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Vincent Teninty Height: 6’1” Grossman & Jack: (312) 587-1155 Eyes: Blue Weight: 195 lbs. SAG/AFTRA/AEA Hair: Dirty Blonde Theatre: Soups, Stews and Casseroles: 1976 Kim St. Louis Repertory Theatre Sweet Bird of Youth Tom Jr. Goodman Theatre Streetcar Named Desire Mitch Cardinal Stage Company Talking Pictures Ashenback Goodman Theatre A Girl with Sun in Her Eyes William Pine Box Theater Co. Dartmoor Prison British Guard Goodman Theatre The Good Negro (U.S. w/ perf) Paul Goodman Theatre A Lesson Before Dying Sheriff Guidry Steppenwolf Theatre Desire Under the Elms Peter The Hypocrites Mother Courage…Children Soldier Steppenwolf Theatre The Most Liquid Currency in the World Hunter Pine Box Theatre Co. * Trivial Pursuits Dexter Visions & Voices Theatre Co. The Resistable Rise of Arturo Ui Giri Steep Theatre Co. Hot ‘N’ Throbbing Clyde Pine Box Theatre Co. Closer Larry MOB Productions / Victory Gardens Life and Limb Jerry / Grandpa Pine Box Theatre Co. Insignificance Senator Steep Theatre Co. To Kill a Mockingbird Mr. Gilmer Appletree Theatre TYA Savage Love Ensemble The Artistic Home A Cry of Players Pope Timeline Theatre Julius Caesar Lucious Strawdog Theatre * 2002 – 2003 Jeff Nomination: Actor – Principal Role / Play TV/ Film / Commercial: Doubt – Pilot Felker ABC Chicago Fire – GOD HAS SPOKEN Officer NBC BOSS - SLIP Riley Ganz Starz Network The Beast - TILT Evan A&E TV Peep Show - Pilot Buck Spike TV Janie Jones Farmboy Unified Pictures & Absurda Entertainment Mulligan Officer Frank Midway Films Kmart Pirate Crossroads Productions Brighthouse Fisherman Fry Hammond & Barr Education: School at Steppenwolf: Meisner Technique – Amy Morton. Veiwpoints – Tina Landau, Kim Rubenstein. Scene Study – Rondi Reed. Object Exercise – Molly Regan. Stanislavsky – Yasen Payenkov. Chekhov – K. Todd Freeman. Stage Combat. Sazuki. Bard Core: Shakespeare – Matt Schwader American Conservatory Theatre: Acting – David Warren Keith. Auditioning – Bruce Williams. Western Michigan University: Theatre Performance. Special Skills: Bartending. Blowing Fire. Raising twins. Hand-to-Hand stage combat. Football. Soccer. Curling my tongue into three. 358086\1 .

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CINDY GOLD (312)587-1155 AEA/SAG/AFTRA/AGMA VOICE: MEZZO - HAIR/EYES: BROWN REGIONAL THEATRE Lyric Opera - Chicago MY FAIR LADY Mrs
CINDY GOLD (312)587-1155 AEA/SAG/AFTRA/AGMA VOICE: MEZZO - HAIR/EYES: BROWN REGIONAL THEATRE Lyric Opera - Chicago MY FAIR LADY Mrs. Pierce d.Robert Carsen Drury Lane - Oakbrook DEATHTRAP Helga TenDorp d.Bill Osetek Northlight Theatre – Chicago MOTHERS AND SONS(TimeOut Nom)Katherine d. Steve Scott Lookingglass Theatre – Chicago IN THE GARDEN Harriet d.Jessica Thebus About Face Theatre – Chicago A KID LIKE JAKE Judy d.Kierra Fromm Kennedy Center, Wash DC Nat’l Opera. SHOWBOAT Parthy d.Francesca Zambello Goodman Theatre – Chicago MEASURE FOR MEASURE Mistress Overdone d. Bob Falls Glimmerglass Opera – Cooperstown, NY & Royal Opera House, Muscat, Oman MUSIC MAN Mrs. Paroo d.Marcia Milgrim Dodge Lyric Opera – Chicago SHOWBOAT Parthy d.Francesca Zambello Broadway in Chicago LOVE, LOSS & WHAT I WORE Purse d.Karen Carpenter Music Theatre Co. – Chicago PIPPIN Berthe d. Jessica Redish Northlight Theatre – Chicago AWAKE AND SING (Jeff Nom.) Bessie Berger d.Amy Morton Notre Dame Shakespeare -- Indiana 12TH NIGHT Maria d.David Bell Northwestern Univ. Theatre – Evanston. IL ARSENIC AND OLD LACE Abby d.Frank Galati Northlight Theatre – Chicago JEKYLL & HYDE Ensemble/Hyde d.Jessica Thebus Tectonic Theatre Project/About Face Theatre 33 VARIATIONS(workshop) Gertie Landenburger d. Moises Kaufman About Face Theatre/MCA – Chicago LOVING REPEATING(Jeff Award) Gertrude Stein d. Frank Galati Northlight Theatre – Chicago PRIDE AND PREJUDICE Mrs. Bennet d. Peter Amster Noble Fool Theatre – Chicago A FUNNY THING…FORUM Domina d. Michael Weber Mercury Theatre – Chicago JEWTOPIA Arlene/Marcie d.JohnTillinger The MISANTHROPE Arsinoe/Marcia d. Jason Loewith Madison Repertory – Madison, WI BLITHE SPIRIT Madame Arkati. d.
