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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
Música Popular
Música Popular EL DIRECTO NO ENTIENDE DE CRISIS JOSU OLARTE. Crítico musical del Grupo Correo ENTREVISTAS JUAN ARNAU. Director de Florida 135 DAVID SANDOVAL. Director de Poder Latino 1. INTRODUCCIÓN 2. LAS GRANDES CIFRAS DE LA MÚSICA POPULAR EN ESPAÑA 3. LOS GRANDES FESTIVALES 4. LOS CONCIERTOS Y RECITALES El directo no entiende de crisis Josu Olarte. Crítico musical del Grupo Correo as giras de los principales 75 millones de euros (unos 12.500 millones de artistas nacionales, el asenta- pesetas). miento del circuito estable de Las más de 71.000 actuaciones de música salas y la consolidación de los popular que hace dos temporadas tuvieron lugar principales festivales marcaron en más de 9.500 salas y recintos al aire libre de Lun año positivo para la música popular en vivo. todo el país ilustran la dimensión y el grado de es- Frente a una industria discográfica que, tructuración interna alcanzado por el entramado gracias al fenómeno comercial suscitado por industrial del espectáculo que ha sabido adaptar a Operación triunfo, enmascaró en una moderada los tiempos, modas y coyunturas su modelo de caída del 2% la crisis del sector, el negocio de la negocio. música en directo parece gozar de buena salud. El viejo concepto de las giras dinosáuri- Un diagnóstico que se intuía por el abrumador cas ha perdido su razón de ser. El público se número de giras, actuaciones y eventos públicos muestra cada vez más reacio a ver a sus artistas y privados programados y que han confirmado favoritos con prismáticos y el “stadium rock” los datos. -
Edinburgh's Hogmanay Celebrates Europe and Invites the World To
Press release under embargo until 12noon Wednesday 19th September Underbelly Announces Full Programme for Edinburgh’s Hogmanay WE LOVE YOU! Edinburgh’s Hogmanay celebrates Europe and invites the world to share the love, embrace friends – old and new – and come together in the home of Hogmanay. Edinburgh’s Hogmanay, 30 December 18 to 1 January 19. Tickets on sale now at edinburghshogmanay.com and (+44) 131 510 0395 Hogmanay’s Street Party Hosts The Mac Twins share the love On behalf of City of Edinburgh Council, Underbelly today announced the full programme for Edinburgh’s Hogmanay 19 in their second year of producing the festival. Edinburgh’s Hogmanay 19 will lead with a celebration of Scotland’s shared cultural, historic and social connections with Europe. Although 1 January 2019 marks the start of the year in which Scotland may leave the EU, we remain part of Europe and so Hogmanay 19 will be a celebration of our continental ties and our shared history and culture. Every year we welcome the world to ring in the New Year in the home of Hogmanay and celebrate our cultural connections with the world. 2019 is the time for us to celebrate our ties with Europe and ask the world to say – “WE LOVE YOU” Programme highlights include: • The line-up for Street Party hosted by Johnnie Walker leads with Scottish and European bands, street performers and musicians including; Compagnie Transe Express, Meute, Snap! and Gerry Cinnamon. • Spend the 31st thinking you are seeing double with Street Party Hosts, The Mac Twins. • Concert in the Gardens headlined -
Public Health Management at Outdoor Music Festivals"
PUBLIC HEALTH MANAGEMENT AT OUTDOOR MUSIC FESTIVALS CAMERON EARL Ass Dip Health Surveying; Masters in Community and Environmental Health Graduate Certificate in Health Science Thesis submitted in fulfilment of the requirements for the degree of Doctor of Health Science, School of Public Health Faculty of Health Queensland University of Technology, Brisbane January 2006 2 Thesis Abstract Background Information: Outdoor music festivals (OMFs) are complex events to organise with many exceeding the population of a small city. Minimising public health impacts at these events is important with improved event planning and management seen as the best method to achieve this. Key players in improving public health outcomes include the environmental health practitioners (EHPs) working within local government authorities (LGAs) that regulate OMFs and volunteer organisations with an investment in volunteer staff working at events. In order to have a positive impact there is a need for more evidence and to date there has been limited research undertaken in this area. The research aim: The aim of this research program was to enhance event planning and management at OMFs and add to the body of knowledge on volunteers, crowd safety and quality event planning for OMFs. This aim was formulated by the following objectives. 