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Tas E-News Issue 2: April 2016
Tas e-News Issue 2: April 2016 Patrons: Her Excellency Professor PO Box 113, Moonah, Tas., 7009 the Hon. Kate Warner AM email: [email protected] and Mr Richard Warner web: www.cbcatas.org Editor: Penny Garnsworthy blog: http://cbcatas.blogspot.com/ ________________________________________________________________________________________ From President Richard Our year has started well with collaboration between Tamar Valley Writers Festival, Friends of the Library Launceston and the Sustainability Learning Centre allowing us to tour Carole Wilkinson in Launceston and Hobart. While it was disappointing to see so few CBCA members at the public talks, it was heartening to see so many new people at the Hobart session. Thank you to Jenny Dudgeon (Manager, Sustainability Learning Centre) for her hospitality. April 18 sees the announcements of this year’s Notable Books, with the Short List announcement on May 20. CBCA’s Book of the Year Awards are the premier children’s literature awards; being made a notable or short listed is a huge boost to an author/illustrator’s career. One of last year’s short listed authors, debut novelist Tamsin Janu, captivated young audiences at the Tamar Valley Writers Festival. More important dates for your calendar: The Hidden Stories Forum on 7 September and 11 September. More details soon! I will be attending my last CBCA National AGM at the end of this month. CBCA Branches around the country are finding it difficult to fill committee positions. Please consider your own involvement carefully – can you help keep CBCA Tasmanian Branch alive? Richard Pickup - President What’s in this Issue? Topic Page Topic Page Topic Page From President Richard 1 The School Magazine 5 Kit Lit News 8 From Tas. -
Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
Newsletter – 2 February 2007
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 15 April 2009 ISSN: 1178-9441 This is the 139th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Dispatches from the front lines of New Zealand poetry.......................................1 2. Calling teachers and student writers......................................................................2 3. Work on your words................................................................................................2 4. Finding the next KM................................................................................................3 5. Your work here? ......................................................................................................3 6. The expanding bookshelf (1)...................................................................................3 7. Writers in residence (1) ...........................................................................................4 8. Luminous poetry wanted.........................................................................................4 9. From the whiteboard ...............................................................................................4 10. Writers in residence (2) .........................................................................................4 11. The expanding bookshelf (2).................................................................................5 -
Storylines Margaret Mahy Medal Lecture 2020
Storylines Margaret Mahy Medal Lecture 2020 Presented online 6 September 2020 Tēnā koutou, tēnā koutou, tēnā koutou, bula, talofa, fakalofa lahi aut, kia orana, malo e lelei. You might be looking at what I’m wearing and wondering why I’m dressed in Victorian clothes. This outfit came about when the Scholastic team, illustrator Marco Ivancic and I were thinking of ideas for the front cover of a book we were working on. Marco drew a rough of how the main character should stand but it wasn’t quite the posture we were looking for. So, I threw on a long skirt and asked my husband to take a photo of me holding a pen in my hand. Penny Scown from Scholastic had the same idea and did a similar pose, which helped Marco draw the hand from different angles. It gave me the idea to dress like the main character at the book launch. My good friend Mary Kelleher made the outfit and here is Penny Scown and myself at the book launch of… have you guessed it?… Kate Sheppard. The reason I’ve worn it today is to show you the lengths I go to, to make my stories real for children. I’m not the only author who does – you might have seen Fifi Colston or Gareth Ward dressed in their steampunk costumes, and there are others. I write non-fiction books about historical events, famous people, and our wildlife in a creative way. Part of that is bringing it alive, whether it’s dressing the part or getting kids to act it out with me – or using props. -
Academic & Professional Publishing
