Honour List 2012 © International Board on Books for Young People (IBBY), 2012
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The Global Publishing Industry in 2017
The Global Publishing Industry in 2017 The Global Publishing Industry in 2017 The user is allowed to reproduce, distribute, adapt, translate and publicly perform this publication, including for commer- cial purposes, without explicit permission, provided that the content is accompanied by an acknowledgement that WIPO is the source and that it is clearly indicated if changes were made to the original content. Suggested citation: WIPO (2019). The Global Publishing Industry in 2017. Geneva: World Intellectual Property Organization. Adaptation/translation/derivatives should not carry any offi- cial emblem or logo, unless they have been approved and validated by WIPO. Please contact us via the WIPO website to obtain permission. For any derivative work, please include the following dis- claimer: “The Secretariat of WIPO assumes no liability or responsibility with regard to the transformation or translation of the original content.” When content published by WIPO, such as images, graphics, trademarks or logos, is attributed to a third-party, the user of such content is solely responsible for clearing the rights with the right holder(s). To view a copy of this license, please visit © WIPO, 2019 https://creativecommons.org/licenses/by/3.0/igo/ World Intellectual Property Organization The designations employed and the presentation of material 34, chemin des Colombettes, throughout this publication do not imply the expression of any P.O. Box 18 opinion whatsoever on the part of WIPO concerning the legal CH-1211 Geneva 20, status of any country, territory or area or of its authorities, Switzerland or concerning the delimitation of its frontiers or boundaries. ISBN: 978-92-805-3041-4 This publication is not intended to reflect the views of the Member States or the WIPO Secretariat. -
Tas E-News Issue 2: April 2016
Tas e-News Issue 2: April 2016 Patrons: Her Excellency Professor PO Box 113, Moonah, Tas., 7009 the Hon. Kate Warner AM email: [email protected] and Mr Richard Warner web: www.cbcatas.org Editor: Penny Garnsworthy blog: http://cbcatas.blogspot.com/ ________________________________________________________________________________________ From President Richard Our year has started well with collaboration between Tamar Valley Writers Festival, Friends of the Library Launceston and the Sustainability Learning Centre allowing us to tour Carole Wilkinson in Launceston and Hobart. While it was disappointing to see so few CBCA members at the public talks, it was heartening to see so many new people at the Hobart session. Thank you to Jenny Dudgeon (Manager, Sustainability Learning Centre) for her hospitality. April 18 sees the announcements of this year’s Notable Books, with the Short List announcement on May 20. CBCA’s Book of the Year Awards are the premier children’s literature awards; being made a notable or short listed is a huge boost to an author/illustrator’s career. One of last year’s short listed authors, debut novelist Tamsin Janu, captivated young audiences at the Tamar Valley Writers Festival. More important dates for your calendar: The Hidden Stories Forum on 7 September and 11 September. More details soon! I will be attending my last CBCA National AGM at the end of this month. CBCA Branches around the country are finding it difficult to fill committee positions. Please consider your own involvement carefully – can you help keep CBCA Tasmanian Branch alive? Richard Pickup - President What’s in this Issue? Topic Page Topic Page Topic Page From President Richard 1 The School Magazine 5 Kit Lit News 8 From Tas. -
High Performance Stallions Standing Abroad
High Performance Stallions Standing Abroad High Performance Stallions Standing Abroad An extract from the Irish Sport Horse Studbook Stallion Book The Irish Sport Horse Studbook is maintained by Horse Sport Ireland and the Northern Ireland Horse Board Horse Sport Ireland First Floor, Beech House, Millennium Park, Osberstown, Naas, Co. Kildare, Ireland Telephone: 045 850800. Int: +353 45 850800 Fax: 045 850850. Int: +353 45 850850 Email: [email protected] Website: www.horsesportireland.ie Northern Ireland Horse Board Office Suite, Meadows Equestrian Centre Embankment Road, Lurgan Co. Armagh, BT66 6NE, Northern Ireland Telephone: 028 38 343355 Fax: 028 38 325332 Email: [email protected] Website: www.nihorseboard.org Copyright © Horse Sport Ireland 2015 HIGH PERFORMANCE STALLIONS STANDING ABROAD INDEX OF APPROVED STALLIONS BY BREED HIGH PERFORMANCE RECOGNISED FOREIGN BREED STALLIONS & STALLIONS STALLIONS STANDING ABROAD & ACANTUS GK....................................4 APPROVED THROUGH AI ACTION BREAKER.............................4 BALLOON [GBR] .............................10 KROONGRAAF............................... 62 AIR JORDAN Z.................................. 5 CANABIS Z......................................18 LAGON DE L'ABBAYE..................... 63 ALLIGATOR FONTAINE..................... 6 CANTURO.......................................19 LANDJUWEEL ST. HUBERT ............ 64 AMARETTO DARCO ......................... 7 CASALL LA SILLA.............................22 LARINO.......................................... 66 -
