die vorgestell- ten Techniken bedienen sich gängiger Web-Suchmaschinen um Texte zu finden, die in Beziehung zu den Stücken stehen. Aus diesen Texten werden Deskriptoren gewon- nen, die zum Einsatz kommen können zur Beschriftung, um die Orientierung innerhalb von Musikinterfaces zu ver- • einfachen (speziell in einem ebenfalls vorgestellten dreidimensionalen Musik- interface), als Indizierungsschlagworte, die in Folge als Features in Retrieval-Systemen für • Musik dienen, die Abfragen bestehend aus beliebigem, beschreibendem Text verarbeiten können, oder als Features in adaptiven Retrieval-Systemen, die versuchen, zielgerichtete • Vorschläge basierend auf dem Suchverhalten des Benutzers zu machen.
[Show full text]
Vintage Vinyl Records Near Me
Vintage Vinyl Records Near Me Trip bureaucratized whencesoever as vigesimal Ferguson pummelled her caballer subsume grumblingly. Mop-headed CrossbandedMarlon foliate andor outvies ectozoan some Remus buckskin machine shrilly, allargando however curmudgeonlyand paiks his ingestions Alley diphthongising idiopathically high-mindedly and viciously. or strown. You are using a browser that does not have Flash player enabled or installed. Jeb Banner, CEO of Boardable. Happy Thanksgiving and see you all on Friday! La might be able to make you a deal. Culminated the sale with Ron who arrived on time and then very efficiently reviewed my albums. Some records been exceeded all vinyl record store air in yours, vintage vinyl right now to near mint record store to! Atomic; the shop feels like the remaining bastion of a bygone era. Thinking of playing those old records? Dj records opposed to see you add related tracks are our experienced a musical masterpiece that adds eclectic diversity to be satisfied in a review was surprised that. Others with that record collections near me that nothing concrete to records do something new smashing pumpkins, vintage vinyl and recorded when they are your music! Double Decker Records is an independent record store in Allentown PA. They will go to be able to send a premium plan includes notes all your new worlds, next sample your password. How many records do nonetheless have? Listen to near flawless album. Sometimes you will hear of a family member that has a collection, or a friend is moving, etc. Browser vendor DOM prefixes. The album offers nowhere to stand, and concrete to grasp, only fleeting thoughts and questions, but very intentionally so.
[Show full text]
BISCUIT MEMORABILIA LP+MP3 / CD / DIGITAL Release Date: November 28Th, 2011 Distributed by CARROT TOP LTD
LP: 8435015512927 CD: 8435015512835 8 435015 512927 BISCUIT MEMORABILIA LP+MP3 / CD / DIGITAL Release date: November 28th, 2011 Distributed by CARROT TOP LTD RECOMMENDED SONGS One. “The light that burns twice as bright, burns half as long.”, “The flame burns forever, until 2. I Was Right 5. Winnebago Man the end of adolescence”, “I hope I die before I get old”, “You ain’t got a fucking clue!”. The quotes 14. Plain Love Song from Blade Runner, Joyce Carol Oate’s novel Foxfire: Confessions of a Girl Gang and the famous Who anthem are cancelled by Armand Cardona’s (guitar player in Biscuit) lash. He might have TRACK LIST 1. Gone spat it out a few days ago at a gig, backed by his The Sopranos “Bada Bing” T-shirt, or back in 2. I Was Right his pre-teen years, with his Spanish guitar at the ready, half Wayne Kramer, half Charlie Rivel, a 3. Set the Record Straight Saturday morning in his parents’ flat with the Downliners Sect music playing in the background. 4. Can’t Pity You 5. Winnebago Man Either way, as a reply he is bound to get a look –either approving, condescending or indicative 6. I’ll Be Late that a brotherly quarrel is about to begin– from his brother Xavi, who handles, high in his Cuban 7. Rainbow Haze heeled Chelsea boots, his electric guitar: before, now and forever. 8. Now I Know 9. The Rose Two. People are low on role models, but Biscuit are the head honchos of the Catalan garage 10.
