Tom Cleaver “Tom’S Brain Works Faster Than Everybody Else’S
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System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera. -
Rolling Stone “Danger Mouse Looks Through a Label Darkly”
Danger Mouse Looks Through A Label, Darkly | Music News | Rolling Stone Page 1 of 2 Danger Mouse Looks Through A Label, Darkly Behind his "Dark Night of the Soul" collaboration with Mark Linkous and David Lynch by: Austin Scaggs The final product isn't exactly what Danger Mouse envisioned, but the cutting-edge producer breathed a heavy sigh of relief with the release of Dark Night of the Soul , a multimedia package he created in tandem with songwriter Mark Linkous (the creative force behind Sparklehorse) consisting of a record and a large-form book of photos commissioned from filmmaker David Lynch. For the album, Danger Mouse and Linkous created moody backing tracks, then offered them to 10 vocalists who were charged to write lyrics and vocal melodies (contributors include Iggy Pop, the Strokes' Julian Casablancas, the Shins' James Mercer, Suzanne Vega and Pixies' Black Francis). "We had no intention of making a star-studded record," says Danger Mouse, born Brian Burton. "It's just when we started thinking about these people we just thought, 'Well, of course they'd sound good on a record together.' " The catch, which Danger Mouse describes as "bittersweet," is that the CD mounted in Dark Night of the Soul package is completely blank. Buyers are slyly encouraged to use the recordable disc to capture the music from the Internet, where it is widely available as a free, though illegal, download. Danger Mouse's inability to package the music with the book stems from a long-standing contractual disagreement with EMI, who retainrights to some of his music. -
English Version
dDamage Title: Shimmy Shimmy Blade Label: Tsunami-Addiction Release date: 6 Novembre 2006 Distribution: Discograph Both Hanak brothers, known under the name of dDamage, play an indescribable electronic music, violent and melodic at the same time, juggling with hip-hop beats, riffs of guitars and heat of analog synths. With tended flow, their music lets appear a rare sensitivity, skilfully camouflaged behind intense “boom tchack” of modern cruelty. After two long years of intense work, these terrible children of the electronic music bring out again from the studios with a fortnight tracks, on which are invited the crême of the independent hip-hop scene. We can find Bigg Jus there (former member of the legendary new Yorkean band Company Flow) and his comparse Orko Eloheim (NMS / Project Blowed) for two on-vitaminized tracks, overloaded of intergalactic synths. Dose One, leader of the bands Subtle and Clouddead, makes his appearance beside the emblematic figures of French hip hop,TTC , in an opera of digital maths-rock. Mike Ladd rewards us with a featuring full of rapologic brick breakage, botching the walls of samples with blows of punchlines with a detonating force. We can also see Tes (Lex Records), feeling at ease on dynamic rock’ n roll, then teletransported in Zapp&Rogers’ talk-box. Also Crunc Tesla, Atlanta’s crunky south based rapper, posing his flow in a war of synthetic violins and vibrating basses. Or Stacs of Stamina, in an exercise of zigzag where the beats take sometimes the shape of anti-personal mines. dDamage leaves then rifles to pump, on the explosive “S.I.N.” track, where the dance is carried out by the rapper Sin, Sizzerb member affiliated with the new Yorkean scene Dipset/Diplomats. -
Roundhouse Annual Review 2012/13
TICKETS 0844 482 8008 ROUNDHOUSE WWW.ROUNDHOUSE.ORG.UK ANNUAL REVIEW 2012/13 ROUNDHOUSE CHALK FARM ROAD LONDON NW1 8EH ENERGY, ENTHUSIASM & INVENTIVENESS Christopher Satterthwaite Chairman, the Roundhouse Trust Nothing has inspired me more during my time at the Ron Arad, Anthony Gormley, Alan Bennett and Roundhouse than our work with young people and Sebastian Coe, among others. the way that work runs through everything we do. Since taking my seat around the Board table at the end From our very own Street Circus troupe performing at of 2010, I’ve been continually impressed by the energy, CircusFest, to the Broadcast Crew live-streaming bands enthusiasm and inventiveness of Roundhouse staff, from the Main Space, and 15 teenagers creating and especially in these challenging economic times. And, performing The Dark Side of Love as part of the World led by Marcus, they’ve shown that they possess the Shakespeare