DOCSLIB.ORG

MEDIA-INFO in Brief

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MEDIA-INFO in Brief EN MEDIA-INFO In Brief The The Street Parade has been an established cultural event for 27 years. (28th Edition) Street Parade Every year, it brings the world's best DJs, producers and musicians in the field of electronic music to Zurich. The most colourful house and techno parade in the world fascinates hundreds of thou- in brief: sands of dance fans from every continent year after year. Figures, Around 30 Love Mobiles – brightly decorated trucks carrying vast music systems, deco, DJs and Times, party people – drive at walking pace through the crowds around the lakeside in Zurich. In addi- tion to these 30 travelling stages, eight stages along the route round off the varied range of elec- Facts. tronic music available with top DJs, live acts and multimedia entertainments. As an innovative lifestyle event, the Street Parade presents innovations in the field of electronic music, fashion and digital art and has gained an international reputation as a contemporary music festival. Yet it is still a demonstration of the values of love, peace, freedom and tolerance, plus elec- tronic music. The Street Parade is an important generating force which not only triggers an en- thusiasm for this culture each year; it also provides a vital new impetus that encourages diversity in both the world of music and in the clubs. When & Where Saturday, August 10, 2019, kicking off at 1.00 pm at the Stages. Afterwards, the first Love Mobile starts at the «Utoquai»at 2.00 pm, proceeding along Lake Zurich via Bellevue, Quaibrücke and Bürkliplatz to Hafendamm Enge. Distance: 2.0 km. Ending of the parade at about 10 pm. The fun will continue at the stages until midnight. Slogan & Theme The Street Parade is a demonstration in dance in favour of love, peace, freedom and tolerance. With the motto «Colours Of Unity» the organizers want to draw attention to the fact that a picture can only be colourful if different colours are permitted and can unfold their effect together. The colours represent the different origins, views, education or back- grounds of the visitors as well as the diversity of species in general. Love Mobiles & Participants There are 30 colorfully decorated domestic and foreign Love Mobiles at the start, playing all styles of electronic music from deep house to hard style. The number of visitors is difficult to estimate. Last year, around one million people made the pilgrimage to the Street Parade in the sun and at 25 degrees Celsius. • Love Mobile-Details: www.streetparade.com Star-DJs and Acts Beside international superstars like Amelie Lens, Andres Campo, Animal Trainer, Bastian Bux, Davide Squillace, De La Swing, Dubfire, Erick Morillo, Ezikiel, Gi- anni Callipari, John Digweed, Len Faki, Nastia, Paco Osuna, Pan-Pot, Rødhåd, Steve Lawler, Tini Gessler, Toni Varga. (from A-Z) and many more, the electronic sounds will be enhanced by acoustic instruments, special effects and live vocals. In addition, young, innovative artists will be contributing their own sounds and beats to create a musical experience that`s full of variety. Over 200 DJs are playing at this years Parade. Media Unit: «We love Street Parade» - All DJs perform without pay Stefan Epli All DJs, whether world star or up-and-coming artists, carry the spirit of the Street Parade with Press Office & Communication them and, despite a busy schedule, they are free of charge. Elsewhere, they could have made a Seefeldstrasse 4 lot of money this afternoon and evening. The spirit and the non-profit thinking of the Street Pa- CH-8008 Zürich rade convince the artists. The DJs are partly responsible that the Street Parade is realizable on a low Tel +41-44-350 71 00 budget. Only in this way can the organizers continue to promote the FREE event with creative in- [email protected] novations. •The complete line-up: streetparade.com/en/program/djs/ Online: Press-Info & Pictures: www.streetparade.com media info street parade zürich 11.8.2018 In Brief II Eight Stages In addition to the 30 moving stages (Love Mobiles), there are eight stages along the route to round off the wide selection of electronic music with top DJs and live acts (13:00h ‘til midnight). •At the MAINSTAGES OPÉRA STAGE (Bellevue) and CENTER STAGE (Bürkliplatz) hosted by elrow, international headliners are playing the sounds of the worldwide club culture.Genre: Tech-House, Techno. •CLUBBING STAGE in front of the «Kongresshaus»: The Playlist of Swiss-Top-DJs in clubs and par- ties worldwide. •SWISS INNOVATIONS STAGE (Limmatquai): In line with the spirit of the times, the Street Parade is providing a stage for innovative Swiss musicians. Electronic music played live, with computers, instruments, record decks and singing, all «made in Switzerland», will be captivating listeners here. Additional Stages: • START STAGE: This is the Love Mobile number 1 from the