DOCSLIB.ORG

For Immediate Release

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
For Immediate Release ‘BEFORE YOU SAY “I DO”’ PRODUCTION BIOS ZEV BRAUN (Co-Executive Producer) - Chicago-born Zev Braun has been a successful and honored filmmaker for over 30 years. In 1964, his production of “Goldstein” won the Prix de la Nouvelle Critique at the Cannes Film Festival. In 1974, his co-production of Maximilian Schell’s “The Pedestrian” won the Golden Globe Award as Best Foreign Film and was nominated for an Academy Award in the same category. In 1986, Braun again teamed up with director Schell to co-produce “Marlene,” which earned him another Academy Award nomination for Best Documentary Feature along with winning the New York Film Critics Award, The National Society of Film Critics Award and the National Board of Review Award. Braun’s all-consuming interest in filmmaking led him fresh from studying Humanities and Classic Arts at the University of Chicago to enter movies while still serving as President of Braun International, his family’s packaging firm. Some of Braun’s other productions include: “Angela,” starring Sophia Loren and John Huston; “Freedom Road,” starring Muhammad Ali and Kris Kristofferson; “The Fiendish Plot of Dr. Fu Manchu,” starring Peter Sellers; and “Where are the Children,” starring Jill Clayburgh and Frederick Forrest. The 1987-88 television season saw the company produce the TV movie “Stillwatch,” starring Lynda Carter and Angie Dickinson; a four-hour mini-series, “Murder Ordained,” starring JoBeth Williams, Keith Carradine and Terry Kinney; a two-hour NBC movie, “The Father Clements Story,” starring Louis Gossett, Jr., Malcolm-Jamal Warner and Carroll O’Connor (winner of the Christopher Award and CEBA Award). “Tour of Duty,” the highly acclaimed weekly prime-time series about the Vietnam War, also premiered in 1987 and ran for three successful seasons on CBS. Other television series from Braun include “Murphy’s Law,” starring George Segal, which ran on ABC and “Bagdad Café,” starring Whoopie Goldberg and Jean Stapleton for CBS. In 1991, Braun produced “A Seduction in Travis County,” a two-hour movie for CBS, starring Lesley Ann Warren, Peter Coyote and Jean Smart. Expanding into the cable marketplace, Braun produced “Split Imagines,” a two-hour movie based upon the best selling novel by Elmore Leonard and starring Gregory Harrison. In 1994, Braun produced the critically praised four-hour mini-series “Menedez: A Killing in Beverly Hills” for CBS starring Edward James Olmos and Beverly D’Angelo. Also that year at CBS was “Dominick Dunne’s 919 Fifth Avenue,” a two-hour movie that starred Barry Bostwick, Michelle Phillips and John Rubinstein. In 1996, “Abducted: A Father’s Love,” a two-hour NBC movie starring Chris Noth, Peter MacNichol and Stepfanie Krammer, turned out to be one of the highest rated television movies for the year. (more) HALLMARK CHANNEL/ ‘BEFORE YOU SAY “I DO”’ – Production Bios – Page 2 Braun executive produced the CBS 2005 May Sweeps entry, “Amber Frey: Witness for the Prosecution” starring Janel Moloney. Most recently, Braun won a GLAAD Media Award for Outstanding Movie for Television for the highly rated movie he produced for Lifetime Television, “A Girl Like Me: The Gwen Araujo Story,” directed by Agnieszka Holland starring Mercedes Ruehl. Braun is a member of the Academy of Motion Picture Arts & Sciences, as well as the Academy of Television Arts & Sciences. He serves on the Board of Trustees for The American Foundation for AIDS Research (amFAR) and the Board of Directors for The Heart Touch Project. Braun was also a founding member of the Board of Directors for GIRF (the Gastro-Intestinal Research Foundation) of the University of Chicago hospitals as well as the Chairman of the Board for the International Kidney Institute at UCLA. Braun also served as a member of the Board of Trustees for the Saban Vaccine Institute. He was awarded the City of Hope’s Golden Key for his work in connection with this organization. # # # PHILIP