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Learn Unity3d Programming with Unityscript Suvak Also Available: ONLINE
Learn Unity3D Programming with UnityScript TECHNOLOGy iN ACtiON™ earn Unity Programming with UnityScript is your step-by-step Also available: Lguide to learning to make your first Unity games using UnityScript. Learn You will move from point-and-click components to fully customized features. You need no prior programming knowledge or any experience with other design tools such as PhotoShop or Illustrator - Unity3D Learn you can start from scratch making Unity games with what you’ll learn Unity3D in this book. Through hands-on examples of common game patterns, you’ll learn and apply the basics of game logic and design. You will gradually become comfortable with UnityScript syntax, at each point having everything explained to you clearly and concisely. Many beginner Programming Programming programming books refer to documentation that is too technically abstract for a beginner to use - Learn Unity Programming with UnityScript will teach you how to read and utilize those resources to hone your skills, and rapidly increase your knowledge in Unity game development. with UnityScript You’ll learn about animation, sound, physics, how to handle user interaction and so much more. Janine Suvak has won awards for her game development and is ready to show you how to start your journey as a game developer. The Unity3D game engine is flexible, Unity’s JavaScript for Beginners cross-platform, and a great place to start your game development with adventure, and UnityScript was made for it - so get started game programming with this book today. UnityScript CREATE EXcITING UNITY3D GAMES WITH UNITYScRIPT Suvak ISBN 978-1-4302-6586-3 54499 Shelve in Macintosh/General User level: Beginning 9781430 265863 SOURCE CODE ONLINE www.apress.com Janine Suvak For your convenience Apress has placed some of the front matter material after the index. -
French Underground Raves of the Nineties. Aesthetic Politics of Affect and Autonomy Jean-Christophe Sevin
French underground raves of the nineties. Aesthetic politics of affect and autonomy Jean-Christophe Sevin To cite this version: Jean-Christophe Sevin. French underground raves of the nineties. Aesthetic politics of affect and autonomy. Political Aesthetics: Culture, Critique and the Everyday, Arundhati Virmani, pp.71-86, 2016, 978-0-415-72884-3. halshs-01954321 HAL Id: halshs-01954321 https://halshs.archives-ouvertes.fr/halshs-01954321 Submitted on 13 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. French underground raves of the 1990s. Aesthetic politics of affect and autonomy Jean-Christophe Sevin FRENCH UNDERGROUND RAVES OF THE 1990S. AESTHETIC POLITICS OF AFFECT AND AUTONOMY In Arundhati Virmani (ed.), Political Aesthetics: Culture, Critique and the Everyday, London, Routledge, 2016, p.71-86. The emergence of techno music – commonly used in France as electronic dance music – in the early 1990s is inseparable from rave parties as a form of spatiotemporal deployment. It signifies that the live diffusion via a sound system powerful enough to diffuse not only its volume but also its sound frequencies spectrum, including infrabass, is an integral part of the techno experience. In other words listening on domestic equipment is not a sufficient condition to experience this music. -
Technics, Precarity and Exodus in Rave Culture
29 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 2 Technics, Precarity and Exodus in Rave Culture TOBIAS C. VAN VEEN MCGILL UNIVERSITY Abstract Without a doubt, the question of rave culture’s politics – or lack thereof – has polarized debate concerning the cultural, social and political value of rave culture not only within electronic dance music culture (EDMC) studies, but in disciplines that look to various manifestations of subculture and counterculture for political innovation. It is time for the groundwork of this debate to be rethought. Ask not what rave culture’s politics can do for you; nor even what you can do for it. Rather, ask what the unexamined account of politics has ever done for anyone; then question all that rave culture has interrogated – from its embodied and technological practices to its production of ecstatic and collective subjectivities – and begin to trace how it has complicated the very question of the political, the communal and the ethical. This complication begins with the dissolution of the boundaries of labour and leisure and the always-already co-optation of culture. To the negation of ethics, community and politics, this tracing calls for the hauntology of technics, precarity and exodus. And it ends with a list of impossible demands demonstrating the parallax gap of rave culture’s politics. Keywords exodus, precarity, technics, multitude, workplay He [Randy] predicted the [rave] parties will eventually disappear under the combined pressure of police, city and fire officials. “In the next year and a half it’s going to vanish”, he said. “Then, when they think it’s gone, it will come back, becoming more underground again”. -
