Antoni Komasa-Lazarkiewicz
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Women in Power About Aspen
No. 04 ASPEN.REVIEW 2017 CENTRAL EUROPE COVER STORIES Małgorzata Fidelis, Konrad Niklewicz, Dita Přikrylová, Matthew Qvortrup, Iveta Radičová POLITICS Andrii Portnov ECONOMY Ivan Mikloš CULTURE Michał Lubina INTERVIEW Agnieszka Holland, Teddy Cruz 9 771805 679005 No. 04/2017 Women — in Power Women in Power Women Quo— Vadis, Central and Eastern Europe? — Thinking Architecture without Buildings About Aspen Aspen Review Central Europe quarterly presents current issues to the general public in the Aspenian way by adopting unusual approaches and unique viewpoints, by publishing analyses, interviews and commentaries by world-renowned professionals as well as Central European journalists and scholars. The Aspen Review is published by the Aspen Institute Central Europe. Aspen Institute Central Europe is a partner of the global Aspen network and serves as an independent platform where political, business, and non-prof-it leaders, as well as personalities from art, media, sports and science, can interact. The Institute facilitates interdisciplinary, regional cooperation, and supports young leaders in their development. The core of the Institute’s activities focuses on leadership seminars, expert meetings, and public conferences, all of which are held in a neutral manner to encourage open debate. The Institute’s Programs are divided into three areas: — Leadership Program offers educational and networking projects for outstanding young Central European professionals. Aspen Young Leaders Program brings together emerging and experienced leaders for four days of workshops, debates, and networking activities. — Policy Program enables expert discussions that support strategic thinking and interdisciplinary approach in topics as digital agenda, cities’ development and creative placemaking, art & business, education, as well as transatlantic and Visegrad cooperation. -
Burning Bush
presents BURNING BUSH A Film by Agnieszka Holland 2013 / Czech Republic / in Czech with English subtitles / Color A Kino Lorber Release from Kino Lorber, Inc. 333 West 39 St., Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contact: Rodrigo Brandão – [email protected] Matt Barry – [email protected] SHORT SYNOPSIS The three-part drama, directed by the Polish director Agnieszka Holland, is HBO Europe’s most ambitious, big-budget project to date. The film returns to a pivotal time in modern Czech history, ignored in Czech cinema until now. It begins with a reconstruction of the shocking act of a Czech university student, who in protest of the Soviet occupation of Czechoslovakia, set himself on fire in Prague’s Wenceslas Square on January 16, 1969, and died four days later. Through the story of the brave defense attorney Dagmar Burešová, who defended Palach’s legacy in a doomed lawsuit, the film examines the transformations taking place in Czechoslovak society after the invasion of the armies of the Warsaw Pact in August of 1968 and the installation of a hardline Communist government. It depicts the beginnings of Czech and Slovak resistance against the occupation, which reached its apex with the mass protests during Palach’s funeral. It also shows the nation’s gradual resignation under the pressure of fear and harsher persecution. LONG SYNOPSIS Part I On the 16th of January1969 on Wenceslas Square in Prague, a young student sets himself on fire in front of dozens of passers-by. Police Major Jireš (Ivan Trojan) investigates the circumstances of Palach’s actions. -
Gazeta Volume 28, No. 1 Winter 2021