Storylines Margaret Mahy Medal Lecture 2020
Storylines Margaret Mahy Medal Lecture 2020 Presented online 6 September 2020 Tēnā koutou, tēnā koutou, tēnā koutou, bula, talofa, fakalofa lahi aut, kia orana, malo e lelei. You might be looking at what I’m wearing and wondering why I’m dressed in Victorian clothes. This outfit came about when the Scholastic team, illustrator Marco Ivancic and I were thinking of ideas for the front cover of a book we were working on. Marco drew a rough of how the main character should stand but it wasn’t quite the posture we were looking for. So, I threw on a long skirt and asked my husband to take a photo of me holding a pen in my hand. Penny Scown from Scholastic had the same idea and did a similar pose, which helped Marco draw the hand from different angles. It gave me the idea to dress like the main character at the book launch. My good friend Mary Kelleher made the outfit and here is Penny Scown and myself at the book launch of… have you guessed it?… Kate Sheppard. The reason I’ve worn it today is to show you the lengths I go to, to make my stories real for children. I’m not the only author who does – you might have seen Fifi Colston or Gareth Ward dressed in their steampunk costumes, and there are others. I write non-fiction books about historical events, famous people, and our wildlife in a creative way. Part of that is bringing it alive, whether it’s dressing the part or getting kids to act it out with me – or using props. -
Sandokan the Tigers of Mompracem
Sandokan The Tigers of Mompracem Sandokan The Tigers of Mompracem Emilio Salgari Translated by Nico Lorenzutti iUniverse, Inc. New York Lincoln Shanghai Sandokan The Tigers of Mompracem All Rights Reserved © 2003 by Nico Lorenzutti No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage retrieval system, without the written permis- sion of the publisher. iUniverse, Inc. For information address: iUniverse, Inc. 2021 Pine Lake Road, Suite 100 Lincoln, NE 68512 www.iuniverse.com SANDOKAN: The Tigers of Mompracem By Emilio Salgari Translated from the Italian by Nico Lorenzutti Edited by Dan Tidsbury Special thanks to Felice Pozzo and Claudio Gallo for their invaluable assistance in the production of this novel. Original Title: Le Tigri di Mompracem First published in serial form in “La Nuova Arena” (1883/1884) ISBN: 0-595-29133-3 Printed in the United States of America “To read is to travel without all the hassles of luggage.” Emilio Salgari (1863-1911) Contents Chapter 1: Sandokan and Yanez ......................................1 Chapter 2: Ferocity and Generosity...................................8 Chapter 3: The Cruiser...................................................16 Chapter 4: Lions and Tigers............................................20 Chapter 5: Escape and Delirium.....................................32 Chapter 6: The Pearl of Labuan ......................................38 Chapter 7: Recovery -
Los Grupos Editoriales Españoles Y Su Influencia En La Creación De Los Cánones Literarios Actuales
Grupos editoriales e influencia en los cánones literarios actuales Luis Pablo Núñez Los grupos editoriales españoles y su influencia en la creación de los cánones literarios actuales Luis PABLO NÚÑEZ CSIC, CCHS Grupos editoriales e influencia en los cánones literarios actuales Luis Pablo Núñez Debemos evocar con claridad la distinción entre el texto literario y el producto editorial. Ambos son necesarios para el buen funcionamiento de la industria del libro, pero, con creciente intensidad, el primero es arrinconado por el segundo hasta ser suplantado por él. JUAN GOYTISOLO En EE. UU. hay dos categorías en las librerías: literatura y bestsellers. Mi libro, El ocho, no era una cosa ni otra. [...] Entre la gran literatura y la literatura más popular, [...] mis libros no encajan ni en una categoría ni en la otra. KATHERINE NEVILLE Escribir historias de detectives es escribir literatura ligera, puro entretenimiento. No es como escribir propaganda política o literatura clásica. El género negro, ya se sabe, es una de las formas más populares de entretenimiento que existen. Si además intentas decir algo con ello... Bueno, yo lo he intentado, por supuesto. STIEG LARSSON Grupos editoriales e influencia en los cánones literarios actuales Luis Pablo Núñez FACTORES PARA LA HOMOGENEIZACIÓN FACTORES PARA LA HOMOGENEIZACIÓN DE LA INDUSTRIA DEL LIBRO DE LOS HÁBITOS DE LECTURA - Concentración editorial - Estrategias comerciales de difusión - Expansión (filiales) (acceso al lector a través de más medios) - Ventajas para la compra de derechos / - Librerías dependientes de grupos títulos comunes - Listados de libros más vendidos Grupos editoriales e influencia en los cánones literarios actuales Luis Pablo Núñez RANKING MUNDIAL DE EDITORES (2009) [<http://publishingperspectives.com/?p=981>] [20/02/2010] (RANKING DE 2008: Delibros 224 (2008), pp. -
