Steppenwolf Breaks Ground Today on New Campus Expansion
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Saturday and Sunday Movies
The Goodland Star-News / Friday, May 28, 2004 5 abigail your help, Abby — it’s been an aw- dinner in the bathroom with her. I behavior is inappropriate. Your parents remember leaving me home Co-worker ful burden. — OLD-FASHIONED find his behavior questionable and daughter is old enough to bathe with- alone at that age, but that was 24 van buren IN BOULDER have asked him repeatedly to allow out supervision and should do so. years ago. I feel things are too dan- DEAR OLD-FASHIONED: Talk her some privacy. Nonetheless, he You didn’t mention how physically gerous these days. creates more to the supervisor privately and tell continues to “assist her” in bathing developed she is, but she will soon Is there an age when I can leave •dear abby him or her what you have told me. by adding bath oil to the water, etc. be a young woman. Your husband’s them home alone and know that all work for others Say nothing to Ginger, because that’s Neither my husband nor my daugh- method of “lulling” her to sleep is is OK? — CAUTIOUS MOM IN DEAR ABBY: I work in a large, breaks, sometimes even paying her the supervisor’s job — and it will ter thinks anything is wrong with this also too stimulating for both of them. KANSAS open office with five other people. bills and answering personal corre- only cause resentment if you do. behavior — so what can I do? Discuss this with your daughter’s DEAR CAUTIOUS MOM: I’m We all collaborate on the same spondence on company time. -
Director Terry Kinney Reconceives Indie Rock Band Other Lives
Director Terry Kinney reconceives indie rock band Other Lives’ performance as a unique theatrical event— Reconfiguration: An Evening with Other Lives, Oct 9 & 10 at BAM Reconfiguration: An Evening with Other Lives Mix Tape Productions Conceived by Rebecca Habel and Terry Kinney Directed by Terry Kinney Set design by Frank McCullough Lighting design by Ben Stanton Projection design by Daniel Brodie Sound design by Drew Levy Original drawings by Matt Huynh Bloomberg Philanthropies is the Season Sponsor BAM Howard Gilman Opera House (30 Lafayette Ave) Oct 9 & 10 at 7:30pm Tickets start at $25 August 28, 2015/Brooklyn, NY—True to its title, Reconfiguration: An Evening with Other Lives reconceives the acclaimed rock band’s live show as an immersive theatrical experience helmed by Steppenwolf Theatre Company co-founder Terry Kinney in this world premiere collaborative work. Other Lives’ Jesse Tabish, Jonathon Mooney, Josh Onstott, Daniel Hart, and Danny Reisch will perform songs from their most recent album, Rituals, along with previous releases, while Kinney crafts an engrossing audio-visual narrative inspired by the band’s cinematic music. Reconfiguration features set design by Frank McCullough (Associate Scenic Designer: An American in Paris, Hedwig and the Angry Inch), lighting design by Ben Stanton (Fun Home, Sufjan Stevens), projection design by Daniel Brodie (Disney’s Aladdin, Bonnaroo festival), sound design by Drew Levy (Honeymoon in Vegas), and original drawings by Matt Huynh. Presented in a thematic, three-act structure, the production features scenic elements, animated illustrations, video, and multiple-surface projections. Director Terry Kinney said, "Other Lives is the flagship concert for our company for so many reasons—we wanted to work with a band that should be, but perhaps isn't, a household name yet. -
Reconfiguration: an Evening with Other Lives