Fall 2017 Academic & Professional Publishing Academic & Professional Publishing Fall 2017 IPG Academic and Professional Publishing is delighted to present our Fall 2017 catalog which includes hundreds of new titles for your examination� In this edition we will also be introducing a new publisher to our readership� We are pleased to present titles from Southeast Missouri State University Press� Founded in 2001, Southeast Missouri State University Press serves both as a first-rate publisher and as a working laboratory for students interested in learning the art and skills of literary publishing. The Press supports a Minor degree program in Small-press Publishing for undergraduate students in any major who wish to acquire the basic skills for independent-press publishing and editing. Recognition won by their books include the John H� Reid Short Fiction Award, the Creative Spirits Platinum Award for General Fiction, the James Jones First Novel Award, the Langum Award for Historical Fiction, the Missouri Governor’s Book Award, the United We Read selection, and the Kniffen Book Award for best U�S�/Canada cultural geography� Table of Contents New Trade Titles ���������������������������������������������������������������������������������1–85 Business & Economics ������������������������������������������������������������86–96 Science................................................................................. 97–105 Philosophy........................................................................106 & 107 Religion............................................................................. -
Issue 19 May 2017
broadsheet new new zealand poetry Issue No. 19, May 2017 Editor: Mark Pirie THE NIGHT PRESS WELLINGTON / 1 Contents copyright 2017, in the names of the individual contributors Published by The Night Press Cover image: Peter Bland, photo from Collected Poems (Steele Roberts Ltd); photo by John Schroeder (2013) at www.the digitaldarkroom.co.nz Etching on p. 16 by Guthrie Smith, 1965 broadsheet is published twice a year in May and November Subscriptions to: The Editor Flat 4C/19 Cottleville Terrace Thorndon Wellington 6011 Aotearoa / New Zealand http://broadsheetnz.wordpress.com Cost per year $12.00 for 2 issues. Cheques payable to: HeadworX ISSN 1178-7805 (Print) ISSN 1178-7813 (Online) Please Note: At this stage no submissions will be read. The poems included are solicited by the editor. All submissions will be returned. Thank you. 2 / Contents PREFACE / 5 FLEUR ADCOCK / 6 PETER BLAND / 9 GORDON CHALLIS / 17 GLENN COLQUHOUN / 18 MARILYN DUCKWORTH / 20 RIEMKE ENSING / 22 MICHAEL HARLOW / 24 KEVIN IRELAND / 26 LOUIS JOHNSON / 27 KAPKA KASSABOVA / 28 VINCENT OSULLIVAN / 30 BOB ORR / 32 A G PETTET / 34 GUS SIMONOVIC / 36 ELIZABETH SMITHER / 37 C K STEAD / 38 NOTES ON CONTRIBUTORS / 40 / 3 Acknowledgements Grateful acknowledgement is made to the editors and publishers of the following journals or collections, where the following poems in this issue first appeared: Peter Bland: Exotic, This poem starts right now... and Evensong from A Fugitive Presence (Steele Roberts Ltd, Wellington, 2016). Gordon Challis: Gifts from Luck of the Bounce (Steele Roberts Ltd, Wellington, 2008). Marilyn Duckworth: Marble Solitaire from The Chiming Blue: New and Selected Poems (Victoria University Press, Wellington, 2017). -
Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, Five Playwrights
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. METAMORPHOSIS AT 'THE MARGIN': BRUCE MASON, JAMES K. BAXTER, MERVYN THOMPSON, RENtE AND ROBERT LORD, FIVE PLAYWRIGHTS WHO HAVE HELPED TO CHANGE THE FACE OF NEW ZEALAND DRAMA. A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy III English at Massey University [Palmerston North], New Zealand Susan Lillian Williams 2006 11 DEDICATION I dedicate this thesis to my grandfather and my mother, neither of whom had the privilege of gaining the education that they both so much deserved. I stand on their shoulders, just as my son, David, will stand on mine. The writing of this thesis, however, would not have been possible without the unstinting assistance of Ainslie Hewton. Finally, to my irreplaceable friend,Zeb, the puppy I wanted and never had as a child. Zeb nurtured me throughout this long project and then, in the last week of completion, was called by the black rabbit. Thank you for everything you taught me Zebedee. You and I will always be playing alongside your beloved riverbank. III ABSTRACT Drama has been the slowest of the arts to develop an authentic New Zealand 'voice.' This thesis focuses on the work of five playwrights: Bruce Mason, James K. Baxter, Mervyn Thompson, Renee and Robert Lord, all of whom have set out to identify such a 'voice' and in so doing have brought about a metamorphosis in the nature of New Zealand drama. -
Newsletter – 8 April 2005
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te Putahi¯ Tuhi Auaha o te Ao Newsletter – 8 April 2005 This is the 67th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Best New Zealand Poems 05 .................................................................................1 2. Bell Gully National Schools Poetry Award.........................................................2 3. Robert Creeley (1926 - 2005) ....................................................................................2 4. Frank Conroy (1936-2005)......................................................................................3 5. Snorkelling this way ...............................................................................................4 6. Wet ink......................................................................................................................5 7. Pity the poet laureate..............................................................................................5 8. Poetry, painting, Porirua........................................................................................5 9. Fugacity ....................................................................................................................6 10. The expanding bookshelf.....................................................................................6 11. Recent web reading...............................................................................................6 -
