August 2005 Lambton Quay WELLINGTON
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Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
Issue 19 May 2017
broadsheet new new zealand poetry Issue No. 19, May 2017 Editor: Mark Pirie THE NIGHT PRESS WELLINGTON / 1 Contents copyright 2017, in the names of the individual contributors Published by The Night Press Cover image: Peter Bland, photo from Collected Poems (Steele Roberts Ltd); photo by John Schroeder (2013) at www.the digitaldarkroom.co.nz Etching on p. 16 by Guthrie Smith, 1965 broadsheet is published twice a year in May and November Subscriptions to: The Editor Flat 4C/19 Cottleville Terrace Thorndon Wellington 6011 Aotearoa / New Zealand http://broadsheetnz.wordpress.com Cost per year $12.00 for 2 issues. Cheques payable to: HeadworX ISSN 1178-7805 (Print) ISSN 1178-7813 (Online) Please Note: At this stage no submissions will be read. The poems included are solicited by the editor. All submissions will be returned. Thank you. 2 / Contents PREFACE / 5 FLEUR ADCOCK / 6 PETER BLAND / 9 GORDON CHALLIS / 17 GLENN COLQUHOUN / 18 MARILYN DUCKWORTH / 20 RIEMKE ENSING / 22 MICHAEL HARLOW / 24 KEVIN IRELAND / 26 LOUIS JOHNSON / 27 KAPKA KASSABOVA / 28 VINCENT OSULLIVAN / 30 BOB ORR / 32 A G PETTET / 34 GUS SIMONOVIC / 36 ELIZABETH SMITHER / 37 C K STEAD / 38 NOTES ON CONTRIBUTORS / 40 / 3 Acknowledgements Grateful acknowledgement is made to the editors and publishers of the following journals or collections, where the following poems in this issue first appeared: Peter Bland: Exotic, This poem starts right now... and Evensong from A Fugitive Presence (Steele Roberts Ltd, Wellington, 2016). Gordon Challis: Gifts from Luck of the Bounce (Steele Roberts Ltd, Wellington, 2008). Marilyn Duckworth: Marble Solitaire from The Chiming Blue: New and Selected Poems (Victoria University Press, Wellington, 2017). -
Newsletter – 8 April 2005
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te Putahi¯ Tuhi Auaha o te Ao Newsletter – 8 April 2005 This is the 67th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Best New Zealand Poems 05 .................................................................................1 2. Bell Gully National Schools Poetry Award.........................................................2 3. Robert Creeley (1926 - 2005) ....................................................................................2 4. Frank Conroy (1936-2005)......................................................................................3 5. Snorkelling this way ...............................................................................................4 6. Wet ink......................................................................................................................5 7. Pity the poet laureate..............................................................................................5 8. Poetry, painting, Porirua........................................................................................5 9. Fugacity ....................................................................................................................6 10. The expanding bookshelf.....................................................................................6 11. Recent web reading...............................................................................................6 -
Ka Mate Ka Ora: a New Zealand Journal of Poetry and Poetics
ka mate ka ora: a new zealand journal of poetry and poetics Issue 4 September 2007 Poetry at Auckland University Press Elizabeth Caffin Weathers on this shore want sorts of words. (Kendrick Smithyman, ‘Site’) Auckland University Press might never have been a publisher of poetry were it not for Kendrick Smithyman. It was his decision. As Dennis McEldowney recalls, a letter from Smithyman on 31 March 1967 offering the manuscript of Flying to Palmerston, pointed out that ‘it is to the university presses the responsibility is falling for publishing poetry. Pigheaded and inclined to the parish pump, I would rather have it appear in New Zealand if it appears anywhere’.1 Dennis, who became Editor of University Publications in 1966 and in the next two decades created a small but perfectly formed university press, claimed he lacked confidence in judging poetry. But Kendrick and C. K. Stead, poets and academics both, became his advisors and he very quickly established an impressive list. At its core were the great New Zealand modernist poets. Dennis published five books by Smithyman, three by Stead and three by Curnow starting with the marvellous An Incorrigible Music in 1979.2 Curnow and Smithyman were not young and had published extensively elsewhere but most would agree that their greatest work was written in their later years; and AUP published it. Soon a further group of established poets was added: three books by Elizabeth Smither, one by Albert Wendt, one by Kevin Ireland. And then a new generation, the exuberant poets of the 1960s and 1970s such as Ian Wedde (four books), Bill Manhire, Bob Orr, Keri Hulme, Graham Lindsay, Michael Harlow. -
