The Guardian, December 4, 1972
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November 15, 1974
-53=** e ^Br&eze VoLLI Madison College.Harrisonburg.Va.,Friday ^November 15,1974 No. 20 Debaters Expand; 2 Divisions Now Cross-Section of Students By JENNIFER GOINS opportunity to meet Inter- Intercollegiate debate has esting people." evolved from a bawdy battle Madison's coaches, John of wits, which too after re- Morello and Eaiie Malman, sulted In a battle of fists, both former debaters, state Into a highly structured game their motives for debating In of verbal ping-pong. Twen- terms of a three-fold goal. tieth century debate Is less They see debate first as an emotional, more stylish and educational opportunity that success relies on careful ar- teaches students how to re- gumentation rather than brute search arguements, present force. them logically, and defend Madison's five-year old them heartily. Secondly, de- debate team has grown from a bate helps students achieve a fledgling group of four stud- greater form of current ents with one coach, to a awareness. Finally, debate twelve member squad with has social value, it offers the two coaches. Madison's team student a chance to travel has two divisions, with nine meet Interesting people, work members In varsity and three with people, and exchange new members In the novice divi- Idee*. Tournament Upcoming sion. To sophomore Roger Wells, debate Is a game that satis- DEBATORS PREPARE FOR Madison's fifth son Halls. Although debating requires up to Traditionally, Intercolle- fies his InteUectual curiosity and largest annual tournament, which Is be- fifteen hours of work a week, tne rewards giate debate Is a year long and takes his mind off bis ing held this weekend In Jackson and Harri- a debater gains are tremendous. -
Frank Zappa, Captain Beefheart and the Secret History of Maximalism
Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing. -
I MIT Aaibed $4 Miill
_· __ I _ __ VOLUME 92 NaUMBER 52 -MIT, CAMBRIDGE, MASSACHUSETTS TUESDAY, DECEMBER 5, I972 FIVE· _ CENTS ':-=ii iMIT aaibed $4 mIilllcn - i :' new1 research cete¢ By Paul Schindler Cancer Institute will be used for out the staff. All the new Center Dr. Salvador Luria, Sedgwick renovations and operating costs. members will get joint appoint- professor . of Biology, Nobel The $1.8 million from MIT will ments, at both the department prize winner, Institute professor, be used primarily for renovation they specialize in (such depart- and lrig-time political activist work, and, according to MIT ments as nutrition and chemistry wil! head a-. new Center for Corporation Chairman Howard will probably be represented, in Cancer Research at MIT. Johnson, will be raised as a addition to biology) and the The Center will receive at special part of the Institute's Center. least $4.4 million from the Na- development effort. Johnson told The Tech that the Center "Wt- will need much more tional Cancer Institute, and $1.8 than the grants we now have in million from the Institute. It will will represent an "important set of new objectives" for MIT. order to get going," Luria stated. be located in four floors of E18 At least $500,000 in research (the Ford Building) which will told The Tech that he grants will be needed annually, he remadelledl startina in _J3anu- Luria Photo by ShFetaon Lowengtha ..... ......... .. .A. expects the level of student par- as the grants promised to date Professor Salvador Luria is congratulated by .resident Jerome ary. Occupancy is expected by ticipation, both graduate and will only cover basic equipment Wiesner after public announcement of Luria's grant from the the fall of 1973. -
CAPTAIN BEEFHEART SUN ZOOM SPARK: 1970 to 1972
