Newsletter – 2 November 2005
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Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
Course Title
English Literature Programme Faculty of Humanities and Social Sciences School of English, Film, Theatre, & Media Studies Te Kura Tānga Kōrero Ingarihi, Kiriata, Whakaari, Pāpāho ENGL 112 Cultural Encounters: The Literature of Aoteroa New Zealand Trimester 2 2016 11 July to 13 November 2016 20 Points Bill Manhire (1986) - Robert Cross IMPORTANT DATES Teaching dates: 11 July to 16 October 2016 Mid-trimester break: 22 August to 4 September 2016 Study period: 17 – 20 October 2016 Examination/Assessment period: 21 October to 12 November 2016 Note: Students who enrol in courses with examinations must be able to attend an examination at the University at any time during the scheduled examination period. Withdrawal dates: Refer to www.victoria.ac.nz/students/study/withdrawals-refunds. If you cannot complete an assignment or sit a test in the last three weeks of teaching, or an examination, it may instead be possible to apply for an aegrotat (refer to www.victoria.ac.nz/students/study/exams/aegrotats). 1 School of English, Film, Theatre, & Media Studies ENGLISH LITERATURE PROGRAMME COURSE OUTLINE ENGL 112 CLASS TIMES AND LOCATIONS Lectures Tue, Thu, Fri 3.10 – 4.00 Maclaurin MCLT102 Tutorials Tutorials begin in WEEK 2. Please register for tutorials via the ENGL 112 site on Blackboard: go to “Tutorial instructions” and then follow the instructions carefully. Remember to record your tutorial time, day and room for future reference. Tutorial rooms will be listed on myAllocator, Blackboard and on the noticeboard in the Level 3 corridor of the Hugh Mackenzie Building. NAMES AND CONTACT DETAILS Staff: Anna Smaill Māori and Pasifika Support Tutor: Trae Te Wiki Email: [email protected] Email: [email protected] Phone: 463 5256 Phone: 463 9599 Room: vZ 806 Room: vZ 807 Office Hours: tba Office Hours: tba COMMUNICATION OF ADDITIONAL INFORMATION Updated information about the course, and all handouts, etc. -
A P Watt Rights List
A P Watt Rights List Autumn 2008 A P Watt Ltd Literary Agents 20 John Street, London, WC1N 2DR Telephone: + 44 20 7405 6774 Fax: + 44 20 7831 2154 E-mail: [email protected] www.apwatt.co.uk NEW BOOKS – Autumn 2008 Man Booker shortlisted titles 3 Fiction 4 Non-Fiction 11 Children’s 16 Film and Television News 18 Foreign Representation 21 Authors and Estates Represented by A P Watt 22 26 September 2008 2 MAN BOOKER SHORTLISTED TITLES Sebastian Barry THE SECRET SCRIPTURE Nearing her one-hundredth birthday, Roseanne McNulty faces an uncertain future, as the Roscommon Regional Mental Hospital where she’s spent the best part of her adult life prepares for closure. Over the weeks leading up to this upheaval, she talks often with her psychiatrist Dr Grene. This relationship, guarded but trusting after so many years, intensifies and complicates as Dr Grene mourns the death of his wife. Told through their respective journals, the story that emerges – of Roseanne’s family in 1930s Sligo – is at once shocking and deeply beautiful. Refracted through the haze of memory and retelling, Roseanne’s story becomes an alternative, secret history of Ireland. Exquisitely written and deeply moving, it is the story of a life blighted by terrible maltreatment and ignorance, and yet still marked by a flame of love, passion and hope. Sebastian’s A LONG LONG WAY , was shortlisted for the Man Booker and IMPAC prizes and winner of the Kerry Group Prize for Irish Fiction. UK : Faber; US: Viking; Chinese (simplified) : People’s Literature Publishing House; Danish : Cicero; Dutch : Querido; French : Joelle Losfeld; German : Steidl; Greek : Kastaniotis: Hebrew : Achuzat Bayit; Indonesian : Maroon; Norwegian : Schibsted; Portuguese (Port only): Bertrand; Serbian : Mano & Manana; S panish : Belacqva/Norma Published ; 300 pages Linda Grant THE CLOTHES ON THEIR BACKS In a red brick mansion block in central London, Vivien, a sensitive, bookish girl grows up sealed off from both past and present by her timid refugee parents. -
Katherine Mansfield Menton Fellowship Application Form 2019
