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Inside 30 Th YEAR a Publication of the Corporate Counsel Section of the New York State Bar Association
NYSBA SPRING/SUMMER 2011 | Vol. 29 | No. 1 CORPORATE COUNSEL SECTION Inside 30 th YEAR A publication of the Corporate Counsel Section of the New York State Bar Association Message from the Chair I am very excited to be continued to lay the groundwork for new and exciting leading the Section this year. changes and we already have much to report. It is a privilege to be able to The Section has grown tremendously over the last contribute to this Section’s long 30 years and we are striving to fi nd new and innovative tradition of providing quality ways to continue to bring value to our membership. benefi ts to its unique member- For example, in April, we conducted a CLE/network- ship. This year, the Corporate ing event on Alternative Fee Arrangements at no cost Counsel Section celebrates its to Section members. In March, we offered a scholarship 30th Anniversary and, with that to the Young Lawyers Section Trial Academy (includ- in mind, the Executive Com- ing a travel stipend) to a NYSBA member nominated by mittee is working very hard to a member of our Section. We also plan to have several create an extraordinary year for social/networking events throughout the Spring and our members. During the fi rst Fall at various venues to give you the chance to meet few months of 2011, we have Inside Being an International In-House Corporate Counsel Has The Option of Investment Arbitration: An Important Part Become a High-Risk Business .................................................................3 of an Investor’s Legal Arsenal ...............................................................29 (Marvin G. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Yellow Peril!
Yellow Peril! An Archive of AntiAsian Fear Edited and Introduced by John Kuo Wei Tchen and Dylan Yeats VERSO London • New York ^^/p/a ■ The Asian/Paciflc/American InstiJutc at NYU Published in collaboration with the Asian / Pacific / American Institute, NYU First published by Verso 2014 © John Kuo Wei Tchen and Dylan Yeats 2014 In Memory ofYoshio Kishi, Him Mark Lai, and Alexander Saxton All rights reserved The moral rights o f the authors have been asserted 1 3 5 7 9 108642 Verso UK: 6 Meard Street, London W IF OEG US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201 www.versobooks.com Verso is the imprint of New Left Books ISBN13: 9781781681237 (pbk) ISBN13: 9781781681244 (hbk) British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress CataloginginPublication Data Yellow peril! : an archive of antiAsian fear / edited and introduced by John Kuo Wei Tchen and Dylan Yeats, pages cm ISBN 9781781681237 (pbk.) — ISBN 9781781681244 (hardcover) 1. Asian Americans in popular culture— History— Sources. 2. Asian Americans— History— Sources. 3. Xenophobia— United States— History— Sources. 4. Racism— United States— History— Sources. 5. United States— Race relations— Sources. I. Tchen, John Kuo Wei, editor, author. II. Yeats, Dylan, editor, author. E184.A75Y45 2014 973’.0495—dc23 2013026694 Typeset in Garamond Pro by MJ & N Gavan, Truro, Cornwall Printed in Singapore by Tien Wah Press ‘"The person who finds his homeland sweet is still a tender beginner; he to whom every soil is as his native one is already strong; but he is perfect to whom the entire world is as a foreign place ” Contents Hugo of St. -
Press Kit Composite.Indd
August, 2005 Re: The Evolution of The Pilates Method: The Fletcher Work™ To Whom It May Concern, The Fletcher Work is the authentic evolution of the Pilates’ method. To be accurate and legitimate, any journalistic inquiry into contemporary Pilates must necessarily include this dynamic contribution. On behalf of The Ron Fletcher Company, I encourage you to take time to review the enclosed materials. Pilates is more than a contemporary fitness phenomenon. It is an extraordinarily effective conditioning method — nearly a century in development — whose time has finally come. Joseph Pilates’ original principles were absolutely sound, yet his wife, Clara, referred to her husband’s original work as “just the tip of the iceberg.” The development and evolution of the Pilates method over the last 35 years has been, in large part, the result of the work and vision of Ron Fletcher, their protégé and student for nearly three decades. Since Joseph PIlates’ death in 1968, no other individual has played a more pivotal role in the evolution and popularity of the Pilates method. Now in his eighties, Mr. Fletcher is one of only three such masters still teaching the Work. Should you have any questions regarding the enclosed information, or should you wish to pursue a related project, please do not hesitate to contact me. In addition to being one of the great luminaries of the Pilates world, Ron Fletcher is also very much alive, well and active… and he’s a great interview. Sincerely, Kyria Sabin encl The Ron Fletcher Company™ . POB 64971 . Tucson, AZ 85728-4971 . 520.323.7070 . -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media
ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation Yueqin Yang, M.A. Mentor: Douglas R. Ferdon, Jr., Ph.D. This thesis commits to highlighting major stereotypes concerning Asians and Asian Americans found in the U.S. media, the “Yellow Peril,” the perpetual foreigner, the model minority, and problematic representations of gender and sexuality. In the U.S. media, Asians and Asian Americans are greatly underrepresented. Acting roles that are granted to them in television series, films, and shows usually consist of stereotyped characters. It is unacceptable to socialize such stereotypes, for the media play a significant role of education and social networking which help people understand themselves and their relation with others. Within the limited pages of the thesis, I devote to exploring such labels as the “Yellow Peril,” perpetual foreigner, the model minority, the emasculated Asian male and the hyper-sexualized Asian female in the U.S. media. In doing so I hope to promote awareness of such typecasts by white dominant culture and society to ethnic minorities in the U.S. Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation by Yueqin Yang, B.A. A Thesis Approved by the Department of American Studies ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson ___________________________________ James M. SoRelle, Ph.D. ___________________________________ Xin Wang, Ph.D. -
Saturday and Sunday Movies
The Goodland Star-News / Friday, May 28, 2004 5 abigail your help, Abby — it’s been an aw- dinner in the bathroom with her. I behavior is inappropriate. Your parents remember leaving me home Co-worker ful burden. — OLD-FASHIONED find his behavior questionable and daughter is old enough to bathe with- alone at that age, but that was 24 van buren IN BOULDER have asked him repeatedly to allow out supervision and should do so. years ago. I feel things are too dan- DEAR OLD-FASHIONED: Talk her some privacy. Nonetheless, he You didn’t mention how physically gerous these days. creates more to the supervisor privately and tell continues to “assist her” in bathing developed she is, but she will soon Is there an age when I can leave •dear abby him or her what you have told me. by adding bath oil to the water, etc. be a young woman. Your husband’s them home alone and know that all work for others Say nothing to Ginger, because that’s Neither my husband nor my daugh- method of “lulling” her to sleep is is OK? — CAUTIOUS MOM IN DEAR ABBY: I work in a large, breaks, sometimes even paying her the supervisor’s job — and it will ter thinks anything is wrong with this also too stimulating for both of them. KANSAS open office with five other people. bills and answering personal corre- only cause resentment if you do. behavior — so what can I do? Discuss this with your daughter’s DEAR CAUTIOUS MOM: I’m We all collaborate on the same spondence on company time. -
Commercial Films/Video Tapes on Teaching
Commercial Films/Video Tapes On Teaching Prepared by Gary D Fenstermacher Three categories of film or video are included here, depending on whether teaching occurs in the setting of a school (Category I), in a tutorial relationship between teacher and student (Category II), or simply as a plot device in a comedy about or parody of teaching and schooling (Category III). Films described in Category I are listed alphabetically, within decade headings; it is the year the film was made, not the time period it depicts, that determines the decade in which the film is classified. Category I: Depicting Teachers in School Settings 1930's Goodbye, Mr. Chips (1939). Robert Donat, Greer Garson. British schoolmaster devoted to "his boys." Remade as musical in 1969, starring Peter O'Toole; remake received poor reviews. If you select this film, please do not use the remade version; use the original, 1939, film. It is a first-rate film. 1940's The Corn is Green (1945). Bette Davis, Nigel Bruce. Devoted teacher copes with prize pupil in Welsh mining town in 1895. (1 hr 35 min) Highly regarded remake in 1979 stars Katherine Hepburn in her last teaming with director George Cukor. OK to use either version (1945 or 1979). 1950's Blackboard Jungle (1955). Glenn Ford, Anne Francis. Teacher's difficult adjustment to New York City schools. First commercial film to feature rock music. 1960's The Prime of Miss Jean Brodie (1969). Maggie Smith. Eccentric teacher in British girls school. Smith wins Oscar for her performance. Remade as TV miniseries. To Sir With Love (1967, British). -
Director Terry Kinney Reconceives Indie Rock Band Other Lives
