2014 Dealer Guide.Pdf
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2020-011534Lbr
Legacy Business Registry Executive Summary HEARING DATE: JANUARY 6, 2021 Filing Date: December 9, 2020 Case No.: 2020-011534LBR Business Name: 24th Street Dental Business Address: 2720 24th St Zoning: NCT - 24th-Mission Neighborhood Commercial Transit Calle 24 SUD 65-X Block/Lot: 4211/016 Applicant: Dr. Bernardo D. Gonzalez III 2720 24th Street, San Francisco, CA 94110 Nominated By: Supervisor Hillary Ronen Located In: District 9 Staff Contact: Kalyani Agnihotri – (628)652-7454 [email protected] Recommendation: Adopt a Resolution to Recommend Approval Business Description 24th Street Dental is a dental practice owned by Dr. Bernardo D. Gonzalez III, located at 2720 24th Street in the Mission District. The address’ history dates back to before the dental practice was established in 1985 when it was the location of the shoe store owned by Dr. Gonzalez’s father. Dr. Gonzalez, a fixture of the city’s local music scene, came to be known as “Dr. Rock,” when he served as manager of the pioneering Latin rock group Malo and organized the annual benefit “Voices of Latin Rock” for 10 years. While concurrently running his dental practice, Dr. Rock has continually been involved in significant Mission cultural activities. In 1981, Dr. Rock helped produce the 24th Street Fair for the 24th Street Merchants Association, and subsequently became their president. After his successes with the 24th St. Merchants Association, Dr. Rock created the Mission Economic Cultural Association, or MECA along with Roberto Hernandez, which produced the 24th Street Fair, Cinco de Mayo, and Legacy Business Registry 2020-011534 LBR January 6, 2021 Hearing 24th Street Dental Carnaval. -
PTSVNWU JS-5 Jam Station Style Listing
PTSVNWU JS-5 Jam Station Style Listing ROCK 1 POP BLUES JAZZ 01 JS-5HardRock 11 ElectricRock 01 Shuffle 1 01 ChicagoBlues 01 DublTimeFeel 02 BritHardRck1 12 Grunge 02 Shuffle 2 02 OrganBlues 02 Organ Jazz 03 BritHardRck2 13 Speedy Rock 03 Mid Shuffle 03 ShuffleBlues 03 5/4 Jazz 04 80'sHardRock 14 Funk Rock 04 Simple8btPop 04 Boogie 04 Latin Jazz 05 Fast Boogie 15 Glam Rock 05 70's Pop 05 Rockin'Blues 05 Soul Jazz 06 Heavy & Loud 16 Funk Groove 06 Early80'sPop 06 RckBeatBlues 06 Swing Jazz 1 07 Slow Rock 1 17 Spacy Rock 07 Dance Pop 07 Medium Blues 07 Swing Jazz 2 08 Slow Rock 2 18 Progressive 08 Synth Pop 08 Funky Blues 08 Swing 6/8 09 Slow & Heavy 09 Honky Piano 09 Jump Blues 09 BigBandJazz 10 Hyper Metal ROCK 3 10 Slow Pop 10 BluesInMinor 10 Combo Jazz 11 Old HvyMetal 11 Reggae Pop 11 Blues Brass 11 Modern Jazz 12 Speed Metal 01 AcousticRck1 12 Rockabilly 12 AcGtr Boogie 12 Jazz 6/8 13 HvySlowShffl 02 AcousticRck2 13 Surf Rock 13 Gospel Shout 13 Jazz Waltz 14 MidFastHR 1 03 Gtr Arpeggio 14 8thNoteFeel1 14 Jazz Ballad 15 MidFastHR 2 04 CntmpraryRck 15 8thNoteFeel2 R&B 16 80sHeavyMetl 05 8bt Rock 1 16 16thNoteFeel FUSION 17 ShffleHrdRck 06 8bt Rock 2 01 RhythmGtrFnk 18 FastHardRock 07 8bt Rock 3 BALLAD 02 Brass Funk 01 Power Fusion 19 HvyFunkRock 08 16bt Rock 03 Psyche-Funk 02 Smooth Jazz 09 5/4 Rock 01 NewAgeBallad 04 Cajun Funk 03 Wave Shuffle ROCK 2 10 Shuffle Rock 02 PianoBallad1 05 Funky Soul 1 04 Super Funk 11 Fusion Rock 03 PianoBallad2 06 Funky Soul 2 05 Crossover 01 90sGrooveRck 12 Sweet Sound 04 E.PianoBalad 07 60's Soul 06 -
Episode 2 - Agenda Made 20140822
Episode 2 - Agenda Made 20140822 Intro Welcome to Point Radio Cast. Contact Info [email protected] Links to music on pointradiocast.com Click through the site to buy it, and support us and the bands. Show intro - Theme Best CDs I currently own, part one. If on a deserted island with a CD player and a solar power source, which CDs would I want to have? 2 songs from each disc. This will be a 2 part episode. Chronological order. The Misfits - Static Age Recorded 1978. Loved by millions. Classic and great. Some Kinda Hate Last Caress Minor Threat - Complete Discography. Recorded between 1981-1983. Godfathers of straight edge hardcore. Odd for me, but awesome and raw. Filler Out of Step The Pogues - The Best of the Pogues Recorded