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The English Department Writing Program and the Gayle Morris Sweetland Center for Writing Excellence in First-Year Writing 2011/2012
2011/2012 The English Department Writing Program and The Gayle Morris Sweetland Center for Writing Excellence in First-Year Writing 2011/2012 The English Department Writing Program and The Gayle Morris Sweetland Center for Writing Published in 2012 by MPublishing University of Michigan Library © 2012 Gayle Morris Sweetland Center for Writing Permission is required to reproduce material from this title in other publications, coursepacks, electronic products, and other media. Please send permission requests to: MPublishing 4186 Shapiro 919 South University Ann Arbor, MI 48109 [email protected] ISBN 978-1-60785-275-9 Table of Contents Excellence in First-Year Writing Winners list 6 Nominees list 7 Introduction 11 Feinberg Family Prize for Excellence in First-Year Writing 14 Matt Kelley Award for Excellence in First-Year Writing 56 Sweetland Prize for Outstanding Writing Portfolio 76 4 Excellence in First-Year Writing 2012 Excellence in First-Year Writing 2011/2012 EDWP Writing Prize Committee: Katie Will, Co-Chair Steve Engel, Co-Chair Tim Green Joe Horton Frank Kelderman Justine Niederhiser Melody Pugh Stephen Spiess Sarah Swofford Jessica Young Sweetland Writing Prize Committee: Alan Hogg Dana Nichols Administrative Support: Laura Schulyer Perry Janes Excellence in First-Year Writing 2012 5 Winners list Matt Kelley Award for Excellence in First-Year Writing Sarah Leddon: “The Public Woman’s Guide to Getting By: Navigating the Early 20th Century” nominated by Sara Lampert, History 195 Margaret Scholten: “Fate and Transition” nominated by -
Hopwood Newsletter Vol
Hopwood Newsletter Vol. LXXVIX, 1 lsa.umich.edu/hopwood January 2018 HOPWOOD The Hopwood Newsletter is published electronically twice a year, in January and July. It lists the publications and activities of winners of the Summer Hopwood Contest, Hopwood Underclassmen Contest, Graduate and Undergraduate Hopwood Contest, and the Hopwood Award Theodore Roethke Prize. Sad as I am to be leaving, I’m delighted to announce my replacement as the Hopwood Awards Program Assistant Director. Hannah is a Hopwood winner herself in Undergraduate Poetry in 2009. Her email address is [email protected], so you should address future newsletter items to her. Hannah Ensor is from Michigan and received her MFA in poetry at the University of Arizona. She joins the Hopwood Program from the University of Arizona Poetry Center, where she was the literary director, overseeing the Poetry Center’s reading & lecture series, classes & workshops program, student contests, and summer residency program. Hannah is a also co-editor of textsound.org (with poet and Michigan alumna Laura Wetherington), a contributing poetry editor for DIAGRAM, and has served as president of the board of directors of Casa Libre en la Solana, a literary arts nonprofit in Tucson, Arizona. Her first book of poetry, The Anxiety of Responsible Men, is forthcoming from Noemi Press in 2018, and A Body of Athletics, an anthology of Hannah Ensor contemporary sports literature co-edited with Natalie Diaz, is Photo Credit: Aisha Sabatini Sloan forthcoming from University of Nebraska Press. We’re very happy to report that Jesmyn Ward was made a 2017 MacArthur Fellow for her fiction, in which she explores “the enduring bonds of community and familial love among poor African Americans of the rural South against a landscape of circumscribed possibilities and lost potential.” She will receive $625,000 over five years to spend any way she chooses. -
Alison Saar | Breach Sept. 17–Dec. 17, 2016