KRUPP (Co-Executive Producer) - Philip Krupp has been with Braun Entertainment Group, Inc. for over 20 years and currently serves as its executive vice president of production. Krupp came to the organization and worked his way from the ground up, starting as Zev Braun’s assistant and rising through the ranks of development and production. He worked on such series as “Tour of Duty” for CBS, “Murphy’s Law” for ABC and “Bagdad Café” for CBS. Early on, he served as associate producer on two movies for television, “Stillwatch” starring Lynda Carter and “The Father Clements Story” starring Louis Gossett, Jr. and Malcolm Jamal- Warner. He then produced the TV movie “Dominick Dunne’s 919 Fifth Avenue” as well as the miniseries “Menendez: A Killing in Beverly Hills” starring Edward James Olmos and Beverly D’Angelo. In the feature world, he produced the critically acclaimed indie, “Edges of the Lord,” starring Haley Joel Osment and Willem Dafoe. More recently, he executive produced the CBS 2005 May Sweeps entry, “Amber Frey: Witness for the Prosecution” starring Janel Moloney. In June, 2006 he executive produced the award- winning Lifetime movie, “A Girl Like Me: The Gwen Arajuo Story,” starring Mercedes Ruehl. Krupp received a bachelor of science degree in broadcast journalism from the University of Illinois at Champaign-Urbana. # # # MARY PANTELIDIS (Co-Executive Producer) – Mary Pantelidis is an independent producer based in Toronto. Pantelidis has produced such projects as “Will You Merry Me,” Emmy® nominated “The Wishing Tree,” “Danger Beneath the Sea” and “Rough Air.” Pantelidis started (more) HALLMARK CHANNEL/ ‘BEFORE YOU SAY “I DO”’ – Production Bios – Page 3 her career as production manager where she worked on such Emmy, Golden Globe and Gemini nominated projects such as “Life with Judy Garland,” “Me and My Shadows” and “Dash and Lilly,” “In God’s Country” and “Booky Makes Her Mark.” With many projects in development Pantelidis is in high demand. Pantelidis has a degree in film and communications. # # # FERNANDO SZEW (Co-Executive Producer) – MarVista Entertainment founding partner Fernando Szew serves as CEO, spearheading company strategy and overseeing operations. Prior to the formation of MarVista, Szew served as vice president of sales and marketing at his father’s distribution company, Whamo Entertainment, joining him in 1999 at the age of 23. It was Szew’s vision to transform the company from a distributor of third-party produced programming to a production and distribution company with a worldwide presence. By 2003, Szew and his father had aligned with current partners Michael D. Jacobs and George F. Port to launch MarVista Entertainment, a fundamental springboard towards that goal. Szew serves as executive producer of the primetime teen drama “Beyond the Break” which debuted in the U.S. in June 2006 on MTV Network’s The N, and several television movies including, “Night of Terror” for Lifetime Television and “Christmas in Boston” for ABC Family. During his tenure at Whamo, Szew expanded the company’s operations by forming strategic distribution alliances with such companies as Cambium Entertainment (Canada), Burbank Animation Studios (Australia), VICTORY Film Production & Distribution (Germany) and VCI (UK). Additionally, Szew was responsible for distributing internationally such noteworthy entertainment franchises as “Theodore Tugboat,” “The Three Stooges” and Art Clokey’s “Gumby.” Szew launched Whamo’s European operation in Barcelona, Spain in 2001. Prior to joining Whamo, Szew served as manager of international commerce for CEPA (G&Z), then one of Argentina’s principal exporters and the country’s largest export-based meat packing company with over 1500 employees. Szew was directly responsible for the sale of higher margin products with sales of over US$ 40 million p.a. Szew was in charge of leading a round of negotiations with Outback Steakhouse, an important worldwide restaurant chain, where he established and implemented innovative business and