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 012126 – 4688 7233 [email protected] CAPTAIN BEEFHEART SUN ZOOM SPARK: 1970 To 1972 Limitierte Box Sets mit neu gemasterten Versionen von Lick My Decals Off, Baby, The Spotlight Kid, Clear Spot und einer kompletten Disc mit unveröffentlichten Outtakes! Ab 14. November auf 4CD, 4LPs und als Download! Im legendären Katalog des unglaublichen CAPTAIN BEEFHEART überschattet das perfekt ausgeklügelte und experimentell angegangene Album Trout Mask Replica (1969) alles, was Don Van Vliet an weiteren Glanzleistungen vollbracht hat. Dies gilt leider auch für die drei herausragenden Nachfolge-Alben Lick My Decals, Baby (1970), The Spotlight Kid (1972) und Clear Spot (1972), die dem monumentalen Trout Mask Replica musikalisch und kreativ in Nichts nachstehen. Mit Sun Zoom Spark: 1970 To 1972 schaffen Rhino Rec. diesem ungerechtfertigten Zustand nun Abhilfe. Diese Sammlung legt ihren Fokus auf jene Alben, die CAPTAIN BEEFHEART in den frühen siebziger Jahren mit der Magic Band einspielte. Die Box enthält alle drei Alben, die zum ersten Mal seit ihrer Veröffentlichung remastert wurden sowie eine komplette CD mit 14 bisher unveröffentlichten Outtakes aus dem Umfeld der Aufnahmen. Sun Zoom Spark: 1970 To 1972 erscheint als 4-CD-Box, 4 LP-Box und zum Download. Lick My Decals Off, Baby wurde innerhalb weniger Wochen im Sommer 1970 im United Recording Group aufgenommen und erschien im Oktober des Jahres. Stets eines der persönlichen Favoriten Van Vliets, bezeichnet es den Höhepunkt seiner Experimente mit Dissonanzen und enthält so außergewöhnliche Tracks wie das schrullig- humorige „I Love You, You Big Dummy“ und das exquisite Gitarrensolo „One Red Nose That I Mean“ Im darauf folgenden Sommer 1971 entstand im Record Plant in Los Angeles das Album The Spotlight Kid, das Anfang 1972 veröffentlicht wurde. -
Weirdo Eccentrics of the Margins & the Curse of Bel Canto
Nick Hobbs / Weirdo eccentrics of the margins & the curse of bel canto -- 1 Weirdo eccentrics of the margins & the curse of bel canto © Nick Hobbs [email protected] (given at the Centre For Performance Research, Aberystwyth on 8.4.06) by Nick Hobbs This lecture is mostly taken from two lectures I wrote for the Pantheatre Voice Performance School: “Weirdo eccentrics of the margins & the curse of bel canto”, focused on the voice of the star of Popular music hell-canto, Captain Beefheart (nom-de-plume of Don Van Vliet), and "Singing whispers, croaks, growls and roars: An exploration of fractured voices from the Blues to Flamenco", which spoke, amongst many others, about Beefheart’s main mentor, the Chicago Blues singer, Howlin’ Wolf (nom-de-plume of Chester Burnett). During this week we’ve heard both hell and bel canto – Phil Minton and Natalka Polovynka to name two extremes. Enrique Pardo spoke about the image of Wolf as satyr and the myth of Marsyas’s challenge to Apollo - the aulos versus the lyre, and we’ve heard MaryAnn Roberts in Bragod, whose singing engages with the crwth, itself a descendent of lyre, but one whose buzzing timbre led her to use guttural sounds and overtone nasality in Bragod’s vocal palette. Both Wolf and Beefheart are firmly in the camp of hell canto, and I suppose were not capable of singing bel canto if they’d wanted to. Their voices correspond to their subject-matter and to their personae. Starting from their stage names, there’s a buffoon quality to both performers, giving them a kind of license to make barbed commentaries, to be nasty, wolfish, foxy and knowing. -
New Work: Don Van Vliet