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Jane Anderson Bj Jones
BJ Jones Timothy J. Evans ARTISTIC DIRECTOR EXECUTIVE DIRECTOR presents BY JANE ANDERSON DIRECTED BY BJ JONES Scenic Design Scott Davis, USA Costume Design Izumi Inaba, USA Lighting Design Christine A. Binder, USA Sound Design Andre Pluess, USA Production Stage Manager Rita Vreeland, AEA Fight Choreographer and Intimacy Consultant David Woolley, SDC Casting by Paskal Rudnicke Casting Opening Night: SEPTEMBER 20, 2019 at the North Shore Center for the Performing Arts in Skokie Mother of the Maid is presented by special arrangement with SAMUEL FRENCH, INC. Original New York Production by The Public Theater, Oskar Eustis, Artistic Director; Patrick Willingham, Executive Director. Mother of the Maid received its world premiere by Shakespeare & Company, Lenox, MA, 2015 and was developed in part at Berkshire Playwrights Lab. It was originally commissioned by Geffen Playhouse, Gilbert Cates, Producing Director; Randall Arney, Artistic Director; Ken Novice, Managing Director. COLOR COLOR SPONSORSHIP CAST & PRODUCTION LEAD PRODUCTION SPONSORS CAST (IN ORDER OF APPEARANCE) NAN AND WALLY GREENOUGH Kate Fry* ............................................................................................................Isabelle Arc Grace Smith* ......................................................................................................... Joan Arc OPENING NIGHT SPONSORS Kareem Bandealy* ....................................................................................... Jacques Arc Casey Morris† ........................................................................................Pierre
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Mansfield Park
BJ Jones Timothy J. Evans ARTISTIC DIRECTOR EXECUTIVE DIRECTOR presents the World Premiere of MANSFIELD PARK BY KATE HAMILL BASED ON THE NOVEL BY JANE AUSTEN DIRECTED BY STUART CARDEN Scenic Design Yu Shibagaki, USA Costume Design Izumi Inaba, USA Lighting Design Christine A Binder, USA Original Music & Sound Design Andrew Hansen Production Stage Manager Kimberly Ann McCann, AEA Casting by Paskal Rudnicke Casting OPENING NIGHT: NOVEMBER 16, 2018 at the North Shore Center for the Performing Arts in Skokie Mansfield Park is an original commission by Northlight Theatre COLOR COLOR SPONSORSHIP CAST & PRODUCTION PRODUCTION SPONSORS CAST (IN ORDER OF APPEARANCE) NAN AND WALLY GREENOUGH Kayla Carter* .................................................................................................... Fanny Price KATHLEEN OKRENT AND PETER HALEAS Heidi Kettenring* .........................................................................Mrs. Norris/Mrs. Price Mark Montgomery* ................................................... Sir Thomas Bertram/ Mr. Price FOUNDATION PRODUCTION SPONSOR Kate Hamill* .............................................Mary Crawford/Lady Bertram/Chapman Anu Bhatt ......................................................................... Mariah Bertram/Susan Price Curtis Edward Jackson .................. Tom Bertram/Mr. Rushworth/William Price Gabriel Ruiz* ......................................................................................... Edmund Bertram SEASON SPONSORS Nate Burger* ...................................................................