#BAMNextWave #OtherLives Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Reconfiguration: Joseph V. Melillo, Executive Producer An Evening with Other Lives BAM Howard Gilman Opera House Oct 9 & 10 at 7:30pm Running time: 90 minutes, no intermission Mix Tape Productions Created by Rebecca Habel and Terry Kinney Directed by Terry Kinney Set design by Frank McCullough Lighting design by Ben Stanton Projection design by Daniel Brodie Sound design by Drew Levy Original drawings by Matt Huynh Season Sponsor: Viacom is the BAM 2015 Music Sponsor. Leadership support for music at BAM provided by Frances Bermanzohn & Alan Roseman. Support for the Signature Artist Series provided by The Howard Gilman Foundation. Reconfiguration: An Evening with Other Lives ACT 1: DESERT ACT 2: DUSTBOWL ACT 3: SPACE New Fog Dustbowl III 2 Pyramids Tamer Animals Weather Pattern Desert Landforms Untitled No Trouble For 12 Black Tables As I Lay My Head Down For the Last Reconfiguration Dark Horse Need a Line Ritual Easy Way Out DIRECTOR’S STATEMENT In thinking about how to approach a concert form that used the tools of our theater roots, Rebecca and I wanted to be careful to stay completely away from looking like Broadway musicals or other formats where people have blended music and theater. Theater has borrowed from the rock and pop music scene for a long time, mining lyrics for storyline, with the music as the engine. We were clear from the outset that our imagery would emanate from the movement of the music itself, ignoring lyrics for the most part. -
CINDY GOLD (312)587-1155 AEA/SAG/AFTRA/AGMA VOICE: MEZZO - HAIR/EYES: BROWN REGIONAL THEATRE Lyric Opera - Chicago MY FAIR LADY Mrs
CINDY GOLD (312)587-1155 AEA/SAG/AFTRA/AGMA VOICE: MEZZO - HAIR/EYES: BROWN REGIONAL THEATRE Lyric Opera - Chicago MY FAIR LADY Mrs. Pierce d.Robert Carsen Drury Lane - Oakbrook DEATHTRAP Helga TenDorp d.Bill Osetek Northlight Theatre – Chicago MOTHERS AND SONS(TimeOut Nom)Katherine d. Steve Scott Lookingglass Theatre – Chicago IN THE GARDEN Harriet d.Jessica Thebus About Face Theatre – Chicago A KID LIKE JAKE Judy d.Kierra Fromm Kennedy Center, Wash DC Nat’l Opera. SHOWBOAT Parthy d.Francesca Zambello Goodman Theatre – Chicago MEASURE FOR MEASURE Mistress Overdone d. Bob Falls Glimmerglass Opera – Cooperstown, NY & Royal Opera House, Muscat, Oman MUSIC MAN Mrs. Paroo d.Marcia Milgrim Dodge Lyric Opera – Chicago SHOWBOAT Parthy d.Francesca Zambello Broadway in Chicago LOVE, LOSS & WHAT I WORE Purse d.Karen Carpenter Music Theatre Co. – Chicago PIPPIN Berthe d. Jessica Redish Northlight Theatre – Chicago AWAKE AND SING (Jeff Nom.) Bessie Berger d.Amy Morton Notre Dame Shakespeare -- Indiana 12TH NIGHT Maria d.David Bell Northwestern Univ. Theatre – Evanston. IL ARSENIC AND OLD LACE Abby d.Frank Galati Northlight Theatre – Chicago JEKYLL & HYDE Ensemble/Hyde d.Jessica Thebus Tectonic Theatre Project/About Face Theatre 33 VARIATIONS(workshop) Gertie Landenburger d. Moises Kaufman About Face Theatre/MCA – Chicago LOVING REPEATING(Jeff Award) Gertrude Stein d. Frank Galati Northlight Theatre – Chicago PRIDE AND PREJUDICE Mrs. Bennet d. Peter Amster Noble Fool Theatre – Chicago A FUNNY THING…FORUM Domina d. Michael Weber Mercury Theatre – Chicago JEWTOPIA Arlene/Marcie d.JohnTillinger The MISANTHROPE Arsinoe/Marcia d. Jason Loewith Madison Repertory – Madison, WI BLITHE SPIRIT Madame Arkati. d. -
Laurie Metcalf: I Think It Was the Glass Menagerie That Got Us a Bit of Our First Real Notice
Laurie Metcalf: I think it was The Glass Menagerie that got us a bit of our first real notice. Richard Christiansen came up to see it, and he was like, “Hey, everybody in Chicago, you have to make the trek up to Highland Park and see this play!” That was our first little blip on Chicago’s radar. Terry Kinney: The Glass Menagerie was absolutely one of the smallest, most perfect miracles I’ve ever been involved in. The poetry of [Tennessee] Williams was not interrupted with concept, it was just served. Laura [played by Laurie Metcalf] wasn’t a romantic figure on any level. The selfishness of Tom [John Malkovich] was very much brought to the fore. I was playing the Gentleman Caller, and Laura would experience that moment where I say I have a girlfriend, then