20181008 Aitzina Folk 2018 Dossier De Prensa
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January / February
CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Borrowing in Celtic Music
1 of 10 BORROWING IN CELTIC MUSIC 13/03/09 I have long been fascinated by the identification of ‘Celtic’ culture and, by extension, ‘Celtic’ music. Its adequate definition has even resisted recent attempts (Stokes & Bohlman, Sawyers, Melhuish). One of the initial questions I have concerned myself with is whether the term ‘Celtic music’ has force as a style-label, as a genre-label, as a practice, or simply as a deft marketing ploy. As such, I have had to ask myself about the relationships between individual examples of ths repertoire – what they share, what they fail to share, and how such sharing comes about. The sharing of, or re-working of, material between distinct items within a repertoire is, it seems to me, very much on the agenda of this gathering. The terms in which I might discuss these in ‘Celtic music’ are not, however, self-evident. The obvious conceptual apparatus for this is represented by Bakhtinian dialogism. And, it seems to me that this will be useful, particularly in consideration of intra-opus details. Indeed, in ordinary analytical work, dialogism has already made a marked entry into musicology. I am less easy, however, with the employment of the concept to discuss inter-opus details, to discuss material shared between different items within a repertoire. Kevin Korsyn glosses Bakhtin’s concept of the ‘dialogic chain’ like this: utterances … continually respond… to past utterances while anticipating their future reception… In this dialogic process, we are sometimes authors, but we are also intermediaries, passing on socially constituted messages; we are couriers (Korsyn 2003: 39) A successful courier is, however, mute. -
Singing My Way to Social Justice
INVITED SUBMISSION - SPECIAL ISSUE | PEER REVIEWED Singing my way to Social Justice Karan Casey 1 * 1 University of Limerick, Ireland *[email protected] Received: 30 March 2017 ; Accepted: 29 September 2017 ; Published: 1 November 2017 Editor: Michael Viega Reviewer: Daphne Rickson Abstract My name is Karan Casey and I am a singer. In this paper I am interrogating the per- formance of social justice, and how my ideals are performed, as an Irish woman, as a social activist, as a traditional and a folk singer, and as a cultural voice. Having a 25-year career as an Irish singer I will be emphasising the voice of the professional artist and how my power as an active agent and participant in this setting gets to the heart of social responsibilities that are important to me. I will be investigating my song choices to see if they contribute to a discussion of social justice and how this is demonstrated performatively and through the text. You can approach this article in two ways. You can click here on the link for the full performance or you can scroll down through this paper and play the songs within the context of my writing. I hope you enjoy it, whichever pathway you choose. Keywords: Irish traditional song, protest song, folk music, social justice, Introduction “Singing My Way to Social Justice.” My name is Karan Casey and I am a singer. I have been a professional singer perform- ing worldwide in Ireland, Europe, Japan, and America. I have made 10 albums to date and have collaborated and guested on over 50 albums. -
SLAP Mag Issue 34 (February 2014)
Issue 34 Feb 2014 FREE SLAP Supporting Local Arts &Performers • Authorised Fender, Gretsch & Takamine Dealer • Take it Away 0% Finance Scheme available • Credit finance on any item over £350 available to all • 10% Discount on Sheet Music for Teachers • Regular Instrument Demo Day’s • Guitar School • Repairs on all instruments available VOX AMPLIFIER STOCKIST MARTIN GUITAR CO. STOCKIST Hello everyone and welcome to issue 34 of SLAP. We’re already a 12th of the way through the year and with all those new year resolutions out the window, we turn our attention to what’s coming up around these parts. There’s certainly plenty to get your teeth into with something for everyone and Andy O’Hare at