Alison Saar | Breach Sept. 17–Dec. 17, 2016 Alison Saar explores issues of gender, race, racism, and the African diaspora. She mines mythology, ritual, history, music, and her biracial heritage as sources for her work. During a 2013 residency at the Joan Mitchell Center in New Orleans, Saar was dismayed to see how little had been done to rebuild African American communities devastated by Hurricane Katrina eight years earlier. Upon her return to Los Angeles, she began researching the histories of American floods and the effect on African Americans.The Great Mississippi River Flood of 1927, described as one of the worst natural river disasters in U.S. history, piqued her interest. Heavy rains resulted in the river breaching levees, creating a historic catastrophe that had a profound impact on the life of African Americans living in the Mississippi Delta. The flood exposed the conditions of poor African American sharecroppers and tenant farmers and their relationship with cotton plantation owners. The flood also resulted in social, cultural, federal policy, and political changes. With water imagery woven throughout, Breach is the culmination of Saar’s creative research on American rivers and their historical relationship to the lives of African Americans. Through mixed media sculpture, paintings, and works on paper, she explores floods not only as natural phenomena; but also the complex interaction of social, cultural, and political factors associated with flooding and its aftermath. galleries.lafayette.edu [email protected] 610 330 5361 1. Breach, 2016 wood, ceiling tin, found trunks, washtubs and misc objects 155 x 60 x 51 in. -
Inprint Margarett Root Brown Reading Series 2016/2017
Inprint Margarett Root Brown PAID Houston TXHouston US Postage Reading Series Org Non-Profit Permit No. 1002 No. Permit Rabih Lauren Ada 2016/2017 Alameddine Groff Limón Season Tickets $180 The purchase of season tickets, a portion of which is tax-deductible, helps make this series possible. Season ticket benefits include: ŝ Seating in the reserved section for each of the Gregory Ann Annie seven readings. Seats held until 7:25 pm. ŝ Pardlo Patchett Proulx Signed copy of Jonathan Safran Foer’s new novel INPRINT Here I Am, available for pick up at the reading. Those who purchase two season tickets per household will receive a signed copy of George Saunders’ new novel MAIN 1520 WEST Lincoln in the Bardo as the second book. Inprint HOUSTON, TX 77006 HOUSTON, ŝ Free parking passes for each of the seven readings in the Alley Theatre garage. 2016/2017 Margarett Root Brown ŝ Access to the first-served “Season Subscriber” Reading Series book-signing line. Jonathan ŝ Recognition as a “Season Subscriber” in each 2016/2017 reading program. Safran Foer ŝ An acknowledgement letter for tax purposes. 2016/2017 season tickets on sale! on tickets season 2016/2017 To purchase season tickets online or for more details on season subscriber benefits, visit inprinthouston.org To pay by check, fill out the form on the back of this flap. George Colm Juan Gabriel Inprint Margarett Root Brown Root Margarett Inprint Series Reading This is a bookmark Saunders Tóibín Vásquez Dear Friends, One thing I am grateful for, particularly in a political season, is a compelling story or poem that, by its very nature, will not be reduced to platitude or hyperbole. -
National Endowment for the Arts FY 2017 Fall Grant Announcement
National Endowment for the Arts FY 2017 Fall Grant Announcement State and Jurisdiction List Project details are accurate as of December 7, 2016. For the most up to date project information, please use the NEA's online grant search system. The following categories are included: Art Works, Art Works: Creativity Connects, Challenge America, and Creative Writing Fellowships in Poetry. The grant category is listed with each recommended grant. All are organized by state/jurisdiction and then by city and then by name of organization/fellow. Click the state or jurisdiction below to jump to that area of the document. Alabama Louisiana Oklahoma Alaska Maine Oregon Arizona Maryland Pennsylvania Arkansas Massachusetts Rhode Island California Michigan South Carolina Colorado Minnesota