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Study Guide: Students & Educators H EA TE R COMPANY
A T L A N T I C T STUDY GUIDE: STUDENTS & EDUcatorS H EA TE R COMPANY Director of Education Education Associate Education Coordinator HEATHER BAIRD TYLER EASTER FRAN TARR Guards at the Taj written by Guards at the Taj directed by RAJIV JOSEPH AMY MORTON A T L A N T I C T TABLE OF CONTENTS H EA TE R COMPANY SECTION 1: THE PLAY Synopsis, Characters, Setting, Themes, Cast & Creative SECTION 2: HISTORICAL CONTEXT Four Things I Think Are Interesting: A Note from the Play- wright, Exploring the World of the Play; India, 1648 SECTION 3: YOUR STUDENTS AS AUDIENCE Theater Vocabulary, Exploring Themes, Relating Themes to Our Own Lives, Webbing & Discussion Triggers, Classroom Activity SECTION 4: YOUR STUDENTS AS ACTORS Reading A Scene for Understanding, Practical Aesthetics; The Atlantic Technique SECTION 5: YOUR STUDENTS AS ARTISTS Make Your Own Play, Performing Your Own Theater for Social Action, Theme Narrative Follow-Up Activity, Critical Thinking Activity SECTION 6: EDUCATION CONNECTIONS Common Core & DOE Theater Blueprint Tie-ins SECTION 7: THE ATLANTIC LEGACY Atlantic Theater Company, Atlantic Acting School SUPPLEMENTAL READING American Theatre Magazine Article Taj Mahal #GUARDSATC I 2 A T L A N T I C T SECTION 1: THE play H EA TE R COMPANY SYNOPSIS In 1648 India, two Imperial Guards watch from their post as the sun rises for the first time on the newly-completed Taj Mahal — an event that shakes their respective worlds. When they are ordered to perform an unthinkable task, the after- math forces them to question the concepts of friendship, beauty, and duty, and changes them forever.
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MATT Decaro SAG-AFTRA, AEA
MATT DeCARO SAG-AFTRA, AEA FILM The Last Rites of Joe May Tribeca Film Joe Maggio The Wise Kids Cone Films Stephen Cone Baby On Board Baby On Board/LLC Brian Herzlinger Eagle Eye Dreamworks D.J Caruso Mr. 3000 Disney Charles Stone III U.S Marshals Warner Bros. Stuart Baird Richie Rich Warner Bros. Donald Petrie TELEVISION Chicago Fire Guest Star NBC Chicago PD Guest Star NBC Doubt Pilot Guest Star ABC Boss Recurring Starz Chicago Code Co-Star FBC The Beast Guest Star A&E House Guest Star FOX Eli Stone Recurring ABC Prison Break Recurring FOX Boston Legal Guest Star ABC N.C.I.S Guest Star CBS Curb Your Enthusiasm Guest Star HBO The Office Guest Star NBC 24 Guest Star FOX Cold Case Guest Star CBS CSI Guest Star CBS Law & Order: SUV Guest Star NBC THEATER Cat on a Hot Tin Roof Drury Lane Theatre Marcia Milgrom Dodge Rhinoceros Asolo Repertory Theatre Frank Galati The Audience Timeline Theatre Nick Bowling Rhinoceros Asolo Repertory Theatre Frank Galati The Little Foxes Asolo Repertory Theatre Frank Galati The Great Society Asolo Repertory Theatre Nicole Watson Wonderful Town Goodman Theatre Mary Zimmerman Treasure Island The Lookingglass Theatre/Berkley Rep Mary Zimmerman White Snake McCarter Theater/Goodman Theatre Mary Zimmermann Guthrie Theatre Oklahoma! Lyric Opera of Chicago Gary Griffin Camino Real Goodman Theatre Calixto Bietito The Lt. of Inishmore Northlight Theatre BJ Jones King Lear Pittsburgh Irish Classical Theatre James J. Christy Perfect Mendacity Steppenwolf Theatre David Cromer Romance Goodman Theatre Pam MacKinnon Our Lady
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Tony, Obie, and Drama Desk Award Winner Pam Mackinnon Named New Artistic Director of American Conservatory Theater
FOR IMMEDIATE RELEASE Media Contact: Kevin Kopjak, Charles Zukow Associates 415.296.0677 | [email protected] TONY, OBIE, AND DRAMA DESK AWARD WINNER PAM MACKINNON NAMED NEW ARTISTIC DIRECTOR OF AMERICAN CONSERVATORY THEATER SAN FRANCISCO (January 23, 2018)—Following an extensive nationwide search, American Conservatory Theater (A.C.T.) Board of Trustees and Executive Director Peter Pastreich today named Tony, OBIE, and Drama Desk Award winner Pam MacKinnon the new artistic director of San Francisco’s premier nonprofit theater organization. MacKinnon succeeds Carey Perloff who will depart from American Conservatory Theater at the end of the 2017–18 season after 25 years at the helm. MacKinnon will begin planning the 2018–19 season alongside Perloff effective immediately. In addition, she will begin partnering with the leaders of A.C.T.’s world-class actor training programs and ever-expanding community programs, ensuring A.C.T. continues its role as the Bay Area’s leading theater arts educational organization. “I am thrilled and honored to be named artistic director of American Conservatory Theater,” says MacKinnon. “I am eager to build on the company’s rich legacy of artistic excellence and expand the vision and achievements of Carey Perloff, Edward Hastings, and founder William Ball to ensure that A.C.T. remains at the forefront of American theater. I look forward to furthering A.C.T. as a creative home for world- class artists and a place of rigorous artistic exploration and commitment in the Bay Area.” “On behalf of the Board of Trustees, I am pleased to welcome Pam MacKinnon to A.C.T.,” says A.C.T.
