LYNN BABER Casting Director, CSA [email protected] (773) 551-3903 Cell
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A Strange Loop
A Strange Loop / Who we are Our vision We believe in theater as the most human and immediate medium to tell the stories of our time, and affirm the primacy and centrality of the playwright to the form. Our writers We support each playwright’s full creative development and nurture their unique voice, resulting in a heterogeneous mix of as many styles as there are artists. Our productions We share the stories of today by the writers of tomorrow. These intrepid, diverse artists develop plays and musicals that are relevant, intelligent, and boundary-pushing. Our plays reflect the world around us through stories that can only be told on stage. Our audience Much like our work, the 60,000 people who join us each year are curious and adventurous. Playwrights is committed to engaging and developing audiences to sustain the future of American theater. That’s why we offer affordably priced tickets to every performance to young people and others, and provide engaging content — both onsite and online — to delight and inspire new play lovers in NYC, around the country, and throughout the world. Our process We meet the individual needs of each writer in order to develop their work further. Our New Works Lab produces readings and workshops to cultivate our artists’ new projects. Through our robust commissioning program and open script submission policy, we identify and cultivate the most exciting American talent and help bring their unique vision to life. Our downtown programs …reflect and deepen our mission in numerous ways, including the innovative curriculum at our Theater School, mutually beneficial collaborations with our Resident Companies, and welcoming myriad arts and education not-for-profits that operate their programs in our studios. -
OSLO Casting Announcement
MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. -
T Wentieth Centur Y North Amer Ican Drama
TWENTIETH CENTURY NORTH AMERICAN DRAMA, SECOND EDITION learn more at at learn more alexanderstreet.com Twentieth Century North American Drama, Second Edition Twentieth Century North American Drama, Second Edition contains 1,900 plays from the United States and Canada. In addition to providing a comprehensive full-text resource for students in the performing arts, the collection offers a unique window into the econom- ic, historical, social, and political psyche of two countries. Scholars and students who use the database will have a new way to study the signal events of the twentieth century – including the Depression, the role of women, the Cold War, and more – through the plays and performances of writers who lived through these decades. More than 1,250 of the works are in copyright and licensed Jules Feiffer, Neil LaBute, Moisés Kaufman, Lee Breuer, Richard from the authors or their estates, and 1,700 plays appear in Foreman, Stephen Adly Guirgis, Horton Foote, Romulus Linney, no other Alexander Street collection. At least 550 of the works David Mamet, Craig Wright, Kenneth Lonergan, David Ives, Tina have never been published before, in any format, and are Howe, Lanford Wilson, Spalding Gray, Anna Deavere Smith, Don available only in Twentieth Century North American Drama, DeLillo, David Rabe, Theresa Rebeck, David Henry Hwang, and Second Edition – including unpublished plays by major writers Maria Irene Fornes. and Pulitzer Prize winners. Besides the mainstream works, users will find a number of plays Important works prior to 1920 are included, with the concentration of particular social significance, such as the “people’s theatre” of works beginning with playwrights such as Eugene O’Neill, exemplified in performances by The Living Theatre and The Open Elmer Rice, Sophie Treadwell, and Susan Glaspell in the 1920s Theatre. -
Divx Na Cd Strona 1