revenue models for the company. Szew is an alumnus of the Huntsman International Studies and Business Program’s first graduating class at the University of Pennsylvania where he earned a dual-degree with double concentration in management and marketing at the prestigious Wharton School of Business. # # # PAUL FOX (Director) - Paul Fox is an accomplished film and television director with an impressive array of award winning feature films, music videos, short films, and television productions to his credit. (more) HALLMARK CHANNEL/ ‘BEFORE YOU SAY “I DO”’ – Production Bios – Page 4 Upon graduating from New York’s School of Visual Arts, Fox’s thesis film, “Last RoundUp,” won awards for Best Film, Best Director, and Best Editor. The film went on to win Best Fiction Film at the Mexico City Film Festival, and was invited to the Sundance Film Festival. Fox then participated in the Director’s Lab program at the Canadian Film Centre. During that time he also directed music videos and commercials for Toronto’s Revolver Films. Fox’s first feature film, “The Dark Hours,” is a taut psychological thriller that was released through Capri Releasing in Fall 2005. The film received international acclaim and won numerous awards including Best Film at the Austin Fantastic Film Festival, Best Feature at the Dead by Dawn festival in Edinburgh Scotland, Best Horror Feature and Best Director at the Phoenix International Horror & Sci-Fi Film Festival, the ‘Best of Puchon’ award at the PiFan International Fantastic Film Festival in Korea, the ‘Midnight X-Treme’ award at the Sitges Fantastic Film Festival in Spain and the Best Film Award at the New York City Horror Film Festival. The film was also invited to the Chicago International Film Festival, the Amsterdam Fantastic Film Festival, the Montreal Fant-Asia Film Festival, the Malaga Film Festival, the Cardiff Film Festival, and the Macabro Film Festival in Mexico City. Fox’s second feature, “Everything’s Gone Green,” is a wry coming-of-age comedy with a satiric bite written by acclaimed author Douglas Coupland (“Generation X’” and starring Paulo Costanzo (“Joey,” “Road Trip,”) that premiered at the 2006 Toronto International Film Festival.
Load more

Recommended publications
  • Inside  30 Th YEAR  a Publication of the Corporate Counsel Section of the New York State Bar Association
    NYSBA SPRING/SUMMER 2011 | Vol. 29 | No. 1 CORPORATE COUNSEL SECTION Inside 30 th YEAR A publication of the Corporate Counsel Section of the New York State Bar Association Message from the Chair I am very excited to be continued to lay the groundwork for new and exciting leading the Section this year. changes and we already have much to report. It is a privilege to be able to The Section has grown tremendously over the last contribute to this Section’s long 30 years and we are striving to fi nd new and innovative tradition of providing quality ways to continue to bring value to our membership. benefi ts to its unique member- For example, in April, we conducted a CLE/network- ship. This year, the Corporate ing event on Alternative Fee Arrangements at no cost Counsel Section celebrates its to Section members. In March, we offered a scholarship 30th Anniversary and, with that to the Young Lawyers Section Trial Academy (includ- in mind, the Executive Com- ing a travel stipend) to a NYSBA member nominated by mittee is working very hard to a member of our Section. We also plan to have several create an extraordinary year for social/networking events throughout the Spring and our members. During the fi rst Fall at various venues to give you the chance to meet few months of 2011, we have Inside Being an International In-House Corporate Counsel Has The Option of Investment Arbitration: An Important Part Become a High-Risk Business .................................................................3 of an Investor’s Legal Arsenal ...............................................................29 (Marvin G.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Yellow Peril!
