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Press Release
PRESS RELEASE Shakespeare’s Globe Announces Full Casting for Nick Bagnall’s Love’s Labour’s Lost 17 JULY 2018 Shakespeare’s Globe is delighted to announce full casting for Nick Bagnall’s Love’s Labour’s Lost, opening in the Sam Wanamaker Playhouse on Thursday 23 August. Dharmesh Patel will play Berowne. Dharmesh returns to the Globe after starring in Barrie Rutter's The Captive Queen in the Sam Wanamaker Playhouse earlier this year. Other recent theatre credits include Titus Andronicus, Antony and Cleopatra and Julius Caesar (RSC), The Two Gentlemen of Verona and The Tempest (Shakespeare's Globe). Kirsty Woodward is Princess of France. Kirsty appeared at The Globe in last year’s touring production of Tristan & Yseult, and has also appeared in Globe productions of Pericles and The Winter’s Tale. Her recent television work includes Bad Move (ITV) and Quacks (BBC). Paul Stocker will play King of Navarre, returning to the Globe after appearing as Palamon in Barrie Rutter's The Two Noble Kinsmen earlier this summer. Paul’s other theatre credits include The Curious Incident of the Dog in the Night-Time (West End), Coral, A Thousand Stars Explode in the Sky (National Theatre Studio) and A Midsummer Night’s Dream (Regent’s Park). Television work includes Doctors, EastEnders and The Rack Pack (BBC). Jade Williams is Rosaline. Jade has appeared in several Globe productions including Matthew Dunster's Doctor Faustus, Raz Shaw's God of Soho and Jessica Swale's Bedlam. Jade's other recent theatre work includes The Cherry Orchard, The Lower Depths (Arcola) and The Seagull (Chichester, National Theatre). -
Absurdism 3, 26, 33, 46–47, 50, 61 Academy Award 9, 10, 20, 23
Cambridge University Press 978-1-107-02195-2 - The Cambridge Introduction to Tom Stoppard William W. Demastes Index More information Index absurdism 3, 26, 33, 46–47, 50, 61 Ashcroft, Peggy 145 Academy Award 9, 10, 20, 23 Ayckbourn, Alan 42 Adam was a Gardener (Page) 84 Ayer, A. J. 66, 68, 137 After Magritte 7, 18, 31, 37, 60, 61–62, 140 Ballard, J. G. 20 Age of Reason 84 Banbury, Frith 140 Alberry Theatre, London 11 Barber, Victor 145 Albert’s Bridge 2, 6, 18, 32, 60, 139 Barer, Shlomo 116 Aldwych Theatre, London 7, 9, 10, 11, Barker, Clive 140 141, 145 Barnes, Clive 130 Almost-Free Theatre, London 8, 18, Barrett, Felix 13 19, 142 Barrett, Syd 130, 131, 135, 147 altruism 68 Bates, Alan 144 Alvin Theatre, New York 6, 139 Beckett, Samuel 2, 3, 15, 47, 49 Always 20 Bennett, Alan 139 Ambiance Lunch-Hour Theatre Club, Berkeley, George 52 London 8 Berlusconi, Silvio 78 American Conservatory Theater, San Berman, Ed 18, 19, 20, 142, 143 Francisco 11, 12, 145, 146 Bernard B. Jacobs Theatre, New York Amis, Kingsley 21, 54 13, 147 Amnesty International 19, 43 Betrayal (Pinter) 21 angry young men 15 Bigsby, C. W. E. 3 Anna Karenina (Tolstoy) 13, 24 Billington, Michael 130 Annis, Francesca 147 Billy Bathgate 2, 10, 20 Another Moon Called Earth 6, 17, Bohm, David 88 64, 139 Bolt, Robert 45 Arcadia 1, 10, 11, 13, 22, 24, 28, 33, 34, Bourne Ultimatum, The 20 79, 84–91, 92, 100, 108, 115, 116, Brantley, Ben 116, 117 127, 130, 135, 136–37, 145 Brater, Enoch 136, 137 Archimedes 51 Brazil 2, 9, 20 Arden, John 48 Bristol Evening World 15 Aristotle 51 British American Repertory Company, Artist Descending a Staircase 7, 10, 30, London 20, 143 34, 35, 37, 62, 71, 141 British Campaign for the Release of Arts Theatre, London 8, 19 Indonesian Political Prisoners 19 160 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02195-2 - The Cambridge Introduction to Tom Stoppard William W. -
Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
Derek Goldby
Derek Goldby Derek Goldby directed the original production of ROSENCRANTZ AND GUILDENSTERN ARE DEAD for the National Theatre, as well as on Broadway; LOOT on Broadway - and UNIDENTIFIED HUMAN REMAINS off-Broadway. He has worked extensively in the United States, Canada and throughout Europe. Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Credits Other Production Company Notes 2011 AUTUMN AND WINTER Orange Tree Theatre, Richmond 2010 ENTERTAINING MR SLOANE Theatre de Poche, Brussels 1998 AFTER THE RAIN Atelier Theatral, Brussels 1998 BENT Theatre de Poche 1998 TRAINSPOTTING Theatre de Poche, Brussels & Cafe de la Danse, Paris 1999 DANCING AT LUGHNASA Rideau de Bruxelles 1999 LORD OF THE FLIES Theatre de Poche 2000 TRAINSPOTTING European Tour 2001 COLONEL BIRD Theatre de Poche, Brussels 2002 MISSING White Bear Theatre 2003 THE LIEUTENANT OF INISHMORE Theatre de Poche, Brussels 2003 THE MISANTHROPE Rose Bruford College 2003 UNE HISTOIRE VRAIE Theatre de Poche, Brussels 2004 AU RETOUR DE LA SORCIERE Theatre de Poche, Brussels United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes 2004 REALITY SHOW & MUSIC LOVERS Rose Bruford College 2005 MYTH, PROPAGANDA AND DISASTER IN NAZI Theatre de Poche, Brussels GERMANY AND CONTEMPORARY AMERICA 2005 THE THREESOME Rose Bruford College 2006 THE COSMONAUT'S LAST MESSAGE TO THE RADA Final Year students WOMAN HE ONCE LOVED IN THE FORMER SOVIET UNION 2007 MOTORTOWN Theatre de Poche, -