between 1984-1991. Dog through painting on cover. Godfathers of punk edge irish. Many bands spring from them, like the Tossers, Flogging Molly, anything of that ilk. Fairytale of New York Streams of Whiskey Guns N Roses - Appetite for Destruction Release 1987. A bit mainstream, but awesome. Nuff said. It's So Easy My Michelle Sloppy Seconds - Destroyed Released 1989. Classic bad attitude obnoxious midwest punk rock. Black Mail Steal your Beer Mid-show Interruption Can we fuck off with the ice bucket shit? Remember when people did their share without needing recognition for it from the world? Fuck ALS, it sucks. All the toolbox ice bucket bullshit sucks too. Try and do your part without needing a pat on the back from all your FB friends. Bad Religion - Against the Grain Released 1990. -
WECON LX3V-4AD Module
WECON LX3V-4AD Module Wecon Technology Co., Ltd. Website: http://www.we-con.com.cn/en Technical Support: [email protected] Skype: fcwkkj Phone: 86-591-87868869 LX3V-4AD Extension Module 1. Introduction The LX3V-4AD special module has four input channels.The input channels receive analog signals and convert them into a digital value.This is called an A/D conversion, the maximum resolution is 12 bits. The selection of voltage or current based input/output is by user wiring.Analog ranges of -10 to 10V DC (resolution:5mV), and/or 4 to 20mA, -20 to 20mA(resolution:20µA) may be selected. Data transfer between the LX3V-4AD and the LX3V main unit is by buffer memory exchange. There are 32 buffer memories (each of 16 bits) in the LX3V-4AD. LX3V-4AD consume 5V voltage from LX3V main unit or active extension unit,90mA current of power supply. 2. Dimensions ① Extension cable and connector ② Com LED:Light when communicating ③ Power LED:Light when connect to 24V ④ State LED:Light when normal condition ⑤ Module name ⑥ Analog signal output terminal ⑦ Extension module interface ⑧ DIN rail mounting slot ⑨ DIN rail hook ⑩ Mounting holes(φ4.5) - 2 - 3. Terminal layouts ① The analog input is received through a twisted pair shielded cable. This cable should be wired separately from power lines or any other lines which may induce electrical noise. ② If a voltage ripple occurs during input, or there is electrically induced noise on the external wiring, connect a smoothing capacitor of 0.1 to 0.47µF, 25V. ③ If you are using current input, connect the V+ and I+ terminals to each other. -
Tx2n-4Ad-Tc Special Function Block User's Guide
HCFA CORPORATION LIMITED TX2N-4AD-TC SPECIAL FUNCTION BLOCK USER’S GUIDE This manual contains text, diagrams and explanations which will guide the reader in the correct installation and operation of the TX2N-4AD-TC special function block and should be read and understood before attempting to install or use the unit. Guidelines for the Safety of the User and Protection of the TX2N-4AD-TC special function block. This manual should be used by trained and competent personnel. The definition of such a person or persons is as follows: a) Any engineer using the product associated with this manual, should be of a competent nature, trained and qualified to the local and national standards. These engineers should be fully aware of all aspects of safety with regards to automated equipment. b) Any commissioning or service engineer must be of a competent nature, trained and qualified to the local and national standards. c) All operators of the completed equipment should be trained to use this product in a safe and coordinated manner in compliance to established safety practices. Note: The term ‘completed equipment’ refers to a third party constructed device which contains or uses the product associated with this manual. Notes on the Symbols Used in this Manual At various times throughout this manual certain symbols will be used to highlight points of information which are intended to ensure the users’ personal safety and protect the integrity of equipment. 1) Indicates that the identified danger WILL cause physical and property damage. 2) Indicates that the identified danger could POSSIBLYcause physical and property damage. -
Vertical Program Guide CW 9
