Die Spur (Pokot) Von Agnieszka Holland
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FILM-FICHA Copying Beethoven
Holland, Agnieszka Film-ficha 93 Copying Beethoven TÍTULO ORIGINAL Copying Beethoven AÑO 2006 DURACIÓN 104 minutos PAÍS , USA / Alemania / Hungría DIRECTORA Agnieszka Holland GUIÓN Stephen J. Rivele, Christopher Wilkinson MÚSICA Ludwig Van Beethoven (supervi- sada por Maggie Rodford) FOTOGRAFÍA Ashley Rowe MONTAJE Alex Mackie GÉNERO Drama de época / Biográfico PRODUCCIÓN Sidney Kimmel, Michael Taylor, Stephen J. Rivele, Christopher Wilkinson PRODUCTORA Coproducción USA / Alemania / Hungría REPARTO Ed Harris (Ludwig van Beethoven), Diane Kruger (Anna Holtz), Nicholas Jones (archiduque Rudolph), Matthew Goode (Martin Bauer), Ralph Riach (Wenzel Schlemmer), Joe Anderson (Karl van Beethoven), Bill Stewart (Rudy), Angus Barnett (Krenski), Phyllida Law, George Mendel. SINOPSIS Copying Beethoven narra el final de la vida del compositor y su intensa relación artística con su copis- ta Anna Holtz, estudiante de 23 años en el conservatorio de música de Viena. Poseedora de gran talento musical, Anna aspira a convertirse en compositora. Pero dispone de pocos medios económicos para des- envolverse en la capital de la música, dar cauce a su inspiración y progresar en su propósito. Con todo, la vida le sonríe: Le brinda una recomendación para trabajar en una reconocida editorial musical, que puede proporcionarle el sustento e, inmediatamente después y tras una serie de circunstancias inesperadas, consigue entrar al servicio de Ludwig van Beethoven, el más relevante y voluntarioso compositor del mo- mento. El film nos sitúa en 1824. Beethoven está finalizando su "Novena Sinfonía" y necesita ayuda, por- que dentro de unos días se estrena su obra y todavía no están trascritas páginas importantes de la partitu- ra. Sordo, gruñón y déspota, su relación con Anna irá evolucionando. -
Agatambor.Pdf
TWÓRCA Nowa polska półka filmowa seria KULTURA i JĘZYK POLSKI dla CUDZOZIEMCÓW „LEKSYKON POLSKI” TWÓRCA Agnieszka Tambor Nowa polska półka filmowa 100 filmów, które każdy cudzoziemiec zobaczyć powinien Uniwersytet Śląski Wydawnictwo Gnome Katowice 2018 Współpraca przy tworzeniu haseł ADAM ANTONIEWICZ (aa) AGATA RUDZIŃSKA (ar) JUSTYNA BUDZIK (jb) Recenzent WACŁAW M. OSADNIK © Copyright 2015 by Uniwersytet Śląski w Katowicach Wszelkie prawa zastrzeżone Redakcja i korekta KAROLINA POSPISZIL Projekt okładki i szaty graficznej MAREK FRANCIK Publikacja sfinansowana ze środków UNIWERSYTETU ŚLĄSKIEGO W KATOWICACH Współfinansowano ze środków Fotografia na okładce JAROSŁAW ROLAND KRUK Wydanie drugie ISBN 978-83-63268-58-9 Złożono czcionkami Myriad Pro i Minion Pro Printed in UE GNOME — Wydawnictwa Naukowe i Artystyczne ul. Drzymały 18/6, 40-059 Katowice, Poland tel.: 603370713 e-mail: [email protected] Spis treści Wstęp 9 TWÓRCA trzeba obejrzeć 15 NÓŻ W WODZIE (Knife in the Water) 15 ZIEMIA OBIECANA (The Promised Land) 16 PIERWSZA MIŁOŚĆ (First Love) 18 CHINATOWN 19 BARWY OCHRONNE (Camouflage) 21 SEKSMISJA (Sexmission) 22 EUROPA, EUROPA 24 DRAKULA (Bram Stoker’s Dracula) 25 89 MM OD EUROPY (89 mm from Europe) 26 LISTA SCHINDLERA (Schindler’s List) 28 TRZY KOLORY. BIAŁY (Three Colors: White) 30 ŚMIERĆ JAK KROMKA CHLEBA (Death as a Slice of Bread) 31 HELIKOPTER W OGNIU (Black Hawk Down) 33 MARZYCIEL (Finding Neverland) 34 PLAC ZBAWICIELA (Saviour’s Square) 35 KOPIA MISTRZA (Copying Beethoven) 37 SWEENEY TODD: DEMONICZNY GOLIBRODA Z FLEET -
