Inprint Margarett Root Brown Reading Series 2016/2017
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Honors & Awards PLOUGHSHARES
PLOUGHSHARES Honors & Awards Since its founding in 1971, stories, poems, and essays from Ploughshares have appeared over 135 times in The Best American Poetry, The Best American Short Stories, Prize Stories: The O. Henry Awards, and The Pushcart Prize: Best of the Small Presses. In addition, Ploughshares work has also been featured in: Best New Poets, New Stories from the South New Stories from the Midwest, Best Canadian Stories, Best American Mystery. The Best American Poetry 2010 Bridget Lowe The Pilgrim Is Bridled and Bespectacled Spring 2010 Katha Pollitt Angels Spring 2010 2009 Bruce Bond Ringtone Spring 2008 Alice Friman Getting Serious Winter 2007-08 2008 John Casteen Night Hunting Winter 2006-07 Garrett Hongo Cane Fire Spring 2007 Debra Nystrom Every Night Spring 2007 John Rybicki Three Lantern Spring 2007 2007 Jane Hirshfield Critique of Pure Reason Winter 2006-07 2005 Beth Ann Fennelly I Need to Be More French. Or Japanese. Spring 2004 2004 Mary Jo Bang The Eye Like a Strange Balloon Mounts Toward Infinity Spring 2003 2003 Joshua Clover Aeon Flux: June Winter 2001-02 2002 Frank Bidart Injunction Fall 2001 Timothy Liu Felix Culpa Fall 2001 Sharon Olds Frontis Nulla Fides Fall 2001 Charles Wright Nostalgia II Fall 2001 2001 James Richardson Vectors: 45 Aphorisms and Ten-Second Essays Spring 2000 2000 Susan Wood Analysis of the Rose as Sentimental Despair Spring 1999 1999 David Mamet A Charade Winter 1997-98 Claire Davis Labors of the Heart Spring 2000 David Wagoner Thoreau and the Crickets Spring 1998 Elizabeth Graver The Mourning Door Fall 2000 Jess Row The Secrets of Bats Fall 2000 1996 Martín Espada Rednecks Spring 1995 Reginald Shepherd Skin Trade Spring 1995 2000 Geoffrey Becker Black Elvis Winter 1999-00 Michael Byers The Beautiful Days Fall 1999 1995 Rafael Campo The Battle Hymn of the Republic Spring 1994 1999 A. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Amazon, E-Books and New Business Models
AUTHORS GUILD Winter 2015 BULLETIN The Big Grab: T. J. Stiles On How Publishing’s New Math Devalues Writers’ Work Q&A with Executive Director Mary Rasenberger Roxana Robinson on Compassion’s Place in Prose Annual Meeting Report LETTER TO THE EDITOR our timely Q&A with author CJ Lyons was uplift- Bulletin, however, should feature an author who Ying and inspiring (Summer, 2014). Clearly, Lyons’s is beating the odds with guts, grit and innovation. success as an author is due to her winning mindset. Somebody saying Yes, you can! (Not go hide under the That’s what authors need most from the Authors bed.) Lyons did that and it was a refreshing change. Guild. Less doom and gloom. More daring hope and Now give us more. Thanks for your consideration. enthusiasm. With how-to’s. Onward! Sure, industry news is often depressing. Every — Patricia Raybon, Aurora, CO ALONG PUBLISHERS ROW By Campbell Geeslin “ remarkable thing about the novel is that it can with Harper Collins. The first book will be Seveneves, A incorporate almost anything,” wrote Thad due out in May. The novel, PW said, is about “the sur- Ziolkowski in Sunday’s New York Times Book Review. vivors of a global disaster which nearly caused the ex- He directs the writing program at Pratt Institute and is tinction of life on the planet.” the author of a novel, Wichita. The second book, to be written with Nicole The novel, he said, “can contain essays, short sto- Galland, is set for 2017. ries, mock memoirs, screenplays, e-mails—and re- Stephenson has written more than a dozen novels, main a novel. -