least thinks 2014 is going to be ‘awesome’! Lets hope he’s right. Feb 2104 Lots of good stuff happening in local arts including Clik Clik Collective, the re-branding of Kidderminster Creative, The Boars Head Gallery and of course the Worcester Arts Workshop. Do check out their websites SLAP MAGAZINE for up to date information on Spring term courses and Unit 3a, Lowesmoor Wharf, events. Worcester WR1 2RS We bring you news of C@tch, a brand new comedy Telephone: 01905 26660 [email protected] festival in Stourport-on-Severn, which looks well worth a visit, more information on page 23. For advertising enquiries, please contact: Paul Robinson on 07852 247 970 Another good news story is the re-opening of the [email protected] Railway Inn, Evesham which has been a great servant EDITORIAL Mark Hogan to the local live music scene over the years. -
Steve Ashley
1 60's and 70's: Folk, Folk Rock ALBION (COUNTRY) BAND (ENG) UK US Battle of the Field 15 1976 Island HELP 25 Antilles 310 7 1985 Carthage CGLP 4420 (RI) The Prospect Before Us 15 1976 Harvest SHSP 4059 Rise up like the Sun 10 1978 Harvest SHSP 4092 7 1985 Carthage CGLP 4431 (RI) Lark Rise to Candleford 10 1979 Charisma CDS 4020 Light Shining 10 1982 Albino ALB 001 -- Shuffle Off 10 1983 Spindrift SPIN 103 -- Under the Rose 10 1984 Spindrift SPIN 110 -- A Christmas Present 15 1985 Fun FUN 003 -- Stella Maris 10 1987 Spindrift SPIN 130 -- The Wild Side of Town 10 1988 Celtic Music CM 042 -- I got new Shoes 10 1988 Spindrift SPIN 132 -- Give me a Saddle, I'll trade You a Car 7 1989 Topic 12 TS 454 -- 1990 7 1990 Topic 12 TS 457 -- Songs from the Shows, Vol. 1 1990 Albino ALB 003 -- Songs from the Shows, Vol. 2 1990 Albino ALB 005 -- BBC Live in Concert 1993 Windsong WINCD 041 -- Acousticity 1993 HTD HTDCD13 -- Captured 1994 HTD HTDCD19 -- The Etchingham Steam Band 1995 Fledg'ling FLED 3002 -- Albion Heart 1995 HTD HTDCD30 -- Demi paradise 1996 HTD HTDCD54 -- The Acoustic Years 1993-97 (Compilation) 1997 HTD HTDCD74 -- Happy Accident 1998 HTD HTDCD82 -- Along the Pilgrim's Way 1998 Mooncrest 028 -- Live At The Cambridge Folk Festival 1998 Strange Fruit CAFECD002 -- The BBC Sessions 1998 Strange Fruit SFRSCD050 -- Before Us Stands Yesterday 1999 HTD HTDCD90 -- Road Movies 2000 Topic TSCD523 -- An Evening With The Albion Band 2002 Talking Elephant TECD016 -- Acousticity on Tour 2004 Talking Elephant TECD061 -- Albion Heart On Tour (Live -
Classical Guitar Magazine December 2013
cgmagxmas_CGMagDec08InsideFC 2 08/11/2013 11:14 Page 1 51A St Mary's Road Bearwood West Midlands B67 5DH England Telephone 0121 429 7446 International +44 121 429 7446 email [email protected] We wish all readers and customers a very Happy Christmas and Prosperous New Year We will be open extended hours over the festive season and would be delighted to see you! www.classicalguitar.co.uk Features Editor: Guy Traviss C L A S S I C A L Reviews Editor: Tim Panting Music Editor: Neil Smith Managing Editor: Maurice J. Summerfield News Editor: DECEMBER 2013 Thérèse Wassily Saba VOLUME 32, No.4 4 GEditorialUITAR 5 Classical Guitar News – Compiled by Thérèse Wassily Saba 8 Events, Festivals and Competitions 10 Concert Diary 11 Manuel Barrueco – Interviewed by Thérèse Wassily Saba 20 Guitar Playing for Adult Learners – by Carlos Bonell Manuel Barrueco – 22 14th Hersbruck International Guitar Festival – by Paul Fowles page 11. 26 Music Matters, The Content and Context of Performance – by Guy Traviss 28 City of Derry Guitar Festival – by Paul Fowles 30 Views from Everywhere – Compiled by Thérèse Wassily Saba 33 22nd West Dean International Festival and Summer School – by Guy Traviss 36 Momentito – by Graham Wade 37 Music Reviews 43 CD Reviews 45 Personal Reviews 46 Book Reviews 47 DVD Reviews 48 Product Reviews 49 Concert Reviews 51 Rincon Flamenco No.70: DVD/Book Review – by Paul Magnussen 54 Obituary – Oscar Castro-Neves (1940–2013) 54 Letters to the Editor 56 Classical Guitar Teachers 57 Classical Guitar Societies Contributors: Lawrence Del Casale, Julia Crowe, Zbigniew Dubiella, Paul Fowles, Allan Clive Jones, Paul Magnussen, Oliver McGhie, Jorge Morel, 14th Hersbruck International Danielle Ribouillault, David Russell, Maria Isabel Siewers, Rico Stover, Maurice J. -