“Copying Beethoven”
COPYING BEETHOVEN STARRING: Ed Harris Diane Kruger Matthew Goode Ralph Riach Phyllida Law Joe Anderson Angus Barnet Nicholas Jones Bill Stewart RT: 104 mins CERT: 12A For press enquiries please contact: Caroline Henshaw / Anna Penney at Rabbit Publicity Tel: 020 7299 3685/3686 [email protected] / [email protected] To download photography please go to: www.vervepics.com COPYING BEETHOVEN _____________________________________________________________________ “COPYING BEETHOVEN” An aspiring composer of humble means, 23-year-old Anna Holtz (Diane Kruger) is seeking inspiration and career advancement in the world’s music capital, Vienna. A student at the music conservatory, she is recommended for a position at a venerated publisher, and, in a fortuitous turn of events, orchestrates an opportunity to work beside the greatest, most mercurial artist alive – Ludwig van Beethoven (Ed Harris). When the skeptical Beethoven issues an impromptu challenge, Anna demonstrates her competence and musical insight. The maestro accepts Anna as his copyist, beginning a remarkable relationship that will transform both of their lives. Featuring Harris’ remarkable incarnation as the celebrated composer, and a breakthrough performance by Kruger (“Troy,” “National Treasure”), “COPYING BEETHOVEN” centers on the last years of Beethoven’s life…a turbulent period in which his struggles with deafness, loneliness and family trauma provided profound inspiration for arguably the greatest symphony ever written, his astonishing Ninth. Directed by Agnieszka Holland (“Secret Garden,” “Europa, Europa”), the film is a U.K./Hungary co-production produced by Sidney Kimmel Entertainment and Film & Entertainment VIP Medienfonds 2. Sidney Kimmel and Michael Taylor are producing, with Marina Grasic, Andreas Schmid and Andreas Grosch executive producing. -
Antoni Komasa-Lazarkiewicz
ANTONI KOMASA-LAZARKIEWICZ SELECTED CREDITS QUO VADIS, AIDA? (2020) MR JONES (2019) (Antoni won the Transatlantic Award 2019) SPOOR (2016) (Winner of the Silver Bear Alfred Bauer Prize at Berlinale 2017) MIASTO ’44 (2014) ROSEMARY’S BABY (2014) BURNING BUSH (2013) (Antoni won Czech Lion) BIOGRAPHY Antoni Komasa-Lazarkiewicz is a Polish composer currently residing in Berlin, Germany. In 2014, he worked on the Lionsgate TV mini-series ‘Rosemary’s Baby’ and the Polish war drama ‘Miasto 44’. In 2016, Antoni composed the music for ‘Spoor’ directed by Agnieszka Holland which premiered at Berlinale 2017 and won the Silver Bear Alfred Bauer Prize. They collaborated again on 2018 for feature ‘Mr Jones’, starring James Norton, the film received at Golden Bear ‘Best Film’ nomination at Berlinale 2019. Antoni has been involved in Holland’s latest film ‘The Charlatan’, on a German-Polish television project ‘The Turncoat’, directed by Florian Gallenberger and the feature ‘Quo vadis, Aida?’ directed by Jasmila Zbanic. He began his musical education at the age of six by attending music school in Warsaw, starting with