DOCSLIB.ORG

Www .Citylibrary.Pncc.Go

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Www .Citylibrary.Pncc.Go For more information contact GENNY VELLA | E: [email protected] | Ph: 06 351 4100 | W: www.citylibrary.pncc.govt.nz Massey University University Massey Palmerston North North Palmerston School of English English of School & Media Studies Studies Media & present the best best the present of New Zealand WritersCity Library & Read ‘10 writing FRIDAY 30 JULY FRIDAY 20 AUGUST FRIDAY 24 SEPTEMBER Drinks & nibbles 6:30pm Mihi Whakatau Drinks & nibbles 6:30pm (welcome) 6:00pm Reading 7:00pm Reading 7:00pm Kai timotimo / Whakawhanaungatanga (refreshments/socialising) 6:15pm Photograph by Deborah Smith Jenny Bornholdt Witi Ihimaera Charlotte Grimshaw Jenny Bornholdt is a poet and anthologist. Born in Lower Hutt Witi Ihimaera’s publishing career began with Pounamu, Pounamu Charlotte Grimshaw is the author of four novels, Provocation, in 1960, she holds a BA in English Literature and a Diploma in (short stories, 1972) and Tangi (novel, 1973), the first novel written Guilt, Foreign City and The Night Book. In 2000 she was awarded Journalism. She attended Bill Manhire’s original composition by a Maori. To date his primary output has been the writing of 11 the Buddle Findlay Sargeson Fellowship. In 2006 she won the BNZ course at Victoria University of Wellington in 1984. novels and 6 short story collections, among them The Matriarch, Katherine Mansfield Award, and in 2007 she won a Book Council The Whale Rider, Nights In The Gardens of Spain, Bulibasha, The Six Pack prize. She is the author of a number of collections of poetry including Uncle’s Story, Ask The Posts of the House and The Trowenna Sea. Summer (April 2003) and These Days (2000) and Miss New Zealand: Her story collection Opportunity was short listed for the 2007 Selected Poems which was published in 1997 and contains work He has also written libretti for opera, theatre and ballet and edited Frank O’Connor International Prize, and in 2008, Opportunity won from her four earliest collections of poetry This Big Face (1988), over 25 books of Maori, Pacific and New Zealand arts and culture. New Zealand’s premier Montana award for fiction, along with the Moving House (1989), Waiting Shelter (1991) and How We Met The Whale Rider was made into an internationally acclaimed film Montana medal. She was also the 2008 Montana Book Reviewer (1995). of the same name; the television film adaptation of Nights In The of the year. Her story collection Singularity was short listed for the Gardens of Spain will be shown on New Zealand television later 2009 Frank O’Connor International Prize and the South East Asia Her latest book is The Rocky Shore (VUP October 2008). It won the this year. and Pacific section of the Commonwealth Writers’ Prize. Montana New Zealand Book Award for Poetry in 2009. He is currently working on Purity of Ice (short story collection) She writes a monthly column in Metro magazine, for which she She has, with her husband poet Gregory O’Brien, edited a and, with Producer Charlotte Yates, a show which will premiere at won a 2009 Qantas Media Award. She lives in Auckland. collection of New Zealand love poetry My Heart Goes Swimming the Auckland Arts Festival in 2010. (1996) and they, with Mark Williams, edited An Anthology of New Zealand Poetry in English (1997) which won the 1997 Montana New Zealand Book Award for Poetry. Jenny Bornholdt spent six months of 2003 in Menton, France, as the 2002 Meridian Energy Katherine Mansfield Fellow. She was named as New Zealand’s Poet Laureate in March 2005. Her poem “Being a Poet” was selected for the online collection Best New Zealand Poems 2001, while “Blue Shirts, Descending” was chosen for Best New Zealand Poems 2002. “Ode to the Little Hotel” is one of the Best New Zealand Poems 2003 and “Photograph” made it onto the list of Best New Zealand Poems 2005. “Medical” was chosen as one of 2006’s Best New Zealand Poems. Jenny’s poem “Mrs Winter’s Jump” has been named as one of 2007’s Best New Zealand Poems..