Volume 28, No. 1 Gazeta Winter 2021 Orchestra from an orphanage led by Janusz Korczak (pictured center) and Stefania Wilczyńska. Warsaw, 1923. Courtesy of the Emanuel Ringelblum Jewish Historical Institute. Used with permission A quarterly publication of the American Association for Polish-Jewish Studies and Taube Foundation for Jewish Life & Culture Editorial & Design: Tressa Berman, Daniel Blokh, Fay Bussgang, Julian Bussgang, Shana Penn, Antony Polonsky, Aleksandra Sajdak, William Zeisel, LaserCom Design, and Taube Center for Jewish Life and Learning. CONTENTS Message from Irene Pipes ............................................................................................... 4 Message from Tad Taube and Shana Penn ................................................................... 5 FEATURE ARTICLES Paweł Śpiewak: “Do Not Close the Experience in a Time Capsule” ............................ 6 From Behind the Camera: Polish Jewish Narratives Agnieszka Holland and Roberta Grossman in Conversation ................................... 11 EXHIBITIONS When Memory Speaks: Ten Polish Cities/Ten Jewish Stories at the Galicia Jewish Museum Edward Serrota .................................................................................................................... 15 Traces of Memory in Japan ............................................................................................ 19 Where Art Thou? Gen 3:9 at the Jewish Historical Institute ........................................ 20 REPORTS Libel Action Against Barbara Engelking -
Die Spur (Pokot) Von Agnieszka Holland
Die Spur (Pokot) von Agnieszka Holland Polen / Deutschland / Tschechische Republik / Schweden / Slowakische Republik 2017 Deutsch synchronisiert und polnisches Original m. dt. Untertiteln 128 Min · Farbe Scope ab 04.01.2018 im Kino Silberner Bär Berlinale 2017 Alfred-Bauer-Preis Polens Kandidat für den OSCAR Bester nicht englisch sprachiger Film 2018. Pressematerial ist downloadbar unter www.filmkinotext.de Kurzinhalt: Der neue Film von Agnieszka Holland nach dem Roman „Der Gesang der Fledermäuse“ von Olga Tokarczuk ist ein spannender moralischer Thriller. Die schrullige Einzelgängerin Janina Duszejko, pensionierte Ingenieurin und Aushilfslehrerin für Englisch lebt zurückgezogen in einem Haus im Wald und hat zwei Leidenschaften: Astrologie und die Tiere in ihrem Wald mit denen sie in perfekter Harmonie leben könnte, wenn ihr Tal nicht ein begehrtes Jagdrevier wäre. Ein Plädoyer gegen das Töten von Tieren aus Sportsgeist und als Männlichkeitsritual. Presseinfo: Nach ihrem Ausflug in die Welt der US-Serien (z.B. House of Cards) meldet sich Agnieszka Holland mit einem subversiven Krimi auf der großen Leinwand zurück. Die Spur spielt in einer Landschaft mit wechselnden Jahreszeiten, deren wilde Schönheit jedoch nicht über Korruption, Grausamkeit und Dummheit ihrer Bewohner hinwegtäuscht. Fest verwurzelt in der Realität der polnischen Provinz, ist der Film so anarchistisch wie seine Heldin – ein waghalsiger Genremix aus komischer Detektivstory, spannendem Ökothriller und feministischem Märchen, der im Wettbewerb der diesjährigen BERLINALE seine Weltpremiere feierte und mit einem Silbernen Bären ausgezeichnet wurde. Auch interessant: Agnieszka Holland hat „Die Spur“ zusammen mit ihrer Tochter Kasia Adamik als Co- Regisseurin gedreht. Beide haben in Interviews betont, dass „Die Spur“ auch als Kommentar einer weltoffenen Generation auf das Erstarken traditioneller Wertorientierung in Polen und anderen europäischen Ländern verstanden werden darf. -
The Czech Cinematography Will Be Represented at the Oscars by The
The film Charlatan directed by Agnieszka Holland is taking off to fight for an Oscar The Czech Film and Television Academy (CFTA), which presents the Czech Lion awards, also nominates the Czech Republic’s candidate for the Oscar every year. This year, it is sending the drama Charlatan directed by Agnieszka Holland to fight for the most prestigious film award. Agnieszka Holland’s latest film is inspired by the real life of the healer Jan Mikolášek and the script was written by Marek Epstein. Ivan Trojan and his son Josef Trojan starred in the leading roles. The film was premiered at the 70th Berlinale International Film Festival this year. The ceremonial gala evening of the 93rd awards of the American Academy of Motion Picture Arts and Sciences will take place on 25th April 2021 in Los Angeles. The academics were choosing from 10 Czech feature films and documentary features that had been submitted by their producers. The voting took place from 1st to 11th October 2020. The film Charlatan was created within the framework of a Czech-Irish-Polish-Slovak co-production and it presents a stirring biographical drama of an exceptional man gifted with unique healing powers against the background of historical events. The plot is inspired by real fortunes of the healer Jan Mikolášek who throughout his career answered the pleas of thousands of people from all the social classes and also some of the most prominent figures of the political and cultural milieu. Mikolášek is a person without official medical education who possesses the unique as well as unfathomable talent to diagnose illnesses and heal people by herbs even when the doctors are at a loss. -