label Ants from Ibiza. Steve Lawler and Davide Squillace create a good mood with their music and ensure a brilliant start of the parade. The truck leaves for the route at 2 pm. •RAKETE STAGE at the «Bürkliplatz-Rondel»: The home of Zürich’s finest Tech House & Techno-DJs from the Label «Rakete». •Generations Stage (Swisslife/Enge) Rocking with different styles of electronic music, pointing out the versatility of this genre. •Hardstyle Truck (Stockerstrasse) Here the hardcore fans get their money's worth. As the last love mobile in the procession, it stops at 9.15 pm on the «Stockerstrasse» and plays «hardstyle» until midnight. International top labels and Zurich clubs With the worldwide hip dance labels «elrow» from Barcelona, «Ants» from Ibiza and «Katermukke» from Berlin, three labels with global appeal will be part of the move. «Elrow» stages its own world on Bürkliplatz with a spec- tacular show, «Ants» and «Katermukke» present their own Love Mobiles. At the same time, the Zu- rich clubs Supermarket, Hive and Klaus are driving with their trucks at walking pace through the crowd. A new generation of Love Mobilists is also growing up. Namely these are «Level Event», «Shape Events» and «No Tomorrow Events». A total of 30 trucks are registered, playing all styles of electronic music from deep house to hard style. Artwork by the Zurich artist Demian5 The Street Parade poster, desi- gned by the Zurich graphic artist and illustrator Demian5, has a high recognition value. With his expe- rimental web comics he has established himself in the international art scene. The main characters of the comic book «When I am King» published by the german JaJa-Verlag dare a trip to the Street Parade. •demian5.com Environmentally conscious with «Environment-Francs» The organisers support a responsible approach to nature and the environment. Among other things, waste is separated into recyclable materials such as glass, aluminium and PET and returned to the re- Media Unit: cycling cycle. Countless WC facilities, also outside the event grounds, as well as glass collection teams Stefan Epli ensure greater well-being for visitors and residents. The Street Parade draws green electricity for all Press Office & Communication stages and catering stands and thanks to the commitment to «myclimate», the Love Mobiles drive Seefeldstrasse 4 «climate neutral». All food waste is collected after the Street Parade and processed into biogas. The CH-8008 Zürich Street Parade invests one franc of every drink sold in the environment - if there is a surplus, it goes Tel +41-44-350 71 00 to local aid organisations. [email protected] •demian5.com Online: Press-Info & Pictures: www.streetparade.com media info street parade zürich 10.8.2019 Media release The official Street Parade 2019 - The slogan Motto and Media-Text of COLOURS OF UNITY the Street The most colorful music event of the year is approaching. On 10 August Parade 2019, the Love Mobiles of the Street Parade will roll around the Zurich lake 2019 basin. With the motto «Colours Of Unity», the organisers want to draw at- tention to the fact that a picture can only be colourful if a wide variety of co- lours are permitted and can unfold their effect together. For the 28th time on the day of the Street Parade, Zurich will become the unique tech- noid festival capital, a hotspot for electronic music. With the motto «Colours Of Unity», the organizers want to point out that life is more beautiful when different colors stick together. The colours represent the different origins, views, education or backgrounds of the visitors as well as the diversity of species in general. It is the colours of an entire society, an army of hundreds of thousands of peaceful and happy people, who cele- brate the sound of time at the Street Parade and are thus part of the fascinating de- monstration for love, peace, freedom and tolerance. In times when borders are closed and walls built, tolerant people from all over the world come together and unite on Zurich's streets - it's Street Parade. A community with all human colour nuances stands together and turns this unique experience into an event. The values of the Street Parade are open-heartedly lived and danced across generations at the world's largest techno event. This is the cornerstone for peaceful co- existence - regardless of religion, skin colour, origin or sexual orientation. Environmentally conscious with «Environment-Francs» For every drink sold, the Street Parade invest one Swiss-Franc in the environment and local charities. Through this, the organizers support responsibility and aware- ness for our environment and surrounding nature. Among other measures, waste will be separated into glass, aluminum and PET and recycled appropriately. Visitors and residents will experience increased comfort through the 100 additional toilet facilities brought into the city center, along with teams to collect used glass.