Load more

Recommended publications
  • NZSA Bulletin of New Zealand Studies
    NZSA Bulletin of New Zealand Studies Issue Number 2 Edited by Ian Conrich ISSN 1758-8626 Published 2010 by Kakapo Books 15 Garrett Grove, Clifton Village, Nottingham NG11 8PU © 2010 Kakapo Books © 2010 for the poetry, which remains with the authors. No part of this publication may be reprinted or reproduced in any form or by any means, electronic, recording or otherwise, or stored in an information retrieval system without written permission from the publisher. Editor: Ian Conrich Assistant Editor: Tory Straker Typesetter: Opuscule Advisory Board: Dominic Alessio (Richmond The American International University) Clare Barker (University of Birmingham) Kezia Barker (Birkbeck, University of London) Claudia Bell (University of Auckland, New Zealand) Judy Bennett (University of Otago, New Zealand) Roger Collins ( Dunedin, New Zealand) Sean Cubitt (University of Melbourne, Australia) Peter Gathercole (Darwin College, University of Cambridge) Nelly Gillet (University of Technology of Angoulême, France) Manying Ip (University of Auckland, New Zealand) Michelle Keown (University of Edinburgh) Yvonne Kozlovsky-Golan (Sapir Academic College, Israel) Geoff Lealand (University of Waikato, New Zealand) Martin Lodge (University of Waikato, New Zealand) Bill Manhire (Victoria University of Wellington, New Zealand) Rachael Morgan (Edinburgh) Michaela Moura-Koçuglu (Goethe University, Frankfurt, Germany) David Newman (Simon Fraser University, Canada) Claudia Orange (Te Papa Tongarewa Museum of New Zealand) Vincent O’Sullivan (Victoria University of Wellington,
    [Show full text]
  • Newsletter – 20 April 2012 ISSN: 1178-9441
    INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions .........................................................
    [Show full text]
  • Course Title
    English Literature Programme Faculty of Humanities and Social Sciences School of English, Film, Theatre, & Media Studies Te Kura Tānga Kōrero Ingarihi, Kiriata, Whakaari, Pāpāho ENGL 112 Cultural Encounters: The Literature of Aoteroa New Zealand Trimester 2 2016 11 July to 13 November 2016 20 Points Bill Manhire (1986) - Robert Cross IMPORTANT DATES Teaching dates: 11 July to 16 October 2016 Mid-trimester break: 22 August to 4 September 2016 Study period: 17 – 20 October 2016 Examination/Assessment period: 21 October to 12 November 2016 Note: Students who enrol in courses with examinations must be able to attend an examination at the University at any time during the scheduled examination period. Withdrawal dates: Refer to www.victoria.ac.nz/students/study/withdrawals-refunds. If you cannot complete an assignment or sit a test in the last three weeks of teaching, or an examination, it may instead be possible to apply for an aegrotat (refer to www.victoria.ac.nz/students/study/exams/aegrotats). 1 School of English, Film, Theatre, & Media Studies ENGLISH LITERATURE PROGRAMME COURSE OUTLINE ENGL 112 CLASS TIMES AND LOCATIONS Lectures Tue, Thu, Fri 3.10 – 4.00 Maclaurin MCLT102 Tutorials Tutorials begin in WEEK 2. Please register for tutorials via the ENGL 112 site on Blackboard: go to “Tutorial instructions” and then follow the instructions carefully. Remember to record your tutorial time, day and room for future reference. Tutorial rooms will be listed on myAllocator, Blackboard and on the noticeboard in the Level 3 corridor of the Hugh Mackenzie Building. NAMES AND CONTACT DETAILS Staff: Anna Smaill Māori and Pasifika Support Tutor: Trae Te Wiki Email: [email protected] Email: [email protected] Phone: 463 5256 Phone: 463 9599 Room: vZ 806 Room: vZ 807 Office Hours: tba Office Hours: tba COMMUNICATION OF ADDITIONAL INFORMATION Updated information about the course, and all handouts, etc.