she walks to the Victrola. The audience weren’t just moved. They were devastated. It was part and parcel with that small black box space, but it was also this trust that we had that we could go that far and still be OK because somehow the other actors onstage will still be holding you up. Margie Marcus (founding board member, Steppenwolf Theatre): I was reading the Tribune one morning in August of ’79. And I saw that there was a play being done in Highland Park by a group I had never heard of. My daughter was 15 years old at the time, and she was taking drama classes in high school, so I said, “Miriam, you’re studying drama, there’s a play right here in Highland Park, let’s go see it.” Well [laughs]! I didn’t know what had happened to me when I walked out after seeing John Malkovich, Laurie Metcalf, and Terry Kinney in Glass Menagerie. -
Message of John MALKOVICH, World Theatre Day 2012
WORLD THEATRE DAY MESSAGE 2012 By John Malkovich International Message I'm honored to have been asked by the International Theatre Institute ITI at UNESCO to give this greeting commemorating the 50th anniversary of World Theatre Day. I will address my brief remarks to my fellow theatre workers, peers and comrades. May your work be compelling and original. May it be profound, touching, contemplative, and unique. May it help us to reflect on the question of what it means to be human, and may that reflection be blessed with heart, sincerity, candor, and grace. May you overcome adversity, censorship, poverty and nihilism, as many of you will most certainly be obliged to do. May you be blessed with the talent and rigor to teach us about the beating of the human heart in all its complexity, and the humility and curiosity to make it your life's work. And may the best of you - for it will only be the best of you, and even then only in the rarest and briefest moments - succeed in framing that most basic of questions, "how do we live?" Godspeed. - John Malkovich Michelle Pfeiffer and Glenn Close. After this role which marks a significant step in his career, he will act in more than 70 movies in the United States and abroad. Interpretating a wide range of roles, he has been nominated twice for the Oscar for best actor in a supporting role for Places in the Heart (1984) and In the line of fire (1993), and he has been awarded for his interpretations in movies such as the John Malkovich ©Christian Coigny Killing Fields, the Dangerous liaisons, Being Biography : US actor, producer, John Malkovich or Changeling. -
Jane Anderson Bj Jones
BJ Jones Timothy J. Evans ARTISTIC DIRECTOR EXECUTIVE DIRECTOR presents BY JANE ANDERSON DIRECTED BY BJ JONES Scenic Design Scott Davis, USA Costume Design Izumi Inaba, USA Lighting Design Christine A. Binder, USA Sound Design Andre Pluess, USA Production Stage Manager Rita Vreeland, AEA Fight Choreographer and Intimacy Consultant David Woolley, SDC Casting by Paskal Rudnicke Casting Opening Night: SEPTEMBER 20, 2019 at the North Shore Center for the Performing Arts in Skokie Mother of the Maid is presented by special arrangement with SAMUEL FRENCH, INC. Original New York Production by The Public Theater, Oskar Eustis, Artistic Director; Patrick Willingham, Executive Director. Mother of the Maid received its world premiere by Shakespeare & Company, Lenox, MA, 2015 and was developed in part at Berkshire Playwrights Lab. It was originally commissioned by Geffen Playhouse, Gilbert Cates, Producing Director; Randall Arney, Artistic Director; Ken Novice, Managing Director. COLOR COLOR SPONSORSHIP CAST & PRODUCTION LEAD PRODUCTION SPONSORS CAST (IN ORDER OF APPEARANCE) NAN AND WALLY GREENOUGH Kate Fry* ............................................................................................................Isabelle Arc Grace Smith* ......................................................................................................... Joan Arc OPENING NIGHT SPONSORS Kareem Bandealy* ....................................................................................... Jacques Arc Casey Morris† ........................................................................................Pierre -