AGENDA SPECIAL FESTIVALS Gratuit / Juillet - Août - Septembre 2017 / Numéro Spécial Été
WWW.TECKYO.COM Jr RODRIGUEZ: photo by Felicia Malecha INTERVIEW Jr RODRIGUEZ CITIZEN KAIN 20SYL DOLMA REC AGENDA SPECIAL FESTIVALS Gratuit / Juillet - Août - Septembre 2017 / Numéro spécial été TECKYO.COM Edito Sommaire 3 Pour cette édition spécial été 2017, je ne vais pas faire un édito classique. En effet, je tiens à rendre hommage à Kaosspat, instigateur de la première heure de ce projet fou que représente Teckyo et qui nous a quitté en Décembre dernier. Pour la première fois depuis presque 20 ans, je ne peux compter sur son aide précieuse. Je suis seule face à cette absence et me revient en mémoire sa bonne humeur, son soutien indéfectible, son humour ainsi que sa folie si particulière. Quand, en 1999, Lucie Association nous a proposé de sortir un fanzine spécialisé en musique électronique, il a, sans hésitation, voulu relever le défi. Il s’est investi sans compter, il a passé un temps précieux au développement du magazine et quand il a fallu faire face à diverses difficultés, il s’est naturellement proposé pour créer le site www.tec- kyo.com. Ceux qui l’ont côtoyé ou croisé en soirées ou en festivals, ont pu mesurer son amour pour la fête et la musique et tous en gardent un souvenir ému. Il aimait à dire : « the show must go on ». Alors continuons à vivre et à profiter pleinement des bons moments que la vie nous offre... Vous trouverez dans cette nouvelle parution, l’interview de Rodrigez Jr que nous suivons depuis le début de son ascension. Citizen Kain et 20syl ont accepté de nous détailler leur projet respectif, étant tous les deux omniprésents dans les soirées et festivals estivaux. -
Glazbeni Turizam: Istraživanje Utjecaja Festivala Outlook U Kontekstu Lokalne Kulture
Glazbeni turizam: istraživanje utjecaja festivala Outlook u kontekstu lokalne kulture Kariko, Helena Master's thesis / Diplomski rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:865870 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-08 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET U RIJECI ODSJEK ZA KULTURALNE STUDIJE Helena Kariko Glazbeni Turizam: Istraživanje utjecaja festivala Outlook u kontekstu lokalne kulture DIPLOMSKI RAD Rijeka, 2019 SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET U RIJECI ODSJEK ZA KULTURALNE STUDIJE Helena Kariko Glazbeni Turizam: Istraživanje utjecaja festivala Outlook u kontekstu lokalne kulture DIPLOMSKI RAD Mentorica: Dr. sc. Diana Grgurić Rijeka, 2019 SADRŽAJ: 1. Uvod ....................................................................................................................................... 1 2. Teorijski okvir razmatranja problematike glazbenog turizma ............................................... 2-9 2.1. O glazbenom turizmu ........................................................................................................... 2 2.2. Glazbeni festivali............................................................................................................. -
Authenticity in Electronic Dance Music in Serbia at the Turn of the Centuries
The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries Inaugural dissertation submitted to attain the academic degree of Dr phil., to Department 07 – History and Cultural Studies at Johannes Gutenberg University Mainz Irina Maksimović Belgrade Mainz 2016 Supervisor: Co-supervisor: Date of oral examination: May 10th 2017 Abstract Electronic dance music (shortly EDM) in Serbia was an authentic phenomenon of popular culture whose development went hand in hand with a socio-political situation in the country during the 1990s. After the disintegration of Yugoslavia in 1991 to the moment of the official end of communism in 2000, Serbia was experiencing turbulent situations. On