91.9 FM KRVM PROGRAM GUIDE TIME MON TUE WED THU FRI SAT SUN TIME 5:30am 5:30am Breakfast with Breakfast with Breakfast with Breakfast with Breakfast with KRVM Music 06 AM 06 AM The Blues The Blues The Blues The Blues The Blues Breakfast with 07 AM The Blues 07 AM 08 AM Breakfast with 08 AM 09 AM Country The Blues 09 AM 10 AM Classics 10 AM 11 AM Beatles Hour Son of Saturday 11 AM 12 PM KRVM’s Weekday Programming Gold 12 PM Magical Mystery 01 PM presents the finest 01 PM Tour Soul City 02 PM in Adult Album Alternative (AAA) Music! 02 PM 03 PM 03 PM Listen to 4J Student DJs, weekdays here on 91.9 FM KRVM! Routes & Women in Music 04 PM Branches 04 PM 05 PM Thursday 05 PM Vinyl Revival Tupelo Honey Bump Skool 5 O’Clock World Acoustic Sounds Global 06 PM Free 4 All Junction 06 PM 07 PM Miles of Music That Short Strange 07 PM Indian Time Zion Train 60s Beat Swing Shift 08 PM Bluegrass Matters Trip 08 PM 09 PM Theme Park The Night Rock en El Greaser’s 09 PM Live Archive Soundscapes 10 PM Owl Centro Garage GTR Radio 10 PM Time Traveler 11 PM Rock & Roll Decades MON 11 PM KRVM 12 AM TUE Hall of Fame Grooveland of Rock SUN 12 AM Overnight 01 AM WED SAT 01 AM 02 AM KRVM KRVM THURS FRI KRVM KRVM 02 AM KRVM 03 AM Overnight Overnight Overnight Overnight 03 AM KRVM KRVM Overnight 04 AM Overnight Overnight 04 AM 5:30am 5:30am 91.9 KRVM Program Notes KRVM is your station for the blues! KRVM's Breakfast with The Blues airs seven mornings a 7 to 9pm - Zion Train hosts Corey & Pete play reggae with an emphasis on conscious 70s roots. -
Freak Emporium
Search: go By Artist By Album Title More Options... Home | Search | My Freak Emporium | View Basket | Checkout | Help | Links | Contact | Log In Bands & Artists: a b c d e f g h i j k l m n o p q r s t u v w x y z | What's New | DVDs | Books | Top Sellers Browse Over 120 Genres: Select a genre... 60's & 70's Compilations - Blues (9 Email Me about new products in this genre | More Genres products) > LIST ALL | New See Also: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Year Offer 60's & 70's Euro Folk Rock 60's & 70's UK Folk Rock 60's & 70's Japanese / Korean / Asian Rock and Pop 60's & 70's Compilations - Pop & Rock Search 60's & 70's Compilations - Blues : go! 60's & 70's Acid Folk & Singer/Songwriter Search Entire Catalogue > 60's & 70's Compilations - Psychedelia 60's & 70's Psychedelia 60's & 70's Compilations - Garage, Beat, Freakbeat, Surf, R&B 60's & 70's Prog Rock 60s Texan Psych And Garage Mod / Freakbeat Latest additions & updates to our catalogue: Paint It Black - Various. CD, £12.00 Blues For Dotsie - Various. CD, £12.00 (Label: EMI, Cat.No: 367 2502) (Label: Ace, Cat.No: CDCHD 1115) Fascinating twenty track Everything from Jump to Down Home to Boogie compilation CD of Rolling Stones Woogie babes on this collection of West Coast covers by some of the greatest Blues cut for and by Dootsie Williams. -
The SYMBOLIST FOLK MUSIC of in Gowan Ring “In Gowan Ring Seems
- “Songs of timele “Psychedelic folk album of the year, no THE FAIRY TRAIL - A documenta ry film about- Nature Spirits “A masterpiece set in stone.” by Till Ger question.” ‘The hard and Britta Schmidtke Circle is Soundtrack: In Unbroken: Gowan Ring ss beauty. The perfect soundtrack for autumn nights.” 40 anni di folk — Ptolemaic Terrascope The ‘Seasons In Gowan TheyRing in Print and Film: Change: SYMBOLIST FOLK The story of acid and — Heathen Harvest pyschedelic by MUSIC of In Gowan Ring — Oliver Tyr (Faun folk’ Jeanette Leech channels stories of stones and angels through homemade instruments and human voice. Uncanny harmonies unearth a visionary sonic tapestry, engaging in mythic landscapes to weave the transcendental and the mundane. ) MoreFolk about Music: B’ee,For In the Gowan last 20 Ring years and B’ee Symbolist has composed original acoustic music under the moniker ‘In Gowan Ring’. It has lead him on an itinerant journey through peculiar landscapes of sound and sense; meeting with other musicians, traditions, and philosophies around the world while pursuing his own unexampled art. “In Gowan Ring seems to invoke a magical state and to take the listener out of this reality into another.” —Woven Wheat Whispers With a revolving cast of compatriots and fellow travelers, In Gowan Ring have over a dozen albums of recorded work, and have performed in over 30 countries worldwide at Folk, Experimental and World Music festivals*, on headlining tours and in collaboration with groups such as Faun, Woven Hand, and Robin Williamson. “An album of rare power, it’s hushed strength Besides classic psychedelic folk influences (Incredible coming equally from its emotive impact and lovingly adorned song cycles. -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice. -