The Year That Was
Kunapipi Volume 4 Issue 1 Article 14 1982 The year that was Anna Rutherford University of Aarhus, Denmark Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Rutherford, Anna, The year that was, Kunapipi, 4(1), 1982. Available at:https://ro.uow.edu.au/kunapipi/vol4/iss1/14 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The year that was Abstract AUSTRALIA The two outstanding Australian books of the year are autobiographies, but they're even farther apart than their respective origins in Sydney and Perth. No doubt for many readers one of the disappointments of Patrick White's 'long awaited' Flaws £n the Glass Qonathan Cape) was the absence of an index. Potential victims and bystanders, salivating alike, will find no list of name' ' targets of this sharpest of Australian writers who admits he forgets nothing: no more than a few perfunctory and occasionally parodic footnotes. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol4/iss1/14 The Year That Was AUSTRALIA The two outstanding Australian books of the year are autobiographies, but they're even farther apart than their respective origins in Sydney and Perth. No doubt for many readers one of the disappointments of Patrick White's 'long awaited' Flaws £n the Glass Qonathan Cape) was the absence of an index. Potential victims and bystanders, salivating alike, will find no list of 'name' targets of this sharpest of Australian writers who admits he forgets nothing: no more than a few perfunctory and occa sionally parodic footnotes. -
The Sinking of the Rainbow Warrior: Responses to an International Act of Terrorism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NECTAR Journal of Postcolonial Cultures and Societies ISSN No. 1948-1845 (Print); 1948-1853 (Electronic) The sinking of the rainbow warrior: Responses to an international act of terrorism Janet Wilson Introduction: the Rainbow Warrior Affair The Rainbow Warrior affair, an act of sabotage against the flagship of the Greenpeace fleet, the Rainbow Warrior, when berthed at Marsden wharf in Auckland harbour on 10th July 1985, dramatised in unprecedented ways issues of neo-imperialism, national security, eco-politics and postcolonialism in New Zealand. The bombing of the yacht by French secret service agents effectively prevented its participation in a Nuclear Free Pacific campaign in which it was to have headed the Pacific Fleet Flotilla to Moruroa atoll protesting French nuclear testing. Outrage was compounded by tragedy: the vessel’s Portuguese photographer, Fernando Pereira, went back on board to get his camera after the first detonation and was drowned in his cabin following the second one. The evidence of French Secret Service (Direction Generale de la Securite Exterieure or DGSE) involvement which sensationally emerged in the following months, not only enhanced New Zealand’s status as a small nation and wrongful victim of French neo-colonial ambitions, it dramatically magnified Greenpeace’s role as coordinator of New Zealand and Pacific resistance to French bomb-testing. The stand-off in New Zealand –French political relations for almost a decade until French bomb testing in the Pacific ceased in 1995 notwithstanding, this act of terrorism when reviewed after almost 25 years in the context of New Zealand’s strategic and political negotiations of the 1980s, offers a focus for considering the changing composition of national and regional postcolonial alliances during Cold War politics. -
Jenny Dobson