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FOR IMMEDIATE RELEASE Contact: Kirstin Franko/Julia Suszynski Press
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Steppenwolf Breaks Ground Today on New Campus Expansion
Steppenwolf Breaks Ground Today on New Campus Expansion Plans Unveiled for Thrilling Next Phase of Growth for Iconic Chicago Theatre New Building to Feature 400-seat In-the-Round Theatre, Dedicated Education Floor and New Social Spaces where Artists, Audiences and Students Converge Rendering by Adrian Smith + Gordon Gill Architecture CHICAGO (March 5, 2019) – Steppenwolf Theatre Company, the nation’s premier ensemble theatre, proudly breaks ground today on the next phase of its multi-year campus expansion on Halsted Street in Chicago’s Lincoln Park. The company unveiled plans for its new state-of-the-art theater building, which will embody the distinct vision of Steppenwolf as a Chicago theatre that is home to America’s ensemble. “This is a monumental moment for us that is more than two decades in the making— built on the shoulders of the former leaders, the ensemble, the board, and the staff who have touched this project and together have made this vision a reality. The heart of Steppenwolf is that while the work may soar, our foundation is decidedly human scale, an ongoing celebration of discovering the extraordinary in the every day. The promise of this is what has kept people invested in this company for so long and what inspires our next steps,” shares Artistic Director Anna D. Shapiro. “Steppenwolf is first and foremost a Chicago theatre and that understanding has guided the design of every inch of the building. Our company’s role is to create experiences that are in conversation with the diverse life of our hometown and that motivate youth and Steppenwolf Breaks Ground on New Campus Expansion Page 2 of 13 adults toward participating in a future that is aware, connected and inclusive.
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KATHERINE KEBERLEIN SAG-AFTRA/ AEA Height: 5’10” Hair: Blonde Eyes: Hazel
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FOR IMMEDIATE RELEASE Contact: Julia Suszynski/Kirstin Franko Press
FOR IMMEDIATE RELEASE Contact: Julia Suszynski/Kirstin Franko [email protected]; 202-600-4055 January 27, 2011 ARENA STAGE ANNOUNCES CASTING AND COMPANIES FOR THE TWO-MONTH LONG EDWARD ALBEE FESTIVAL FULL PRODUCTIONS OF STEPPENWOLF THEATRE COMPANY’S WHO’S AFRAID OF VIRGINIA WOOLF? AND ARENA STAGE’S AT HOME AT THE ZOO TO OVERLAP WITH PRESENTATIONS OF NEARLY ALL OF EDWARD ALBEE’S PLAYS (Washington, D.C.) Arena Stage at the Mead Center for American Theater continues its inaugural season this spring with an unparalleled tribute to one of the nation’s greatest living playwrights, Edward Albee. The company has mounted a two-month festival featuring 30 events, making nearly every one of his plays available in performance spaces throughout the Mead Center. The festival kicks off with Steppenwolf Theatre Company’s highly acclaimed Who’s Afraid of Virginia Woolf? directed by Pam MacKinnon (Arena’s A Delicate Balance ) starring Pulitzer Prize and Tony Award winner Tracy Letts as George, Tony Award nominee Amy Morton as Martha, Carrie Coon as Honey and Madison Dirks as Nick in the Kreeger Theater February 25 – April 10. Simultaneously Arena Stage mounts At Home at the Zoo directed by Mary B. Robinson starring Jeff Allin as Peter, Colleen Delany as Ann and James McMenamin as Jerry in the Arlene and Robert Kogod Cradle February 25 – April 24. Beginning in March through the end of April, 16 theater troupes will present staged readings of Albee’s work. Participating companies include The Shakespeare Theatre Company , Theater J , Taffety Punk , Round House Theatre , American Century Theater and Forum Theatre and directors include Wendy C.