the piano before taking up the clarinet and percussion. From 1998-2003, Antoni studied composition with professor Marek Stachowski at the Academy of Music in Krakow. During his studies, Antoni worked on scores for film and theatre, beginning with Agnieszka Holland’s 2002 feature film ‘Julie Walking Home’ and ’Hierankl’, a debut by the German director Hans Steinbichler. Antoni went on to win the 2008 European Film Music Trophy Young Talent Award for ‘Winterreise’ and the German Television Music Award for ‘My Mother, My Bride and I’. -
27–29 July 2016 Polish Days Are Part of the 16
polish days 27–29 july 2016 Polish Days are part of the 16. T-Mobile New Horizons IFF festival organizers: contact details: Roman Gutek – Festival Director t-mobile new horizons international film festival Joanna Łapińska – Artistic Director, Head of Polish Days 1 zamenhofa str. Monica Semczyk – Polish Days Coordinator 00-153 warsaw Jan Naszewski – Programming Advisor poland Urszula Pogorzelska, Franz Jud, Filip Grabowski – Guest Services tel.: +48 22 530 66 40 Lila Feduniak – Hospitality www.nowehoryzonty.pl Polish Days Co-Organizers (Polish Film Institute): Magdalena Sroka – General Director of Polish Film Institute contact during polish days: Katarzyna Mazurkiewicz – Head of International Relations, Polish Film Institute Monica Semczyk Olga Domżała – Film Sales Support & Pr Manager, Polish Film Institute [email protected] tel. +48 536 179 204 special thanks to: www.nowehoryzonty.pl/polishdays Tomasz Dąbrowski, Anna E. Dziedzic (Film Commission Poland), Anna Spisz, Michał Kosmala (Mazovia-Warsaw Film Commission), Natalia Stysło, Rafał Bubnicki (Wrocław Film Commission), Paweł Potoroczyn, Grzegorz Skorupski (Adam Mickiewicz Institute), Malwina Czajka (Toya Studios), Wojciech Kabarowski, Magdalena Widuch (ColorOffOn Film), Marlena Łukasiak (Polish Cultural Institute London), Anna MacDonald (London Film Academy), Nadia Dresti, Markus Duffner (Locarno Film Festival), Kristina Trapp (EAVE), Irena Gruca-Rozbicka, Małgorzata Stasiak (FilmPro), Michał Klimkiewicz, Katarzyna Grynienko, Anna Franklin (Film New Europe), Jolanta Tokarczyk, -
Antoni Komasa-Lazarkiewicz
ANTONI KOMASA-LAZARKIEWICZ SELECTED CREDITS MR JONES (2019) (Antoni won the TransatlantiC AwarD 2019) SPOOR (2016) (Winner of the Silver Bear AlfreD Bauer Prize at Berlinale 2017) MIASTO ’44 (2014) ROSEMARY’S BABY (2014) BURNING BUSH (2013) (Antoni won CzeCh Lion) BIOGRAPHY Antoni Komasa-LazarkiewiCz is a Polish composer currently resiDing in Berlin, Germany. In 2014, he workeD on the Lionsgate TV mini-series ‘Rosemary’s Baby’ anD the Polish war drama ‘Miasto 44’. In 2016, Antoni composeD the musiC for ‘Spoor’ direCteD by Agnieszka HollanD whiCh premiereD at Berlinale 2017 anD won the Silver Bear AlfreD Bauer Prize. They collaborateD again on 2018 for feature ‘Mr Jones’, starring James Norton, the film reCeiveD at Golden Bear ‘Best Film’ nomination at Berlinale 2019. Antoni has been involveD in HollanD’s latest film ‘The Charlatan’ anD is currently working on a German-Polish television projeCt ‘The TurnCoat’, direCteD by Florian Gallenberger. He began his musiCal eduCation at the age of six by attenDing musiC school in Warsaw, starting with the piano