ISSN 1178 -3931 The New Zealand Poetry Society Inc . a fine line PO Box 5283 Lambton Quay September 2011 Wellington 6145 Patrons The Magazine of The New Zealand Poetry Society Dame Fiona Kidman Vincent O’Sullivan Te Hunga Tito Ruri o Aotearoa With the assistance of Creative New Zealand National Coordinator & President We are grateful to our sponsors: Signify http://www.signify.co.nz/ Laurice Gilbert Creative Communities / Wellington City Council Contacts The Thistle Inn; Community Post [email protected] www.poetrysociety.org.nz Contents 1) Feature Article: ‘An Interview With Frankie McMillan’ Tim Jones 4) From the National Coordinator Laurice Gilbert About our Contributors 5) A Warm Welcome to… Results of the 2011 International Poetry Competition 6) President’s Report, 2010-2011 Laurice Gilbert 8) Congratulations Publications – new on the NZPS bookshelf Noticeboard (including the NZPS Wellington Meetings notice) 9) Featured Poet: Jenny Dobson 13) Competitions & Submissions 14) Reviews: The leaf-ride by Dinah Hawken Heidi North 15) The Hill of Wool by Jenny Bornholdt Margaret Vos 16) Regional Report – Taupo Matthew Lark 17) Haikai Corner Kirsten Cliff 19) Mini Competition 20) Members’ Poems Anne Curran, Suzanne Herxhell, Jon Schrader Feature Article An Interview with Frankie McMillan Tim Jones (Reprinted and adapted from Tim’s blog: Books in Trees, September 2009) http://timjonesbooks.blogspot.com/ McMillan is an award winning short story writer and poet. She held the CNZ Todd Bursary in 2005, and in 2009 was the winner of the New Zealand Poetry Society International Poetry Competition, Open Section. She lives in Christchurch with her partner (in a 130-year old house) in the inner city. -
Metafiction in New Zealand from the 1960S to the Present Day
Metafiction in New Zealand from the 1960s to the present day A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Massey University, Albany, New Zealand Matthew Harris 2011 Metafiction in New Zealand from the 1960s to the present day (2011) by Matthew Harris (for Massey University) is licensed under a Creative Commons - Attribution -NonCommercial -NoDerivs 3.0 Unported License. Permissions beyond the scope of this license may be available at www.matthewjamesharris.com. ii ABSTRACT While studies of metafiction have proliferated across America and Europe, the present thesis is the first full-length assessment of its place in the literature of New Zealand. Taking as its point of reference a selection of works from authors Janet Frame, C.K. Stead, Russell Haley, Michael Jackson and Charlotte Randall, this thesis employs a synthesis of contextual and performative frameworks to examine how the internationally- prevalent mode of metafiction has influenced New Zealand fiction since the middle of the 20 th century. While metafictional texts have conventionally been thought to undermine notions of realism and sever illusions of representation, this thesis explores ways in which the metafictional mode in New Zealand since the 1960s might be seen to expand and augment realism by depicting individual modes of thought and naturalising unique forms of self-reflection, during what some commentators have seen as a period of cultural ‘inwardness’ following various socio-political shifts in the latter -
Landfall 238
LANDFALL 238 Edited by Emma Neale NEW TITLE INFORMATION SELLING POINTS OTAGO • Announcing winners of the Kathleen UNIVERSITY Grattan Award for Poetry, Landfall Essay Competition 2019, and the PRESS Caselberg Trust International Poetry Prize 2019 • Exciting contemporary art and writing PUBLICATION DETAILS FEATURED ARTISTS Landfall 238 Nigel Brown, Holly Craig, Emil McAvoy Edited by Emma Neale Otago University Press AWARDS & COMPETITIONS www.otago.ac.nz/press Results from the Kathleen Grattan Award for Poetry 2019, with judge’s report by Jenny Bornholdt; results and winning essays from the Landfall Essay Competition 2019, with judge’s Literature report by Emma Neale; results from the Caselberg Trust International Poetry Prize 2019, with Paperback, 215 x 165 mm judge’s report by Dinah Hawken. 208 pp, 16 in colour ISBN 978-1-98-853180-9, $30 WRITERS IN-STORE: NOV 2019 John Allison, Ruth Arnison, Emma Barnes, Pera Barrett, Nikki-Lee Birdsey, Anna Kate Blair, See below for ordering information Corrina Bland, Cindy Botha, Liz Breslin, Mark Broatch, Tobias Buck, Paolo Caccioppoli, Marisa Cappetta, Janet Charman, Whitney Cox, Mary Cresswell, Jeni Curtis, Jodie Dalgleish, Breton Dukes, David Eggleton, Johanna Emeney, Cerys Fletcher, David Geary, Miriama Gemmell, Susanna Gendall, Gail Ingram, Sam Keenan, Kerry Lane, Peter Le Baige, Helen Lehndorf, Kay McKenzie Cooke, Kirstie McKinnon, Zoë Meager, Lissa Moore, Margaret Moores, Janet Newman, Rachel O’Neill, Claire Orchard, Bob Orr, Jenny Powell, Nina Mingya Powles, Lindsay Rabbitt, Nicholas Reid, Jade Riordan, Gillian Roach, Paul Schimmel, Derek Schulz, Michael Steven, Chris Stewart, Robert Sullivan, Stacey Teague, Annie Villiers, Janet Wainscott, Louise Wallace, Albert Wendt, Iona Winter REVIEWS Landfall Review Online: books recently reviewed Shef Rogers on The Travels of Hildebrand Bowman, ed. -