    Yellow Peril! An Archive of Anti­Asian Fear Edited and Introduced by John Kuo Wei Tchen and Dylan Yeats VERSO London • New York ^^/p/a ■ The Asian/Paciflc/American InstiJutc at NYU Published in collaboration with the Asian / Pacific / American Institute, NYU First published by Verso 2014 © John Kuo Wei Tchen and Dylan Yeats 2014 In Memory ofYoshio Kishi, Him Mark Lai, and Alexander Saxton All rights reserved The moral rights o f the authors have been asserted 1 3 5 7 9 108642 Verso UK: 6 Meard Street, London W IF OEG US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201 www.versobooks.com Verso is the imprint of New Left Books ISBN­13: 978­1­78168­123­7 (pbk) ISBN­13: 978­1­78168­124­4 (hbk) British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging­in­Publication Data Yellow peril! : an archive of anti­Asian fear / edited and introduced by John Kuo Wei Tchen and Dylan Yeats, pages cm ISBN 978­1­78168­123­7 (pbk.) — ISBN 978­1­78168­124­4 (hardcover) 1. Asian Americans in popular culture— History— Sources. 2. Asian Americans— History— Sources. 3. Xenophobia— United States— History— Sources. 4. Racism— United States— History— Sources. 5. United States— Race relations— Sources. I. Tchen, John Kuo Wei, editor, author. II. Yeats, Dylan, editor, author. E184.A75Y45 2014 973’.0495—dc23 2013026694 Typeset in Garamond Pro by MJ & N Gavan, Truro, Cornwall Printed in Singapore by Tien Wah Press ‘"The person who finds his homeland sweet is still a tender beginner; he to whom every soil is as his native one is already strong; but he is perfect to whom the entire world is as a foreign place ” Contents Hugo of St.
    [Show full text]
  • Press Kit Composite.Indd
    August, 2005 Re: The Evolution of The Pilates Method: The Fletcher Work™ To Whom It May Concern, The Fletcher Work is the authentic evolution of the Pilates’ method. To be accurate and legitimate, any journalistic inquiry into contemporary Pilates must necessarily include this dynamic contribution. On behalf of The Ron Fletcher Company, I encourage you to take time to review the enclosed materials. Pilates is more than a contemporary fitness phenomenon. It is an extraordinarily effective conditioning method — nearly a century in development — whose time has finally come. Joseph Pilates’ original principles were absolutely sound, yet his wife, Clara, referred to her husband’s original work as “just the tip of the iceberg.” The development and evolution of the Pilates method over the last 35 years has been, in large part, the result of the work and vision of Ron Fletcher, their protégé and student for nearly three decades. Since Joseph PIlates’ death in 1968, no other individual has played a more pivotal role in the evolution and popularity of the Pilates method. Now in his eighties, Mr. Fletcher is one of only three such masters still teaching the Work. Should you have any questions regarding the enclosed information, or should you wish to pursue a related project, please do not hesitate to contact me. In addition to being one of the great luminaries of the Pilates world, Ron Fletcher is also very much alive, well and active… and he’s a great interview. Sincerely, Kyria Sabin encl The Ron Fletcher Company™ . POB 64971 . Tucson, AZ 85728-4971 . 520.323.7070 .
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media
    ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation Yueqin Yang, M.A. Mentor: Douglas R. Ferdon, Jr., Ph.D. This thesis commits to highlighting major stereotypes concerning Asians and Asian Americans found in the U.S. media, the “Yellow Peril,” the perpetual foreigner, the model minority, and problematic representations of gender and sexuality. In the U.S. media, Asians and Asian Americans are greatly underrepresented. Acting roles that are granted to them in television series, films, and shows usually consist of stereotyped characters. It is unacceptable to socialize such stereotypes, for the media play a significant role of education and social networking which help people understand themselves and their relation with others. Within the limited pages of the thesis, I devote to exploring such labels as the “Yellow Peril,” perpetual foreigner, the model minority, the emasculated Asian male and the hyper-sexualized Asian female in the U.S. media. In doing so I hope to promote awareness of such typecasts by white dominant culture and society to ethnic minorities in the U.S. Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation by Yueqin Yang, B.A. A Thesis Approved by the Department of American Studies ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson ___________________________________ James M. SoRelle, Ph.D. ___________________________________ Xin Wang, Ph.D.