About the Bridge Theatre
Running time 2 hours and 15 minutes, no interval. Please note, this production contains strobe lighting and scenes of a violent and bloody nature. First performance at Bridge Theatre on 20 January 2018, broadcast live on 22 March 2018 Julius Caesar DAVID CALDER About the Bridge Theatre Calpurnia / Varro WENDY KWEH Marcus Brutus BEN WHISHAW The Bridge Theatre was founded by Nicholas Hytner and Nick Starr Portia LEAPHIA DARKO on leaving the National Theatre after 12 years. The theatre has Lucius / Street Band / Cinna, a poet FRED FERGUS a 900-seat adaptable auditorium designed to answer the needs Caius Cassius MICHELLE FAIRLEY of contemporary audiences and theatre-makers that is capable Mark Antony DAVID MORRISSEY of responding to shows with different formats (end-stage, thrust- stage and promenade). It is the first wholly new theatre of scale Octavius / Street Band KIT YOUNG to be added to London’s commercial theatre sector in 80 years. Lepidus / Caius Ligarius / Soothsayer MARK PENFOLD The Bridge was designed by Steve Tompkins and Roger Watts of Casca ADJOA ANDOH Haworth Tompkins Architects (winner of the 2014 Stirling Prize). Cinna, a conspirator NICK SAMPSON Decius Brutus LEILA FARZAD Metellus Cimber HANNAH STOKELY Trebonius / Street Band ABRAHAM POPOOLA Connect with us Flavius / Popilius Lena SID SAGAR Marullus / Artemidorus ROSIE EDE Join in the conversation about #JuliusCaesar Philo / Street Band / Claudius ZACHARY HART ntlive.com/signup facebook.com/ntlive @ntlive Other citizens and plebeians played by members of the company We hope you enjoy your National Theatre Live screening. We make every attempt to replicate the theatre experience as Director NICHOLAS HYTNER closely as possible for your enjoyment. -
Kevin New CV 8-27-16 Reorganized
CV of Kevin Rigdon 1 Kevin Rigdon 2618 Texas Avenue ¡ Houston, Texas 77003 713.962.4658 ¡ [email protected] Current Positions 1997 - Present Associate Director/Design, Alley Theatre, Houston Responsibilities include: participation in planning and oversight of a 10 play season in two theatres with an annual operating budget of $15M; long range strategic planning; principal resident designer and day-to-day supervision of $46M renovation of the performance facility. 1997 – Present University of Houston School of Theatre & Dance, Houston John and Rebecca Moores Professor of Theatre; Head of MFA Design & Technology Responsibilities include curriculum development of MFA Design & Technology program; recruitment of MFA D&T students; mentorship of MFA D&T students Previous Positions 1974 – 1997 Resident Designer, Steppenwolf Theatre Company, Chicago 1991 - 1996 Adjunct Professor — The Theatre School, DePaul University, Chicago Adjunct Professor — Roosevelt University, Chicago 1994 – 1995 Associate Director, Wisdom Bridge Theatre, Chicago 1989 Guest Artist — Illinois State University, Normal 1981 - 1983 Adjunct Professor — Columbia College, Chicago AWARDS AND HONORS THE ANTOINETTE PERRY AWARD (The Tony Award) 1990 Nomination - Outstanding Lighting Design - The Grapes of Wrath Nomination - Outstanding Scenic Design - The Grapes of Wrath THE AMERICAN THEATRE WING DESIGN AWARD 1995 Nomination - Outstanding Scenic Design - Distant Fires 1990 Award - Outstanding Scenic Design - The Grapes of Wrath Nomination - Outstanding Lighting Design - The Grapes -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Willy Russell on Educating Rita