UC Creative Writing Newsletter
Spring 2017 DIRECTOR’S NOTE BY LEAH STEWART CREATIVE This is my last note as director, as Rebecca Lindenberg will take over that position in the fall. We’re delighted that Rebecca, who joined us two years ago as a visiting assistant WRITING professor in poetry, will also become a permanent member of the faculty. Michael Griffith will be taking a well-deserved sabbatical after his five years as Director of Graduate Studies, CONTENTS and as of the fall I'll be department head. I've enjoyed DEPARTMENT NEWS directing the program, particularly curricular development; FACULTY NEWS we've just changed our Creative Writing major to a multi- ALUMNI NEWS genre approach, after years of requiring students to select a STUDENT NEWS genre. This has allowed us to create innovative classes like INCOMING STUDENTS Creative Writing and Research, Hybrid Forms, Comic Poetry and Prose, and so on, which we're looking forward to teaching—and inviting graduate students to teach—next year and beyond. In other news, it's been a pleasure to welcome Lisa Ampleman, a poet who graduated from our program in 2013, back to the department in her new capacity as managing editor of The Cincinnati Review. Nicola Mason's new venture, Acre Books, released its first publication, A Very Angry Baby, an anthology that includes work by Brock Clarke, Andrew Hudgins, and Julianna Baggott. Back in February, Cincinnati www.artsci.uc.edu/creativewriting Magazine wrote an article about our program, which you can read here. If you haven't yet taken a look at the Elliston Project—an audio archive of more than 700 recorded readings and lectures given at UC since 1951—you can do so here. -
Michael Cunningham Marlon James Cristina Henrí K N E a T V R O Presented in Association with N Y S I N Y Y a Z N O Y E U Bis L Quez S N O G N T L
MICHAEL CUNNINGHAM PAID US Postage 2014 TX Houston ------ Non-Profit Org Non-Profit 2015 INPRINT 1002 No. Permit GEOFF DYER MARGARETT ROOT BROWN DEBORAH EISENBERG READING SERIES CRISTINA HENRÍQUEZ SEASON TICKETS MARGARETT ROOT BROWN $175 KAZUO ISHIGURO The purchase of season tickets, a portion of which is tax-deductible, helps make this series possible. INPRINT MARLON JAMES SEASON TICKET BENEFITS INCLUDE: ŝ Seating in the reserved section for each of the Main 1520 West eight readings. Seats held until 7:25 pm ŝ Signed copy of David Mitchell’s new novel The 77006 Houston, Texas INPRINT READING SERIES READING Bone Clocks available for pick up on the evening of his reading ŝ Access to the first-served “Season Subscriber” book-signing line DAVID MITCHELL ŝ Two reserved-section guest passes to be used ------ 2014 2015 during the 2014/2015 season ŝ Four free parking passes for the January–April ANTONYA NELSON 2015 readings for the Alley Theatre garage, across the street from the Wortham Center. ŝ Recognition as a “Season Subscriber” in each reading program KAREN RUSSELL 2014/2015 season tickets on sale! tickets season 2014/2015 To purchase season tickets on-line or for more MARY S ZYBIST details on season subscriber benefits, visit inprinthouston.org To pay by check, fill out the form on the back of this flap. KEVIN YOUNG PRESENTED IN ASSOCIATION WITH t h i s i s a b o o k m a r k BRAZOS BOOKSTORE AND UNIVERSITY OF HOUSTON CREATIVE WRITING PROGRAM ZIP The Inprint Margarett Root Brown Reading Series, now CITY in its 34th DEARseason, is made possible by the support of The Brown Foundation, Inc., Weatherford International, the NationalFRIENDS Endowment for the Arts: Art Works, and our season subscribers. -