1. To investigate the capacity of volunteers working at OMFs to successfully contribute to public health and emergency management; 2. To identify the key factors that can be used to improve public health management at OMFs; and 3. To identify priority concerns and influential factors that are most likely to have an impact on crowd behaviour and safety for patrons attending OMFs. -
FS Master List-10-15-09.Xlsx
Festival Sounds Song List by Artist - Updated 10-15-09 A B 1 Artist Song 2 1 King Of House 3 112 U Already Know 4 112 Peaches And Cream (Remix) 5 112 Peaches and Cream [Clean] 6 112 Dance With Me 7 311 All mixed up 8 311 Down 9 311 Beautiful Disaster 10 311 Come Original 11 311 I'll Be Here A While (Breakbeat Remix) 12 311 I'll Be here a while 13 311 Love Song 14 311 It's Alright 15 311 Amber 16 311 Beyond The Grey Sky 17 311 Prisoner 18 311 Rub-A-Dub 19 311 Don't Tread on Me 20 702 Where My Girls At(Radio Edit) 21 Arabic Greek 22 10,000 maniacs Trouble 23 10,000 Maniacs Because The Night 24 100 Songs for Kids Ten Little Indians 25 100% SALSA S Grupo Niche-Lluvia 26 2 Live Crew Face Down Ass Up 27 2 Live Crew Shake a Lil Somthing 28 2 Live Crew Hoochie Mama 29 2 Pac Hit 'Em Up 30 2 Pac California Love 31 2 Pac and Snoop Doggy Dogg 2 Of Americas Most Wanted 32 2 pac f/Notorious BIG Runnin' 33 2 pac Shakur Hit 'Em Up 34 20thfox Fanfare 35 2pac Ghetto Gospel Feat. Elton John 36 2XL feat. Nashay The Kissing Game 37 3 Doors Down It's Not My Time 38 3 Doors Down Be Like That (AmericanPieEdit) 39 3 Doors Down Let me Go 40 3 Doors Down Let Me Go 41 3 Doors Down It's Not My Time 42 3 Doors Down Here Without You 43 3 Libras A Perfect Circle 44 36 mafia Lollipop 45 38 Special Hold on Loosley 46 38 Special Back To Paradise 47 38 Special If Id Been The One 48 38 Special Like No Other Night Festival Sounds Song List by Artist - Updated 10-15-09 A B 1 Artist Song 49 38 Special Rockin Into The Night 50 38 Special Saving Grace 51 38 Special Second Chance 52 38 Special Signs Of Love 53 38 Special The Sound Of Your Voice 54 38 Special Fantasy Girl 55 38 Special Caught Up In You 56 38 Special Back Where You Belong 57 3LW No More 58 3OH!3 Don't Trust Me 59 4 Non Blondes What's Up 60 50 Cent Just A Lil' Bit 61 50 Cent Window Shopper (Clean) 62 50 Cent Thug Love (ft. -
Masters at Work. for Over a Decade, "Little Louie” Vega and Kenny
Masters At Work Their name says it all – Masters At Work. For over a decade, "Little Louie” Vega and Kenny "Dope" Gonzalez have shepherded dance music down new paths with their inventive production style and imaginative feel for different musical forms. The two native New Yorkers have amassed an overwhelming body of work in that time, one that includes hundreds of original productions, remixes and side projects, redefining the way we think of music in clubs. Vega and Gonzalez defiantly mix everything they can find – house, hip-hop, funk, disco, Latin, African and jazz – into a universal groove. And in doing so, MAW has become a cultural mélange unto itself, emblematic of the multicultural society in which we live. Our Time Is Coming is the group's third official album, second under the MAW moniker, and first for Tommy Boy Records. Comprised of wonderful new compositions and a handful of their most popular singles from recent years, it is indicative of the ambitiously eclectic MAW sound: a vibrant dance groove culled from a mesh of Latin rhythms, jazz and soul. Vega and Gonzalez composed, produced and arranged the album's ten songs, using crafty studio work and live instrumentation and help from some regular collaborators (India, Roy Ayers) and a few special guests (Patti Austin, James Ingram, Stephanie Mills). The Beginnings "Little Louie” Vega and Kenny "Dope" Gonzalez officially started their union as Masters At Work in 1990. Vega, a prodigious DJ around New York, met Gonzalez, a producer, through burgeoning house DJ Todd Terry. Gonzalez’s song "Salsa House" was a favorite of Vega, who fell for its Latin-influenced, everything-goes flavor. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