before taking up the clarinet anD perCussion. From 1998-2003, Antoni stuDieD composition with professor Marek StaChowski at the AcaDemy of MusiC in Krakow. During his stuDies, Antoni workeD on scores for film anD theatre, beginning with Agnieszka HollanD’s 2002 feature film ‘Julie Walking Home’ anD ’Hierankl’, a debut by the German direCtor Hans SteinbiChler. Antoni went on to win the 2008 European Film MusiC Trophy Young Talent AwarD for ‘Winterreise’ anD the German Television MusiC AwarD for ‘My Mother, My BriDe anD I’. Major projeCts Antoni has composeD for inCluDe ‘In Darkness’ (direCteD by Agnieszka HollanD), ‘Clair ObsCur’ (by Yesim Ustaoglu; Antoni has reCeiveD the Best MusiC prize for this score at the Istanbul IFF) for ‘Amok’ by Kasia Adamik. -
Antoni Komasa-Lazarkiewicz
ANTONI KOMASA-LAZARKIEWICZ SELECTED CREDITS MR JONES (2019) (Antoni won the TransatlantiC AwarD 2019) SPOOR (2016) (Winner of the Silver Bear AlfreD Bauer Prize at Berlinale 2017) MIASTO ’44 (2014) ROSEMARY’S BABY (2014) BURNING BUSH (2013) (Antoni won CzeCh Lion) BIOGRAPHY Antoni Komasa-LazarkiewiCz is a Polish composer currently resiDing in Berlin, Germany. In 2014, he workeD on the Lionsgate TV mini-series ‘Rosemary’s Baby’ anD the Polish war drama ‘Miasto 44’. In 2016, Antoni composeD the musiC for ‘Spoor’ direCteD by Agnieszka HollanD whiCh premiereD at Berlinale 2017 anD won the Silver Bear AlfreD Bauer Prize. They collaborateD again on 2018 for feature ‘Mr Jones’, starring James Norton, the film reCeiveD at Golden Bear ‘Best Film’ nomination at Berlinale 2019. Antoni has been involveD in HollanD’s latest film ‘The Charlatan’ anD is currently working on a German-Polish television projeCt ‘The TurnCoat’, direCteD by Florian Gallenberger. He began his musiCal eduCation at the age of six by attenDing musiC school in Warsaw, starting with the piano before taking up the clarinet anD perCussion. From 1998-2003, Antoni stuDieD composition with professor Marek StaChowski at the AcaDemy of MusiC in Krakow. During his stuDies, Antoni workeD on scores for film anD theatre, beginning with Agnieszka HollanD’s 2002 feature film ‘Julie Walking Home’ anD ’Hierankl’, a debut by the German direCtor Hans SteinbiChler. Antoni went on to win the 2008 European Film MusiC Trophy Young Talent AwarD for ‘Winterreise’ anD the German Television MusiC AwarD for ‘My Mother, My BriDe anD I’. Major projeCts Antoni has composeD for inCluDe ‘In Darkness’ (direCteD by Agnieszka HollanD), ‘Clair ObsCur’ (by Yesim Ustaoglu; Antoni has reCeiveD the Best MusiC prize for this score at the Istanbul IFF) for ‘Amok’ by Kasia Adamik. -
The Museum of Modern Art Salutes Agnieszka Holland with Major Film Retrospective
THE MUSEUM OF MODERN ART SALUTES AGNIESZKA HOLLAND WITH MAJOR FILM RETROSPECTIVE Filmmaker’s Career Illuminated through Polish Films Never Before Shown in the United States, Acclaimed English-Language Features, and Episodes from HBO Series The Wire Agnieszka Holland: Europa/America December 10, 2008–January 5, 2009 The Roy and Niuta Titus Theaters Press Screening: Kobieta samotna (A Lonely Woman) (1981) on December 2 at 11:00 a.m. New York, November 26, 2008—The Museum of Modern Art honors award-winning film and TV director and screenwriter