Sandokan: the Pirates of Malaysia
SANDOKAN The Pirates of Malaysia SANDOKAN The Pirates of Malaysia Emilio Salgari Translated by Nico Lorenzutti Sandokan: The Pirates of Malaysia By Emilio Salgari Original Title: I pirati della Malesia First published in Italian in 1896 Translated from the Italian by Nico Lorenzutti ROH Press First paperback edition Copyright © 2007 by Nico Lorenzutti All Rights Reserved No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage retrieval system, without the written permission of the publisher. For information address: [email protected] Visit our website at www.rohpress.com Cover design: Nico Lorenzutti Special thanks to Felice Pozzo and Hanna Ahtonen for their invaluable advice. ISBN: 978-0-9782707-3-5 Printed in the United States of America Contents Part I: The Tiger of Malaysia Chapter 1: The Young India....................................................................1 Chapter 2: The Pirates of Malaysia .........................................................8 Chapter 3: The Tiger of Malaysia ..........................................................14 Chapter 4: Kammamuri’s Tale..............................................................21 Chapter 5: In pursuit of the Helgoland .................................................29 Chapter 6: From Mompracem to Sarawak ............................................36 Chapter 7: The Helgoland.....................................................................45 -
La Rique Des Irates Expansion Pack
La rique des irates Expansion Pack Olivier Marlet & Fred Chenier Règles pour 2 et 3 joueurs Cartes Taverne supplémentaires Pirates de Légende L’Île Mystérieuse This Pirate's Cove expansion is not a Days of Wonder product, but has been created with permission of Days of Wonder, Inc. Some of the text and illustrations used herein may be Copyright © 2002-2006, Days of Wonder, Inc., All Rights Reserved. Règles pour 2 ou 3 joueurs Pourquoi ne pas ajouter des joueurs fictifs quand on Phase de Combats joue à 2, 3 ou même 4 joueurs ? Les navires supplémentaires ne combattent pas Les règles suivantes expliquent comment utiliser les contre les Pirates de Légendes, mais ils combattent cartes de caractéristiques de pirates qui vont les joueurs (sauf sur l'île des Coffres). Ces navires permettre de simuler des joueurs supplémentaires. attaquent toujours le joueur ayant le plus de renommée en visant la section la plus basse du navire (même si cette section est protégée par un Sélection des cartes Artisan et/ou un Perroquet). Utilisez les caractéristiques mentionnées sur la carte du navire. Une fois que chaque joueur à choisi la couleur de son Les joueurs n'attaquent ces navires que sur leur navire, retirez du paquet de cartes joueurs celles dont coque. Si un joueur est mis en déroute, le navire les couleurs ont déjà été choisies par les joueurs. gagne 1 point de renommée, comme un joueur Mélangez les cartes restantes et piochez le nombre de normal. S'il est mis en déroute (sa coque est à zéro), carte nécessaire à compléter votre partie (3 à 5 le navire fait gagner 1 point de renommée aux navires en comptant les joueurs). -
The Pirates' Who's Who, by Philip Gosse 1
The Pirates' Who's Who, by Philip Gosse 1 The Pirates' Who's Who, by Philip Gosse The Project Gutenberg EBook of The Pirates' Who's Who, by Philip Gosse This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Pirates' Who's Who Giving Particulars Of The Lives and Deaths Of The Pirates And Buccaneers Author: Philip Gosse Release Date: October 17, 2006 [EBook #19564] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE PIRATES' WHO'S WHO *** Produced by Suzanne Shell, Christine D. and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's note. Many of the names in this book (even outside quoted passages) are inconsistently spelt. I have chosen to retain the original spelling treating these as author error rather than typographical carelessness. THE PIRATES' The Pirates' Who's Who, by Philip Gosse 2 WHO'S WHO Giving Particulars of the Lives & Deaths of the Pirates & Buccaneers BY PHILIP GOSSE ILLUSTRATED BURT FRANKLIN: RESEARCH & SOURCE WORKS SERIES 119 Essays in History, Economics & Social Science 51 BURT FRANKLIN NEW YORK Published by BURT FRANKLIN 235 East 44th St., New York 10017 Originally Published: 1924 Printed in the U.S.A. Library of Congress Catalog Card No.: 68-56594 Burt Franklin: Research & Source Works Series 119 Essays in History, Economics & Social Science -
Social Responsibility and Sustainability Report 2019 Social Responsibility and Sustainability Report 2019