Load more

Recommended publications
  • French Underground Raves of the Nineties. Aesthetic Politics of Affect and Autonomy Jean-Christophe Sevin
    French underground raves of the nineties. Aesthetic politics of affect and autonomy Jean-Christophe Sevin To cite this version: Jean-Christophe Sevin. French underground raves of the nineties. Aesthetic politics of affect and autonomy. Political Aesthetics: Culture, Critique and the Everyday, Arundhati Virmani, pp.71-86, 2016, 978-0-415-72884-3. halshs-01954321 HAL Id: halshs-01954321 https://halshs.archives-ouvertes.fr/halshs-01954321 Submitted on 13 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. French underground raves of the 1990s. Aesthetic politics of affect and autonomy Jean-Christophe Sevin FRENCH UNDERGROUND RAVES OF THE 1990S. AESTHETIC POLITICS OF AFFECT AND AUTONOMY In Arundhati Virmani (ed.), Political Aesthetics: Culture, Critique and the Everyday, London, Routledge, 2016, p.71-86. The emergence of techno music – commonly used in France as electronic dance music – in the early 1990s is inseparable from rave parties as a form of spatiotemporal deployment. It signifies that the live diffusion via a sound system powerful enough to diffuse not only its volume but also its sound frequencies spectrum, including infrabass, is an integral part of the techno experience. In other words listening on domestic equipment is not a sufficient condition to experience this music.
    [Show full text]
  • ANDERTON Music Festival Capitalism
    1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667).
    [Show full text]
  • Authenticity in Electronic Dance Music in Serbia at the Turn of the Centuries
    The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries Inaugural dissertation submitted to attain the academic degree of Dr phil., to Department 07 – History and Cultural Studies at Johannes Gutenberg University Mainz Irina Maksimović Belgrade Mainz 2016 Supervisor: Co-supervisor: Date of oral examination: May 10th 2017 Abstract Electronic dance music (shortly EDM) in Serbia was an authentic phenomenon of popular culture whose development went hand in hand with a socio-political situation in the country during the 1990s. After the disintegration of Yugoslavia in 1991 to the moment of the official end of communism in 2000, Serbia was experiencing turbulent situations. On one hand, it was one of the most difficult periods in contemporary history of the country. On the other – it was one of the most original. In that period, EDM officially made its entrance upon the stage of popular culture and began shaping the new scene. My explanation sheds light on the fact that a specific space and a particular time allow the authenticity of transposing a certain phenomenon from one context to another. Transposition of worldwide EDM culture in local environment in Serbia resulted in scene development during the 1990s, interesting DJ tracks and live performances. The other authenticity is the concept that led me to research. This concept is mostly inspired by the book “Death of the Image” by philosopher Milorad Belančić, who says that the image today is moved to the level of new screen and digital spaces. The other authenticity offers another interpretation of a work, or an event, while the criterion by which certain phenomena, based on pre-existing material can be noted is to be different, to stand out by their specificity in a new context.
    [Show full text]
  • Come Together! How Rave Returned to the Cultural Mix
    Come together! How rave returned to the cultural mix Twenty five years on, the spirit of rave is being seen everywhere from catwalk fashion and art to the collective political experience of Acid Corbynism Lauren Cochrane Monday 27 November 2017 05.45 GMT efore the May bank holiday in 1992, Castlemorton Common in the Malvern Hills was B chiefly known only to walkers keen to hike through its 600 acres of unspoilt, unenclosed land. After that bank holiday, however, it became known as the site of Britain’s biggest-ever illegal rave. Partygoers arrived in such numbers that Castlemorton featured on TV and in the newspapers – which brought more revellers. In the end, an estimated 20,000 people flocked to the site. By the Tuesday, it had induced moral panic in the Daily Mail: “A walk through the hippy encampment was like walking into a scene from the Mad Max movies. Zombie-like youngsters on drugs walked aimlessly through the mobile shanty town or danced to the pounding beat,” it reported. By 1994, the Criminal Justice and Public Order Act was passed, with the now infamous ruling against parties playing music “characterised by the emission of a succession of repetitive beats”. Twenty-five years after Castlemorton, rave is back in the pop culture mix. The aesthetic, culture and sound has trickled down to everything from the growth of the festival to the concept of chill-out, to your DayGlo wallet, clubbing scenes in Girls, a weekend in Ibiza and the Kirakira app’s sparkles. Most people might not be regularly indulging in four-day parties but, in 2017, rave’s cultural legacy extends far and wide.