Divx na cd 0000 0000 Original title/Tytul oryginalny 0000 Polish CD//Subt/Nap title/Tytul polski isy 10ThingsIHateAboutYou(1999) Zakochana zlosnica 1/pl 1492: Conquest of Paradise (AKA 1492: Odkrycie raju / 1492: Christophe1492:Wyprawa Colomb do / raju1492: La conquête du paradis / 1492: La conquista del paraíso) (1992) 2 Fast 2 Furious (2003) Za szybcy za wsciekli 1/pl 2046(2004) 2046 . 2/pl 21Grams (2003) 21 Gram 2/pl 25th Hour(2002) 25 godzina 2/pl 3000Miles toGraceland(2001) 3000 mil do Graceland 1/pl 50FirstDates(2004) 50 pierwszych randek 1/pl 54(1998) Klub 54 AboutSchmidt(2002) About Schmidt 2/pl Abrelosojos(AKA Open Your Eyes) (1997) Otworz oczy 1/pl Adaptation (2002) Adaptacja 2/pl Alfie(2004) Alfie 2/pl Ali(2001) Ali Alien3 (1992) Obcy 3 AlienResurrection (1997) 4 Obcy 4 – Przebudzenie Obcy 2 – Decydujace Aliens (1986) 2 starcie Alienvs. Predator(AKA Alienversus Predator/ AvP) (2004) Obcy Kontra Predator Amelia/ Fabuleux destin d'Amélie Poulain, Le (AKA Amelie from AmeliaMontmartre / Amelie of Montmartre / Fabelhafte Welt der Amelie, Die / Fabulous Destiny of Amelie Poulain / Amelie) (2001) AmericanBeauty(1999) American Beauty AmericanPsycho(2000) American Psycho Anaconda(1997) Anakonda AngelHeart (1987) Harry Angel AngerManagement(2003) Dwoch gniewnych ludzi Animal Farm (1999) Folwark zwierzecy Animatrix, The(2003) Animatrix AntwoneFisher(2002) Antwone Fisher Apocalypse Now(AKA Apocalypse Now: Redux(2001)) (1979) DirApokalipsa cut Aragami(2003) Aragami Atame(AKA Tie Me Up! Tie Me Down!) (1990) Zwiaz mnie Avalanche(AKA Nature -
P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). -
CINDY GOLD (312)587-1155 AEA/SAG/AFTRA/AGMA VOICE: MEZZO - HAIR/EYES: BROWN REGIONAL THEATRE Lyric Opera - Chicago MY FAIR LADY Mrs
CINDY GOLD (312)587-1155 AEA/SAG/AFTRA/AGMA VOICE: MEZZO - HAIR/EYES: BROWN REGIONAL THEATRE Lyric Opera - Chicago MY FAIR LADY Mrs. Pierce d.Robert Carsen Drury Lane - Oakbrook DEATHTRAP Helga TenDorp d.Bill Osetek Northlight Theatre – Chicago MOTHERS AND SONS(TimeOut Nom)Katherine d. Steve Scott Lookingglass Theatre – Chicago IN THE GARDEN Harriet d.Jessica Thebus About Face Theatre – Chicago A KID LIKE JAKE Judy d.Kierra Fromm Kennedy Center, Wash DC Nat’l Opera. SHOWBOAT Parthy d.Francesca Zambello Goodman Theatre – Chicago MEASURE FOR MEASURE Mistress Overdone d. Bob Falls Glimmerglass Opera – Cooperstown, NY & Royal Opera House, Muscat, Oman MUSIC MAN Mrs. Paroo d.Marcia Milgrim Dodge Lyric Opera – Chicago SHOWBOAT Parthy d.Francesca Zambello Broadway in Chicago LOVE, LOSS & WHAT I WORE Purse d.Karen Carpenter Music Theatre Co. – Chicago PIPPIN Berthe d. Jessica Redish Northlight Theatre – Chicago AWAKE AND SING (Jeff Nom.) Bessie Berger d.Amy Morton Notre Dame Shakespeare -- Indiana 12TH NIGHT Maria d.David Bell Northwestern Univ. Theatre – Evanston. IL ARSENIC AND OLD LACE Abby d.Frank Galati Northlight Theatre – Chicago JEKYLL & HYDE Ensemble/Hyde d.Jessica Thebus Tectonic Theatre Project/About Face Theatre 33 VARIATIONS(workshop) Gertie Landenburger d. Moises Kaufman About Face Theatre/MCA – Chicago LOVING REPEATING(Jeff Award) Gertrude Stein d. Frank Galati Northlight Theatre – Chicago PRIDE AND PREJUDICE Mrs. Bennet d. Peter Amster Noble Fool Theatre – Chicago A FUNNY THING…FORUM Domina d. Michael Weber Mercury Theatre – Chicago JEWTOPIA Arlene/Marcie d.JohnTillinger The MISANTHROPE Arsinoe/Marcia d. Jason Loewith Madison Repertory – Madison, WI BLITHE SPIRIT Madame Arkati. d. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Opera Oresteai 7-10 Opt 2 RBF Program 4-16 2