The Adroit Journal Summer Mentorship 2016 Booklet
THE ADROIT JOURNAL SUMMER MENTORSHIP 2016 BOOKLET LEARN : COLLABORATE : GROW About the Program How do I apply? As a way of maintaining and extending our deep-rooted com- Applications for this year’s mentorship program consist of two mitment to emerging writers, The Adroit Journal’s Summer mandatory parts—a Writer’s Statement and a Writing Sample, with Mentorship Program aims to pair experienced writers with high the additional voluntary component of an academic transcript in school students (as of the current academic year) interested in .PDF form. The Writer’s Statement should detail the applicant’s learning more about the creative writing processes of drafting, specific interest in pursuing The Adroit Journal’s summer men- redrafting and editing. torship program. What is it about our program and mission that piques your interest? Why this workshop? How would you spend The program is free to all, and is entirely online. The 2016 pro- your time with us? We want to know. Aim for between 1-1.5 pages gram will cater to the literary genres of poetry, fiction, and double spaced, and don’t be afraid to be creative and original. We nonfiction.The aim of the mentorship program is not formalized like that. instruction, but rather an individualized, flexible, and often informal correspondence. It is our hope that mentees will feel comfortable While we of course suggest mentioning your experience and sharing work at their own leisure with their mentors and, ultimately, accomplishment with the writing and workshop processes, we will with each other. evaluate applications looking primarily for demonstrated passion and interest. -
Brooklyn Poets Anthology Interior
POETS ANTHOLOGY Edited by Jason Koo & Joe Pan BROOKLYN ARTS PRESS & BROOKLYN POETS | NEW YORK Brooklyn Poets Anthology © 2017 Brooklyn Arts Press & Brooklyn Poets Edited by Jason Koo & Joe Pan. Paperback ISBN-13: 978-1-936767-52-6 Ebook ISBN-13: 978-1-936767-53-3 Cover design by David Drummond. Interior design by Benjamin DuVall. All rights reserved. No part of this publication may be reproduced by any means existing or to be developed in the future without the written consent of the publishers. Published in the United States of America by: Brooklyn Arts Press 154 N 9th St #1 Brooklyn, NY 11249 BROOKLYNARTSPRESS.COM [email protected] Brooklyn Poets 135 Jackson St, #2A Brooklyn, NY 11211 BROOKLYNPOETS.ORG [email protected] Library of Congress Cataloging-in-Publication Data Names: Koo, Jason, editor. | Pan, Joe, editor. Title: Brooklyn poets anthology / edited by Jason Koo and Joe Pan. Description: First edition. | Brooklyn, NY : Brooklyn Arts Press, 2017. | Brooklyn, NY : Brooklyn Poets, 2017. |Includes bibliographical references and index. Identifiers: LCCN 2017001333 (print) | LCCN 2017008746 (ebook) | ISBN 9781936767526 (pbk. : alk. paper) | ISBN 9781936767533 (e-book) | ISBN 9781936767533 Subjects: LCSH: American poetry--New York (State)--Brooklyn. | American poetry--21st century. | American poetry--20th century. Classification: LCC PS549.B765 B74 2017 (print) | LCC PS549.B765 (ebook) | DDC 811/.6080974723--dc23 LC record available at https://lccn.loc.gov/2017001333 CONTENTS INTRODUCTIONS JASON KOO Tis Side of the Bridge xxiii JOE PAN Brooklyn as a Bottomless Cup xxix POEMS KIM ADDONIZIO 1 Invisible Signals Seasonal Affective Disorder Te Givens HALA ALYAN 4 Salat Asking for the Daughter LEMON ANDERSEN 6 Noose York AMBER ATIYA 11 New York State Office of Temporary and Disability Assistance JENNIFER BARTLETT 14 from Autobiography/Anti-Autobiography RACHEL J. -