one hand, it was one of the most difficult periods in contemporary history of the country. On the other – it was one of the most original. In that period, EDM officially made its entrance upon the stage of popular culture and began shaping the new scene. My explanation sheds light on the fact that a specific space and a particular time allow the authenticity of transposing a certain phenomenon from one context to another. Transposition of worldwide EDM culture in local environment in Serbia resulted in scene development during the 1990s, interesting DJ tracks and live performances. The other authenticity is the concept that led me to research. This concept is mostly inspired by the book “Death of the Image” by philosopher Milorad Belančić, who says that the image today is moved to the level of new screen and digital spaces. The other authenticity offers another interpretation of a work, or an event, while the criterion by which certain phenomena, based on pre-existing material can be noted is to be different, to stand out by their specificity in a new context. -
Images of Aggression and Substance Abuse in Music Videos : a Content Analysis
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research 2009 Images of aggression and substance abuse in music videos : a content analysis Monica M. Escobedo San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Escobedo, Monica M., "Images of aggression and substance abuse in music videos : a content analysis" (2009). Master's Theses. 3654. DOI: https://doi.org/10.31979/etd.qtjr-frz7 https://scholarworks.sjsu.edu/etd_theses/3654 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. IMAGES OF AGGRESSION AND SUBSTANCE USE IN MUSIC VIDEOS: A CONTENT ANALYSIS A Thesis Presented to The Faculty of the School of Journalism and Mass Communications San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Science by Monica M. Escobedo May 2009 UMI Number: 1470983 Copyright 2009 by Escobedo, Monica M. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Representations of Women in Music Videos
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-1999 Creativity Or Collusion?: Representations of Women in Music Videos Jan E. Urbina Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Sociology Commons Recommended Citation Urbina, Jan E., "Creativity Or Collusion?: Representations of Women in Music Videos" (1999). Master's Theses. 4125. https://scholarworks.wmich.edu/masters_theses/4125 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. CREATIVITYOR COLLUSION?: REPRESENTATIONS OF WOMEN INMUSIC VIDEOS by Jan E. Urbina A Thesis Submittedto the Facuhy of The GraduateCollege in partial folfitlment of the requirementsfor the Degree of Master of Arts Departmentof Sociology WesternMichigan University Kalamazoo, Michigan August 1999 Copyright by Jan E. Urbina 1999 ACKNOWLEDGEMENTS There are certain individuals that touch our lives in profound and oftentimes unexpected ways. When we meet them we feel privileged because they positively impact our lives and help shape our futures, whether they know it or not. These individuals stand out as exceptional in our hearts and in our memories because they inspire us to aim high. They support our dreams and goals and guide us toward achieving them They possess characteristics we admire, respect, cherish, and seekto emulate. These individuals are our mentors, our role models. Therefore, I would like to extend my deepest gratitude to the outstanding members ofmy committee, Dr. -
Travel and Drug Use in Europe: a Short Review 1
ISSN 1725-5767 ISSN Travel and drug use in Europe: a short review 1 Travel and drug use in Europe: a short review PAPERS THEMATIC Travel and drug use in Europe: a short review emcdda.europa.eu Contents 1. Introduction 3 2. Travelling and using drugs 4 Young people 4 Problem drug users 4 3. Examples of drug-related destinations 6 4. Prevalence of drug use among young travellers 9 Young holidaymakers in Europe 9 Young backpackers 10 Young clubbers and partygoers 11 5. Risks associated with drug use while travelling 13 Health risks 13 Risk related to personal safety 14 Legal risks 14 Risks related to injecting drug use 14 Risks to local communities 15 6. Potential for prevention interventions 17 7. Conclusions 19 Acknowledgements 21 References 22 Travel and drug use in Europe: a short review 3 emcdda.europa.eu 1. Introduction Recent decades have seen a growth in travel and tourism abroad because of