the richard b. fisher center for the performing arts at bard college Sergey Taneyev’s July 26 – August 4, 2013 About The Richard B. Fisher Center for the Performing Arts at Bard College The Richard B. Fisher Center for the Performing Arts, an environment for world-class artistic presentation in the Hudson Valley, was designed by Frank Gehry and opened in 2003. Risk-taking performances and provocative programs take place in the 800-seat Sosnoff Theater, a proscenium-arch space, and in the 220-seat Theater Two, which features a flexible seating configuration. The Center is home to Bard College’s Theater & Performance and Dance Programs, and host to two annual summer festivals: SummerScape, which offers opera, dance, theater, film, and cabaret; and the Bard Music Festival, which celebrates its 24th year in August with “Stravinsky and His World.” The 2014 festival will be devoted to Franz Schubert. The Center bears the name of the late Richard B. Fisher, the former chair of Bard College’s Board of Trustees. This magnificent building is a tribute to his vision and leadership. The outstanding arts events that take place here would not be possible without the contributions made by the Friends of the Fisher Center. We are grateful for their support and welcome all donations. The Richard B. Fisher Center for the Performing Arts at Bard College Chair Jeanne Donovan Fisher President Leon Botstein presents Oresteia Music by Sergey Taneyev Russian libretto adapted by A. A. Venkstern after Aeschylus Directed by Thaddeus Strassberger American Symphony Orchestra Conducted by Leon Botstein, Music Director Set Design by Madeleine Boyd Costume Design by Mattie Ullrich Lighting Design by JAX Messenger Hair Design by Jon Carter Makeup Design by Lucia Aloi Sung in Russian, with English surtitles Sosnoff Theater July 26 and August 2 at 7 pm July 28, 31, and August 4 at 3 pm Running time for this performance is approximately three hours and 40 minutes, including two intermissions. -
I Certify That the Thesis Entitled Twisted Things
I certify that the thesis entitled Twisted Things: Playing with Time submitted for the degree of Doctor of Philosophy is the result of my own work and that where reference is made to the work of others, due acknowledgment is given. I also certify that any material in the thesis which has been accepted for a degree or diploma by any university or institution is identified in the text. ʹI certify that I am the student named below and that the information provided in the form is correctʹ Full Name: Virginia Stewart Murray Signed ..................................................................................…….… Date .................................................................................…….…… Twisted Things: Playing with Time by Virginia Stewart Murray (BA Dip Ed) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Deakin University January 2012 Table of Contents Volume One Creative Component Introduction to Thesis 1 Preface: Neither Fish nor Fowl 3 TWISTED THINGS 7 Volume Two Exegesis Playing with time: an exegesis in three chapters Introduction 127 Chapter One: On the Beach: A Contextual History Part 1 141 Part II 158 Chapter 2: Glamour and Celebrity: 1950s Australian Style 172 Chapter 3: The Role of the Unconscious: Playing with Time in Film 236 Camera Consciousness and Reterritorialisation in 12 Monkeys 249 Sheets of the Past in Jacob’s Ladder 257 Incompossible Worlds in Donnie Darko 264 Suddenly Thirty and the Peaks of the Present 269 Conclusion 280 Works Cited 287 Filmography 299 Works Consulted -
At Play Spring-Summer 06.Indd
rating Seventy Y representing the american theatre by eleb ears publishing and licensing the works C of new and established playwrights 70th Anniversary Issue D ram 06 ati – 20 sts Play Service, Inc. 1936 Issue 12, Spring/Summer 2006 AN INTERVIEW WITH Austin Pendleton Director of Professional Rights Robert Lewis Vaughan and Director of Publications Michael Q. Fellmeth talk with Austin Pendleton about his New York hit, Orson’s Shadow, and his life as a consummate man of the theatre. ROBERT. Orson’s Shadow had an amazing run here in New York at The Barrow Street Theatre following Tracy Letts’ fantastic Bug (also represented by DPS). Tracy was in your play, in the role of Kenneth Tynan. Two hits in a row — two actor/playwrights in a row — one theatre. What do you have to say about that? AUSTIN. There’s more to it than that. Tracy Letts caused