DON VAN VLIET Peel, John. "Yellow Brick Road Revisited'.' The Observer. Born in Glendale. California, 1941 6 April 1986, p. 29. DON VAN VLIET Lives and works in northern California Penck, A. R. "Don Van Vliet:' Tem.:i Celeste, no. 2 (April 1987). p. SS. SELECTED INDIVIDUAL EXHIBITIONS Penck, AR. Don Van Vliet (exhibition catalogue), Galerie 1985 Michael Werner, Cologne, 1985. Galerie Michael Werner, Cologne Penck, AR. "Na, Na. Na-forDon Van Vliet'.'Don Van Vliet Mary Boone Gallery, New York (exhibition catalogue), Galerie Mi:hael Werner, Cologne, 1986 1987. Waddington Galleries, London 1987 Rense. Rip. "Captain Beefheart: A Portrait of the Artist o Angeles 15 1982, Galerie Michael Werner. Cologne as Loner." L s Herald Examiner. October - -28. Galerie Brinkman, Amsterdam pp. D 5. D 1988 CHECKLIST Galerie Michael Werner. Cologne The Moon a Pail ofMilk Spilled Dow.1 Black in the Night. 1986 oil on linen SELECTED GROUP EXHIBITIONS 80 x 70" (203.2 x 177.8 cm) 1982 Collection of the artist Performance Video.The Museum of Modern Art, New York 1985 Bat and Cat Panda, 1987 FromOrganism toAr chitecture, New York Studio School oil on linen The Chi-Chi Show, Massimo Audiello Gallery. New York 64 x 511/:i'(162.6 x 130.8 cm) Factura, Gallery Schlesinger-Boisante. New York Collection of Jan Van Vliet, California 1987 Feather Times a Feather, 1987 Byars. Chamberlain. Salle, Fischl, Lasker. 'Ion Vliet, oil on linen Galerie Michael Werner, Cologne 64 x 511/2' (162.6 x 130.8 cm) SELECTED SOURCES Parapliers the Willow Dipped, 1987 BY DON VAN VLIET oil on linen 78 x 58" (198.1 x 147.3 cm) Skeleton Breath, Scorpion Blush. -
Safe As Milk
Safe as Milk The Emasculation of All-Encompassing Utopianisms: Captain Beefheart‟s Tradition João Paulo Coutinho Guimarães MA in American Studies Faculdade de Letras da UC 2010/2011 João Paulo Coutinho Guimarães Safe as Milk The Emasculation of All-Encompassing Utopianisms: Captain Beefheart‟s Tradition Dissertação de Mestrado em Estudos Americanos, apresentada à Faculdade de Letras da Universidade de Coimbra, sob a orientação das Professoras Doutoras Maria Irene Ramalho e Graça Capinha. Agradecimentos Em primeiro lugar, um grande obrigado à Professora Adriana Bebiano e ao Professor Jonathan Auerbach – à primeira por ter sugerido que o trabalho que fiz para o seu seminário poderia ser aprofundado e transformado numa dissertação de mestrado, e ao segundo por ter renovado o meu entusiasmo pelo estudo académico deste autor tão singular e tão pouco considerado. Deixo também os meus agradecimentos aos meus pais, familiares, amigos e namorada, que tanta paciência tiveram face à necessária reclusão monástica durante os meses que demorei a redigir este texto. Uma palavra de apreço à minha mãe e aos meus amigos Ivo Ivanov e Mark Fitzgerald por terem lido e tecido comentários sempre muito profícuos para a qualidade da tese. Finalmente, queria dizer que fiquei muito reconhecido pela ajuda crucial, durante a revisão do trabalho, dada especialmente pela Professora Graça Capinha, mas também pela Professora Maria Irene Ramalho. Ambas contribuíram muito para a transparência na argumentação e para a coesão global do texto, qualidades que me esforcei para lhe imprimir, no sentido de cativar todos aqueles, académicos ou não, que sintam curiosidade em explorar o mundo assombroso do recentemente falecido, mas indelével, Captain Beefheart, a quem dedico com orgulho a presente dissertação. -
March 25 April 1
MARCH 25 ISSUE APRIL 1 Orders Due February 26 7 Orders Due March 4 axis.wmg.com 3/25/16 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Birdy Beautiful Lies ATL CD 825646482061 554263 13.99 2/26/16 Graham, Lukas Lukas Graham WB CD 093624921806 553552 13.99 2/26/16 Hardy, Françoise Et si je m'en vais avant toi (Vinyl) PRH A 190295993511 59935 21.98 2/26/16 Hardy, Françoise La question (Vinyl) PRH A 190295993481 406415 21.98 2/26/16 John Hurt, Kenneth Branagh, Diana Rigg, Joseph Fiennes, Imelda When Love Speaks (Shakespears's Staunton, Alan Rickman, PRX CD 724355732125 557321 12.98 2/26/16 Sonnets) Barbara Bonney, Bryan Ferry, Annie Lennox, Rufus Wainright, etc. Last Update: 04/04/14 For the latest up to date info on this release visit axis.wmg.com. ARTIST: Birdy TITLE: Beautiful Lies Label: TLA/Trill Entertainment, LLC Config & Selection #: CD 554263 Street Date: 03/25/16 Order Due Date: 02/26/16 