The Paley Center for Media Announces Festival Lineup for Paleyfest Ny, October 6-16
THE PALEY CENTER FOR MEDIA ANNOUNCES FESTIVAL LINEUP FOR PALEYFEST NY, OCTOBER 6-16 TV’s Ultimate Fan Festival Adds Special Screenings and Cast Events with Black Mirror, Blue Bloods, and Late Night with Seth Meyers Festival to Include a Reunion with the Cast of the Groundbreaking Television Program Oz Tickets On Sale September 12 NEW YORK, NY – September 12, 2017 – The Paley Center for Media today announced the schedule for PALEYFEST NY 2017, which will take place October 6-16, 2017. This eleven-day celebration of television brings together the cast and creative teams of today’s most acclaimed and popular TV shows for screenings and interactive panel discussions taking place at The Paley Center for Media in New York City. Added to PaleyFest NY’s stellar lineup are discussions with the cast and creatives behind: Black Mirror from Netflix (October 6); black-ish: A Conversation with Tracee Ellis Ross from ABC (October 9); Fear the Walking Dead from AMC (October 8); Late Night with Seth Meyers from NBC (October 10); and Blue Bloods from CBS (October 16). Previously announced participants include Family Guy from Fox (October 7); Star Trek: Discovery from CBS All Access (October 7); and Full Frontal with Samantha Bee from TBS (October 12). A special addition to this incredible lineup of shows will be a reunion with the cast of HBO’s acclaimed television show Oz, featuring series creator Tom Fontana and original castmembers Edie Falco, Craig muMs Grant, Terry Kinney, Lee Tergesen, Eamonn Walker, and Dean Winters. 2017 marks the twentieth anniversary of the show’s premiere. -
Columbia Chronicle (03/21/1983) Columbia College Chicago
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 3-21-1983 Columbia Chronicle (03/21/1983) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (03/21/1983)" (March 21, 1983). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/48 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Students speak out on Opinionpoli Judge bars Oscar picks ·syrne's write-in campaign pages draft law page s CE'n teriold Vol. 13 No.2 Columbia College, Chicago March 21. 1983 • • • CriSIS In day-care t ~ r ' By Iris Brown Endeley There is a day-care crisis in Illinois. Governor James Thompson's proposed FY 1984 Slate budget, will strike a 1remendous blow to statewide childcare programs. ac cording to the Day Care action council of Illinois and the Statewide Human Services Coalition. The Action Council fact sheet states: -There wilt be a 46% reduction in day care slots for employment related/ TDC, now called "subsidized day care·•. -The eligibility lor all program s wilt be reduced to maximum of 60 percent.. -At least 44 programs will be forced to close. -The attribute source said "more than 3600 day care slots will Qe ellminaled. -
Mansfield Park
BJ Jones Timothy J. Evans ARTISTIC DIRECTOR EXECUTIVE DIRECTOR presents the World Premiere of MANSFIELD PARK BY KATE HAMILL BASED ON THE NOVEL BY JANE AUSTEN DIRECTED BY STUART CARDEN Scenic Design Yu Shibagaki, USA Costume Design Izumi Inaba, USA Lighting Design Christine A Binder, USA Original Music & Sound Design Andrew Hansen Production Stage Manager Kimberly Ann McCann, AEA Casting by Paskal Rudnicke Casting OPENING NIGHT: NOVEMBER 16, 2018 at the North Shore Center for the Performing Arts in Skokie Mansfield Park is an original commission by Northlight Theatre COLOR COLOR SPONSORSHIP CAST & PRODUCTION PRODUCTION SPONSORS CAST (IN ORDER OF APPEARANCE) NAN AND WALLY GREENOUGH Kayla Carter* .................................................................................................... Fanny