The Art Foundation Katherine Mansfield Menton Fellowship 2019 The Katherine Mansfield Menton Fellowship is for an established creative writer to spend three months or more in Menton in southern France to work on a project or projects. Tihe Mauriora, e nga iwi o te motu, anei he karahipi whakaharahara. Ko te Katherine Mansfield Menton Fellowship tenei karahipi. Kia kaha koutou ki te tonohia mo tenei putea tautoko. Mena he tangata angitu koe i tenei karahipi, ka taea e koe haere ki te Whenua Wiwi ki te whakamahi to kaupapa, kei te mohio koe, ko te manu i kai i te matauranga nona te ao. Ko koe tena? Amount $35,000 (includes travel and accommodation) Application closing date 5:00pm, Monday 1 July, 2019 The successful applicant will become an Arts Foundation Laureate. What can you write? The residency is open to creative writers across all genres including fiction, children's fiction, poetry, creative non-fiction and playwriting. What do we cover? The residency provides: • a grant of $35,000 to cover all costs including travel to Menton, insurance, living and accommodation costs. $15,000 is paid when your itinerary and insurance is confirmed, with $10,000 payments usually made in month two and three of the residency, assuming the Fellow remains in residency through this period. • a room beneath the terrace of Villa Isola Bella is available for use as a study. Accommodation is not available at the villa. Fellows make their own accommodation arrangements, often with advice from a previous Fellow. Katherine Mansfield spent long periods at Villa Isola Bella in 1919 and 1920 after she contracted tuberculosis. -
New Writing EDITED by THOM CONROY
Intelligent, relevant books for intelligent, inquiring readers Home New writing EDITED BY THOM CONROY FINE ESSAYS FROM TWENTY-TWO OF NEW ZEALAND’S BEST WRITERS A compendium of non-fiction pieces held together by the theme of ‘Home’ and commissioned from 22 of New Zealand’s best writers. Strong, relevant, topical and pertinent, these essays are also compelling, provocative and affecting, they carry the reader from Dunedin to West Papua, Jamaica to Grey’s Avenue, Auckland. In this marvellous collection Selina Tusitala Marsh, Martin Edmond, Ashleigh Young, Lloyd Jones, Laurence Fearnley, Sue Wootton, Elizabeth Knox, Nick Allen, Brian Turner, Tina Makereti, Bonnie Etherington, Paula Morris, Thom Conroy, Jill Sullivan, Sarah Jane Barnett, Ingrid Horrocks, Nidar Gailani, Helen Lehndorf, James George and Ian Wedde show that the art of the essay is alive and well. ‘ . this collection is exceptionally good . fun to read, relevant, compassionate and frequently sharp’ — Annaleese Jochems, Booksellers NZ Blog $39.99 ‘[The essays] are honest, moving and thoughtful, various in style and content, all a delight to read. To contemplate what ‘home’ means to us in a physical, emotional and CATEGORY: Literature philosophical sense, Home: New Writing is a marker of social and cultural history as well ISBN: 978-0-9941407-5-3 as of politics, on the grand and small scale.’ — Stella Chrysostomou, VOLUME; Manawatu eSBN: 978-0-9941407-6-0 Standard 29 June 2017 BIC: DNF, IMBN BISAC: LCO10000 ABOUT THE EDITOR PUBLISHER: Massey University Press IMPRINT: Massey University Press Dr Thom Conroy teaches creative writing in the School of English and Media Studies at PUBLISHED: July 2017 Massey University. -
School of English, Film, Theatre and Media Studies Engl 445 Contemporary Canadian and New Zealand Fiction
School of English, Film, Theatre and Media Studies Engl 445 Contemporary Canadian and New Zealand Fiction Trimester 1 2009 Description: New Zealand literature is usually read in a New Zealand context. What happens when we consider recent New Zealand novels alongside a selection of novels from another settler society? This course encourages students to consider the limits of nationalism in The Vintner’s Luck and Anil’s Ghost, the claims of the local in Lives of Girls and Women and Chemistry, the meanings of culture in Cousins. As well, students will be able to study in depth Dylan Horrocks’ brilliant graphic novel, Hicksville, and will encounter a selection of works that reflect the range and vibrancy of contemporary Canadian fiction. Venue: This is a first trimester course. Seminar classes will be held in von Zedlitz 806 every Thursday between 12.10 and 3.00 p.m. Additional information for all honours classes can be found on the honours noticeboard, 8th floor VZ. Specific information about this course is available on Blackboard. Course convenor: Mark Williams Office: VZ 911 Phone 463 6810; home 9733802, mobile 0210690434 Email: [email protected]. Office hours: Thursday 11.0012.00 p.m. Trimester dates The first trimester of 2009 begins on 2 March and ends on 5 June. The study/ examination period is from 8 June to 1 July. Learning Objectives: This is a seminar course in which students are expected to present to the class their researches into a selection of fiction from Canada and New Zealand. In the course of the year students will -