Director Terry Kinney reconceives indie rock band Other Lives’ performance as a unique theatrical event— Reconfiguration: An Evening with Other Lives, Oct 9 & 10 at BAM Reconfiguration: An Evening with Other Lives Mix Tape Productions Conceived by Rebecca Habel and Terry Kinney Directed by Terry Kinney Set design by Frank McCullough Lighting design by Ben Stanton Projection design by Daniel Brodie Sound design by Drew Levy Original drawings by Matt Huynh Bloomberg Philanthropies is the Season Sponsor BAM Howard Gilman Opera House (30 Lafayette Ave) Oct 9 & 10 at 7:30pm Tickets start at $25 August 28, 2015/Brooklyn, NY—True to its title, Reconfiguration: An Evening with Other Lives reconceives the acclaimed rock band’s live show as an immersive theatrical experience helmed by Steppenwolf Theatre Company co-founder Terry Kinney in this world premiere collaborative work. Other Lives’ Jesse Tabish, Jonathon Mooney, Josh Onstott, Daniel Hart, and Danny Reisch will perform songs from their most recent album, Rituals, along with previous releases, while Kinney crafts an engrossing audio-visual narrative inspired by the band’s cinematic music. Reconfiguration features set design by Frank McCullough (Associate Scenic Designer: An American in Paris, Hedwig and the Angry Inch), lighting design by Ben Stanton (Fun Home, Sufjan Stevens), projection design by Daniel Brodie (Disney’s Aladdin, Bonnaroo festival), sound design by Drew Levy (Honeymoon in Vegas), and original drawings by Matt Huynh. Presented in a thematic, three-act structure, the production features scenic elements, animated illustrations, video, and multiple-surface projections. Director Terry Kinney said, "Other Lives is the flagship concert for our company for so many reasons—we wanted to work with a band that should be, but perhaps isn't, a household name yet. -
The Guardian, April 20, 1978
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 4-20-1978 The Guardian, April 20, 1978 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1978). The Guardian, April 20, 1978. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. ©he latin (tariiian April 20, 1978 Volume XIV Issue 92 Wright State University Dayton, Ohio m\HEW studies WSU hiring By DAVID DENNEY agencies. HEW is one of the 19 agencies. Guardian Staff Writer THE COMPLAINT alleges that WSU pub- lished in 1972. and purports to operate, an Investigators from the Office of Civil Rights Affirmative Action Program in accordance with from the Department of Health. Education, and Executive order 11246. but in actuality the plan Welfare (HEW) arc on campus this week is not followed, especially to the statement to investigating alleged claims that certain Univ- the effect that promotion of women is to be ersity employment practices and policies dis- encouraged. criminate against women. The complaint alleges the University has The policy in question was initiated in May been and continues to follow a practice of 1975 bv the WSU English department, and discrimination against women in such areas as endorsed by the administration and the Board promotion, granting of tenure, assignments, of Trustees. -
What Every Producer's Attorney Should Know Jacqui Gold Grunfeld
Hastings Communications and Entertainment Law Journal Volume 14 | Number 4 Article 1 1-1-1992 Docudramas: The Legality of Producing Fact- Based Dramas - What Every Producer's Attorney Should Know Jacqui Gold Grunfeld Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jacqui Gold Grunfeld, Docudramas: The Legality of Producing Fact-Based Dramas - What Every Producer's Attorney Should Know, 14 Hastings Comm. & Ent. L.J. 483 (1992). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol14/iss4/1 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Docudramas: The Legality of Producing Fact-Based Dramas-What Every Producer's Attorney Should Know by JACQUI GOLD GRUNFELD* Table of Contents I. Introduction .............................................. 485 A. Docudrama: A Popular Form of Entertainment ....... 485 B. Producing Docudramas ............................... 487 II. Potential Liabilities When Rights Are Not Secured ......... 488 A . Introduction ......................................... 488 B. Defamation Law: Libel .............................. -
Being Edward James Olmos: Culture Clash and the Portrayal of Chicano Masculinity
Studies in 20th & 21st Century Literature Volume 32 Issue 2 Theater and Performance in Nuestra Article 12 América 6-1-2008 Being Edward James Olmos: Culture Clash and the Portrayal of Chicano Masculinity Nohemy Solózano-Thompson Whitman College Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Solózano-Thompson, Nohemy (2008) "Being Edward James Olmos: Culture Clash and the Portrayal of Chicano Masculinity," Studies in 20th & 21st Century Literature: Vol. 32: Iss. 2, Article 12. https://doi.org/ 10.4148/2334-4415.1686 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Being Edward James Olmos: Culture Clash and the Portrayal of Chicano Masculinity Abstract This paper analyzes how Culture Clash problematizes Chicano masculinity through the manipulation of two iconic Chicano characters originally popularized by two films starring dwarE d James Olmos - the pachuco from Luis Valdez’s Zoot Suit (1981) and the portrayal of real-life math teacher Jaime Escalante in Stand and Deliver (1988). In “Stand and Deliver Pizza” (from A Bowl of Beings, 1992), Culture Clash tries to introduce new Chicano characters that can be read as masculine, and who at the same time, display alternative behaviors and characteristics, including homosexual desire. The three characters in “Stand and Deliver Pizza” represent stock icons of Chicano masculinity.