    [Show full text]
  • Neotrance and the Psychedelic Festival DC
    Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival.
    [Show full text]
  • Todd Terry & Roland Clark
    TASTEMAKER DJ PROMO REPORT RELEASE: Todd Terry & Roland Clark - Dance LABEL: InHouse Records REAKTION AVERAGE RATING: 9/10 www.reaktion.net DJ REAKTIONS (612) - ULTIMATE REAKTION PROMO Sergio Mega (CTS, Afro Acid) Nice one! support! Ray MD (The Warrior Recordings) Ray MD (The Warrior Recordings) nice one ... full support ;) RAY MD Rio Dela Duna (Vamos Music) Hot track I love it thx ! Nico Cabeza (MOON HARBOUR-TRONIC) try Judge Jules Nice Judge Jules (BBC Radio) Thanks! Royal Supreme Music I'll review Mark Knight (Toolroom) downloading for mark knight, thanks for the music Gil (Treasured Grooves) Super dope !!! DJ Darkstone thanks Marco Key Grate tracks! Thanks.. Paul Oakenfold (Perfecto) thanks - downloading for stadium artists Anthony Pappa It’s ok and l will use this as a filler. Thanks. Pappa. Dopamine Music hot groove! thanks for music Asino (Spinnin Records) awesome stuff! Tehnofonika Records Thanks! NELLO SIMIOLI (KISS KISS RADIO ITALY) This is my favorite sounds! DJ Vivona (Sunclock, King Street Sounds) Cool! Oscar Aguilera (100%Pure, Deeperfect, Form, 1605 / elRow, Monegros, Florida 135) Thanks for the music. Dj Spesh (Looq Records) great stuff! Crsitian Varela (Pornographic Recordings) Well done!! Martin Smith (Deeper Sounds on Mixlr, Attic Torquay) Souding good! Will try it out for sure. Thanks Dennis Cruz (Lemonaid rec) Nice Track, it wiill try... thanks Gregor Salto (G-REX Music) dl for salto sounds Mark Ferrer (OLE MUSIC/COMIC LABEL) Thanks for the music ;) B.Traits (BBC Radio 1) Nice! Downloading on behalf of B.Traits gareth hester (Believe Me Records) great track MnCve aka Miguel Mayen not for me thanks! Paco Osuna (Plus 8) Will try thanks ;) Joseph Capriati downloading for joseph capriati, thanks ! No Else(Witty Tunes,Sphera, Mile End) massive tune from two legendary artist.