New Zealand and Pacific Literatures in Spanish Translation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Journal Systems at the Victoria University of Wellington Library Reading (in) the Antipodes: New Zealand and Pacific Literatures in Spanish Translation PALOMA FRESNO-CALLEJA Abstract This article considers the Spanish translations of New Zealand and Pacific authors and explores the circumstances that have determined their arrival into the Spanish market as well as the different editorial and marketing choices employed to present these works to a Spanish readership. It considers the scarcity of canonical authors, the branding of Maori and other “ethnic” voices, the influence of film adaptations and literary prizes in the translation market, and the construction of the “New Zealand exotic” in works written by non-New Zealand authors which, in the absence of more translations from Spain’s literary Antipodes, have dominated the Spanish market in recent years. Introduction In October 2012, New Zealand was chosen as guest of honour at the Frankfurt Book Fair, the world’s largest and most prominent event of this type. The motto of the New Zealand delegation was: “He moemoea he ohorere / While you were sleeping,” an ingenious allusion to the geographical distance between Europe and its Antipodes, but also a reminder of the country’s literary potential, which Europeans were invited to wake up to. The choice of New Zealand as a guest of honour reflected the enormous interest of German readers for its literature and culture, summarized in Norman Franke’s remark that “Germans are crazy about all things Kiwi.”1 As Franke points out, more New Zealand books have been translated into German than into any other European language, and the impact of the fair resulted in an immediate increase of sales and a thirst for new titles.2 Spanish newspapers reported the event with curiosity but on a slightly skeptical note. -
Sample Pages
home: new writing home home: new writing edited by thom conroy 9 preface the art of the essay 11 introduction opening doors with our feet 19 to tatau or not to tatau? that is the ‘afakasi diasporic question selina tusitala marsh 35 sniffing out the neighbourhood: a scent map of home laurence fearnley 47 home without now and then elizabeth knox 55 how not to be at home ian wedde 71 on all our different islands tina makereti 85 suffering is optional sarah jane barnett 95 homing sue wootton 109 oscillations ingrid horrocks 121 southwards to the always talking sea brian turner 133 the sensory seeker helen lehndorf 145 greys avenue paula morris 157 a token of patience anna gailani 165 home in alien spaces nick allen 173 under clearer, brighter stars diane comer 189 na noqu bubu gina cole 203 matrices ashleigh young 213 proximity lloyd jones 229 m a-2 thom conroy 243 a roof over our heads jillian sullivan 253 never coming home bonnie etherington 263 returning places james george 277 the red in my mind martin edmond 291 about the contributors 301 acknowledgements the art of the essay Welcome to Home: New Writing. It’s the debut volume of what will be an annual publication of the best of New Zealand essay writing by this country’s most accomplished writers, both established and emerging. The series marks Massey University Press’s serious intention to help further an intelligent national cultural conversation, to showcase the work of New Zealand’s many fine writers and thinkers, and to support the art of the essay. -
Jenny Dobson
ISSN 1178 -3931 The New Zealand Poetry Society Inc . a fine line PO Box 5283 Lambton Quay September 2011 Wellington 6145 Patrons The Magazine of The New Zealand Poetry Society Dame Fiona Kidman Vincent O’Sullivan Te Hunga Tito Ruri o Aotearoa With the assistance of Creative New Zealand National Coordinator & President We are grateful to our sponsors: Signify http://www.signify.co.nz/ Laurice Gilbert Creative Communities / Wellington City Council Contacts The Thistle Inn; Community Post [email protected] www.poetrysociety.org.nz Contents 1) Feature Article: ‘An Interview With Frankie McMillan’ Tim Jones 4) From the National Coordinator Laurice Gilbert About our Contributors 5) A Warm Welcome to… Results of the 2011 International Poetry Competition 6) President’s Report, 2010-2011 Laurice Gilbert 8) Congratulations Publications – new on the NZPS bookshelf Noticeboard (including the NZPS Wellington Meetings notice) 9) Featured Poet: Jenny Dobson 13) Competitions & Submissions 14) Reviews: The leaf-ride by Dinah Hawken Heidi North 15) The Hill of Wool by Jenny Bornholdt Margaret Vos 16) Regional Report – Taupo Matthew Lark 17) Haikai Corner Kirsten Cliff 19) Mini Competition 20) Members’ Poems Anne Curran, Suzanne Herxhell, Jon Schrader Feature Article An Interview with Frankie McMillan Tim Jones (Reprinted and adapted from Tim’s blog: Books in Trees, September 2009) http://timjonesbooks.blogspot.com/ McMillan is an award winning short story writer and poet. She held the CNZ Todd Bursary in 2005, and in 2009 was the winner of the New Zealand Poetry Society International Poetry Competition, Open Section. She lives in Christchurch with her partner (in a 130-year old house) in the inner city. -