Festival, the participation of young people skills, experience and ambition to keep developing this is an essential element of the Roundhouse experience. wonderful organisation. Every year we work with thousands of 11–25 year-olds It only remains for me to thank everyone who, in one – many of whom have been excluded, marginalised or way or another, enables the Roundhouse to keep doing disadvantaged by society – offering them a chance to such extraordinary work and reaching out to so many discover the sheer joy of participating in the arts, find young people: Arts Council England for their continued their way back into education, gain confidence or, in funding; the many companies, trusts, foundations and some cases, truly transform their lives. -
The Beacon, September 27, 2004 Florida International University
Florida International University FIU Digital Commons The aP nther Press (formerly The Beacon) Special Collections and University Archives 9-27-2004 The Beacon, September 27, 2004 Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/student_newspaper Recommended Citation Florida International University, "The Beacon, September 27, 2004" (2004). The Panther Press (formerly The Beacon). 135. https://digitalcommons.fiu.edu/student_newspaper/135 This work is brought to you for free and open access by the Special Collections and University Archives at FIU Digital Commons. It has been accepted for inclusion in The aP nther Press (formerly The Beacon) by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. The Student Hurricanes affect Newspaper South Florida sports of Florida International world, hurt local University teams. 12 THE BEACON Vol. 17, Issue 9 WWW.BEACONNEWSPAPER.COM September 27, 2004 Spiritual leader speaks on compassion 14th Dalai Lama revisits FIU, addresses students By ALEJANDRA DIAZ admitted to not having a and C. JOEL MARINO full understanding of the Editor In Chief Tibetan leader’s impor- News Editor tance, a major world celeb- rity’s visit to the campus Rain fell as the crowd was enough to make them made its way into the interested in the event. Pharmed Arena on Sept. “I was exhausted so I 22, drenching the masses couldn’t be there. But, I waiting in line since the was going to go just to say early morning hours to I saw him,” said sopho- catch a glimpse of Tenzin more Natalie Quinn. -
Praxis Makes Perfect
Praxis Makes Perfect NATIONaL tHEATRE WaLES & NeON NeON NationaL Theatre WaLes & Neon Neon Praxis Makes Perfect Conceived aNd PerfOrMed by Gruff Rhys aNd Boom biP LooseLy based on tHe book seNiOr service by carlo feLtriNelli B #Ntwneonneon Neon Neon bryaN Hollon ‘Boom biP’ Gruff Rhys In 2007, Gruff Rhys and Boom Bip launched Bryan is originally from Cincinnati, Ohio Gruff Rhys is a Welsh musician, performing Cerddor Cymreig yw Gruff Rhys, sy’n perfformio the electro-pop collaboration Neon Neon. and is currently based in Los Angeles. After solo and with several bands. He was born ar ei ben ei hun a gyda sawl band. Cafodd Their first album, Stainless Style, was released starting his career as a DJ – presenting on in Haverfordwest, Pembrokeshire and grew ei eni yn Hwlffordd, Sir Benfro ac fe’i magwyd in 2008 and is a concept album based on the the radio and hosting club nights – he met up in Bethesda, Gwynedd in north Wales. Gruff ym Methesda, Gwynedd yng ngogledd Cymru. life of John DeLorean, founder of the DeLorean and collaborated with other producers and first found his voice as the front man of the Daeth Gruff i’r amlwg fel prif ganwr Ffa Coffi Motor Company. The album included high-profile artists including rapper Doseone. Boom Bip band Ffa Coffi Pawb (Everyone’s Coffee Beans), Pawb (Everyone’s Coffee Beans), oedd wedi’u guest appearances from the likes of The Strokes’ and Doseone’s collaborative album Circle who were signed to Ankst and became one cofrestru ag Ankstmusik a ddaethant yn un Fab Moretti, Har Mar Superstar, Cate Le Bon was noted by John Peel in the UK, and the of the leading bands on the Welsh language o brif fandiau’r byd cerddoriaeth yng Nghymru. -
MF DOOM LUNCH BOX SHEET 1-2 Sm
