Introduction to Poland
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Women in Power About Aspen
No. 04 ASPEN.REVIEW 2017 CENTRAL EUROPE COVER STORIES Małgorzata Fidelis, Konrad Niklewicz, Dita Přikrylová, Matthew Qvortrup, Iveta Radičová POLITICS Andrii Portnov ECONOMY Ivan Mikloš CULTURE Michał Lubina INTERVIEW Agnieszka Holland, Teddy Cruz 9 771805 679005 No. 04/2017 Women — in Power Women in Power Women Quo— Vadis, Central and Eastern Europe? — Thinking Architecture without Buildings About Aspen Aspen Review Central Europe quarterly presents current issues to the general public in the Aspenian way by adopting unusual approaches and unique viewpoints, by publishing analyses, interviews and commentaries by world-renowned professionals as well as Central European journalists and scholars. The Aspen Review is published by the Aspen Institute Central Europe. Aspen Institute Central Europe is a partner of the global Aspen network and serves as an independent platform where political, business, and non-prof-it leaders, as well as personalities from art, media, sports and science, can interact. The Institute facilitates interdisciplinary, regional cooperation, and supports young leaders in their development. The core of the Institute’s activities focuses on leadership seminars, expert meetings, and public conferences, all of which are held in a neutral manner to encourage open debate. The Institute’s Programs are divided into three areas: — Leadership Program offers educational and networking projects for outstanding young Central European professionals. Aspen Young Leaders Program brings together emerging and experienced leaders for four days of workshops, debates, and networking activities. — Policy Program enables expert discussions that support strategic thinking and interdisciplinary approach in topics as digital agenda, cities’ development and creative placemaking, art & business, education, as well as transatlantic and Visegrad cooperation. -
Pacific Press® Publishing Association Nampa, Idaho Oshawa, Ontario, Canada Nancy Lyon Kyte
Pacific Press® Publishing Association Nampa, Idaho Oshawa, Ontario, Canada www.pacificpress.com NANCY LYON KYTE Vegetarian Soups and Stews From Around the World NANCY LYON KYTE Vegetarian Soups and Stews From Around the World Dedication Design by Gerald Lee Monks Cover design resources from iStockphoto.com / Dreamstime.com Inside design by Pacific Press® Publishing Association Copyright © 2012 by Pacific Press® Publishing Association Printed in the United States of America All rights reserved The author assumes full responsibility for the accuracy of all facts and quotations as cited in this book. Additional copies of this book are available by calling toll-free 1-800-765-6955 or by visiting http://www.adventistbookcenter.com Library of Congress Cataloging-in-Publication Data Kyte, Nancy Lyon, 1954- A taste of travel : vegetarian soups and stews from around the world / Nancy Lyon Kyte. pages cm ISBN 13: 978-0-8163-2871-0 (pbk.) ISBN 10: 0-8163-2871-4 (pbk.) 1. Vegetarian cooking. 2. International cooking. I. Title. TX837.K98 2012 641.59—dc23 2012023473 12 13 14 15 16 • 5 4 3 2 1 Dedication Dedicated to Bob, my husband, best friend, and trustworthy soup critic. I thank him with my whole heart. Acknowledgments Interior Photo Credits iStockphoto.com: 26–28, 31, 34–42, 44–51, 53–58, 60–66, 71–75,78, 80, 82, 84–86, 88–90, 92, 94, 96, 97–101, 103–108, 110–119, 121, 123, 125, 127–129, 131–134, 136, 138–142, 144, 145, 147–150, 152, 154, 159 Dreamstime.com: 30, 32, 33, 43, 59, 67–70, 76, 77, 79, 81, 87, 91, 93, 95, 120, 124, 126, 130, 135, 137, 143, 151, 153, 155–158 Global Mission: 52, 102 Acknowledgments I am so grateful to my sisters, Mary Hellman, Susan Rasmussen, and Sandra Child. -
Soups & Stews Cookbook