cheap air fares and holiday packages. This has been accompanied by a relaxation of border controls, especially within parts of Europe participating in the Schengen Agreement. As some people may be more inclined to use illicit substances during holiday periods and some may even choose to travel to destinations that are associated with drug use — a phenomenon sometimes referred to as ‘drug tourism’ — this means that from a European drug policy perspective the issue of drug use and travel has become more important. This Thematic paper examines travellers and drug use, with a focus on Europeans travelling within Europe, although some other relevant destinations are also included. -
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LA PINCE RECORDS RELEASES ARTISTS PUBLIC RELATIONS CONTACT # PRESS KIT PRESS L A PINCE RECORDS THE GENESIS HOUSE OF THE CREW TECHNO reated in 2016 by the collective dj’s03 DUB CREATORS (DJD2B, Steve Ko & Lucho Misterhands), La Pince Records stand out by Creleasing its records in vinyl & digital. Rocked since the 90’s by the sounds of Detroit & Berlin, has bring to the collective on subtle blend to them music. Definitely dedicated to the dance floor, all tracks can be classified in the Techno / House categories. EP RELEASE VINYLS P LA PINCE RECORDS / PRESS KIT / 03 RELEASES LPR001 DJ D2B - MONGOLISTIC EP irst EP, DJ D2B deliver to you 3 unique & exclusive directed pieces House/Techno influenced by the minimal trends. FAlong with deep beats05 & shaman inspiration vocals, hypnotic melodies with sensual tones, “Which promise you a nice trip into the clouds”. A1 - MONGOLISTIC (Original Mix) A2 - SENSUAL EMOTION (Original Mix) B1 - FLOAT IN THE CLOUD (Original Mix) Released on: June 2016. AVAILABLE ON CLICK HERE TO LISTEN Syncrophone Records shop, Techno Import, House Monkey Records. decks.de, deejay.de, juno.co.uk, hhv.de, technique.co.jp, redeyerecords. co.uk. Beatport, JunoDownload, TrackSource, Apple Music, Spotifiy, Youtube P RELEASES / PRESS KIT / 05 LPR002 DUB CREATORS - KANPEKINA EP or the LPR002 DUB CREATORS release on their own imprint La Pince Records. This trio deliver to us their KANPEKINA EP. 06FMade up with 4 strong-deep bassline tracks the original mix & 3 dance-floor remix witch goes from House to Tech-House. A1 - KANPEKINA (Original Mix) A2 - KANPEKINA (Lucho Misterhands Remix) B1 - KANPEKINA (DJ D2B Remix) B2 - KANPEKINA (Steve Ko Remix) Supported by DJ Handmade (Tresor Berlin) . -
Neotrance and the Psychedelic Festival DC
Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival. -
Customer Satisfaction at Summer Sound Festival 2015: Evaluating Festival Quality
Customer satisfaction at Summer Sound Festival 2015: Evaluating festival quality Linda Hannonen and Noora Väänänen Bachelor’s Thesis Degree Programme in Experience and Wellness Management November 2015 Abstract 23.11.2015 Author(s) Linda Hannonen and Noora Väänänen Degree programme Experience and Wellness Management Report/thesis title Number of pages Customer satisfaction at Summer Sound Festival 2015: Evaluating and appendix pages festival quality 47 + 22 The thesis was commissioned by an event production company Events 365 Oy. The com- pany focuses on electronic dance music events including the Summer Sound Festival. The Summer Sound festival is a three day EDM festival held at the Helsinki Exhibition and Con- vention Centre. The commissioner will receive the final report for future developments. The objective of this research based thesis is to evaluate the festival quality at Summer Sound Festival 2015 through a customer satisfaction research. The purpose is to under- stand the festivalgoers level of satisfaction based on the perceived quality of the festival quality factors. The literature review introduces theories about customer satisfaction, festivals, festival management and festival quality. The framework of the research is based on the theory of six festival quality factors (program, staff, ancillary services, facilities, convenience and comfort amenities) by Chen, Lee and Lin (2012). By the commissioner's request three fes- tival quality factors (marketing, availability of information and entertainment) were added to the research. Altogether there were nine festival quality factors. The research was conducted using a qualitative research approach. The research meth- ods were a focus group discussion and personal interviews. Ten respondents participated in both parts of the research.