The Best of New Zealand's Book Designs Come Under Tight Scrutiny
MEDIA RELEASE – Monday 11 June 2018 The best of New Zealand’s book designs come under tight scrutiny but the shortlist has been announced It appears it’s not just the cover a book is judged on as the judges announce the finalists in the 2018 PANZ Book Design Awards. The weight of stock, the binding and the smell of the entries all came under close scrutiny from the judging panel. ‘The judges all did their fair share of lifting, sniffing, flipping and pondering the multifaceted design decisions,’ says the convening judge, David Coventon. ‘From paper stocks to spines and binding, print finish, typographic tendencies and idiosyncrasies, we were impressed by the high-quality outcomes.’ From some 110 entries, the judges have whittled out a finalist list of 33 books across eight categories: Penguin Random House New Zealand Award for Best Illustrated Book Aberhart Starts Here by Lara Strongman with Laurence Aberhart (Christchurch Art Gallery Te Puna o Waiwhetū), designed by Peter Bray, Christchurch Art Gallery Te Puna o Waiwhetū The Domain by Gavin Hipkins (Victoria University Press), designed by Philip Kelly the merrier by Miranda Parkes, Sharon Dell, Robyn Notman, Sophie Bannan, Andrea Bell (Hocken Collections, Uare Taoka o Hākena, University of Otago), designed by Daniel Blackball Alexander New China Eyewitness: Roger Duff, Rewi Alley and the art of museum diplomacy edited by James Beattie and Richard Bullen (Canterbury University Press), designed by Aaron Beehre Strangers Arrive by Leonard Bell (Auckland University Press), cover design by -
Keynote Speech - Storylines National Children’S Writers and Illustrators’ Hui, 6 October 2017
Keynote speech - Storylines National Children’s Writers and Illustrators’ Hui, 6 October 2017 The rise and rise of New Zealand children’s publishing Tessa Duder Once upon a time – about 1978 - a young mother of four was struck in the middle of the night with an idea for a children’s novel. A sailing adventure! A family in peril! Would they survive the night?! This was very odd: she’d never written a word of fiction in her life. Sometime during the four years it took to write the story and get it published, she cut out the cartoon below from the Listener and filed it away. (Elderly man to non-so-young woman at cocktail party: And what are you falling back on to writing children’s books from?) Miraculously, 35 years and about 50 books later, she was able to find it in a musty box file. We may laugh at the sub-text of that remark, but actually ‘falling back onto children’s books’ from success as adult writers has some noble exemplars: Leo Tolstoy, Oscar Wilde, Ian Fleming, A.A. Milne. Our own Janet Frame, Joy Cowley, William Taylor, Kate De Goldi, Graeme Lay, Barbara Else. Though it’s more often the reverse: highly skilled children’s writers ‘falling back’ onto writing for adults: think Mandy Hagar, Gaelyn Gordon, David Hill, Bernard Beckett, Fleur Beale, Roald Dahl, John Marsden, J.K. Rowling. The long path to success of Under the Mountain To consider one such fallen angel of the ‘falling back on to children’s’ variety, let’s recall the New Zealand of 1974. -
18 March 2005
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te Putahi¯ Tuhi Auaha o te Ao Newsletter – 18 March 2005 This is the 66th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Laurel crown for Miss New Zealand .........................................................................1 2. The departure lounge .................................................................................................2 3. The arrival gate ..........................................................................................................2 4. Teaching writing in the USA (1) ...............................................................................2 5. Teaching writing in the USA (2) ...............................................................................3 6. Choosing the moment (or, the Sweetman Technique)...............................................3 7. Undergraduate prizes .................................................................................................3 8. New URLs for IIML ..................................................................................................4 9. Beowulf vs. Beowulf: the battle for box office..........................................................4 10. Writing elsewhere (1) ..............................................................................................4 11. Writing elsewhere (2) ..............................................................................................5