    [Show full text]
  • Saturday and Sunday Movies
    The Goodland Star-News / Friday, May 28, 2004 5 abigail your help, Abby — it’s been an aw- dinner in the bathroom with her. I behavior is inappropriate. Your parents remember leaving me home Co-worker ful burden. — OLD-FASHIONED find his behavior questionable and daughter is old enough to bathe with- alone at that age, but that was 24 van buren IN BOULDER have asked him repeatedly to allow out supervision and should do so. years ago. I feel things are too dan- DEAR OLD-FASHIONED: Talk her some privacy. Nonetheless, he You didn’t mention how physically gerous these days. creates more to the supervisor privately and tell continues to “assist her” in bathing developed she is, but she will soon Is there an age when I can leave •dear abby him or her what you have told me. by adding bath oil to the water, etc. be a young woman. Your husband’s them home alone and know that all work for others Say nothing to Ginger, because that’s Neither my husband nor my daugh- method of “lulling” her to sleep is is OK? — CAUTIOUS MOM IN DEAR ABBY: I work in a large, breaks, sometimes even paying her the supervisor’s job — and it will ter thinks anything is wrong with this also too stimulating for both of them. KANSAS open office with five other people. bills and answering personal corre- only cause resentment if you do. behavior — so what can I do? Discuss this with your daughter’s DEAR CAUTIOUS MOM: I’m We all collaborate on the same spondence on company time.
    [Show full text]
  • Commercial Films/Video Tapes on Teaching
    Commercial Films/Video Tapes On Teaching Prepared by Gary D Fenstermacher Three categories of film or video are included here, depending on whether teaching occurs in the setting of a school (Category I), in a tutorial relationship between teacher and student (Category II), or simply as a plot device in a comedy about or parody of teaching and schooling (Category III). Films described in Category I are listed alphabetically, within decade headings; it is the year the film was made, not the time period it depicts, that determines the decade in which the film is classified. Category I: Depicting Teachers in School Settings 1930's Goodbye, Mr. Chips (1939). Robert Donat, Greer Garson. British schoolmaster devoted to "his boys." Remade as musical in 1969, starring Peter O'Toole; remake received poor reviews. If you select this film, please do not use the remade version; use the original, 1939, film. It is a first-rate film. 1940's The Corn is Green (1945). Bette Davis, Nigel Bruce. Devoted teacher copes with prize pupil in Welsh mining town in 1895. (1 hr 35 min) Highly regarded remake in 1979 stars Katherine Hepburn in her last teaming with director George Cukor. OK to use either version (1945 or 1979). 1950's Blackboard Jungle (1955). Glenn Ford, Anne Francis. Teacher's difficult adjustment to New York City schools. First commercial film to feature rock music. 1960's The Prime of Miss Jean Brodie (1969). Maggie Smith. Eccentric teacher in British girls school. Smith wins Oscar for her performance. Remade as TV miniseries. To Sir With Love (1967, British).
    [Show full text]
  • Director Terry Kinney Reconceives Indie Rock Band Other Lives
    Director Terry Kinney reconceives indie rock band Other Lives’ performance as a unique theatrical event— Reconfiguration: An Evening with Other Lives, Oct 9 & 10 at BAM Reconfiguration: An Evening with Other Lives Mix Tape Productions Conceived by Rebecca Habel and Terry Kinney Directed by Terry Kinney Set design by Frank McCullough Lighting design by Ben Stanton Projection design by Daniel Brodie Sound design by Drew Levy Original drawings by Matt Huynh Bloomberg Philanthropies is the Season Sponsor BAM Howard Gilman Opera House (30 Lafayette Ave) Oct 9 & 10 at 7:30pm Tickets start at $25 August 28, 2015/Brooklyn, NY—True to its title, Reconfiguration: An Evening with Other Lives reconceives the acclaimed rock band’s live show as an immersive theatrical experience helmed by Steppenwolf Theatre Company co-founder Terry Kinney in this world premiere collaborative work. Other Lives’ Jesse Tabish, Jonathon Mooney, Josh Onstott, Daniel Hart, and Danny Reisch will perform songs from their most recent album, Rituals, along with previous releases, while Kinney crafts an engrossing audio-visual narrative inspired by the band’s cinematic music. Reconfiguration features set design by Frank McCullough (Associate Scenic Designer: An American in Paris, Hedwig and the Angry Inch), lighting design by Ben Stanton (Fun Home, Sufjan Stevens), projection design by Daniel Brodie (Disney’s Aladdin, Bonnaroo festival), sound design by Drew Levy (Honeymoon in Vegas), and original drawings by Matt Huynh. Presented in a thematic, three-act structure, the production features scenic elements, animated illustrations, video, and multiple-surface projections. Director Terry Kinney said, "Other Lives is the flagship concert for our company for so many reasons—we wanted to work with a band that should be, but perhaps isn't, a household name yet.