    [Show full text]
  • December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: the Dance of Life – an Interview with Jan Bolwell
    December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: The Dance of Life – an interview with Jan Bolwell Also In This Issue: Fulbright in the News | Awards and Appointments of Note | Grantee Experience: A Year in the Life of a Māori Geneticist with Aneska Hoskin | Alumni Spotlight: Fulbright Teachers Return to their Classrooms with Expanded World Views | Kai and Korero | Fulbright NZ Scholar Shona Munro on Kiwi Policing | Fulbright Announcement: Introducing Fulbright Good Works – a New Alumni Seminar Series THE TEAM FROM THE EXECUTIVE DIRECTOR This is our final issue of Bright Sparks for the Bright Sparks. Fulbright Science and Innovation PIP CLIMO JAMIE ROBERTSON year, and what a year it has been! Whereas 2019 was graduate Hamish Prince has been busy research- PROGRAMME MANAGER EXECUTIVE AND CORPORATE [email protected] SERVICES ASSISTANT full of firsts—the first ever Fulbright rebrand, the ing the vast storms known as “atmospheric rivers” [email protected] first global meeting of Fulbright Executive Direc- while he waits to take up his Fulbright scholar- tors in Washington DC, the first year our grantees ship next year. Geneticist Aneska Hoskin, also a were able to enjoy the benefits of increased fund- member of this year’s graduate cohort, outlines ing from MFAT—2020 has been characterised by some of the key lessons learnt during her year THERESE LLOYD JULIE WILLIAMS thwarted expectations and continual challenges. spent as a research assistant at Ngati Porou SENIOR COMMUNICATIONS ADVISOR CORPORATE SERVICES MANAGER [email protected] [email protected] But it has also been transformative.
    [Show full text]
  • Download PDF Catalogue
    Ron Left Axial No. 9 Corner Painting acrylic on shaped board title inscribed, signed and dated 1985 1690 x 1100 x 700mm $2500 – $4000 Covers: Ann Shelton Frederick B. Butler Collection, Puke Ariki, New Plymouth, Scrapbooks from: Hawera 1949 December – 1950 March to Opunake 1952 August – 1953 February, No. 12 (detail) C type print, edition of 3 1370 x 930mm $3500 – $5000 Important Paintings & Contemporary Art Viewing: Friday 20 November – Thursday 26 November Auction: Thursday 26 November 2009 at 6.30pm Art + Object Telephone: +64 9 354 4646 3 Abbey Street, Newton, Freephone: 0 800 80 60 01 Auckland Facsimile: +64 9 354 4645 PO Box 68 345, Newton, [email protected] Auckland 1145 www.artandobject.co.nz Contents 2 24 74 Catalogue Introduction Photography section Works from the Celia Dunlop commences Collection – lots 84 to 99 6 Objects of Desire – Auction 33 86 Preview Recording artist – a collection This is no Shadowland by Dick of Julian Dashper vinyl records Frizzell – essay by Hamish 10 Coney Twisting the Void – A+O 36 advises NZI on a major Shane Cotton’s Gate (I – XII) sculptural installation to Nga Rangi Tuhaha – essay by celebrate 150 years in New Oliver Stead Zealand 46 15 Sculpture section commences Important Paintings and Contemporary Art (Viewing 56 Times) The Old Sentinel by Charles Goldie – essay by Ben Plumbly 20 Three major works by Peter 70 Robinson from the 1990s – Northland by Colin McCahon – essay by Rebecca Rice essay by Laurence Simmons Welcome to ART+OBJECT’s final major art auction for 2009. This catalogue is the largest and most varied assembled in the company’s history – testimony to the confidence of vendors and collectors in the ongoing performance of the market.