SOUPS & STEWS COOKBOOK *RECIPE LIST ONLY* ©Food Fare https://deborahotoole.com/FoodFare/ Please Note: This free document includes only a listing of all recipes contained in the Soups & Stews Cookbook. SOUPS & STEWS COOKBOOK RECIPE LIST Food Fare COMPLETE RECIPE INDEX Aash Rechte (Iranian Winter Noodle Soup) Adas Bsbaanegh (Lebanese Lentil & Spinach Soup) Albondigas (Mexican Meatball Soup) Almond Soup Artichoke & Mussel Bisque Artichoke Soup Artsoppa (Swedish Yellow Pea Soup) Avgolemono (Greek Egg-Lemon Soup) Bapalo (Omani Fish Soup) Bean & Bacon Soup Bizar a'Shuwa (Omani Spice Mix for Shurba) Blabarssoppa (Swedish Blueberry Soup) Broccoli & Mushroom Chowder Butternut-Squash Soup Cawl (Welsh Soup) Cawl Bara Lawr (Welsh Laver Soup) Cawl Mamgu (Welsh Leek Soup) Chicken & Vegetable Pasta Soup Chicken Broth Chicken Soup Chicken Soup with Kreplach (Jewish Chicken Soup with Dumplings) Chorba bil Matisha (Algerian Tomato Soup) Chrzan (Polish Beef & Horseradish Soup) Clam Chowder with Toasted Oyster Crackers Coffee Soup (Basque Sopa Kafea) Corn Chowder Cream of Celery Soup Cream of Fiddlehead Soup (Canada) Cream of Tomato Soup Creamy Asparagus Soup Creamy Cauliflower Soup Czerwony Barszcz (Polish Beet Soup; Borsch) Dashi (Japanese Kelp Stock) Dumpling Mushroom Soup Fah-Fah (Soupe Djiboutienne) Fasolada (Greek Bean Soup) Fisk och Paprikasoppa (Swedish Fish & Bell Pepper Soup) Frijoles en Charra (Mexican Bean Soup) Garlic-Potato Soup (Vegetarian) Garlic Soup Gazpacho (Spanish Cold Tomato & Vegetable Soup) 2 SOUPS & STEWS COOKBOOK RECIPE LIST Food -
Burning Bush
presents BURNING BUSH A Film by Agnieszka Holland 2013 / Czech Republic / in Czech with English subtitles / Color A Kino Lorber Release from Kino Lorber, Inc. 333 West 39 St., Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contact: Rodrigo Brandão – [email protected] Matt Barry – [email protected] SHORT SYNOPSIS The three-part drama, directed by the Polish director Agnieszka Holland, is HBO Europe’s most ambitious, big-budget project to date. The film returns to a pivotal time in modern Czech history, ignored in Czech cinema until now. It begins with a reconstruction of the shocking act of a Czech university student, who in protest of the Soviet occupation of Czechoslovakia, set himself on fire in Prague’s Wenceslas Square on January 16, 1969, and died four days later. Through the story of the brave defense attorney Dagmar Burešová, who defended Palach’s legacy in a doomed lawsuit, the film examines the transformations taking place in Czechoslovak society after the invasion of the armies of the Warsaw Pact in August of 1968 and the installation of a hardline Communist government. It depicts the beginnings of Czech and Slovak resistance against the occupation, which reached its apex with the mass protests during Palach’s funeral. It also shows the nation’s gradual resignation under the pressure of fear and harsher persecution. LONG SYNOPSIS Part I On the 16th of January1969 on Wenceslas Square in Prague, a young student sets himself on fire in front of dozens of passers-by. Police Major Jireš (Ivan Trojan) investigates the circumstances of Palach’s actions. -
Presence of Julian Tuwim in Lithuania
ACTA UNIVERSITATIS LODZIENSIS FOLIA LITTERARIA POLONICA 6(36) 2016 http://dx.doi.org/10.18778/1505-9057.36.11 Teresa Dalecka* The (Non)Presence of Julian Tuwim in Lithuania The relatively poor reception of Julian Tuwim’s works in Lithuania stems from the 1960s. In that period, unofficial literature circulated the country, influ- encing society as a form of cultural resistance, sole means to preserve national identity. Literary works became synonymous with defending culture and society. One of the dominating directions of the development of Lithuanian literature was reconstructing bonds with the pre-war national-agricultural vision of the world and historical memory. The second direction was, often through translations, re- constructing Western modernistic trends1. Lithuanian writers were searching for various forms of modified avant-garde trends in Western poets, Julian Tuwim among them. Having reclaimed independence in 1991, Lithuanian literature became simi- lar to Western literature. A lot of new opportunities opened up. Among the most interesting ones, there were phenomena like: unstable identity of the subject, pop- ularity of grotesque, disappearance of lyricism in poetry, intertextuality, domi- nance of essay in prose, and stylistic experiments including merging highbrow and mass literature2. Contemporary Lithuanian writers reflect various outlooks and philosophies in their works. Young authors feel less overwhelmed by tradi- tion than their predecessors. At the same time, the reasons to rebel against literary canons are diminishing: Currently, the most important issue is the audience of literature and the ques- tion of the place for subjective works in a chaotic world of commercialised soci- ety, ruled by market competitiveness, along with modernised communication3. -