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LYNN BABER Casting Director, CSA [email protected] (773) 551-3903 Cell 
LYNN BABER Casting Director, CSA [email protected] (773) 551-3903 cell 2006-2017 Casting Director, Northlight Theatre 2017-18 The Legend of Georgia McBride (Matthew Lopez) Lauren Shouse The Book of Will (Lauren Gunderson) Jessica Thebus Skeleton Crew (Dominique Morriseau) Ron OJ Parson Cry it Out (Molly Smith Metzler) Jess Fisch 2016-17 City of Conversation (Anthony Giardiana) Marti Lyons *Miss Bennet: Christmas at Pemberley (Gunderson & Marcon) Jessica Thebus *Faceless (Selina Felinger) BJ Jones By the Water (Sharyn Rothstein) Cody Estle 2015-16 *Funnyman (Bruce Graham) BJ Jones *Charm (Philip Dawkins) BJ Jones You Can’t Take It With You (Kaufman & Hart) Devon deMayo Mothers & Sons (Terrence McNally) Steve Scott Butler (Richard Strand) Stuart Carden The Gospel According to Thomas Jefferson, Charles Dickens, and Count Leo Tolstoy: Discord (Scott Carter) Kimberly Senior 2014-15 The Commons of Pensacola (Amanda Peet) Robin Witt The Mousetrap (Agatha Christie) Jonathan Berry *White Guy on the Bus (Bruce Graham) BJ Jones Outside Mullingar (John Patrick Shanley) BJ Jones *Shining Lives: A Musical (book & lyrics by Jessica Thebus, music by Andre Pluess & Amanda Dehnert, based on the play These Shining Lives by Melanie Marnich) Jessica Thebus/Chuck Larkin 2013-2014 4000 Miles (Amy Herzog) Kimberly Senior Detroit '67 (Dominique Morisseau) Ron OJ Parson *Chapatti (Christian O'Reilly) BJ Jones Lost in Yonkers (Neil Simon) Devon deMayo 2011-2012 Snapshots (Stephen Schwartz & David Stern,
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(Virtual) Seagull
(VIRTUAL) SEAGULL MEMBER-EXCLUSIVE CONTENT AVAILABLE FOR STREAMING MAY 14 – 27, 2020 WELCOME TO (VIRTUAL) SEAGULL We are heartbroken that we are not going to be able to join together in the same room as quickly as we thought we were going to be able to, but we want to extend our grateful thanks to you as members. The first offering we’re making is ensemble member Yasen Peyankov’s adaptation of The Seagull. As you all know, we are ecstatic to eventually open our new theatre-in-the-round with a production of this play. In normal times, audiences wouldn’t get a look at this piece until it had been rehearsed, staged, and designed—in short, produced—at the quality you have come to expect from Steppenwolf. But as members, we’d like to invite you to this very special Zoom table read of Seagull featuring 10 ensemble members, and directed by ensemble member Yasen Peyankov. It was an absolute treat to create this piece in a process that is completely novel to us. Perhaps most thrilling is the chance to see each of these remarkable actors up close and in their own homes in a way that we don’t rarely get to—even in our intimate theatre. Anna D. Shapiro, Artistic Director, EDITOR Corinne Florentino CONTRIBUTORS CONTENTS Kenya Hall Claire Haupt Madeline Long 7 LAND ACKNOWLEDGEMENT A.J. Roy 8 (VIRTUAL) SEAGULL BIOS Lowell Thomas Anna D. Shapiro 12 CREATING THEATER IN THE AGE OF ISOLA- Patrick Zakem TION: ARTISTS ON THE MAKING OF (VIRTUAL) SEAGULL EDITED BY PATRICK ZAKEM COVER ILLUSTRATION & DESIGN BY 15 STEPPENWOLF’S NEW STATE-OF-THE-ART Christopher Huizar THEATER BUILDING STEPPENWOLF SOCIAL facebook.com/SteppenwolfTheatre youtube.com/user/steppenwolftheatre @steppenwolfthtr @steppenwolfthtr steppenwolf.org 3 SALUTES THE SPONSORS OF (VIRTUAL) SEAGULL GRAND SPONSORS Rich and Margery Feitler Marian and Fruman Jacobson The Orlebeke Foundation John Hart and Carol Prins Matthew Shapiro John and Carol Walter INDIVIDUAL SPONSORS Leigh and Henry Bienen Douglas R.
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