    [Show full text]
  • Ka Mate Ka Ora: a New Zealand Journal of Poetry and Poetics
    ka mate ka ora: a new zealand journal of poetry and poetics Issue 4 September 2007 Poetry at Auckland University Press Elizabeth Caffin Weathers on this shore want sorts of words. (Kendrick Smithyman, ‘Site’) Auckland University Press might never have been a publisher of poetry were it not for Kendrick Smithyman. It was his decision. As Dennis McEldowney recalls, a letter from Smithyman on 31 March 1967 offering the manuscript of Flying to Palmerston, pointed out that ‘it is to the university presses the responsibility is falling for publishing poetry. Pigheaded and inclined to the parish pump, I would rather have it appear in New Zealand if it appears anywhere’.1 Dennis, who became Editor of University Publications in 1966 and in the next two decades created a small but perfectly formed university press, claimed he lacked confidence in judging poetry. But Kendrick and C. K. Stead, poets and academics both, became his advisors and he very quickly established an impressive list. At its core were the great New Zealand modernist poets. Dennis published five books by Smithyman, three by Stead and three by Curnow starting with the marvellous An Incorrigible Music in 1979.2 Curnow and Smithyman were not young and had published extensively elsewhere but most would agree that their greatest work was written in their later years; and AUP published it. Soon a further group of established poets was added: three books by Elizabeth Smither, one by Albert Wendt, one by Kevin Ireland. And then a new generation, the exuberant poets of the 1960s and 1970s such as Ian Wedde (four books), Bill Manhire, Bob Orr, Keri Hulme, Graham Lindsay, Michael Harlow.
    [Show full text]
  • Our Finest Illustrated Non-Fiction Award
    Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each.
    [Show full text]
  • Fictional Representations of Māori Women's Identities in Witi Ihimaera's
    56 ‘The auntie’s story’: Fictional representations of Māori women’s identities in Witi Ihimaera’s The uncle’s story (2000) from an intersectional perspective SVENJA BINGEL, VERA KRUTZ, KATHARINA LUH and ANNEKI MÜETZE Abstract While literary analysis of Witi Ihimaera’s The uncle’s story (2005 [2000]) has predominantly focused on the novel’s male, homosexual protagonists Sam and Michael, this article intends to put centre stage the minor, but nonetheless innovative, and highly diverse female characters of Auntie Pat, Roimata and Amiria. The complex negotiations of modern and traditional attitudes, sexualities and ethnicities, Māori heritage and Pākehā ideologies that play out with regard to these fictionalpersonae will be taken into consideration, hence opening up a scholarly space and a potential fictional point of reference for the heterogeneity of Māori women’s life worlds in contempo- rary Aotearoa New Zealand. Implementing the rather novel research paradigm of intersectionality in literary and cultural theory and combining it with New Zealand-specific cultural concepts, this paper aims at spiralling in and out of the complexities and intricacies of fictional representations of Māori women’s identities – focusing thus, on the auntie’s story in The uncle’s story. Keywords Intersectionality, Māori literature and culture, Witi Ihimaera, spiral time, identity, femininity, homo- and hetero- sexuality, ethnicity, takatāpui, generation, family/whānau. ‘Intersecting identities’ – Spiralling in and out of Māori women’s identities Over the course of the last decades, practitioners of literary and cultural studies have continu- ously pointed to the importance and usefulness of an enhanced analytical complexity by means of ‘intersecting’ or ‘interweaving’ identities.
    [Show full text]
  • July-October Funding Round 2005
    Creative New Zealand Grants JULY - OCTOBER FUNDING ROUND 2005/2006 This is a complete list of project grants offered in the first funding round of the 2005/2006 financial year. Applications to this round closed on 29 July 2005 and grants were announced in late October. Grants are listed within artforms under Creative New Zealand funding programmes. In this round, 264 project grants totalling more than $3.8 million were offered to artists and arts organisations. Approximately $13.8 million was requested from 784 applications. Arts Board: Creative and FINE ARTS Peppercorn Press: towards publishing five issues of “New Zealand Books” Professional Aotearoa Digital Arts and Caroline McCaw: $27,000 towards the third annual symposium Development $10,000 Takahe Collective Trust: towards publishing CRAF T/OBJECT ART three issues of “Takahe” Dunedin Public Art Gallery: towards David Bennewith: towards study in the $12,000 international exhibition research Netherlands $11,420 $8000 The New Zealand Poetry Society Inc: towards its annual programme of activities The Imaginary Partnership: towards two issues of Audrey Boyle: to participate in the Craft $15,000 “Illusions” magazine Victoria “Common Goods” residency $10,000 programme The New Zealand Poetry Society Inc: towards $3360 two Poets in Workplaces residencies Hye Rim Lee: towards a residency in Korea $6500 $7500 Jason Hall: to participate in and attend the opening of “Pasifika Styles”, Cambridge University of Iowa: towards a New Zealand MIT School of Visual Arts: towards its 2006 University writer