The Top Dance Songs of 1988
THE TOP DANCE SONGS OF 1988 1. TOGETHER FOREVER/NEVER GONNA GIVE YOU UP - Rick Astley (RCA) 51. GET OUTTA MY DREAMS, GET INTO MY CAR - Billy Ocean (Jive/Arista) 2. JUST GOT PAID-Johnny Kemp (Columbia) 52. LOVE WILL SAVE THE DAY - Whitney Houston (Arista) 3. IT TAKES TWO - Rob Base & D.J. E-Z Rock (Profile) 53. BIG FUN - Inner City (Virgin) 4. BREAK 4 LOVE - Raze (Columbia) 54. THE ONLY WAY IS UP - Yazz and the Plastic Population (Elektra) 5. PUMP UP THE VOLUME - M/A/R/R/S (4th & B'way) 55. SWEET CHILD O MINE - Guns & Roses (Geffen) 6. BOY, I'VE BEEN TOLD - Sa-Fire (Cutting/Mercury) 56. TEARS MAY FALL - TKA (Tommy Boy) 7. SPRING LOVE -Stevie B. (LMR) 57. LATIN LOVE - Trilogy (Prism) 8. SAYIN' SORRY - Denise Lopez (Vendetta) 58. WHEN EVER YOU NEED SOMEBODY - Rick Astley (RCA) 9. WHAT'S ON YOUR MIND - Information Society (Tommy Boy) 59. FANTASY GIRL - Johnny O (Mic Mac) 10. NAUGHTY GIRLS/I WANNA HAVE SOME FUN - Samantha Fox (Jive/RCA) 60. SIMPLY IRRESISTIBLE - Robert Palmer (EMI/Manhattan) 11. PROVE YOUR LOVE/TELL IT TO MY HEART - Taylor Dayne (Arista) 61. JUST A MIRAGE/JINGO-Jellybean (Chrysalis) 12. THE LOCO-MOTION - Kylie Minogue (Geffen) 62. WHAT HAVE I DONE TO DESERVE THIS? - Pet Shop Boys & Dusty Springfield (EMI/Manhattan) 13. PINK CADILLAC - Natalie Cole (EMI/Manhattan) 63. DREAMIN' OF LOVE - Stevie B (LMR) 14. PUSH IT - Salt-N-Pepa (Next Plateau) 64. DOMINO DANCING - Pet Shop Boys (EMI/Manhattan) 15. PARTY PEOPLE - Royal House (Idlers) 65. -
Come Together! How Rave Returned to the Cultural Mix
Come together! How rave returned to the cultural mix Twenty five years on, the spirit of rave is being seen everywhere from catwalk fashion and art to the collective political experience of Acid Corbynism Lauren Cochrane Monday 27 November 2017 05.45 GMT efore the May bank holiday in 1992, Castlemorton Common in the Malvern Hills was B chiefly known only to walkers keen to hike through its 600 acres of unspoilt, unenclosed land. After that bank holiday, however, it became known as the site of Britain’s biggest-ever illegal rave. Partygoers arrived in such numbers that Castlemorton featured on TV and in the newspapers – which brought more revellers. In the end, an estimated 20,000 people flocked to the site. By the Tuesday, it had induced moral panic in the Daily Mail: “A walk through the hippy encampment was like walking into a scene from the Mad Max movies. Zombie-like youngsters on drugs walked aimlessly through the mobile shanty town or danced to the pounding beat,” it reported. By 1994, the Criminal Justice and Public Order Act was passed, with the now infamous ruling against parties playing music “characterised by the emission of a succession of repetitive beats”. Twenty-five years after Castlemorton, rave is back in the pop culture mix. The aesthetic, culture and sound has trickled down to everything from the growth of the festival to the concept of chill-out, to your DayGlo wallet, clubbing scenes in Girls, a weekend in Ibiza and the Kirakira app’s sparkles. Most people might not be regularly indulging in four-day parties but, in 2017, rave’s cultural legacy extends far and wide. -
Watershed 2009 Baker University Literary Arts Journal
2009 Watershed Watershed 2009 Baker University Literary Arts Journal Production Managing Editor Katie Adams Selection Committee Rose Garrison Cat McGowan Justine Greve Jamie Ingram Tonia Karpowicz Chansi Long Stephen Webb Andrew Woodworth Faculty Advisor Tracy Floreani With special thanks to Baker University Language and Literature Department for the use of its resources Copyright 2009 All rights reserved Congratulations to Brianna Lichtenauer and Ashley Sims for placing in the top three of the Sigma Tau Delta Poetry Contest with their poetry collections. Index of Images cover Fall Paths...Dana Hacker 3 Jayhawk in Abstract...Vandi Marie Crisswell Henricks 5 ...Briana Bever 9 An Important Day...Caitlin Seals Schwanke 11 ...Erin