PRESENTS Playing February 21 to March 2, 2013 At Sagebrush Theatre Study Guide wctlive.ca Table of Contents Introduction ..............................................................................................................................1 Curriculum Connections......................................................................................................... 2 Production Personnel .............................................................................................................. 3 Western Canada Theatre Staff................................................................................................4 Inside Western Canada Theatre: Director............................................................................. 5 A Sneak Peak at Directing Educating Rita .............................................................................6 About the Play.......................................................................................................................... 7 Characters.................................................................................................................................8 Playwright, Willy Russell.........................................................................................................9 Willy Russell on Educating Rita.............................................................................................10 Interview with Actor Holly Lewis...........................................................................................11 Accents and Dialects.............................................................................................................. -
Ebook Download the Plays, Screenplays and Films of David
THE PLAYS, SCREENPLAYS AND FILMS OF DAVID MAMET PDF, EPUB, EBOOK Steven Price | 192 pages | 01 Oct 2008 | MacMillan Education UK | 9780230555358 | English | London, United Kingdom The Plays, Screenplays and Films of David Mamet PDF Book It engages with his work in film as well as in the theatre, offering a synoptic overview of, and critical commentary on, the scholarly criticism of each play, screenplay or film. You get savvy industry tips and strategies for getting your screenplay noticed! Mamet is reluctant to be specific about Postman and the problems he had writing it, explaining. He shrugs off the whispers floating up and down the Great White Way about him selling out and going Hollywood. Contemporary playwright David Mamet's thought-provoking plays and screenplays such as Wag the Dog , Glengarry Glen Ross for which he won the Pulitzer Prize , and Oleanna have enjoyed popular and critical success in the past two decades. The Winslow Boy, Mamet's revisitation of Terence Rattigan's classic play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. House of Games is a psychological thriller in which a young woman psychiatrist falls prey to an elaborate and ingenious con game by one of her patients who entraps her in a series of criminal escapades. Paul Newman plays Frank Calvin, an alcoholic and disgraced Boston lawyer who finds a shot at redemption with a malpractice case. I Just Kept Writing. The impressive number of essays , novels , screenplays , and films that Mamet has produced They might be composed and awesome on the battlefield, but there is a price, and that is their humanity. -
Chicago's Goodman Theatres the Transition from a Division of the Art Institute of Chicago to an Independent Regional Theatre
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in "sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Demarcating Dramaturgy
Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement. -
Drama Audition Female Senior Monologues
Drama Audition Female Senior Monologues Northmead Creative & Performing Arts High School NSW, Department of Education and Training N S W , Classical and contemporary audition pieces. Department of Education and T r a i n i n g Imagine, Endeavour, A c h i e v e Northmead CAPAHS Campbell Street Northmead N S W 2 1 5 2 02 96304116 P r i n c i p a l – N . V a z q u e z Northmead Creative & Performing Arts High- Drama Audition The following pieces have been chosen from standard editions of the works. You may use the equivalent monologue from a different edition of the play, for example, if you have access to a different edition of the Shakespeare plays. For translated works, we have chosen a particular translation. However, you may use another translation if that is the version available to you. If you cannot access the Australian plays through your local library, bookshop or bookshops on our suggested list, published editions of the Australian plays are generally available through Currency Press. AUDITION PROCESS You will be required to choose one monologue from the list provided to perform. Please note the delivery time of a monologue may vary depending on your interpretation of the chosen piece. Usual estimated time is between three to eight minutes. So please make sure your monologue is within this time frame. You may be asked to deliver your chosen piece more than once. You will also be tested for improvisation skills. So be prepared to use your imagination and creativity. A script may be handed to you during the audition.