    [Show full text]
  • New Zealand and Pacific Literatures in Spanish Translation
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Journal Systems at the Victoria University of Wellington Library Reading (in) the Antipodes: New Zealand and Pacific Literatures in Spanish Translation PALOMA FRESNO-CALLEJA Abstract This article considers the Spanish translations of New Zealand and Pacific authors and explores the circumstances that have determined their arrival into the Spanish market as well as the different editorial and marketing choices employed to present these works to a Spanish readership. It considers the scarcity of canonical authors, the branding of Maori and other “ethnic” voices, the influence of film adaptations and literary prizes in the translation market, and the construction of the “New Zealand exotic” in works written by non-New Zealand authors which, in the absence of more translations from Spain’s literary Antipodes, have dominated the Spanish market in recent years. Introduction In October 2012, New Zealand was chosen as guest of honour at the Frankfurt Book Fair, the world’s largest and most prominent event of this type. The motto of the New Zealand delegation was: “He moemoea he ohorere / While you were sleeping,” an ingenious allusion to the geographical distance between Europe and its Antipodes, but also a reminder of the country’s literary potential, which Europeans were invited to wake up to. The choice of New Zealand as a guest of honour reflected the enormous interest of German readers for its literature and culture, summarized in Norman Franke’s remark that “Germans are crazy about all things Kiwi.”1 As Franke points out, more New Zealand books have been translated into German than into any other European language, and the impact of the fair resulted in an immediate increase of sales and a thirst for new titles.2 Spanish newspapers reported the event with curiosity but on a slightly skeptical note.
    [Show full text]
  • A Critical Evaluation of New Zealand's Antactic Art Programmes
    A critical evaluation of New Zealand’s Antarctic art programmes, 1957-2011 ANTA 604 Tim Jones February 2011 1 Table of Conents Table of Conents................................................................................................................... 2 Abstract ................................................................................................................................. 3 Introduction ........................................................................................................................... 4 Part one – the artists ............................................................................................................ 5 Part two – the programmes................................................................................................ 51 Part three – the art .............................................................................................................. 58 Conclusions ........................................................................................................................ 66 Acknowledgments .............................................................................................................. 67 2 Abstract The author considers the programmes that have enabled artists to travel to Antarctica as part of the New Zealand Antarctic programme between 1957 and 2011. Details of artists and their visits are given, followed by a descriptive history of the artist programme itself, outlining its origins, development and current status. Finally the artists’ opinions
    [Show full text]
  • Tina Makereti, the Novel Sleeps Standing About the Battle of Orakau and Native Son, the Second Volume of His Memoir
    2017 AUTHOR Showcase AcademyAcademy ofof NewNew Zealand Zealand Literature Literature ANZLANZLTe WhareTe Whare Mātātuhi Mātātuhi o Aotearoa o Aotearoa Please visit the Academy of New Zealand Literature web site for in-depth features, interviews and conversations. www.anzliterature.com Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Kia ora festival directors, This is the first Author Showcase produced by the Academy of New Zealand Literature (ANZL). We are writers from Aotearoa New Zealand, mid-career and senior practitioners who write fiction, poetry and creative nonfiction. Our list of Fellows and Members includes New Zealand’s most acclaimed contemporary writers, including Maurice Gee, Keri Hulme, Lloyd Jones, Eleanor Catton, Witi Ihimaera, C.K. Stead and Albert Wendt. This showcase presents 15 writers who are available to appear at literary festivals around the world in 2017. In this e-book you’ll find pages for each writer with a bio, a short blurb about their latest books, information on their interests and availability, and links to online interviews and performances. Each writer’s page lists an email address so you can contact them directly, but please feel free to contact me directly if you have questions. These writers are well-known to New Zealand’s festival directors, including Anne O’Brien of the Auckland Writers Festival and Rachael King of Word Christchurch. Please note that New Zealand writers can apply for local funding for travel to festivals and other related events. We plan to publish an updated Author Showcase later this year.
    [Show full text]