Social Responsibility and Sustainability Report 2019 Social Responsibility and Sustainability Report 2019 Dear Friends: PRISA has moved in a positive direction over the course of fiscal year 2018, in terms of both economic-financial and operational parameters as well as with regard to the strategic reorientation and refocusing of our businesses, as our Chief Executive Officer explains below. The year has also seen improvements to our corporate governance, and here, first of all, I would like to pay tribute to the per- son who served as our Chairman over the past year, Manuel Polanco. Our Board of Directors and its committees have been extremely active over the year, and we have been diligent in adopting their decisions. We believe the results have been positive, as you too will see in the wide-ranging information made public by the Company on this matter. We still have some way to go and we will forge ahead with the same determination as before. Our goal is to achieve the very best governance standards. We don’t do this merely to formally comply with regulatory frameworks or recommendations of best practice – though laudable in itself – but because of our conviction that we can thereby ensure that the Board best fulfills its central mission: to enable PRISA to pursue an ambitious business project, one that has great future potential and is that sustainable over time; and one that can attract, motivate and retain the talent necessary to make this a reality. Javier Monzón PRISA has enormous potential to generate value for its shareholders, for its professionals Chairman of PRISA and for all those we serve with our activity: educational communities, students and their «Our goal is to achieve families, readers and listeners, promoters and protagonists of cultural and social change the very best governance and, more broadly speaking, the general public and the societies where we operate. -
Presentación De Powerpoint
January-December 2020 Results. Promotora de informaciones S.A. Results FY2020 PROMOTORA DE INFORMACIONES, S.A. February 24, 2021 January-December 2020 Results. Promotora de informaciones S.A. INDEX General Overview 3 Main 2020 corporative delivering 5 Covid-19 Impact 6 2021 Outlook 7 Education 9 Radio 15 News 18 Total Group 21 Appendix 32 2 January-December 2020 Results. Promotora de informaciones S.A. GENERAL OVERVIEW 2020 results marked by pandemic, with digital business boost, improved flexibility and financial strength ❑ EBITDA in 2020 reached 64 million euros compared to 189 million euros in 2019. Education business has been conditioned by the non-face-to-face opening of schools in most of the countries in which it is present, while the media business has been affected by the declines in the global advertising market. ❑ Digital business accelerates its expansion with a 20.3% growth in Ed-Tech subscription models in LatAm, reaching 1,727,000 students; El País reached 84,793 digital-only subscribers and radio recorded 59 million monthly average hours of streaming and 24 million podcast downloads. The group's digital revenues increased their contribution by 31% to represent 30% of the total. ❑ Improvement on flexibility and financial strength of the Group after Santillana España sale and the refinancing agreement signed, which extends debt maturities until 2025 and increases the company's liquidity. ❑ Changes in the shareholding structure of the company following the entry of a new shareholder with an industrial profile: Vivendi takes a 9.9% stake in the company. ❑ 2020 Events represent a major boost in the company's strategic roadmap focused on the growth of Ed-tech subscription models in LatAm and subscription models in the media businesses and highlight the improvement in ESG criteria focused on social commitment, digital development and improved corporate governance. -
Literacy Forum NZ
Literacy Forum NZ TE KORERO PANUI TUHITUHI O AOTEAROA Vol.34, No. 1, 2019 is published by The New Zealand Literacy Association (Inc.) which is an affiliate of the International Reading Association Literacy Forum NZ is a peer reviewed journal, the official publication of the New Zealand Literacy Association, which is an affiliate of the International Reading Association. It is published three times per year and is free to NZLA members. Subscription cost for non-members is available on application. Ideas and statements expressed in Literacy Forum NZ are not necessarily the official viewpoint of the New Zealand Literacy Association. Editorial Board Glenice Andrews Sue Bridges Trish Brooking Wendy Carss Sue Dymock Joy Hawke Libby Limbrick Wendy Morgan Mal Thompson Editor: Mal Thompson Local Editorial team: Manawatu Literacy Association, led by Sarah McCord and Mal Thompson. The panel of reviewers are members of the NZLA, plus academics and teachers from New Zealand and overseas. Address for correspondence Dr Mal Thompson (General Editor) 178 Burt Street Wakari Dunedin 9010 [email protected] NZLA website: http://www.nzla.org.nz/ Published March 2019 © Copyright NZLA ISSN 2324-3643 CONTENTS From the President .......................................................................................................4 Advocating for children: Not all literacy interventions, approaches and resources are equal Janet S. Gaffney, Suzanne Smith, Frances Commack, Annabelle Ash, Margot Mackie, Sonia Mudgway ...........................................................................................5