2xCD LTD. EDITION BOX SET THROWBACK TIN LUNCH BOX REMASTERED, EXPANDED, 2xCD SET INCLUDES ORIGINAL ALBUM CUTS ALTERNATE VERSIONS, B-SIDES & INSTRUMENTALS 32-PAGE FULL COLOR LYRIC BOOK & DOOMSDAY MC’S CARD SET DESIGNED EXCLUSIVELY BY JASON JAGEL CLICK HERE TO WATCH PRODUCT PROMOTION! http://www.youtube.com/user/getondowntv APRIL 19TH 2xCD LTD. EDITION BOX SET THROWBACK TIN LUNCH BOX Ask any true hip-hop fan and he can tell you exactly where and when he first heard DOOM’s Operation: Doomsday. Against seeming insurmountable odds, the album - bootlegged mercilessly, floating in and out of print on various labels since it’s release in 1999 - gained mythical status amongst music aficionados of all backgrounds as one of the landmark releases of the past decade. At its core? One man, a microphone, an MPC 2000 and a Roland VS 1680. By the time of Operation: Doomsday’s recording, DOOM was a DISC ONE DISC TWO transformed man: a veteran of hip hop’s aging “new ORIGINAL ALBUM FULL-LENGTH ALTERNATE VERSIONS, B-SIDES school” reinvented as the masked, abstract wordsmith TRACK LISTING AND INSTRUMENTALS 1 The Time We Faced Doom (Skit) 1 Dead Bent (Original 12" Version) of the NOW. His pointed wit, subtly subversive lyrics 2 Doomsday 2 Gas Drawls (Original 12" Version) 3 Rhymes Like Dimes (Featuring Cucumber 3 Hey! (Original 12" Version) 4 Greenbacks (Original 12" Version) and stream-of-consciousness flow over adventurous Slice) 5 Go With The Flow Feat. Sci.Fly (Original 12" 4 The Finest (Featuring Tommy Gunn) sample-based production created the measuring Version) 5 Back In The Days (Skit) 6 Go With The Flow (Raw Rhymes) stick by which rappers in the coming decade would 6 Go With The Flow 7 I Hear Voices Pt. -
Digimag36ita.Pdf
DIGICULT Digital Art, Design & Culture Fondatore e Direttore: Marco Mancuso Comitato consultivo: Marco Mancuso, Lucrezia Cippitelli, Claudia D'Alonzo Editore: Associazione Culturale Digicult Largo Murani 4, 20133 Milan (Italy) http://www.digicult.it Testata Editoriale registrata presso il Tribunale di Milano, numero N°240 of 10/04/06. ISSN Code: 2037-2256 Licenze: Creative Commons Attribuzione-NonCommerciale-NoDerivati - Creative Commons 2.5 Italy (CC BY-NC-ND 2.5) Stampato e distribuito tramite Peecho Sviluppo ePub e Pdf: Loretta Borrelli Cover design: Eva Scaini INDICE Marco Mancuso Le Luci E I Suoni Di Sonarama 2008 .......................................................................... 3 Claudia D'Alonzo Future Past Cinema: Sonarmatica 2008 .................................................................. 9 Antonio Caronia Una Volta E’ Troppo Poco .......................................................................................... 13 Giulia Simi Do It Yourself. Dal Punk Al Web 2.0 ......................................................................... 19 Clemente Pestelli Tecnologia Ludica. Hacker Space Festival ............................................................. 22 Lucrezia Cippitelli Brumaria, Editoria Militante ..................................................................................... 25 Domenico Quaranta The Artist As Artwork In Virtual World – Parte 1 ................................................... 30 Alessio Galbiati Sonarcinema 2008. Musica Per Gli Occhi ............................................................. -
"What Is an MC If He Can't Rap?"
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2019 "What Is An MC If He Can't Rap?" Dominique Jimmerson California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Ethnomusicology Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Jimmerson, Dominique, ""What Is An MC If He Can't Rap?"" (2019). Capstone Projects and Master's Theses. 569. https://digitalcommons.csumb.edu/caps_thes_all/569 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Dominique Jimmerson Capstone Sammons 5-18 -19 “What Is an MC if He Can’t Rap?” Hip hop is a genre that has seen much attention in mainstream media in recent years. It is becoming one of the most dominant genres in the world and influencing popular culture more and more as the years go on. One of the main things that makes hip hop unique from other genres is the emphasis on the lyricist. While many other genres will have a drummer, guitarist, bassist, or keyboardist, hip hop is different because most songs are not crafted in the traditional way of a band putting music together. Because of this, the genre tends to focus on the lyrics. -
MF DOOM and Tommy Orange's "There, There"