South Dakota Connecticut Mississippi Tennessee Delaware Missouri Texas District of Columbia Montana Utah Florida Nebraska Vermont Georgia Nevada Virginia Hawaii New Hampshire Virgin Islands Illinois New Jersey Washington Indiana New Mexico West Virginia Iowa New York Wisconsin Kansas North Carolina Wyoming Kentucky Ohio Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of December 7, 2016. Alabama Number of Grants: 6 Total Dollar Amount: $120,000 Alabama Dance Council, Inc. (aka Alabama Dance Council) $30,000 Birmingham, AL Art Works - Dance To support the 20th anniversary of the Alabama Dance Festival. The statewide festival will feature performances and a residency by CONTRA-TIEMPO. The festival also will include a New Works Concert featuring choreographers from the South, regional dance company showcases, master classes, workshops, community classes, and a Dance for Schools program. -
Architectures of Freedom: Literary Collaboration in Contemporary American Poetry
ARCHITECTURES OF FREEDOM: LITERARY COLLABORATION IN CONTEMPORARY AMERICAN POETRY by Shelagh Wilson Patterson B.A. in Comparative Literature, City University of New York Hunter College, 1999 M.F.A. in Creative Writing, Poetry, City University of New York Hunter College, 2001 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts and Sciences This dissertation was presented by Shelagh Wilson Patterson It was defended on November 20, 2013 and approved by Don Bialostosky, PhD, Chair and Professor, English Shalini Puri, PhD, Associate Professor, English William Scott, PhD, Associate Professor, English Todd Reeser, PhD, Professor, French and Director, Women’s Studies Program Dissertation Advisor: Don Bialostosky, PhD, Chair and Professor, English ii Copyright © by Shelagh Wilson Patterson 2013 iii ARCHITECTURES OF FREEDOM: LITERARY COLLABORATION IN CONTEMPORARY AMERICAN POETRY Shelagh Wilson Patterson, PhD University of Pittsburgh, 2013 The dissertation, “Architectures of Freedom: Literary Collaboration in Contemporary American Poetry” uses the praxis of the U.S. third world feminists to analyze literary collaborations from a contemporary cohort of writers. As developed by Chela Sandoval, the defining aspect of the praxis of the U.S. third world feminists is differential consciousness. Differential consciousness is the ability to form coalitions within and beyond different communities not just for personal survival, but through personal survival to transform social oppressions. This dissertation animates Sandoval’s apparatus, which she calls a methodology of the oppressed, to analyze how a current cohort of writers are using literary collaboration to decolonize globalization. -
War Diaries Edited by Tisa Bryant & Ernest Hardy
War Diaries Edited by Tisa Bryant & Ernest Hardy Copyright © 2010 by AIDS Project Los Angeles (APLA) and the Global Forum on MSM and HIV (MSMGF) All rights reserved. Except for brief passages quoted in newspaper, magazine, radio, television or Internet reviews, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage or retrieval system, without permission in writing from the publisher. For more information, please contact: [email protected]. First Edition Design Patrick “Pato” Hebert Copy Editing Jaime Cortez Publication Support Lily Catanes, Jeffrey Tse, Manuel Cadenas, Jim Williams Front cover, inside front cover, inside back cover and back cover photographs are from the Pop Guns series by Derek Jackson. Copyright © 2007 by Derek Jackson. War Diaries Tisa Bryant & Ernest Hardy, Editors ACKNOWLEDGMENTS Samiya Bashir. “Getting Strong—for SSH,” appeared in Gospel by Samiya Bashir (RedBone Press, Washington, D.C.). Copyright © 2009 by Samiya Bashir. Jericho Brown. “Herman Finley,” “Pause,” and “To Be Seen” appeared in Please by Jericho Brown (New Issues Poetry & Prose/Western Michigan University, Kalamazoo, MI). Copyright © 2008. Reprinted with permission of New Issues Poetry & Prose. Reginald Harris. “Cuerpo de Hombre” and “Dream of My Cousin’s Wedding” appeared in Lodestar Quarterly, Issue 17 (San Francisco, http://lodestarquarterly.com/issue/17/). Copyright © 2006 by Reginald Harris. G. Winston James. “Not a Condom In Sight” appeared in The Damaged Good: Poems Around Love by G. Winston James (Vintage Entity Press, New York). Copyright © 2006 by G. Winston James. Kevin Simmonds. “French Quarter” appeared in Warpland: A Journal of Black Literature and Ideas (Gwendolyn Brooks Center/CSU, Chicago). -