Price KATHLEEN OKRENT AND PETER HALEAS Heidi Kettenring* .........................................................................Mrs. Norris/Mrs. Price Mark Montgomery* ................................................... Sir Thomas Bertram/ Mr. Price FOUNDATION PRODUCTION SPONSOR Kate Hamill* .............................................Mary Crawford/Lady Bertram/Chapman Anu Bhatt ......................................................................... Mariah Bertram/Susan Price Curtis Edward Jackson .................. Tom Bertram/Mr. Rushworth/William Price Gabriel Ruiz* ......................................................................................... Edmund Bertram SEASON SPONSORS Nate Burger* ................................................................... -
Study Guide: Students & Educators H EA TE R COMPANY
A T L A N T I C T STUDY GUIDE: STUDENTS & EDUcatorS H EA TE R COMPANY Director of Education Education Associate Education Coordinator HEATHER BAIRD TYLER EASTER FRAN TARR Guards at the Taj written by Guards at the Taj directed by RAJIV JOSEPH AMY MORTON A T L A N T I C T TABLE OF CONTENTS H EA TE R COMPANY SECTION 1: THE PLAY Synopsis, Characters, Setting, Themes, Cast & Creative SECTION 2: HISTORICAL CONTEXT Four Things I Think Are Interesting: A Note from the Play- wright, Exploring the World of the Play; India, 1648 SECTION 3: YOUR STUDENTS AS AUDIENCE Theater Vocabulary, Exploring Themes, Relating Themes to Our Own Lives, Webbing & Discussion Triggers, Classroom Activity SECTION 4: YOUR STUDENTS AS ACTORS Reading A Scene for Understanding, Practical Aesthetics; The Atlantic Technique SECTION 5: YOUR STUDENTS AS ARTISTS Make Your Own Play, Performing Your Own Theater for Social Action, Theme Narrative Follow-Up Activity, Critical Thinking Activity SECTION 6: EDUCATION CONNECTIONS Common Core & DOE Theater Blueprint Tie-ins SECTION 7: THE ATLANTIC LEGACY Atlantic Theater Company, Atlantic Acting School SUPPLEMENTAL READING American Theatre Magazine Article Taj Mahal #GUARDSATC I 2 A T L A N T I C T SECTION 1: THE play H EA TE R COMPANY SYNOPSIS In 1648 India, two Imperial Guards watch from their post as the sun rises for the first time on the newly-completed Taj Mahal — an event that shakes their respective worlds. When they are ordered to perform an unthinkable task, the after- math forces them to question the concepts of friendship, beauty, and duty, and changes them forever. -
The Marvelous Mrs. Maisel Season 2 Press
OUTSTANDING COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING DIRECTING FOR A COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING WRITING FOR A COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING CASTING FOR A COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES EMMY AWARD WINNER 2018 OUTSTANDING MUSIC SUPERVISION EMMY AWARD WINNER 2018 INDIVIDUAL ACHIEVEMENT IN COMEDY TCA AWARD WINNER 2018 BEST ACTRESS IN A COMEDY SERIES CRITICS’ CHOICE TELEVISION AWARD WINNER 2018 BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES MUSICAL OR COMEDY GOLDEN GLOBE WINNER 2018 PEABODY AWARD WINNER 2017 PRIME ORIGINAL SYNOPSIS After Midge’s triumph at the Gaslight, she still has to deal with the fallout from her takedown of Sophie Lennon, making her move up the comedy ladder more challenging and fraught than ever. Midtown may seem like a few blocks north, but it’s a world away for Midge and Susie. From Paris to the basement of B. Altman, from the Catskills to a nightclub in DC, Midge’s choice to pursue stand-up makes her more aware of the bubble she’s lived in and of the sexism she faces every day. Midge’s decisions have a ripple effect on all the people in her orbit: Abe and Rose question the life they lead; Joel grows up and becomes the man he always knew he could be; and Susie starts thinking about her future as a manager of talent.