Agnieszka Holland (Polish, b. 1948) with a month-long exhibition spanning her three-decade career, from her roots as a highly political contributor to Polish New Wave cinema, through major English-language releases such as The Secret Garden (1993) and Washington Square (1997), and her most recent work as a director for the American television series The Wire. As a filmmaker, Holland has traveled from Europe to Nova Scotia and the streets of Baltimore; she has tracked German culture from the sublimity of Beethoven to the absurdity of the Hitler Youth; and she has turned the keenest of eyes on Poland, with its many splendors and contradictions. Agnieszka Holland: Europa/America runs December 10, 2008, through January 5, 2009, in The Roy and Niuta Titus Theaters. The exhibition is organized by Charles Silver, Curator, Department of Film, The Museum of Modern Art, with the assistance of Hanna Hartowicz, Director of The New York Polish Film Festival. Although today Holland ranks as one of Poland's most prominent filmmakers, she was rejected by the famous Lodz film school. -
Kasia Adamik :: ZA :: Agencja Aktorów I Realizatorów Filmowych
REŻYSERZY REŻYSERZY Pobierz PDF Drukuj Kasia Adamik INFORMACJE Rok urodzenia: 1972 Reżyserka, storybordzistka, plastyczka, członkini PAF. Absolwentka wydziału grafiki na ASP w Brukseli. Znana z reżyserii takich filmów jak "Janosik. Prawdziwa historia", "Boisko bezdomnych"(m.in. Nagroda Publiczności na FPFF w Gdyni) czy "Szczekając na świat" (nominowany do Głónej Nagrody Jury na Festiwalu Filmowym Sundance oraz zdobywca Nagrody Specjalnej za najlepszy film na Warszawskim Festiwalu Filmowym w 2002), a także polskich seriali, m.in. "Głęboka woda" (nagroda Prix Italia 2012 w kategorii serial telewizyjny), "Układ Warszawski", "Pitbull", "Ekipa" i "Wataha". Współreżyserowała "Pokot" (Srebrny Niedźwiedź na MFF w Berlinie 2017). Reżyserka drugiej ekipy "Gorejącego krzewu" (obsypany Czeskimi Lwami w 2014 roku), nagradzanego na wielu festiwalach "W ciemności" (nominacja do Oscara 2012), a także "House of Cards". NAGRODY 2008 - BOISKO BEZDOMNYCH Camerimage (Festiwal Operatorski w Lodzi) Nagroda za Najlepszy Polski Film 2008 - BOISKO BEZDOMNYCH Gdynia (do 1986 Gdańsk) (Festiwal Polskich Filmów Fabularnych) Nagroda Publiczności Silver Screen 2008 - BOISKO BEZDOMNYCH Chicago (Festiwal Polskich Filmów) Złote Zęby - nagroda publiczności 2007 - H, Najlepszy Teatr Telewizji, Prix Visionica (Miedzynarodowy Festiwal Telewizyjny we Wroclawiu) 2002 - BARK Wyrożnienie za Reżyserie, Miedzynarodowy Warszawski Festiwal Filmowy 2002 - BARK Sundance Film Festival, Nominacja za Najlepszy Film Fabularby FILMOGRAFIA 2022 EROTICA 2022, Reżyseria 2021 CRACOW MONSTERS, Reżyseria 2020 CHARLATAN, Reżyseria, II ekipa 2019-2020 ABSENTIA, Serial fabularny, Reżyseria, (seria 2 (odcinki 8-10); seria 3 (odcinki: 1-6)) 2019 WATAHA 2, Serial TV, Rezyseria 2018 1983, Serial dla Netflixa, Reżyseria NINA, Film fabularny, montaż 2017 POKOT, Film fabularny, Reżyseria AMOK, Film fabularny, Reżyseria 2014 KREW Z KRWI 2, Serial tv, Reżyseria 2013 WATAHA, Serial fabularny, Reżyseria BEZ TAJEMNIC, Serial fabularny, Reżyseria 2011 GŁĘBOKA WODA, Serial fabularny, Reżyseria UKŁAD WARSZAWSKI ( serial tv) reż.