Ford 12 Workbench...Brianna Lichtenauer 14 ...Erin Ford 18 October in Paris...Katie Adams 19 Wilderness Penthouse...Dana Hacker 21 ...Erin Ford 23 Cradled Droplet...Caitlin Seals Schwanke centerfold left Mount Vernon...Dana Hacker centerfold right Sunflower on Fire...Vandi Marie Crisswell Henricks 25 BU Ice...Shawnee Barron 26 ...Jasmine Heinson 27 ...Erin Ford 29 The Duel...Caitlin Seals Schwanke 30 Toes...Shawnee Barron 32 Cranes in a Field...Caitlin Seals Schwanke 35 ...Brianna Lichtenauer 39 ...Erick Shields 42 Mountains of Molehills...Caitlin Seals Schwanke 43 Monument by Moonlight...Dana Hacker 44 Kiss...Shawnee Barron 48 Squirrel...Shawnee Barron back cover Lily Pond...Brianna Lichtenauer 3 Doubt Brianna Lichtenauer The mind’s tracks are worn from the to and fro pacing of maybe, what if, and but, those anxious sisters who never sleep, who rub the fine skin of your wrist raw with their twisting. They chatter in trees, jewel-colored parrots taught by sailors to swear. -
MEDIA-INFO in Brief
EN MEDIA-INFO In Brief The The Street Parade has been an established cultural event for 27 years. (28th Edition) Street Parade Every year, it brings the world's best DJs, producers and musicians in the field of electronic music to Zurich. The most colourful house and techno parade in the world fascinates hundreds of thou- in brief: sands of dance fans from every continent year after year. Figures, Around 30 Love Mobiles – brightly decorated trucks carrying vast music systems, deco, DJs and Times, party people – drive at walking pace through the crowds around the lakeside in Zurich. In addi- tion to these 30 travelling stages, eight stages along the route round off the varied range of elec- Facts. tronic music available with top DJs, live acts and multimedia entertainments. As an innovative lifestyle event, the Street Parade presents innovations in the field of electronic music, fashion and digital art and has gained an international reputation as a contemporary music festival. Yet it is still a demonstration of the values of love, peace, freedom and tolerance, plus elec- tronic music. The Street Parade is an important generating force which not only triggers an en- thusiasm for this culture each year; it also provides a vital new impetus that encourages diversity in both the world of music and in the clubs. When & Where Saturday, August 10, 2019, kicking off at 1.00 pm at the Stages. Afterwards, the first Love Mobile starts at the «Utoquai»at 2.00 pm, proceeding along Lake Zurich via Bellevue, Quaibrücke and Bürkliplatz to Hafendamm Enge. -
ACJ'al` (OR Djs from Competition by Maria Jimenez
Groovem ix Music BBC Radio 1 Picks Dance ACJ'Al` (OR DJs From Competition by Maria Jimenez UNITED KINGDOM in rap, swing, ragga and jungle, while Ram- ASSORTED SINGLES MOVIN' THROUGH THE INTERNATIONAL CIR- by DomPhillips pling's one of the instigators of the scene." CUIT: Barbara Tucker, who hit with powerful underground tracks Deep Deep Meanwhile, the BBC can expect compe- Inside and Beautiful People, strikes again with I Get Lifted (Positiva), another highly As BCC Radio 1 FM-the UK's only tition from Kiss FM's new member. "Repu- charged, positivity track. With remixes from the UK's Loveland, NY's Masters At national pop radio station-struggles with tation by night, revenue by day,"is how Work and San Francisco's DJ EFX, there's a world of remixes to explore. Ideal ceaselessly tumbling audience figures, the Eugene Perera, marketing director at Man- crossover dance music. Legendary producer/remixer David Morales delivers the station has made some radical new program- chester's latest dance radio station Kiss 102 highly commercial, street credible remix of Ace Of Bace's Living In Danger (ffrr). ming changes for dance fans. approximates their approach. Kiss 102 is a Smooth and uplifting this house number rides alternatively on bright piano, synth In a spectacular coup, Radio 1 poached franchise of the London station, but with a pads, light bass and beats. The slightly ominous lyrics are balanced by a lofty, spa- top dance presenters from the two leading closer working relationship as regards spon- cious production. No stranger to the ever -evolving "cutting edge" of new music, London stations.