Rhode Island College Digital Commons @ RIC Open Books -- Open Minds: All Submissions 4-1-2021 Intrigue and Identity: MF DOOM and Tommy Orange's "There, There" Madeleine Frost Follow this and additional works at: https://digitalcommons.ric.edu/obom Recommended Citation Frost, Madeleine, "Intrigue and Identity: MF DOOM and Tommy Orange's "There, There"" (2021). Open Books -- Open Minds: All Submissions. 24. https://digitalcommons.ric.edu/obom/24 This Article is brought to you for free and open access by Digital Commons @ RIC. It has been accepted for inclusion in Open Books -- Open Minds: All Submissions by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. Frost 1 Madeleine Frost Dr. Duneer ENGL 327 30 April 2021 Intrigue and Identity: MF DOOM and Tommy Orange’s There There English author Virginia Woolf wrote, “I am not one and simple, but complex and many” (Woolf 57). Woolf analyzes the role of identity and perception as she suggests an individual does not have one identity, but many. Her analysis alludes to the idea of many individuals struggling with defining themselves and absorbing one, distinct identity for others to perceive them with. Individuals sometimes create several personalities to present to others depending on their audience. British-American rapper Daniel Dumile, also known as MF DOOM functions as an example of an individual who has multiple identities. His, however, has relation to his musical career as he creates several personas, some with a physical mask, for when he performs. In a similar way, Tommy Orange presents numerous Native Americans that struggle with their identity in his novel There There. -
Musik Im Briefkasten Www .Loopzeitung.Ch
MAI.14 Indie EINSCHLAUFEN Betrifft: Das Unbehagen in der Unabhängigkeit Impressum Nº 04.14 DER MUSIKZEITUNG LOOP 17. JAHRGANG Der Kartonschuber ist alles andere als schmuck. fremde Hilfe dorthin geschafft hat, darf sich Er ist aus grober Pappe gezimmert und bereits guten Gewissens auf die Schulter seiner Wahl P.S./LOOP Verlag ziemlich abgegriffen. Doch ich weiss genau, wo klopfen. Postfach, 8026 Zürich er steht, und ziehe ihn aus dem Regal hervor. Bei «Indie» geht es nicht (nur) um ein Genre, Tel. 044 240 44 25, Fax. …27 Die dünne Staubschicht, die sich auf ihm ange- sondern in erster Linie um selbst geschaffene www.loopzeitung.ch sammelt hat, ist schnell weggepustet. Dann wird Strukturen, die dann ideal sind, wenn in ihnen der Deckel gehoben, und zum Vorschein kommt ein erfülltes, von kreativen Synergien befeuertes Verlag, Layout: Thierry Frochaux ein ganzes Konvolut von Zetteln, auf denen in Arbeiten möglich ist. Hier setzt man auf Hand- [email protected] allmählich vergilbender Schrift unzählige Sinn- schlag statt Vertragswerk, auf Jugendfreunde, sprüche, Momentnotizen und Durchhalteparo- statt auf Juristen, auf Ästhetik ohne Blick auf Administration, Inserate: Manfred Müller len vermerkt sind. Ein buntes Sammelsurium den Aktienkurs. So zumindest sieht es die The- [email protected] von Kritzeleien auf den Rückseiten diverser orie im Idealfall vor. In der Praxis bedeutet das gesammelter Handzettel, Kassenbelegen, Kriegs- Modell Indie viel Arbeit zu kargem Lohn und – Redaktion: Philippe Amrein (amp), erklärungen, Garantiescheinen und Not-To-Do- in der gegenwärtigen Variante – endlose Stunden Benedikt Sartorius (bs), Koni Löpfe Listen. Online-Frickelei. [email protected] Worum es dabei immer geht: Unabhängigkeit. -
Eastern Progress, Thursday
► In the gutter The Eastern As Eastern's bowling alley is shipped to Virginia, the university is considering options to fill the now vacant space. Turn inside to read what students suggested should go in the former bowling alley. Progress NEWS/ A4 vuwi id. hmond Ky Student publication o( f astern Kentucky University since 1922 Vol 83/No 9 .14 paqcs October 21 2004 Dorms adding security system embedded into it. If the chip Scanners will is in the proximity of the card- reader, the door will unlock. electronically Middleton said The card-readers will be check student programmed with the II) num- bers of residents who live IDs at door in that specific hall. Middleton said. The installation of the RAC rHAYNES system will be a three-week Assistant news editor process, Middleton said. 'Hie ()n-campus residents will first week will be spent install- soon have to use their student ing the wiring for the system. IDs to obtain electronic access The second week, the hard- to residence halls. ware will be installed. The Installation of the third week, the system will be Residential Access Control activated. system began Oct. 13 in Case Along with installing card- anil Combs halls, According to readers, there will be an alarm Kenna Middleton, director of installed, Middleton said. The university housing alarm will be activated when Residence halls will be com- any entrance door is left open pleted in sets ol two halls at a too long and will not turn off time, Middleton said. Residents until the door is shut.