    [Show full text]
  • We Own the Nite NYC the Mecca for Electronic Music, Fashion, Nightlife, Global + Local Adventures
    FEATURED , THE BUZZ , MUSIC , IMAGES , LIFESTYLE , VIDEO , ABOUT US , We Own The Nite NYC The Mecca for Electronic Music, Fashion, Nightlife, Global + Local Adventures. RSS Feed Facebook Twitter Instagram Vimeo Tumblr ' Stay Connected Don’t miss elrow’s biggest ! " # indoor fiesta “El Bowsque $ % & Encantado” coming to ' NYC, Feb. 23 ) POPULAR ( LATEST * + How Lia Marie Written by: We Own The Nite NYC FEATURED • NIGHTLIFE Johnson’s Family February 5, 2019 Struggle Became Her Views: 58 Inspiration October 7, 2016 mmersive party brand elrow Launch NEW FAVORITE: 2019 NYC Residency “El Bowsque Jan Blomqvist feat. The Encantado.” 13 DJs From Around the Bianca Story – I Dancing Globe Revealed for elrow’s Biggest North People Are Never Wrong American Indoor Festival To Date. August 18, 2016 HYTE New Year’s Eve at Funkhaus Berlin 2017 November 3, 2017 SPOTLIGHT: Jay Alvarrez October 24, 2016 Meet Miāo: An Exciting New Techno Duo October 4, 2016 Search... ' ollowing the announcement of “El Bowsque Encantado” as the theme for the launch of its 2019 NYC F residency on February 23 at Avant Gardner, elrow reveals the full lineup for its biggest indoor fiesta in North America. Providing the soundtrack to this edition of the world’s wildest immersive party experience will be Paco Osuna, Victor Calderone, Audiojack, Bastian Bux, Charles Meyer, Detlef, Joeski, Mathias Kaden, special guest Matthias Tanzmann, Miss Jennifer, Sante, Toni Varga, and Westend. The spectacular roster of 13 DJ superstars will throw down transcendent house and techno sets in two rooms for more than ten hours, making this one of elrow’s largest, longest, and most unforgettable events to date.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Boom Festival | Rehearsing the Future
    Boom festival | Rehearsing the Future Music and the Prefiguration of Change by Saul Roosendaal 5930057 Master’s thesis Musicology August 2016 supervised by dr. Barbara Titus University of Amsterdam Boom festival | Rehearsing the future Contents Foreword .................................................................................................................................... 3 Introduction ................................................................................................................................ 4 1. A Transformational Festival ................................................................................................. 9 1.1 Psytrance and Celebration ........................................................................................... 9 1.2 Music and Culture ..................................................................................................... 12 1.3 Dance and Musical Embodiment .............................................................................. 15 1.4 Art, Aesthetics and Spirituality ................................................................................. 18 1.5 Summary ................................................................................................................... 21 2. Music and Power: Prefigurating Change ........................................................................... 23 2.1 Education: The Liminal Village as Forum ................................................................ 25 2.1.1 Drugs and Policies .........................................................................................
    [Show full text]
  • Alternative Spaces in Post-Socialist Prague
    Michaela Pixová: Struggle for the Right to the City: Alternative Spaces in Post-Socialist Prague UNIVERZITA KARLOVA V PRAZE Přírodovědecká fakulta Katedra sociální geografie a regionálního rozvoje Michaela Pixová STRUGGLE FOR THE RIGHT TO THE CITY: ALTERNATIVE SPACES IN POST-SOCIALIST PRAGUE BOJ O PRÁVO NA MĚSTO: ALTERNATIVNÍ PROSTORY V POST-SOCIALISTICKÉ PRAZE Ph.D Thesis The Supervisor: Doc. RNDr. Luděk Sýkora, Ph.D. Prague 2012 Michaela Pixová: Struggle for the Right to the City: Alternative Spaces in Post-Socialist Prague Declaration I declare that this dissertation is my original work conducted under the supervision of Doc. RNDr. Luděk Sýkora, Ph.D. All sources used in the dissertation are indicated by special reference in the text and no part of the dissertation has been submitted for any other degree. Any views expressed in the dissertation are those of the author and in no way represent those of Charles University in Prague. The dissertation has not been presented to any other University for examination either in Czechia or overseas. In Prague, July 30, 2012 ……….…………………… Signature i Michaela Pixová: Struggle for the Right to the City: Alternative Spaces in Post-Socialist Prague Acknowledgement This dissertation could not have been carried out without the help and support of many people. To name all of them would require a long list, and therefore I would like to acknowledge in particular the ones whose help was indispensable to my research and for the production of this thesis. Most of my thanks go obviously to my supervisor, Luděk Sýkora, who not only provided my research with the much needed expertise, but also featured as an invaluable source of inspiration, encouragement and mental support.
    [Show full text]
  • Party Culture Qu’Est-Ce Qu’On Entend Par «Party Culture»?