Anthology of Polish Poetry. Fulbright-Hays Summer Seminars Abroad Program, 1998 (Hungary/Poland)
DOCUMENT RESUME ED 444 900 SO 031 309 AUTHOR Smith, Thomas A. TITLE Anthology of Polish Poetry. Fulbright-Hays Summer Seminars Abroad Program, 1998 (Hungary/Poland). INSTITUTION Center for International Education (ED), Washington, DC. PUB DATE 1998-00-00 NOTE 206p. PUB TYPE Collected Works - General (020)-- Guides Classroom - Teacher (052) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Anthologies; Cultural Context; *Cultural Enrichment; *Curriculum Development; Foreign Countries; High Schools; *Poetry; *Poets; Polish Americans; *Polish Literature; *World Literature IDENTIFIERS Fulbright Hays Seminars Abroad Program; *Poland; Polish People ABSTRACT This anthology, of more than 225 short poems by Polish authors, was created to be used in world literature classes in a high school with many first-generation Polish students. The following poets are represented in the anthology: Jan Kochanowski; Franciszek Dionizy Kniaznin; Elzbieta Druzbacka; Antoni Malczewski; Adam Mickiewicz; Juliusz Slowacki; Cyprian Norwid; Wladyslaw Syrokomla; Maria Konopnicka; Jan Kasprowicz; Antoni Lange; Leopold Staff; Boleslaw Lesmian; Julian Tuwim; Jaroslaw Iwaszkiewicz; Maria Pawlikowska; Kazimiera Illakowicz; Antoni Slonimski; Jan Lechon; Konstanty Ildefons Galczynski; Kazimierz Wierzynski; Aleksander Wat; Mieczyslaw Jastrun; Tymoteusz Karpowicz; Zbigniew Herbert; Bogdan Czaykowski; Stanislaw Baranczak; Anna Swirszczynska; Jerzy Ficowski; Janos Pilinsky; Adam Wazyk; Jan Twardowski; Anna Kamienska; Artur Miedzyrzecki; Wiktor Woroszlyski; Urszula Koziol; Ernest Bryll; Leszek A. Moczulski; Julian Kornhauser; Bronislaw Maj; Adam Zagajewskii Ferdous Shahbaz-Adel; Tadeusz Rozewicz; Ewa Lipska; Aleksander Jurewicz; Jan Polkowski; Ryszard Grzyb; Zbigniew Machej; Krzysztof Koehler; Jacek Podsiadlo; Marzena Broda; Czeslaw Milosz; and Wislawa Szymborska. (BT) Reproductions supplied by EDRS are the best that can be made from the original document. Anthology of Polish Poetry. Fulbright Hays Summer Seminar Abroad Program 1998 (Hungary/Poland) Smith, Thomas A. -
Cultural Life in Independent Poland 1. Introduction 1. Difference Between
- 1 - Cultural Life in Independent Poland 1. Introduction 1. Difference between the atmosphere of the twenties and the thirties. The joy, even euphoria, that followed the recovery of independence in 1918 was faithfully noted by literature. Around 1930, the tone changed. The economic crisis, the violation of the constitution by the military junta, the emergence of fascist groupings on the Right, propagating antisemitism and announcing ‘a night of long knives’ for ‘Jews and intellectuals,’ converged with Hitler’s grab for power in neighbouring Germany. Marxist publications began to attract writers, although few felt able to place their trust in Stalin. The Communist Party of Poland, considered a foreign agent and, thus, illegal, was given a low rating in Moscow because of its efforts to adapt itself to specific local conditions; its leaders were called to Moscow in 1938 and executed by order of Stalin, while the party itself was disbanded under the pretext that it was infested with traitors. In intellectual circles a feeling of impotence and presentiments of an imminent European catastrophe prevailed. It is no wonder, then, that the literature of the thirties was marked by apocalyptic or humorously macabre visions. 2. Conditions for cultural life now very different. 3. Richness of interwar cultural life. 2. Poetry 1. Skamander - 2 - The dominant literary clique in Poland in the optimistic years of the 1920s, as distinct from the 1930s when the mood in the country became much gloomier and more apocalyptic was known as the the Skamander group. As the first generation of writers to come to maturity in an independent Poland, they were eager to throw off the heavy burden of commitment to the Polish cause which had weighed down literature in the nineteenth century. -
Gazeta Volume 28, No. 1 Winter 2021