Music 96676 Songs, 259:07:12:12 Total Time, 549.09 GB
Music 96676 songs, 259:07:12:12 total time, 549.09 GB Artist Album # Items Total Time A.R. Rahman slumdog millionaire 13 51:30 ABBA the best of ABBA 11 43:42 ABBA Gold 9 36:57 Abbey Lincoln, Stan Getz you gotta pay the band 10 58:27 Abd al Malik Gibraltar 15 54:19 Dante 13 50:54 Abecedarians Smiling Monarchs 2 11:59 Eureka 6 35:21 Resin 8 38:26 Abel Ferreira Conjunto Chorando Baixinho 12 31:00 Ace of Base The Sign 12 45:49 Achim Reichel Volxlieder 15 47:57 Acid House Kings Sing Along With 12 35:40 The Acorn glory hope mountain 12 48:22 Acoustic Alchemy Early Alchemy 14 45:42 arcanum 12 54:00 the very best of (Acoustic Alchemy) 16 1:16:10 Active Force active force 9 42:17 Ad Vielle Que Pourra Ad Vielle Que Pourra 13 52:14 Adam Clayton Mission Impossible 1 3:27 Adam Green Gemstones 15 31:46 Adele 19 12 43:40 Adele Sebastan Desert Fairy Princess 6 38:19 Adem Homesongs 10 44:54 Adult. Entertainment 4 18:32 the Adventures Theodore And Friends 16 1:09:12 The Sea Of Love 9 41:14 trading secrets with the moon 11 48:40 Lions And Tigers And Bears 13 55:45 Aerosmith Aerosmith's Greatest Hits 10 37:30 The African Brothers Band Me Poma 5 37:32 Afro Celt Sound System Sound Magic 3 13:00 Release 8 45:52 Further In Time 12 1:10:44 Afro Celt Sound System, Sinéad O'Connor Stigmata 1 4:14 After Life 'Cauchemar' 11 45:41 Afterglow Afterglow 11 25:58 Agincourt Fly Away 13 40:17 The Agnostic Mountain Gospel Choir Saint Hubert 11 38:26 Ahmad El-Sherif Ben Ennas 9 37:02 Ahmed Abdul-Malik East Meets West 8 34:06 Aim Cold Water Music 12 50:03 Aimee Mann The Forgotten Arm 12 47:11 Air Moon Safari 10 43:47 Premiers Symptomes 7 33:51 Talkie Walkie 10 43:41 Air Bureau Fool My Heart 6 33:57 Air Supply Greatest Hits (Air Supply) 9 38:10 Airto Moreira Fingers 7 35:28 Airto Moreira, Flora Purim, Joe Farrell Three-Way Mirror 8 52:52 Akira Ifukube Godzilla 26 45:33 Akosh S. -
KARAN CASEY Hieroglyphs That Tell the Tale
(/) Recherche personnalisée #### KARAN CASEY Hieroglyphs That Tell The Tale Philippe Cousin Eighth album for Karan Casey, the singer from Cork who had not recorded since 2013. While his previous album was the most personal of his career with eleven tracks that she composed, Karan returns with Hieroglyphs That Tell The Tale, an album more in line with what we used to hear from her. A clever mix of contemporary songs and original compositions, there is only one traditional Sixteen Come Next Sunday popularized many years ago by the Bothy Band, and again with a very jazzy touch highlighted by the discreet concertina of his companion Niall Vallely. Karan Casey has always chosen to perform songs with a very strong social resonance. This is the case with Bob Dylan's Hollis Brown. It also gives priority to the fight against war, for freedom and equity for women. Her songs reflect, she emphasizes, life as she sees it and conceives it. She wrote three songs, including the magnificent Down in the Glen, a tribute to Julia Grennan and Elizabeth O'Farrell, two women strongly involved in the 1916 Easter uprising. To produce this superb album, Karan did not hesitate to call on the ban and the back ban of Irish and Scottish music. Almost twenty-five guests. Most of the arrangements are by guitarist Sean Óg Graham and Scotsman Donald Shaw, who also produces the album. No wonder then to find several members of Capercaillie: Ewen Vernal, James MacKintosh or Michael McGoldrick. And then the delicate and expressive voices of Karen Matheson, Pauline Scanlon, Niamh Dunne, Maura O'Connell and Aoife O'Donovan. -
Www .Maver Ic K