    Party Culture Qu’est-ce qu’on entend par «party culture»? • La «party culture» est un concept qui renvoie à la musique électronique, aux DJs, à la nuit, aux sorties dans le clubs, ainsi qu’à la dance • Dès le fin des années ’80, des anciennes usines, des bâtiments abandonnées, des bunker ou des clubs commencent à accueillir des évènements éphémères qu’on commence à appeler «rave» • Le terme anglais de «rave» évoque différentes significations : délirer, divaguer, s’éclater, parler avec enthousiasme, s’enrager contre quelques chose, s’emporter, etc. Party Culture Les valeurs culturels et leurs évolutions • La «rave music» n’est pas un genre de musique en tant que tel mais renvoie à un univers de valeurs partagés : liberté, autodétermination, transe, hédonisme, pacifisme, tolérance, expérimentation… • La culture des raves - Love, Peace & Unity – se situe souvent en opposition avec la société dominante: «reclaim the streets» • En 1989, à l’aube de la chute du mur de Berlin, se déroule la première édition de la Love Parade • La Love Parade était considérée comme une manifestation politique pour célébrer l’amour, la solidarité internationale à travers la musique. Si en 1989 les participants étaient 150, en 1999 ils étaient 1 million Party Culture Une scène en constante évolution • Sur différents dance floor et selon l’évolution de l’évènement, cohabitent différents styles de musique qui rythment la nuit • On commence à parler de «rave musique», «freetekno», «teknival», «goa»… • Cette sous-culture se développe en Europe, aux États-Unis, en Israël, Inde, Thaïlande, etc. • En 1992, à Zurich à lieu la première édition de la Street Parade avec 1'000 participants, qui deviennent 10'000 en 1992.
    [Show full text]
  • Art Department at Elrow Ibiza Closing Party, 2016 8 of the BEST
    5/11/2018 8 of The Best Ever Sets From Elrow | Pulseradio Events (/) Music Articles (https://www.facebook.com/sharer/sharer.php? u=http%3A%2F%2Fpulseradio.net%2Farticles%2F2018%2F10%2F8- of- 8 OF THE BEST EVMEoRre SETS FROM ELROW (thtet-ps://twitter.com/intent/tweet? tbeexstt=-8+of+The+Best+Ever+Sets+From+Elrow+http%3A%2F%2Fpulseradio.net%2F (eohvft-etrp-s://plus.google.com/share? FESutsherTelt=s-h-IVttpA://LpSulseradio.net/articles/2018/10/8- bfreosmt-- (/articles/2018/10/crazy- of- (/artic elvreorw- ) p- the- most- TECH HOUSE (/ARTICLES/TAG/TECH-HOsUetSsE-) NEW YORK (/ARTICLES/TAG/NEW-YORK) soundsystem- (bhetsttp-s://www.pinterest.com/pin/create/button/? fantas from- danny- uevrle=rh-ttp%3A%2F%2Fpulseradio.net%2Farticles%2F2018%2F10%2F8- perfor elrow) howard- soef-ts- from- from- rudimental- (thtet-ps://www.reddit.com/submit? bime- elrow) and- By Tom Halstead Postedubre lOs=thn-t t3p1% 3OAc%t2 2F%012F8pulseradio.net%2FarticAle 1s% M2Fin20 R18e%a2dF10%2F8- 2018) riton- eovf-er- headline- sets- (twheh-atsapp://send) bfreosmt-- Share Article (https://www.facebook.com/sharer/sharer.php? elvreorw- &media=https%3A%2F%2Fmedia.pulseradio.net%2Fmedia%2Ftransfer%2F u=http%3A%2F%2Fpulseradio.net%2Farticles%2F2018%2F10%2F8-of-the-best-ever-sets-from-elrow) s1e1t%s-2FIbiza- fSrpoamc-e- (https://twitter.com/intent/tweet? ecrlreodwit)- text=8+of+The+Best+Ever+Sets+From+Elrow+http%3A%2F%2Fpulseradio.net%2Farticles%2F2018%2F10%2F8- Khris- of-tChoew-bleeys-t-ever-sets-from-elrow) (whatsapp://send) for- Here- and- Now- 2016- Aer three sold-out shows in New York Cbitilylb, otahred- world famous party people elrow return with Rowmuda Triangle15 48- on November 24th 1541058660.jpg&description=8+of+The+Best+Ever+Sets+From+Elrow) (http://www.facebook.com/events/887678121428653/).
    [Show full text]