UPC: 825646482061 Box Count: 30 Unit Per Set: 1 SRP: $13.99 Alphabetize Under: B TRACKS Compact Disc 1 01 Growing Pains 08 Lifted 02 Shadow 09 Take My Heart 03 Keeping Your Head Up 10 Hear You Calling 04 Deep End 11 Words 05 Wild Horses 12 Save Yourself 06 Lost It All 13 Unbroken 07 Silhouette 14 Beautiful Lies ALBUM FACTS Genre: Pop ARTIST & INFO Hometown: Lymington, Hampshire, UK Since emerging onto the scene just two years ago, 17-year old Birdy (born Jasmine van den Bogaerde) has catapulted herself into a realm of pop stardom across the world and picked up many accolades along the way. -
SEPTEMBER 1987 I'm Happy to Announce the Availability of Mod- Poll
VOLUME 11, NUMBER 9, ISSUE 95 Features Columns Cover Photo by Leslie Burke EDUCATION JAZZ DRUMMERS' WORKSHOP Burke The Ride Cymbal by Peter Erskine 66 Leslie SHOW DRUMMERS' SEMINAR by Subbing A Broadway Show by Larry Spivack 68 Photo TEACHERS' FORUM Child Drummers by Brooke Sheffield Comer 70 DRUM SOLOIST Roy Haynes: "Snap Crackle" by Karl Sterling 80 ROCK PERSPECTIVES Recreating Beats by Kenny Aronoff 82 THE MACHINE SHOP Heavy Rock From Light Plastic by Clive Brooks 84 ROCK 'N' JAZZ CLINIC Styles are Related: Part 2 by Rod Morgenstein 92 TAKING CARE OF BUSINESS Consumer Rights And Options by Clifford J. Sherry, Ph.D. 94 CONCEPTS Showmanship Features by Roy Burns 110 RICK MAROTTA EQUIPMENT He didn't start playing drums until he was 19, but within a few SETUP UPDATE months, Rick Marotta was being asked to do sessions in New Marc Droubay and Mike Clark 108 York. He talks about his work with such artists as Steely Dan, PRODUCT CLOSE-UP Jackson Browne, and Larry Carlton, and explains what is Joe Montineri Custom Snare Drums behind his personal style. by Bob Saydlowski, Jr. 112 by Robyn Flans 16 ELECTRONIC REVIEW Headset Microphones GARY BURKE by Rick Van Horn 114 JUST DRUMS 122 Currently working with Joe Jackson, Gary Burke's credits also include such diverse artists as Bob Dylan and Steve Reich. He discusses his training and experiences, and gives examples of the charts he had to play for Jackson's Will Power album. PROFILES by Jeff Potter 22 UP AND COMING The Smithereens' Dennis Diken by Brooke Sheffield Comer 36 STEVE WHITE PORTRAITS After studying with no less than Bill Bruford, Steve White was Ralph Pace invited to join The Style Council at the age of 17. -
VPI Prime Scout Turntable
VPI Prime Scout turntable stereophile.com/content/vpi-prime-scout-turntable We got our wish. Phonograph ownership is once again depicted as commonplace, even hip, in popular films, TV shows, and ads for other products. Turntables and LP jackets show up in photos in Elle Decor and Vanity Fair. New LPs are sold in stores in nice neighborhoods, and in malls with Cinnabon franchises and J.Crew stores. A shockingly high percentage of new record releases in which normal people are interested, and a few in which they are not, are now available on vinyl. For the first time in decades, I receive occasional gifts of new LPs—presumably because they're once again easy for nonenthusiasts to find and to buy—and the very few CDs I've received in the past few years have been homemade. We got our wish, but now there's a new challenge: When our hip, nice, Vanity Fair– reading, J.Crew-wearing, normal friends remember that we've been blowing this horn for dickity-seven years, and they come to us to ask, Which record player should I buy? . what are we to tell them? As long ago as the 1990s, I gave friends the same advice they probably heard from other people in my line of work: Buy a Rega Research Planar 3. If they were financially comfortable, I suggested a Rega Planar 9 or a Roksan Xerxes. If they were comfortable and had a tweaky streak, I suggested a Linn LP12. But in 2005, when I was assigned to review for Stereophile the VPI Scout—a turntable-plus-tonearm package that then sold for $1500—it impressed me as a solidly good alternative to my usual recommendations. -