North America
Read Around the World Challenge- Possible Titles Please note: these are not required titles; they are optional suggestions from the MARINet system. Some of these books are not at the Mill Valley Library, but can easily be requested from another library. See the reference desk to request a book. (* indicates library staff recommendation) North America Antigua and Barbuda: 1. Annie John by Jamaica Kincaid (Storage Fiction Kincaid) 2. My Brother by Jamaica Kincaid (Bio Kincaid, J) 3. Antigua and my life before : a novel by Marcela Serano (Fiction Serano) 4. Annie John by Jamaica Kincaid (Fiction Kincaid) The Bahamas: 1. Dolphin diaries : my 25 years with spotted dolphins in the Bahamas by Denise L. Herzing (599.53 Herzing ) 2. Bahama burnout : a novel by Don Bruns (Fiction Bruns) 3. Killer Cruise by Jennifer Shaw (Fiction Shaw) 4. A Deeper Blue by John Ringo (Fiction Ringo) Barbados: 1. The sugar barons : family, corruption, empire, and war in the West Indies by Matthew Parker (338.17 Parker) 2. Triangular road : a memoir by Paule Marshall (Bio Marshall) 3. Soul Clap Hands and Sing by Paule Marshall (Fiction Marshall) 4. Testimony of an Irish Slave Girl by Kate McCafferty (Fiction McCafferty) Belize: 1. In the Heat by Ian Vasquez (Fiction Vasquez, I) 2. The Last Flight of the Scarlet Macaw: One Woman’s Fight to Save the World’s Most Beautiful Bird by Bruce Barcott (333.95 Barcott) 3. The Temple of the Jaguar: Travels in the Yucatan by Donald Schueler (917.26 Schueler) 4. Sastun: One Woman’s Apprenticeship with a Maya Healer and Their Efforts to Save the Vanishing Traditions of Rainforest Medicine by Rosita Arvigo Canada: 1. -
Award Winning Books
More Man Booker winners: 1995: Sabbath’s Theater by Philip Roth Man Booker Prize 1990: Possession by A. S. Byatt 1994: A Frolic of His Own 1989: Remains of the Day by William Gaddis 2017: Lincoln in the Bardo by Kazuo Ishiguro 1993: The Shipping News by Annie Proulx by George Saunders 1985: The Bone People by Keri Hulme 1992: All the Pretty Horses 2016: The Sellout by Paul Beatty 1984: Hotel du Lac by Anita Brookner by Cormac McCarthy 2015: A Brief History of Seven Killings 1982: Schindler’s List by Thomas Keneally 1991: Mating by Norman Rush by Marlon James 1981: Midnight’s Children 1990: Middle Passage by Charles Johnson 2014: The Narrow Road to the Deep by Salman Rushdie More National Book winners: North by Richard Flanagan 1985: White Noise by Don DeLillo 2013: Luminaries by Eleanor Catton 1983: The Color Purple by Alice Walker 2012: Bring Up the Bodies by Hilary Mantel 1982: Rabbit Is Rich by John Updike 2011: The Sense of an Ending National Book Award 1980: Sophie’s Choice by William Styron by Julian Barnes 1974: Gravity’s Rainbow by Thomas Pynchon 2010: The Finkler Question 2016: Underground Railroad by Howard Jacobson by Colson Whitehead 2009: Wolf Hall by Hilary Mantel 2015: Fortune Smiles by Adam Johnson 2008: The White Tiger by Aravind Adiga 2014: Redeployment by Phil Klay 2007: The Gathering by Anne Enright 2013: Good Lord Bird by James McBride National Book Critics 2006: The Inheritance of Loss 2012: Round House by Louise Erdrich by Kiran Desai 2011: Salvage the Bones by Jesmyn Ward Circle Award 2005: The Sea by John Banville 2010: Lord of Misrule by Jaimy Gordon 2004: The Line of Beauty 2009: Let the Great World Spin 2016: LaRose by Louise Erdrich by Alan Hollinghurst by Colum McCann 2015: The Sellout by Paul Beatty 2003: Vernon God Little by D.B.C. -