February Volume Editorial VOL
EDITORIAL February Volume Editorial VOL. 38 (FEBRUARY 2014) BY EDITORS Colette de Castro and Konstanty Kuzma will be at the Berlinale (February 6-16) to cover the event for EEFB. In this month’s editorial, we offer a short outline of film politics in Poland. In both Czechoslovakia and Poland, Socialist rule after 1945 coexisted with an unequalled flourishing of the national film culture, with the Polish film school taking off in the late 1950s and the Czechsolovak New Wave in the 1960s. Both movements emerged around state film schools (Łódź and Prague respectively), and soon gained acclaim beyond ideological and national borders. That includes mutual inspiration of the two neighbors who have never had strong feelings for each other: Agnieszka Holland, from Poland, moved to Prague early on, witnessing the Prague Spring and graduating from FAMU, the Czech national film school, in 1971. But the Socialist authorities didn’t always welcome auteurs propagating original ideas about art, politics or society. With the crackdown of Czechsolovakia’s reformist aspirations after 1968, filmmakers were banned or obstructed in pursuing their careers. Others, like Miloš Forman, turned away from their home country, seeking careers elsewhere (in Forman’s case, with considerable success). Still, those artists who revoked their criticism of the Prague Spring were given a second chance and thus able to continue making films in Czechoslovakia: though his 1969 film Larks on a String was banned until 1990, Jiří Menzel is but one prime example (in 1987, he even received an Academy Award nomination for My Sweet Little Village). In Poland, things turned uglier. -
Nga | Viewing History Through the Filmmaker's Lens
VIEWING HISTORY THROUGH THE FILMMAKER'S LENS Agnieszka Holland, lecture delivered Sunday, December 1, 2013 National Gallery of Art When I was thirteen years old, I became fascinated with ancient Rome. The impulse for that was a highly suggestive Polish TV adaptation of Billy Wilder's The Ides of March. I desperately wanted to enter this intense world, and so I decided that I must have reincarnated many times and that in ancient Rome I had been Brutus, with all his complexity and remorse, only to return in the Renaissance, but not as Michelangelo or Leonardo, but as an unknown friend of the latter (who, by the way, had a mysterious, dangerous relationship with Buonarotti). I even kept diaries as these pretended incarnations of mine. I was also convinced that one of my incarnations lived in occupied Poland during the Second World War, but this seemed to painful to write about. It wasn't until years later that this subject came back to me. I don't really believe in films describing historical events that happened ages ago. The stronger the remoteness, the more arbitrarily a filmmaker has to present it. This engenders a certain risk of falling into the most commonly encountered kind of kitsch: simplification, anachronisms, and overt aestheticization. The easiest step is to imitate the external time indicators (though even this requires intuition, knowledge, and diligence), such as costumes, props, and architectural details. The most difficult task is to discover the sense of inner truth, which makes the story deeply rooted in the historical context but at the same time doesn't make it look like some history manual article. -
Burning Bush 2013 Trailer