November 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri O Aotearoa Vincent O’Sullivan
Newsletter New Zealand Poetry Society PO Box 5283 November 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri o Aotearoa Vincent O’Sullivan President With the Assistance of Creative NZ James Norcliffe Arts Council of New Zealand Toi Aotearoa Email and Lion Foundation [email protected] Website ISSN 1176-6409 www.poetrysociety.org.nz Sometimes detail and setting will matter less than, say, weather and mood – a stillness that speaks of loneliness This Month’s Meeting or hope, a wild wind of energy or despair; or a prevailing sense of stories that might be winding their way beneath Turnbull House the surface. 11 Bowen Street, Wellington In ‘Dog on a Mountain’ (The Scientific Evidence of Dr Thursday 17th November Wang), a filmed landscape became the key to a poem I was Launch of the NZPS Anthology trying, unsuccessfully, to write about exile or separation Hear poets read their work from the anthology and the emotional distance of unfamiliar surroundings. MC for the night is Laurice Gilbert As the film festival was on, I left the concept to simmer Start time: 7pm, refreshments will be served and went, without expectation, to a documentary about For further information call: throat singing. The film included footage from, as I recall, Neil Furby Event Manager Mongolia. Of course, there was nothing about throat 027 489 6066 or [email protected] singing that was remotely relevant to exile. But there were connections in the mood of the stony Mongolian landscape from which the backdrop to the poem would later be Incidental Images established, as well as in the fragments of geographical Stephanie De Montalk isolation, including a lonely road and a dog howling ‘from The laptop’s on, the printer’s loaded and coffee’s in the the back of its throat’, that wove their way into the work. -
Ka Mate Ka Ora: a New Zealand Journal of Poetry and Poetics
ka mate ka ora: a new zealand journal of poetry and poetics Issue 4 September 2007 Poetry at Auckland University Press Elizabeth Caffin Weathers on this shore want sorts of words. (Kendrick Smithyman, ‘Site’) Auckland University Press might never have been a publisher of poetry were it not for Kendrick Smithyman. It was his decision. As Dennis McEldowney recalls, a letter from Smithyman on 31 March 1967 offering the manuscript of Flying to Palmerston, pointed out that ‘it is to the university presses the responsibility is falling for publishing poetry. Pigheaded and inclined to the parish pump, I would rather have it appear in New Zealand if it appears anywhere’.1 Dennis, who became Editor of University Publications in 1966 and in the next two decades created a small but perfectly formed university press, claimed he lacked confidence in judging poetry. But Kendrick and C. K. Stead, poets and academics both, became his advisors and he very quickly established an impressive list. At its core were the great New Zealand modernist poets. Dennis published five books by Smithyman, three by Stead and three by Curnow starting with the marvellous An Incorrigible Music in 1979.2 Curnow and Smithyman were not young and had published extensively elsewhere but most would agree that their greatest work was written in their later years; and AUP published it. Soon a further group of established poets was added: three books by Elizabeth Smither, one by Albert Wendt, one by Kevin Ireland. And then a new generation, the exuberant poets of the 1960s and 1970s such as Ian Wedde (four books), Bill Manhire, Bob Orr, Keri Hulme, Graham Lindsay, Michael Harlow. -
Dissertation
DISSERTATION Titel der Dissertation „‘Kiwi’ Masculinities in New Zealand Short Stories“ Verfasserin MMag. phil. Maria Hinterkörner angestrebter akademischer Grad Doktorin der Philosophie (Dr. phil.) Wien, 2012 Studienkennzahl lt. Studienblatt : A 092 343 Dissertationsgebiet lt. Studienblatt: Anglistik und Amerikanistik Betreuerin: Univ.-Prof. Mag. Dr. Astrid Fellner [i] ACKNOWLEDGEMENTS “‘[New Zealand] is not quite the moon, but after the moon it is the farthest place in the world,’” said Sir Karl Popper (as quoted in KING 2003: 415), Austrian-New Zea- land-British philosopher; and ‘off the edge of the world’ in unlikely Kawakawa is where Friedensreich Hundertwasser built a colourful public toilet after having abandoned Austria for the sheep-crowded archipelago in the South Pacific. Little did I know about New Zealand as a country, as a people, as a nation and – above all – about how to pen a doctoral dissertation when I set out on this scien- tific journey a little while ago. At a very early stage of my doctoral endeavours, I knew my inquisitiveness could not be satisfied with the holdings at the University of Vienna, Austria, a country on the opposite side of the earth of the country’s lit- erature that I had chosen as subject of investigation. I was lucky enough to call Aotearoa/New Zealand my home for six months in 2009 – a sojourn that proved most fecund to my work, provided me with an abundance of motivation, and left me awe-inspired by the country’s inhabitants – scholars, fishermen, tattooists – its natural beauty and its rich and colourful culture. I was able to spend most of my time in the immense libraries of New Zealand’s universities and in conversation with scholars and authors who so very openly supported my work and provided answers where clarity had yet been missing. -
Our Finest Illustrated Non-Fiction Award
Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each.