    [Show full text]
  • The Guardian, April 20, 1978
    Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 4-20-1978 The Guardian, April 20, 1978 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1978). The Guardian, April 20, 1978. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. ©he latin (tariiian April 20, 1978 Volume XIV Issue 92 Wright State University Dayton, Ohio m\HEW studies WSU hiring By DAVID DENNEY agencies. HEW is one of the 19 agencies. Guardian Staff Writer THE COMPLAINT alleges that WSU pub- lished in 1972. and purports to operate, an Investigators from the Office of Civil Rights Affirmative Action Program in accordance with from the Department of Health. Education, and Executive order 11246. but in actuality the plan Welfare (HEW) arc on campus this week is not followed, especially to the statement to investigating alleged claims that certain Univ- the effect that promotion of women is to be ersity employment practices and policies dis- encouraged. criminate against women. The complaint alleges the University has The policy in question was initiated in May been and continues to follow a practice of 1975 bv the WSU English department, and discrimination against women in such areas as endorsed by the administration and the Board promotion, granting of tenure, assignments, of Trustees.
    [Show full text]
  • What Every Producer's Attorney Should Know Jacqui Gold Grunfeld
    Hastings Communications and Entertainment Law Journal Volume 14 | Number 4 Article 1 1-1-1992 Docudramas: The Legality of Producing Fact- Based Dramas - What Every Producer's Attorney Should Know Jacqui Gold Grunfeld Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jacqui Gold Grunfeld, Docudramas: The Legality of Producing Fact-Based Dramas - What Every Producer's Attorney Should Know, 14 Hastings Comm. & Ent. L.J. 483 (1992). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol14/iss4/1 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Docudramas: The Legality of Producing Fact-Based Dramas-What Every Producer's Attorney Should Know by JACQUI GOLD GRUNFELD* Table of Contents I. Introduction .............................................. 485 A. Docudrama: A Popular Form of Entertainment ....... 485 B. Producing Docudramas ............................... 487 II. Potential Liabilities When Rights Are Not Secured ......... 488 A . Introduction ......................................... 488 B. Defamation Law: Libel ..............................
    [Show full text]
  • Being Edward James Olmos: Culture Clash and the Portrayal of Chicano Masculinity
    Studies in 20th & 21st Century Literature Volume 32 Issue 2 Theater and Performance in Nuestra Article 12 América 6-1-2008 Being Edward James Olmos: Culture Clash and the Portrayal of Chicano Masculinity Nohemy Solózano-Thompson Whitman College Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Solózano-Thompson, Nohemy (2008) "Being Edward James Olmos: Culture Clash and the Portrayal of Chicano Masculinity," Studies in 20th & 21st Century Literature: Vol. 32: Iss. 2, Article 12. https://doi.org/ 10.4148/2334-4415.1686 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Being Edward James Olmos: Culture Clash and the Portrayal of Chicano Masculinity Abstract This paper analyzes how Culture Clash problematizes Chicano masculinity through the manipulation of two iconic Chicano characters originally popularized by two films starring dwarE d James Olmos - the pachuco from Luis Valdez’s Zoot Suit (1981) and the portrayal of real-life math teacher Jaime Escalante in Stand and Deliver (1988). In “Stand and Deliver Pizza” (from A Bowl of Beings, 1992), Culture Clash tries to introduce new Chicano characters that can be read as masculine, and who at the same time, display alternative behaviors and characteristics, including homosexual desire. The three characters in “Stand and Deliver Pizza” represent stock icons of Chicano masculinity.
    [Show full text]