Burning bush 2013 trailer click here to download This epic, long-form docudrama by acclaimed director Agnieszka Holland (made for HBO Europe as a three. Burning Bush is a three-part mini- series created for HBO by world-renowned Polish director Agnieszka Holland. Acclaimed director Agnieszka Holland (Europa, Europa) returns to a pivotal time in modern Czech history: the. This film is part of MADE IN PRAGUE: Czech-O-Slovak film series There will be a discussion with. Burning Bush is a three-part mini-series created for HBO by world-renowned Burning Bush - trailer (EN. Prague student Jan Palach shocked the world in by setting fire to himself in protest Burning Bush. Film vychází z třídílného dramatu z produkce HBO, který vypráví o následcích Palachovy oběti a počátcích normalizace. Biography · Based on real characters and events, this drama focuses on the personal sacrifice of . Videos. Horící ker -- Trailer for Burning Bush: The Mini-Series · Horící ker -- BURNING BUSH TRAILER. Horici ker ()|Horící ker (). SHARE. Facebook · Twitter · Email · Copy. Embed. INFO. Horici ker (2. Feature trailer for Burning Bush. Burning Bush is a three-part mini- series created for HBO by world-renowned Polish director Agnieszka. Burning Bush (Czech: Hořící keř) is a three-part mini-series created for HBO by Polish Official website · Burning Bush on IMDb · Official trailer - short (with English subtitles) on YouTube · Official trailer - long (with English subtitles) on. "Burning Bush" may concern dozens of characters over the course of many In Memoriam – “Roger Ebert loved movies.” . Polish director Agniezka Holland's new miniseries, "Burning Bush," playing in New York. -
FILM-FICHA Copying Beethoven
Holland, Agnieszka Film-ficha 93 Copying Beethoven TÍTULO ORIGINAL Copying Beethoven AÑO 2006 DURACIÓN 104 minutos PAÍS , USA / Alemania / Hungría DIRECTORA Agnieszka Holland GUIÓN Stephen J. Rivele, Christopher Wilkinson MÚSICA Ludwig Van Beethoven (supervi- sada por Maggie Rodford) FOTOGRAFÍA Ashley Rowe MONTAJE Alex Mackie GÉNERO Drama de época / Biográfico PRODUCCIÓN Sidney Kimmel, Michael Taylor, Stephen J. Rivele, Christopher Wilkinson PRODUCTORA Coproducción USA / Alemania / Hungría REPARTO Ed Harris (Ludwig van Beethoven), Diane Kruger (Anna Holtz), Nicholas Jones (archiduque Rudolph), Matthew Goode (Martin Bauer), Ralph Riach (Wenzel Schlemmer), Joe Anderson (Karl van Beethoven), Bill Stewart (Rudy), Angus Barnett (Krenski), Phyllida Law, George Mendel. SINOPSIS Copying Beethoven narra el final de la vida del compositor y su intensa relación artística con su copis- ta Anna Holtz, estudiante de 23 años en el conservatorio de música de Viena. Poseedora de gran talento musical, Anna aspira a convertirse en compositora. Pero dispone de pocos medios económicos para des- envolverse en la capital de la música, dar cauce a su inspiración y progresar en su propósito. Con todo, la vida le sonríe: Le brinda una recomendación para trabajar en una reconocida editorial musical, que puede proporcionarle el sustento e, inmediatamente después y tras una serie de circunstancias inesperadas, consigue entrar al servicio de Ludwig van Beethoven, el más relevante y voluntarioso compositor del mo- mento. El film nos sitúa en 1824. Beethoven está finalizando su "Novena Sinfonía" y necesita ayuda, por- que dentro de unos días se estrena su obra y todavía no están trascritas páginas importantes de la partitu- ra. Sordo, gruñón y déspota, su relación con Anna irá evolucionando. -
National Gallery of Art Fall 2013 Film Program
FILM FALL 2013 National Gallery of Art 11 Art Films and Events 18 The Play’s the Thing: Václav Havel, Art and Politics 22 Richard Wagner Revisited 25 American Originals Now: Moyra Davey 27 Pier Paolo Pasolini 32 Réalité Tales: Young French Cinema Mamma Roma p. 32 nga.gov/film cover: Mother of George p. 12 Unless otherwise noted, films are screened in the East Fall 2013 celebrates a rich history and vibrant new Building Auditorium, Fourth Street and Pennsylvania cinema through area premieres, in-person presentations, Avenue NW. Works are presented in original formats, and unique retrospectives. The influence and legacy of and seating is on a first-come, first-seated bases. Doors two of Europe’s most distinguished twentieth-century open thirty minutes before each show and programs artistic and political figures is explored in two programs. are subject to change. First, The