JANUARY/FeBRUARY 2014 www.maverick-country.com MAVERICK FROM THE EDITOR... MEET THE TEAM Editor t is with a great deal of sadness, that I acknowlege that this will be my last issue as Alan Cackett editor of Maverick. I have always believed that when you no longer enjoy doing 24 Bray Gardens, Loose, Maidstone, Kent, ME15 9TR, UK something, then it’s time to stop and look to do something di erent. I have had a 01622 744481 Igood run as editor, and now is the time to hand over to someone younger. Someone who [email protected] can hopefully take the magazine forward, embracing country music’s future whilst not Managing Editor overlooking its huge legacy of the past. I know that the new editor Laura Bethell who Michelle Teeman 01622 823920 worked with me for 5 years, 2 as my deputy editor, will do just that. [email protected] It was just over 47 years ago that I edited and published Britain’s rst regular monthly country music magazine. Looking back that was quite an audacious and bold undertaking Designer Laura Bethell for a teenager from a council house estate who le school at 15. Some of the original 01622 823922 readers of Country Music Monthly are still around and have continued to follow my writing [email protected] and views on the music as readers of Maverick. ere was a time when I not only knew Editorial Assistant many of the Maverick readers’ names but had a personal contact with them, but recently Chris Beck I’ve lost touch and I have to say that I miss the chats that we used to have when they phoned Project Manager up to renew their subscriptions. -
Music Guide '89 for Big Play Match & Win Cash Prizes
Music Guide '89 For Big Play Match & Win Cash Prizes J ENUFF V NUFF (ATCO) RADIO & RECORDS 41 KATHY MATTEA (MERCURY) 1927 (ATLANTIC) V 1 MELISSA ETHERIDGE (ISLAND) V :t//1!K a .Y... r,i ,. _ : r 6 ' % .n; Gvti# . MICHAEL McDONALD (FEPRISE) V 10DB (CRUSH K -TEL) Y 3 MARY'S DANISH (CHAMELEON) A BANG TANGO P. (MECHANIC/MCA) A MARY CHAPIN CARPENTER (COLUMBIA/CBS NASHVILLE) 1- OUEENSRYCHE (EMI) V NONA HENDRYX (PRIVATE MUSIC) o r. ¡ 1t IA +. 11 -<. r o a f , S 'IIT ° 1:¿S*111110: il- z A BAD ENGLISH (EPIC) GREGSON A 8 COLLISTER (RHINO) \ i D.A.D (WB) ,41/ i I 4 4 / A RICHARD SOUTHER (NARADA) -i . f _ ;l --_... 14'I, , á XYZ (ENIGMA) , A BILLY JOEL (COLUMBIA) -r r ' l A JUNKYARD (GEFFEN) 41 TREVOR RABIN (ELEKTRA) LENNY KRAVITZ (VIRGIN) More Than 650 New Releases WHAT CAN YOU EXPECT FROV COMPANY THAT BRINGS YOU THE MOST VARIED AND IVATING "USIC IN THE BUSINESS? MORE OF THE SAME! BRNK,S, -r STEPHEN E Ñ 1195P BANKSTATEMENT STEPHEN BISHOP DIRTY LOOKS BANKSTATEMENT (82007) BOWLING IN PARIS (87920) TURN OF THE SCREW (81992) JASON DONOVAN IIIKJONLS TEN GOOD REASONS .. a 4111 Tra#, AW . 11 A I 7.1 4 A 1 K M EA X . JASON DONOVAN MICK JONES MAX Q TEN GOOD REASONS (82oos) MICK JONES (81991) MAX O (82014) _ ' _, MGIM TGNEL,.L . .. 1":7 ..e11hKyll9, ,..... e i .n .. 192 _ : < . 1\IÁfyl ie a _---" ' c ir: ü . ilf i o o If - »S é. 0. e , A tr ° 4 M o o ishf= -'. -
Os Fillos Lacazáns Dos Alcaldes Dopp O Petróleo Como Problema
PERIÓDICO GALEGO SEMANAL A UPG discute o seu papel Maria Xosé Cabaleiro Os mexiloeiros buscan no Bloque · afirma que un sistema de venda ~~---~~~-5-------------- as cooperativas --~~~~~-8-------------- 0 PP négase a ter 11 son a solución para Galáxia canta a sua história unha policía autonómica o agro galega" nunha exposición --------------7------------- ------9 ------- -------------26------------- 14 DE SETEMBRO •2000 •ANO XXIII• IV XEIRA FUNDA 00 EN 1907 N ~ 952 • 200 PTA FÁTIMA Os fillos lacazáns Velaí vai o verme dos alcaldes O petróleo como problema Mario Pereira Desde que en 1998 o petróleo babeara a 1O dólares o barril deixou doPP de existir na economía globalizada. Todo era nova economia, econo Vén r1:os esta historia dun tempo (Páx. 4) mía virtual na que as bolsas subía como un foguete e baixaban coma no que o mundo era novo, unha cana, dando reviravoltas e fendendo patrimónios nas caídas, no ilusionismo de empresas que só ~xistian como marcas, mais sen tan novo que todo el recendía Kosovo1 o méclio millón actividade real produtiva. Agora atopámonos outravolta co petró• a mazás verdes e terra mallada ... leo, como problema, como causante dunha nova crise económica O libro gañ~dor do II Premio de masacrados quedou que poderia semellarse á recesión dos anos setenta. A OPEP, polo 1 simples feito de existir xa é culpábel din, sorprendentemente, os "Raiña Lupa ' de literatura infantil, en só 2.000 mortos economistas ultraliberais que pretende que sexa o mercado quen convocado pola (Páx.·18) regule todo e marque as políticas. Esquecen que non é a OPEP, se Deputación da Coruña.