“Rapper's Delight”
1 “Rapper’s Delight” From Genre-less to New Genre I was approached in ’77. A gentleman walked up to me and said, “We can put what you’re doing on a record.” I would have to admit that I was blind. I didn’t think that somebody else would want to hear a record re-recorded onto another record with talking on it. I didn’t think it would reach the masses like that. I didn’t see it. I knew of all the crews that had any sort of juice and power, or that was drawing crowds. So here it is two years later and I hear, “To the hip-hop, to the bang to the boogie,” and it’s not Bam, Herc, Breakout, AJ. Who is this?1 DJ Grandmaster Flash I did not think it was conceivable that there would be such thing as a hip-hop record. I could not see it. I’m like, record? Fuck, how you gon’ put hip-hop onto a record? ’Cause it was a whole gig, you know? How you gon’ put three hours on a record? Bam! They made “Rapper’s Delight.” And the ironic twist is not how long that record was, but how short it was. I’m thinking, “Man, they cut that shit down to fifteen minutes?” It was a miracle.2 MC Chuck D [“Rapper’s Delight”] is a disco record with rapping on it. So we could do that. We were trying to make a buck.3 Richard Taninbaum (percussion) As early as May of 1979, Billboard magazine noted the growing popularity of “rapping DJs” performing live for clubgoers at New York City’s black discos.4 But it was not until September of the same year that the trend gar- nered widespread attention, with the release of the Sugarhill Gang’s “Rapper’s Delight,” a fifteen-minute track powered by humorous party rhymes and a relentlessly funky bass line that took the country by storm and introduced a national audience to rap. -
Dead Master's Beat Label & Distro October 2012 RELEASES
Dead Master's Beat Label & Distro October 2012 RELEASES: STAHLPLANET – Leviamaag Boxset || CD-R + DVD BOX // 14,90 € DMB001 | Origin: Germany | Time: 71:32 | Release: 2008 Dark and weird One-man-project from Thüringen. Ambient sounds from the world Leviamaag. Black box including: CD-R (74min) in metal-package, DVD incl. two clips, a hand-made booklet on transparent paper, poster, sticker and a button. Limited to 98 units! STURMKIND – W.i.i.L. || CD-R // 9,90 € DMB002 | Origin: Germany | Time: 44:40 | Release: 2009 W.i.i.L. is the shortcut for "Wilkommen im inneren Lichterland". CD-R in fantastic handmade gatefold cover. This version is limited to 98 copies. Re-release of the fifth album appeared in 2003. Originally published in a portfolio in an edition of 42 copies. In contrast to the previous work with BNV this album is calmer and more guitar-heavy. In comparing like with "Die Erinnerung wird lebendig begraben". Almost hypnotic Dark Folk / Neofolk. KNŒD – Mère Ravine Entelecheion || CD // 8,90 € DMB003 | Origin: Germany | Time: 74:00 | Release: 2009 A release of utmost polarity: Sudden extreme changes of sound and volume (and thus, in mood) meet pensive sonic mindscapes. The sounds of strings, reeds and membranes meet the harshness and/or ambience of electronic sounds. Music as harsh as pensive, as narrative as disrupt. If music is a vehicle for creating one's own world, here's a very versatile one! Ambient, Noise, Experimental, Chill Out. CATHAIN – Demo 2003 || CD-R // 3,90 € DMB004 | Origin: Germany | Time: 21:33 | Release: 2008 Since 2001 CATHAIN are visiting medieval markets, live roleplaying events, roleplaying conventions, historic events and private celebrations, spreading their “Enchanting Fantasy-Folk from worlds far away”.