BEEFHEART(3Rd)24Pag.Qxd:24 Pag.Qxd
Edit 2009-03-08: line-up corrected 4) Don's only contribution to 'Well Well Well' Captain Beefheart & The Magic Band - 2 new tracks: Circumstances and a new 1) All the line-ups are not confirmed. Maybe are the concluding words "It doesn't taste The Spotlight Kid Outtakes version of Semi-Multicoloured Caucasian John French's book will give us some so well...", no harmonica, saxophone as - 2 tracks uncut: Funeral Hill (Version 1), Low missing details about this era. mentioned before. 3rd Revision Yo Yo Stuff (Instrumental) 2) Following Henry Kaiser John French is the - 1 stereo upgrade: Dirty Blue Gene (Version drummer on all tracks. Any drummer who The Spotlight Kid & Pompadour Sessions 1) before only available in mono can distinguish the style of Art Tripp and October-early November 1971 John French? Record Plant Studios, Los Angeles, CA Lineage: 3) Following Henry Kaiser again the Spotlight Acoustic Blues Session, early 1972 (1) studio->tape 2nd gen->stand alone CD Kid sessions were finished in early probably Amigo Studios, Sherman Oaks, burner->CDR->flac->TLH->wav->Wavelab November 1971, no Brown Star sessions North Hollywood, CA 5.0: sound editing->TLH->flac happened in summer 1972. Roy Estrada (2) studio->tape 3rd gen?->Spotlight Kid DVD joined the Magic Band in March 1972. That A friendly DIME fellow who wants to stay (from puzzleoyster)->wav->Wavelab 5.0: means: no involvement of Roy Estrada anonymous sent his collection of Spotlight sound editing->TLH->flac (2nd revision)- here. Kid outtakes. >TLH->wav->Wavelab 5.0: sound editing- Every Beefheart fan has its own version, but >TLH->flac this time we are talking about a known 2nd (3) studio->tape 3rd gen?->The Spotlight Kid gen! Outtakes CDR (from perebeef)->wav- A former band member received the tapes >Wavelab 5.0: sound editing->TLH->flac on getting the gig, they were made for him in (2nd revision)->TLH->wav-> Wavelab: order to learn the tunes. -
And Wyndham Lewis
Captain Beefheart (1941–2010) and lives on” in the music of artists from Tom Waits to history of pop music, it’s Beefheart’; hearing Wyndham Lewis: A Relationship the White Stripes [the latter are due to re-release Captain Beefheart and his Magic Band live was David Stoker their 7 of Beefheart covers]’ – ‘He will always an epiphanic moment for him, as it was for be remembered for the visionary, cubistic avant many others – Matt Groening and Gary Lucas ‘Everybody’s coloured or else you wouldn’t be able garde rock he made’ – ‘son coeur pur […] son included. Peel, already a big fan, described that to see them.’ heroes. (Don’s advice to his guitarists: ‘Keep a hat oeuvre touffue […] virtuose, rebelle, précurseur, moment in the Whiskey-A-Go-Go in Hollywood on. A hat is a pressure cooker.’) génie’ – ‘Rock’s one true maverick […] one of in 1966, Beefheart singing ‘with the voice of a [music’s] most unique, mischievous and singular desert Howlin’ Wolf, his musicians squalling Don Van Vliet, the poet, painter and composer For Don had been a big Lewis fan for voices’. away behind him, producing a disassembled best known as rock musician Captain Beefheart, more than 30 years. Why and how he was shall version of rhythm and blues, which although it died on 17 December last in a hospital in his be explained in due course; first it’s necessary to For a ‘cult musician’ (that is, non- owed something to the Rolling Stones and their native California from complications arising from give some idea of the scope of the achievement of mainstream and rarely heard on the airwaves), like, conjured up visions which had nothing multiple sclerosis, a month short of his 70th this veritable latter-day Enemy: and if it’s thought Don’s passing released an extraordinary quantity of Chicago’s South Side nor London’s King’s birthday.