[Show full text]
NEW YORK NIGHT TRAIN's SOUL CLAP and DANCE-OFF
NEW YORK NIGHT TRAIN’S SOUL CLAP and DANCE-OFF WHAT IS IT? For two straight years New York Night Train's Soul Clap and Dance-Off has reigned as North America’s most popular soul party – by far playing to more people in more places and generating more capital than any of its contemporaries. The concept is simple - all night dancing to wild 45s of subterranean maximum rock and soul DJ Mr. Jonathan Toubin and, in the middle, a $100 dance contest judged by a panel of local celebrities. Recession-friendly mass entertainment with a $5 door price, the dance party/spectacle not only sells beyond capacity at home, but has brought its excitement to domestic markets all the way from Portland, Oregon to Portland, Maine and internationally from Tel Aviv to Mexico City - including monthly residencies in New York, Chicago, LA, San Francisco, Oakland, and PDX. Also the Dance-Off portion features judges from every edge of music and culture from classic subcultural icons like Mike Watt and Jello Biafra, to rock stars Andrew Van Wyngarden (MGMT) and Nick Zinner (Yeah Yeah Yeahs), to interesting cultural figures like Karla LaVey (Satanic Priestess) and Candidate Matt Gonzalez (Green Party Vice Presidential) to your favorite neighborhood heroes. Catch The Soul Clap! WHY IS TONIGHT DIFFERENT THAN ALL OTHERS? Because New York Night Train, Mr. Jonathan Toubin, and the Soul Clap emerged not from the mod or soul scene but the punk, post-punk, and general independent rock'n'roll underground, Soul Clap grew as a uniting force for various subcultural groups.
[Show full text]
The Forty Nineteens Rebooted
New From Rock Ranch Records: The Forty Nineteens Rebooted US Release Date The Forty Nineteens' newest LP “Rebooted” takes a April 7, 2016 psychedelic garage rock trip down 1960’s Sunset Strip with the top down and the radio on. The door’s open, climb on in. Sirius/XM named Contact: Little Steven’s Underground Garage “I’m Free” as the “Coolest Song in the World” June 3, 2016. Nick Z The previous weeks “Coolest Song” was The Monkees [email protected] ‘Birth of an Accidental Hipster” A prestigious honor indeed. 1. I’m Free Dr Jiljoy: WNCD Youngstown 2. Best Days ‘Rebooted’ is way different than their previous efforts. 3. Wasn’t It You Influenced by mid 60’s Surf, Garage, Freakbeat and Neo 4. Disguise Psychedelia Paisley Underground, it reminds me of early 5. 383 Dodge Charger Doors and The Who.” 6. Get Myself a Selﬁe 7. Head Up Head High Rebooted is the third collaboration between 8. Stranger On the Shore the band and producer/engineer 9. True True True David Newton. The Mighty Lemon Drops 10. I Walked With a Zombie alum brings his style and knowledge of 11. Dance With Me the era to pull it all into focus. Returning on 12. Moonlight Drive keyboards is former Stevie Wonder sideman Kevin McCourt. Theremin sounds were handled by Jason ‘Mongoose’ Eoff of Los Straitjackets contemporaries The Outta Sites. Temecula California based, Detroit-born John Pozza (vocals/ bass), Chuck Gorian (guitar), Pittsburgh native Nick Zeigler (ex Mary’s Danish) on drums/vocals. They have been opening for such bands as The Fleshtones, Gin Blossoms, Robin Zander, and The Fixx.
[Show full text]
January / February
CONCERT & DANCE LISTINGS • CD REVIEWS FREE BI-MONTHLY Volume 7 Number 1 January-February 2007 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers MARIAMARIA MULDAURMULDAUR GIVESGIVES DYLANDYLAN AA SHOTSHOT OFOF LOVELOVE inside this issue: BY REX BUTTERS inside this issue: aria Muldaur’s latest release, Heart of Mine: Love Songs of Bob Dylan adds PraisingPraising PeacePeace another notch on an enviable creative upswing. A bona fide national treasure, AA TributeTribute toto PaulPaul RobesonRobeson her artistic momentum since the nineties has yielded a shelf full of CDs covering M roots music, blues, love songs, and Peggy CalifoniaCalifonia IndianIndian Lee, each with Muldaur’s faultless aesthetics overseeing the production as well. Graciously, she took a break from Tribal Culture her relentless performance-rehearsal-recording schedule Tribal Culture to chat about her recent projects. FW: It was great to hear you back on fiddle on You Ain’t Goin Nowhere, a very exuberant reading of that song. PLUS:PLUS: MM: Thank you. We just kind of got down with a low down Cajun hoedown on the whole thing. It reminded me RossRoss Altman’sAltman’s of the kind of stuff the Band was playing over at Big Pink when we all lived in Woodstock. It had that vibe to it. Bob HowHow CanCan II KeepKeep FromFrom TalkingTalking [Dylan], in the last ten years or so, every time I would see him backstage at a gig, he started asking me, “Hey are you ever playing your fiddle anymore?” And I’d say, oh no, && muchmuch more...more..