Issue 6.2 Full
Bone Bouquet Volume 6 Issue 2 Fall 2015 Copyright © 2015 Bone Bouquet ISSN 2157-9199 ISSN online 1948-1896 To learn more about Bone Bouquet, visit us online at http://bonebouquet.org Subscriptions can be purchased via our website or by sending a check made out to Bone Bouquet to: 925 Bergen St, Suite 405 | Brooklyn, NY 11238 Single issues are $8.00 each plus $2.00 shipping; a one-year subscription may be purchased for $15.00 with free shipping; two-year subscriptions $26.00 with free shipping. To submit work to Bone Bouquet, visit our online submission manager at http://bonebouquet.submittable.com/submit. We read year round and only via Submittable. Queries may be directed to the editors at [email protected]. Bone Bouquet is: Editors: Krystal Languell, Trina Burke, Amy MacLennan, Allison Layfield, Rachelle Cruz, Youna Kwak Editorial Assistants: Emma Marshall, Emily Kaufman Reviews Editor: Jeanine Deibel cover art & cover design by Jana Vukovic www.janavukovic.com This publication is made possible with a regrant from the Community of Literary Magazines and Presses, supported by public funds from the New York State Council on the Arts, a state agency. The staff gratefully acknowledges the continued support of Rachel Levitsky, Liz Page Roberts, Tom White, Barbara Henning, Carmen Giménez Smith and Evan Lavender-Smith, as well as our subscribers. Contents Jennifer Givhan Alice in the Snow, 5 Brenda Mann Hammack Palaestra, 7 Grace Shuyi Liew from Publics, 9 Maximiliane Donicht Nighthour, 11 Sarah Gzemski Parables, 12 Simone Wolff Pick, 15 Meredith McDonough Princess Maru Becomes Dr. Poison, 16 Claire Trévien from Astéronymes, 17 Valerie Hsiung london bridge is falling down, 20 Amy Schrader Two poems, 21 Karen An-Hwei Lee Three poems, 27 Rachel Fogarty Green, 28 Samiya Bashir Upon Such Rocks, 29 Claire Marie Stancek Move, 31 Evie Shockley Two poems, 32 Tara Betts Two poems, 34 Leia Penina Wilson Two poems, 36 Lauren Elma Frament tamworth trail, 1:23 pm (how he shot the bitch dead right between the eyes), 38 Bonnie Roy from hieronymus heronyma, 39 Min K. -
Brooklyn Poets Anthology Interior
POETS ANTHOLOGY Edited by Jason Koo & Joe Pan BROOKLYN ARTS PRESS & BROOKLYN POETS | NEW YORK Brooklyn Poets Anthology © 2017 Brooklyn Arts Press & Brooklyn Poets Edited by Jason Koo & Joe Pan. Paperback ISBN-13: 978-1-936767-52-6 Ebook ISBN-13: 978-1-936767-53-3 Cover design by David Drummond. Interior design by Benjamin DuVall. All rights reserved. No part of this publication may be reproduced by any means existing or to be developed in the future without the written consent of the publishers. Published in the United States of America by: Brooklyn Arts Press 154 N 9th St #1 Brooklyn, NY 11249 BROOKLYNARTSPRESS.COM [email protected] Brooklyn Poets 135 Jackson St, #2A Brooklyn, NY 11211 BROOKLYNPOETS.ORG [email protected] Library of Congress Cataloging-in-Publication Data Names: Koo, Jason, editor. | Pan, Joe, editor. Title: Brooklyn poets anthology / edited by Jason Koo and Joe Pan. Description: First edition. | Brooklyn, NY : Brooklyn Arts Press, 2017. | Brooklyn, NY : Brooklyn Poets, 2017. |Includes bibliographical references and index. Identifiers: LCCN 2017001333 (print) | LCCN 2017008746 (ebook) | ISBN 9781936767526 (pbk. : alk. paper) | ISBN 9781936767533 (e-book) | ISBN 9781936767533 Subjects: LCSH: American poetry--New York (State)--Brooklyn. | American poetry--21st century. | American poetry--20th century. Classification: LCC PS549.B765 B74 2017 (print) | LCC PS549.B765 (ebook) | DDC 811/.6080974723--dc23 LC record available at https://lccn.loc.gov/2017001333 CONTENTS INTRODUCTIONS JASON KOO Tis Side of the Bridge xxiii JOE PAN Brooklyn as a Bottomless Cup xxix POEMS KIM ADDONIZIO 1 Invisible Signals Seasonal Affective Disorder Te Givens HALA ALYAN 4 Salat Asking for the Daughter LEMON ANDERSEN 6 Noose York AMBER ATIYA 11 New York State Office of Temporary and Disability Assistance JENNIFER BARTLETT 14 from Autobiography/Anti-Autobiography RACHEL J. -