Newsletter – 2 November 2005
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te Putahi¯ Tuhi Auaha o te Ao Newsletter – 2 November 2005 This is the 77th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. $65,000 Prize in Modern Letters shortlist announced ...............................................1 2. A sporting chance for new writers.............................................................................2 3. MA writers line up, Iowa applications still open.......................................................2 4. Knox explains Eliot’s but(t).......................................................................................3 5. From the whiteboard..................................................................................................3 6. Bone people revisited.................................................................................................3 7. A Huia from Hulme ...................................................................................................4 8. The expanding screen ................................................................................................4 9. Recent web reading....................................................................................................4 10. Great lists of our time ..............................................................................................5 1. $65,000 Prize in Modern Letters shortlist announced -
The Best of New Zealand's Book Designs Come Under Tight Scrutiny
MEDIA RELEASE – Monday 11 June 2018 The best of New Zealand’s book designs come under tight scrutiny but the shortlist has been announced It appears it’s not just the cover a book is judged on as the judges announce the finalists in the 2018 PANZ Book Design Awards. The weight of stock, the binding and the smell of the entries all came under close scrutiny from the judging panel. ‘The judges all did their fair share of lifting, sniffing, flipping and pondering the multifaceted design decisions,’ says the convening judge, David Coventon. ‘From paper stocks to spines and binding, print finish, typographic tendencies and idiosyncrasies, we were impressed by the high-quality outcomes.’ From some 110 entries, the judges have whittled out a finalist list of 33 books across eight categories: Penguin Random House New Zealand Award for Best Illustrated Book Aberhart Starts Here by Lara Strongman with Laurence Aberhart (Christchurch Art Gallery Te Puna o Waiwhetū), designed by Peter Bray, Christchurch Art Gallery Te Puna o Waiwhetū The Domain by Gavin Hipkins (Victoria University Press), designed by Philip Kelly the merrier by Miranda Parkes, Sharon Dell, Robyn Notman, Sophie Bannan, Andrea Bell (Hocken Collections, Uare Taoka o Hākena, University of Otago), designed by Daniel Blackball Alexander New China Eyewitness: Roger Duff, Rewi Alley and the art of museum diplomacy edited by James Beattie and Richard Bullen (Canterbury University Press), designed by Aaron Beehre Strangers Arrive by Leonard Bell (Auckland University Press), cover design by -
18 March 2005
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te Putahi¯ Tuhi Auaha o te Ao Newsletter – 18 March 2005 This is the 66th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Laurel crown for Miss New Zealand .........................................................................1 2. The departure lounge .................................................................................................2 3. The arrival gate ..........................................................................................................2 4. Teaching writing in the USA (1) ...............................................................................2 5. Teaching writing in the USA (2) ...............................................................................3 6. Choosing the moment (or, the Sweetman Technique)...............................................3 7. Undergraduate prizes .................................................................................................3 8. New URLs for IIML ..................................................................................................4 9. Beowulf vs. Beowulf: the battle for box office..........................................................4 10. Writing elsewhere (1) ..............................................................................................4 11. Writing elsewhere (2) ..............................................................................................5