Volume 28, No. 1 Gazeta Winter 2021 Orchestra from an orphanage led by Janusz Korczak (pictured center) and Stefania Wilczyńska. Warsaw, 1923. Courtesy of the Emanuel Ringelblum Jewish Historical Institute. Used with permission A quarterly publication of the American Association for Polish-Jewish Studies and Taube Foundation for Jewish Life & Culture Editorial & Design: Tressa Berman, Daniel Blokh, Fay Bussgang, Julian Bussgang, Shana Penn, Antony Polonsky, Aleksandra Sajdak, William Zeisel, LaserCom Design, and Taube Center for Jewish Life and Learning. CONTENTS Message from Irene Pipes ............................................................................................... 4 Message from Tad Taube and Shana Penn ................................................................... 5 FEATURE ARTICLES Paweł Śpiewak: “Do Not Close the Experience in a Time Capsule” ............................ 6 From Behind the Camera: Polish Jewish Narratives Agnieszka Holland and Roberta Grossman in Conversation ................................... 11 EXHIBITIONS When Memory Speaks: Ten Polish Cities/Ten Jewish Stories at the Galicia Jewish Museum Edward Serrota .................................................................................................................... 15 Traces of Memory in Japan ............................................................................................ 19 Where Art Thou? Gen 3:9 at the Jewish Historical Institute ........................................ 20 REPORTS Libel Action Against Barbara Engelking -
Zionists and “Polish Jews”. Palestinian Reception of We, Polish Jews
ACTA UNIVERSITATIS LODZIENSIS FOLIA LITTERARIA POLONICA 6(36) 2016 http://dx.doi.org/10.18778/1505-9057.36.07 Michał Sobelman* Zionists and “Polish Jews”. Palestinian Reception of We, Polish Jews In memory of professor Chone Szmeruk At the beginning of the sixties, Allenby street – the main commercial thorough- fare of Tel Aviv – was a Polish street. There, one could find all the official institutions like the embassy of the People’s Republic of Poland, where MP Antoni Bida resided, and in front of which masses of poor people gathered (according to the modified proverb “When in poverty, visit a Jew”). There were the offices of “Orbis”, a branch of the PKO bank and as many as three Polish bookshops, each of which would have been considered the best in any Polish city, Warsaw included. After the Six-Day War in June 1967 both the embassy and Orbis vanished, and a year later, after the memo- rable events of March, new immigrants from Poland appeared in Allenby street. If a list of best-selling books had been published in those bookshops at the time, I have no doubt that beside the Israeli stories by Hłasko, the top places would have been taken by Tuwim for children, The rhyme market and, first of all,Polish Flowers. I remember the bookshop of Edmund Neustein in the underground passage at Allenby particularly well, where, between the shelves, you could still feel the spirit of Marek Hłasko, who had died a few months earlier. One Friday afternoon in spring 1970 was especially memorable, when from the speaker of a Bambino turntable came the voice of Ewa Demarczyk singing Tomaszów and Grande Valse Brillante, and, soon after, Stanisław Wygodzki, a poet and a friend of my father from pre-war Będzin, recited emotionally the beginning of the prayer from Polish Flowers: Let clouds above us glow afire Pound through our hearts like a bell of gold, Open our Poland like the entire Sky you split open with a lightning bolt J. -
The Czech Cinematography Will Be Represented at the Oscars by The
The film Charlatan directed by Agnieszka Holland is taking off to fight for an Oscar The Czech Film and Television Academy (CFTA), which presents the Czech Lion awards, also nominates the Czech Republic’s candidate for the Oscar every year. This year, it is sending the drama Charlatan directed by Agnieszka Holland to fight for the most prestigious film award. Agnieszka Holland’s latest film is inspired by the real life of the healer Jan Mikolášek and the script was written by Marek Epstein. Ivan Trojan and his son Josef Trojan starred in the leading roles. The film was premiered at the 70th Berlinale International Film Festival this year. The ceremonial gala evening of the 93rd awards of the American Academy of Motion Picture Arts and Sciences will take place on 25th April 2021 in Los Angeles. The academics were choosing from 10 Czech feature films and documentary features that had been submitted by their producers. The