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Arts Brochure
OFFICE FOR THE ARTS Non Profit Org Bryn Mawr College U.S. Postage 101 N. Merion Avenue PAID Permit #129 Bryn Mawr, PA 19010-2899 19464 ARTS AT BRYN MAWR COLLEGE PERFORMING ARTS SERIES BRYN MAWR READING SERIES 2018-19 VISIT WWW.BRYNMAWR.EDU/ARTS OR CALL (610) 526–5210 TO JOIN OUR MAILING LIST BRYN MAWR COLLEGE PERFORMING ARTS SERIES f BRYN MAWR COLLEGE READING SERIES BRYN MAWR COLLEGE DANCE PROGRAM BI-COLLEGE THEATER PROGRAM AT BRYN MAWR COLLEGE t @BRYNMAWRARTS ARTS AT BRYN MAWR COLLEGE 2018-19 PERFORMING ARTS SERIES BRYN MAWR READING SERIES PERFORMING ARTS SERIES ART THAT WAKES US UP—TO BEAUTY, TO FULL-OUT DARING, AND TO A NEW SERIES SPOTLIGHT UNDERSTANDING OF THE WORLD WE’RE IN. EAR-WHISPERED: WORKS BY TANIA EL KHOURY SEP 6–23, 2018 VARIOUS LOCATIONS ON CAMPUS AND IN OLD CITY PHILADELPHIA GARDENS SPEAK WED–SUN, SEP 12–16 & 19–23 HEPBURN TEACHING THEATER, GOODHART HALL ear-whispered, an extensive survey of artist Tania El Khoury’s work, features her internationally acclaimed Gardens Speak. This immersive sound installation invites audience members to dig in the dirt in order to listen to oral histories collected from the early period of the Syrian uprising. Working between Lebanon and the United Kingdom, El Khoury meticulously crafts innovative performances and installations that engage the audience in multi-sensory interaction. The five works of ear-whispered also include the one-on-one performance As Far As My Fingertips Take Me; two immersive video installations, Stories of Refuge and Camp Pause, both produced as a collaboration through Beirut-based Dictaphone Group; and the world premiere of Tell Me What I Can Do, commissioned by Bryn Mawr College. -
From India to the Bronx and Back a Tale of Two Cultures Told in Needlework
FALL–WINTER 2008–09 magazineFOR QUEENS COLLEGE ALUMNI & FRIENDS From India to the Bronx and Back A Tale of Two Cultures Told in Needlework Q MAGAZINE OF QUEENS COLLEGE 1 Vol. XIV, No. 1, Fall–Winter 2008–09magazine www.qc.cuny.edu FOR QUEENS COLLEGE ALUMNI & FRIENDS FEATURES grey dawn, trying Mailbag to pin us down 8 Telling Stories wth Quilts and then plaster Bob Suter The Death of a Queens College us with mortars Student and artillery. But 10 Brain Man everybody kept go- Leslie Jay We recently received the following letter ing. Within 15 from Stephen B. McFarland: minutes we were in 12 Mind Games “My father passed away in 2005,” he the woods and then Leslie Jay notes. “A WWII veteran, platoon leader came the dirty and and subsequent Foreign Service Officer dangerous job of Norman Jay Siegel 13 Age-old Mystery in the Department of State. As a life- clearing pill boxes Leslie Jay long civil servant and in the days before with grenades and guts. faxes and emails, it was his habit to “We cleared the first woods by noon 14 Making Progress make carbon copies of even his personal and the first of the tanks broke through Anne Seltzer correspondence. from behind and moved with us toward “Several letters from his World War II the main fortifications. The 76 and 90mm Dramatic Developments 17 experience have been passed down to me shells just bounced off the reinforced Jennie Mindlin in this way. The ones I copy to you regard concrete and steel and we wondered how Norman Jay Siegel who attended QC and is we’d ever take the place.