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Arts Brochure
OFFICE FOR THE ARTS Non Profit Org Bryn Mawr College U.S. Postage 101 N. Merion Avenue PAID Permit #129 Bryn Mawr, PA 19010-2899 19464 ARTS AT BRYN MAWR COLLEGE PERFORMING ARTS SERIES BRYN MAWR READING SERIES 2018-19 VISIT WWW.BRYNMAWR.EDU/ARTS OR CALL (610) 526–5210 TO JOIN OUR MAILING LIST BRYN MAWR COLLEGE PERFORMING ARTS SERIES f BRYN MAWR COLLEGE READING SERIES BRYN MAWR COLLEGE DANCE PROGRAM BI-COLLEGE THEATER PROGRAM AT BRYN MAWR COLLEGE t @BRYNMAWRARTS ARTS AT BRYN MAWR COLLEGE 2018-19 PERFORMING ARTS SERIES BRYN MAWR READING SERIES PERFORMING ARTS SERIES ART THAT WAKES US UP—TO BEAUTY, TO FULL-OUT DARING, AND TO A NEW SERIES SPOTLIGHT UNDERSTANDING OF THE WORLD WE’RE IN. EAR-WHISPERED: WORKS BY TANIA EL KHOURY SEP 6–23, 2018 VARIOUS LOCATIONS ON CAMPUS AND IN OLD CITY PHILADELPHIA GARDENS SPEAK WED–SUN, SEP 12–16 & 19–23 HEPBURN TEACHING THEATER, GOODHART HALL ear-whispered, an extensive survey of artist Tania El Khoury’s work, features her internationally acclaimed Gardens Speak. This immersive sound installation invites audience members to dig in the dirt in order to listen to oral histories collected from the early period of the Syrian uprising. Working between Lebanon and the United Kingdom, El Khoury meticulously crafts innovative performances and installations that engage the audience in multi-sensory interaction. The five works of ear-whispered also include the one-on-one performance As Far As My Fingertips Take Me; two immersive video installations, Stories of Refuge and Camp Pause, both produced as a collaboration through Beirut-based Dictaphone Group; and the world premiere of Tell Me What I Can Do, commissioned by Bryn Mawr College. -
Protest, Justice, and Transnational Organizing SAN FRANCISCO, CA 2020 NWSA Chair and Director Meeting
NWSA’S 40TH ANNUAL CONFERENCE Protest, Justice, and Transnational Organizing 2019 NWSA ANNUAL CONFERENCE: Protest, Justice, and Transnational Organizing NOV 14–17, 2019 SAN FRANCISCO, CALIFORNIA NOVEMBER 2018 14-17, SAN FRANCISCO, CA 2020 NWSA Chair and Director Meeting About Friday March 6th The 2020 Chair and Director meeting will be focused on the different responses Chicago, IL to external pressures experienced by departments, programs, and centers. This event is intended to promote field- building by bringing together program and department chairs and women’s center directors for a day-long meeting as an added benefit of institutional membership. Participants will exchange ideas and strategies focused on program and center administration, curriculum development, and pedagogy, among other topics. Participation requirements: • 2020 institutional membership • Chair and Director Meeting registration fee $125 • Registration form DEADLINE The fee includes participation in the event and TO REGISTER: breakfast and lunch the day of the meeting. It does not include travel. NWSA will cover one night’s FEBRUARY 15, 2020 accommodations for those who require it. 2019 NWSA ANNUAL CONFERENCE: Protest, Justice, and Transnational Organizing NOV 14–17, 2019 SAN FRANCISCO, CALIFORNIA Table of Contents President’s Welcome ........................................... 4 A Brief (and Incomplete) History of the NWSA Women of Color Caucus ................................... 43 Conference Maps ............................................... 5 NWSA Receptions