voting took place from 1st to 11th October 2020. The film Charlatan was created within the framework of a Czech-Irish-Polish-Slovak co-production and it presents a stirring biographical drama of an exceptional man gifted with unique healing powers against the background of historical events. The plot is inspired by real fortunes of the healer Jan Mikolášek who throughout his career answered the pleas of thousands of people from all the social classes and also some of the most prominent figures of the political and cultural milieu. Mikolášek is a person without official medical education who possesses the unique as well as unfathomable talent to diagnose illnesses and heal people by herbs even when the doctors are at a loss. -
February Volume Editorial VOL
EDITORIAL February Volume Editorial VOL. 38 (FEBRUARY 2014) BY EDITORS Colette de Castro and Konstanty Kuzma will be at the Berlinale (February 6-16) to cover the event for EEFB. In this month’s editorial, we offer a short outline of film politics in Poland. In both Czechoslovakia and Poland, Socialist rule after 1945 coexisted with an unequalled flourishing of the national film culture, with the Polish film school taking off in the late 1950s and the Czechsolovak New Wave in the 1960s. Both movements emerged around state film schools (Łódź and Prague respectively), and soon gained acclaim beyond ideological and national borders. That includes mutual inspiration of the two neighbors who have never had strong feelings for each other: Agnieszka Holland, from Poland, moved to Prague early on, witnessing the Prague Spring and graduating from FAMU, the Czech national film school, in 1971. But the Socialist authorities didn’t always welcome auteurs propagating original ideas about art, politics or society. With the crackdown of Czechsolovakia’s reformist aspirations after 1968, filmmakers were banned or obstructed in pursuing their careers. Others, like Miloš Forman, turned away from their home country, seeking careers elsewhere (in Forman’s case, with considerable success). Still, those artists who revoked their criticism of the Prague Spring were given a second chance and thus able to continue making films in Czechoslovakia: though his 1969 film Larks on a String was banned until 1990, Jiří Menzel is but one prime example (in 1987, he even received an Academy Award nomination for My Sweet Little Village). In Poland, things turned uglier. -
Poland and Hungary)
DOCUMENT RESUME ED 455 189 SO 032 915 TITLE Projects Submitted by Participants of the Fulbright-Hays Summer Seminars Abroad Program, 2000 (Poland and Hungary). SPONS AGENCY Center for International Education (ED), Washington, DC. PUB DATE 2000-00-00 NOTE 383p.; Some photographs and text will not reproduce well. PUB TYPE Collected Works - General (020) Guides Classroom Teacher (052) EDRS PRICE MF01/PC16 Plus Postage. DESCRIPTORS Citizenship Education; *Curriculum Development; Curriculum Enrichment; Elementary Secondary Education; Filmographies; Foreign Countries; Music Appreciation; Social Studies; Thematic Approach IDENTIFIERS Catholic Church; Economic Growth; Fulbright Hays Seminars Abroad Program; Holocaust; *Hungary; *Poland ABSTRACT These curriculum projects were developed by participants of the Fulbright-Hays Seminars Abroad Program in Poland and Hungary during the summer of 2000. The following 11 projects are in the collection: "A Thematic Multicultural Interactive School Event on Poland and Hungary: Exploration and Learning for 6-to-9-Year-Olds" (Ruth Albert); "Once upon a Time in Hungary and Poland: A Unit for Upper Elementary School" (Linda F. Buzzard); "Curriculum Project" (Cheryl Daugherty); "New Models of Democracy: Applying Central European Democracy to American Civic Education" (Kathy Fagan); "The Catholic Church in Poland and Hungary: The Middle Ages and Today" (Justine Garvey); "Civil Liberties and Sovereignty in the Modern World: Constitutions and Conventions in Europe" (Jack C. Guy); "Nationalistic Elements in the Music of Chopin, Liszt, Bartok and Kodaly" (Karen J. Hom); "A Selected Annotated Filmography of Polish and Hungarian Cinema" (David Munro); "High School Unit of Study on Post-Communist Central Europe, with an Emphasis on Poland and Hungary" (Jon Nuxoll); "Animal, Vegetable or Mineral: Understanding the New Emerging Economies of Poland and Hungary" (Dany M.