Play’s the Thing: Václav Havel, Art and Politics focuses on the playwright-statesman’s long-standing For more information, e-mail [email protected], relationships with Prague’s Theatre on the Balustrade call (202) 842-6799, or visit nga.gov/film. and with visionary directors of the Czech New Wave. Second, a retrospective of the films of Pier Paolo Pasolini (1922–1975) is offered following the 90th anniversary of his birth last year. Richard Wagner Revisited includes lec- tures and screenings that explore the composer’s lasting significance in the arts, while Réalité Tales: Young French Cinema introduces Washington audiences to films associ- ated with the contemporary Paris-based alliance known as Association du Cinéma Indépendant pour sa Diffusion (ACID). -
Agatambor.Pdf
TWÓRCA Nowa polska półka filmowa seria KULTURA i JĘZYK POLSKI dla CUDZOZIEMCÓW „LEKSYKON POLSKI” TWÓRCA Agnieszka Tambor Nowa polska półka filmowa 100 filmów, które każdy cudzoziemiec zobaczyć powinien Uniwersytet Śląski Wydawnictwo Gnome Katowice 2018 Współpraca przy tworzeniu haseł ADAM ANTONIEWICZ (aa) AGATA RUDZIŃSKA (ar) JUSTYNA BUDZIK (jb) Recenzent WACŁAW M. OSADNIK © Copyright 2015 by Uniwersytet Śląski w Katowicach Wszelkie prawa zastrzeżone Redakcja i korekta KAROLINA POSPISZIL Projekt okładki i szaty graficznej MAREK FRANCIK Publikacja sfinansowana ze środków UNIWERSYTETU ŚLĄSKIEGO W KATOWICACH Współfinansowano ze środków Fotografia na okładce JAROSŁAW ROLAND KRUK Wydanie drugie ISBN 978-83-63268-58-9 Złożono czcionkami Myriad Pro i Minion Pro Printed in UE GNOME — Wydawnictwa Naukowe i Artystyczne ul. Drzymały 18/6, 40-059 Katowice, Poland tel.: 603370713 e-mail: [email protected] Spis treści Wstęp 9 TWÓRCA trzeba obejrzeć 15 NÓŻ W WODZIE (Knife in the Water) 15 ZIEMIA OBIECANA (The Promised Land) 16 PIERWSZA MIŁOŚĆ (First Love) 18 CHINATOWN 19 BARWY OCHRONNE (Camouflage) 21 SEKSMISJA (Sexmission) 22 EUROPA, EUROPA 24 DRAKULA (Bram Stoker’s Dracula) 25 89 MM OD EUROPY (89 mm from Europe) 26 LISTA SCHINDLERA (Schindler’s List) 28 TRZY KOLORY. BIAŁY (Three Colors: White) 30 ŚMIERĆ JAK KROMKA CHLEBA (Death as a Slice of Bread) 31 HELIKOPTER W OGNIU (Black Hawk Down) 33 MARZYCIEL (Finding Neverland) 34 PLAC ZBAWICIELA (Saviour’s Square) 35 KOPIA MISTRZA (Copying Beethoven) 37 SWEENEY TODD: DEMONICZNY GOLIBRODA Z FLEET -
“Copying Beethoven”
COPYING BEETHOVEN STARRING: Ed Harris Diane Kruger Matthew Goode Ralph Riach Phyllida Law Joe Anderson Angus Barnet Nicholas Jones Bill Stewart RT: 104 mins CERT: 12A For press enquiries please contact: Caroline Henshaw / Anna Penney at Rabbit Publicity Tel: 020 7299 3685/3686 [email protected] / [email protected] To download photography please go to: www.vervepics.com COPYING BEETHOVEN _____________________________________________________________________ “COPYING BEETHOVEN” An aspiring composer of humble means, 23-year-old Anna Holtz (Diane Kruger) is seeking inspiration and career advancement in the world’s music capital, Vienna. A student at the music conservatory, she is recommended for a position at a venerated publisher, and, in a fortuitous turn of events, orchestrates an opportunity to work beside the greatest, most mercurial artist alive – Ludwig van Beethoven (Ed Harris). When the skeptical Beethoven issues an impromptu challenge, Anna demonstrates her competence and musical insight. The maestro accepts Anna as his copyist, beginning a remarkable relationship that will transform both of their lives. Featuring Harris’ remarkable incarnation as the celebrated composer, and a breakthrough performance by Kruger (“Troy,” “National Treasure”), “COPYING BEETHOVEN” centers on the last years of Beethoven’s life…a turbulent period in which his struggles with deafness, loneliness and family trauma provided profound inspiration for arguably the greatest symphony ever written, his astonishing Ninth. Directed by Agnieszka Holland (“Secret Garden,” “Europa, Europa”), the film is a U.K./Hungary co-production produced by Sidney Kimmel Entertainment and Film & Entertainment VIP Medienfonds 2. Sidney Kimmel and Michael Taylor are producing, with Marina Grasic, Andreas Schmid and Andreas Grosch executive producing.