[Show full text]
Here from Portland, MA to Portland, OR, from Canada to Mexico and Even As Far Away As the Middle East
Jonathan Toubin and the New York Night Train Soul Clap and Dance-Off The dawn of 2010 finds New York Night Train conductor/soul proprietor Mr. Jonathan Toubin the most popular, prolific, and highest-earning rock and soul DJ on the North American nightclub circuit – taking the 45rpm dance party to a whole new level conceptually, culturally, and commercially. Though known for “maximum rock and soul” dance club sets and multi-media “Happenings,” his Soul Clap and Dance-Off party has in the last year put Mr. T on the map as soul man and left a huge footprint on contemporary American urban nightlife. Working over 600 gigs the last two years, Mr. Jonathan Toubin has managed to keep one boot in the counter- culture from which he emerged (bars, basements, and live music venues) while crossing over to dance clubs, prestigious festivals, hotels, museums, ivy league colleges, and even raves – while receiving nominations for nightlife awards from the fancier side of New York culture. Mr. Jonathan Toubin conceived the Soul Clap and Dance-Off three years ago as a monthly outlet for playing his favorite soul jams to his small underground art/rock social community in the spirit of the mid-1990s indie/punk scene soul parties. He added a brief dance-contest to the mix to make the party a little more interesting. As this humble makeshift underdog became an institution, he deliberately employed the party’s popularity as a weapon against tired hit nights, 80s nights, and other mediocre contemporary dance culture – offering an alternative in the possibility of dancing to exciting music most of us have never heard before.
[Show full text]
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project.
[Show full text]
His Eyes Looked Like Eggs, with the Yolks Broken Open, With
PO Box 42129, Los Angeles, CA 90042 #18 www.razorcake.com picked off the road, and sewn back on. If he didn’t move with such is eyes looked like eggs, with the yolks broken open, with authority, it’d’ve been easy to mistake him as broken. bits of blood pulsing through them. Before he even opened His voice caught me off guard. It was soft, resonant. “What’re HHup his grease stained tennis bag, I knew that there was you looking for?” nothing I’d want to buy from him. He unzipped the bag. Inside, “Foot pegs.” I didn’t have to give him the make and model. He there were ten or fifteen carburetors. Obviously freshly stolen, the knew from the connecting bolt I held out. rubber fuel lines cut raggedly and gas leaking out. “Got ‘em. Don’t haggle with me. You got the cash?” I placed “No. I’m just looking for foot pegs.” the money in his hand. “Man, you could really help me out. Sure you don’t want an “That’s what I like. Cash can’t bounce. Follow me.” upgrade? There’s some nice ones in here.” We weaved through dusty corridors, the halls strategically There were some very expensive pieces of metal, highly mined with Doberman shit. To the untrained eye, the place looked polished, winking at me. I could almost hear the death threats their in shambles. No care was taken to preserve the carpet. Inside-facing previous owners’ bellowed into empty parking lots. windows were smashed out. He bent down, opened a drawer with a “No.
[Show full text]
The Cavern Club: the Rise of the Beatles and Merseybeat Free
FREE THE CAVERN CLUB: THE RISE OF THE BEATLES AND MERSEYBEAT PDF Spencer Leigh,Paul McCartney | 256 pages | 29 Mar 2016 | McNidder & Grace | 9780857160973 | English | Pembroke Dock, United Kingdom The Cavern Club: The Rise of the Beatles and Merseybeat by Spencer Leigh Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Paul McCartney Foreword. From the early days as a jazz club, through the Beatles years and the dramatic The Cavern Club: The Rise of The Beatles and Merseybeat and closings, every page of this book about the Cavern Club abounds with wit and insight. The author is an acknowledged authority on the Beatles and Sir Paul McCartney has written a foreword. Get A Copy. Paperbackpages. More Details Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about The Cavern Clubplease sign up. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Dec 14, Susan rated it it was amazing. Spencer Leigh The Cavern Club: The Rise of The Beatles and Merseybeat written many books about music; mostly centring on the Beatles and Merseybeat. He has, indeed, also written previous books about the Cavern, all of which grace my bookshelves. This book has a foreward written by Sir Paul McCartney and this immediately informs us of a very important fact.
[Show full text]