this to happen. He told our producers (Scott Morfee, Chip Meyrelles, Tom Wirtshafter) about Orson’s Shadow. He put together a reading with the Chicago cast, directed by the Chicago director, in Chicago, for Scott, Chip and Tom to come and see and hear … Continued on page 3 NEWPLAYS Serving the American Theatre Since 1936: A Brief History of Dramatists Play Service, Inc. Rob Ackerman DISCONNECT. Goaded by the women they love “The Dramatists Play Service came into being at exactly the right moment and haunted by memories they can no longer for the contemporary playwright and the American theatre at large.” suppress, two men at a dinner party confront the —Audrey Wood, renowned agent to Tennessee Williams lies of their lives. -
Season Brochure
Welcome to San Diego Junior Theatre’s 66th Season. A Season of Unexpected Adventures! Mermaids, ogres, pirates, fairies, mischievous cats, and affable dogs are just a few of the intriguing characters that inhabit the stories we will tell this year. These adventures are journeys into diverse cultures, imaginary lands, and brave new worlds. Here at JT, we specialize in unexpected adventures. Students find them onstage, backstage, and in the classroom. Audience members engage with them from the comfort of a theatre seat. These adventures take us by surprise and open our eyes to new ways of seeing the world. The experiences and relationships that have taken root and bloomed in my life since I first came to Junior Theatre as a student (more than three decades ago!) have richly informed my life in ways that I could never have imagined. It’s with pleasure that I now embark on a fresh adventure as Junior Theatre’s new Executive Director. I look forward to meeting everyone in the Junior Theatre community. I hope you can join us for our 66th Season of Adventure! JAMES SABA Executive Director The Mission of San Diego Junior Theatre San Diego Junior Theatre provides engaging, innovative and high-quality theatre education and productions to enhance the lives of children of all ages, cultural backgrounds, abilities and levels of interest. JUNIORTHEATRE.COM/DONATE/ www.JuniorTheatre.com/donate Shows at Casa del Prado Theatre, Balboa Park DISNEY’S THE LITTLE MERMAID JR October 25 - November 17, 2013 Casa del Prado Theatre, Balboa Park Music by Alan Menken. Lyrics by Howard Ashman and Glenn Slater. -
La Jolla Playhouse Announces Projects for 2018 DNA New Work
Contact: Becky Biegelsen (858) 228-3092; [email protected] LA JOLLA PLAYHOUSE ANNOUNCES PROJECTS FOR SIXTH DNA NEW WORK SERIES FOUR BRAND NEW PROJECTS TO RECEIVE READINGS DURING FOUR-DAY PLAY DEVELOPMENT SERIES La Jolla, CA – La Jolla Playhouse is pleased to bring back for a sixth year its acclaimed new play development initiative, the DNA New Work Series, a weekend of readings of new works, taking place March 22 – 25, 2018 in the Playhouse’s Rao and Padma Makeneni Play Development Center. Tickets for the DNA New Work Series are free but reservations are required by calling (858) 550-1010 or visiting LaJollaPlayhouse.org. The DNA New Work Series offers playwrights and directors the opportunity to develop a script by providing rehearsal time, space and resources, culminating in a public presentation. This process gives audiences a closer look at the play development process, while allowing the Playhouse to develop new work and foster relationships with established and up-and-coming playwrights. “DNA has become one of the Playhouse’s most highly-anticipated and successful pathways for developing new work, with several projects going on to receive full, world-premiere productions on our mainstage, including this past season’s Kill Local. Patrons have the opportunity to take part in the birth of these new works while giving playwrights invaluable support and feedback in the early stages of their piece’s development,” said Playhouse Artistic Director Christopher Ashley. The DNA Series has been a launching pad for numerous shows that have