Lunar Notes - Zoot Horn Rollos Captain Beefheart Experience Pdf, Epub, Ebook
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November 15, 1974
-53=** e ^Br&eze VoLLI Madison College.Harrisonburg.Va.,Friday ^November 15,1974 No. 20 Debaters Expand; 2 Divisions Now Cross-Section of Students By JENNIFER GOINS opportunity to meet Inter- Intercollegiate debate has esting people." evolved from a bawdy battle Madison's coaches, John of wits, which too after re- Morello and Eaiie Malman, sulted In a battle of fists, both former debaters, state Into a highly structured game their motives for debating In of verbal ping-pong. Twen- terms of a three-fold goal. tieth century debate Is less They see debate first as an emotional, more stylish and educational opportunity that success relies on careful ar- teaches students how to re- gumentation rather than brute search arguements, present force. them logically, and defend Madison's five-year old them heartily. Secondly, de- debate team has grown from a bate helps students achieve a fledgling group of four stud- greater form of current ents with one coach, to a awareness. Finally, debate twelve member squad with has social value, it offers the two coaches. Madison's team student a chance to travel has two divisions, with nine meet Interesting people, work members In varsity and three with people, and exchange new members In the novice divi- Idee*. Tournament Upcoming sion. To sophomore Roger Wells, debate Is a game that satis- DEBATORS PREPARE FOR Madison's fifth son Halls. Although debating requires up to Traditionally, Intercolle- fies his InteUectual curiosity and largest annual tournament, which Is be- fifteen hours of work a week, tne rewards giate debate Is a year long and takes his mind off bis ing held this weekend In Jackson and Harri- a debater gains are tremendous. -
Frank Zappa and His Conception of Civilization Phaze Iii
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
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suivi quelques individualités : Sun Ra, Monk, Sur le prIncIpe du « vous êtes plutôt Stones ou plutôt Eric Dolphy, Albert Ayler… Mais je déteste le public des festivals de jazz. J’ai quand même Beatles ? », nous avons soumIs Pascal Comelade au petIt Jeu vu, tiens-toi bien, Sun Ra Arkestra se faire sif - fler dans les arènes de Nîmes parce qu’ils arri - des références. Rencontre avec un artIste anImé par le rIff et vaient avec leurs combinaisons spatiales et la répétItIon au moment où paraIssent un lIvre et des dIsques. tout leur attirail… Bob Dylan / Neil Young Je ne suis jamais rentré dans l’œuvre de Neil cent écoutant du rockabilly. J’ai perpétuelle - Young (comme de Nick Cave). Même quand lvis Presley / Johnny Burnette ment été le cul entre deux chaises : trop jeune “Harvest” était un hit que l’on entendait partout, Ma préférence va plutôt vers Eddie pour le rock’n’roll originel et, plus tard, trop même chose pour “Imagine” de Lennon Cochran, pour l’évidence de ses riffs vieux pour le punk. Vers la fin des années 1970, d’ailleurs. Paradoxalement, moi qui pratique la implacables et vers Gene Vincent, sur - grâce aux Cramps et aux compilations, on a musique ins - tout Vincent, pour sa voix et cette découvert cette production frénétique. Les trumentale, je période avec son guitariste Cliff Gallup, l’in - disques sont devenus plus faciles à trouver. suis très sen - venteur du Rock. Elvis, c’est le cas Mais plus encore que les seconds sible aux voix typique, pour moi, d’une carrière couteaux du rockabilly, ce sont les et pour Neil que j’ai écoutée à l’envers, en troisièmes qui m’intéressent. -
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Modernism 1 Modernism
Modernism 1 Modernism Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes the modernist movement, its set of cultural tendencies and array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late 19th and early 20th centuries. Modernism was a revolt against the conservative values of realism.[2] [3] [4] Arguably the most paradigmatic motive of modernism is the rejection of tradition and its reprise, incorporation, rewriting, recapitulation, revision and parody in new forms.[5] [6] [7] Modernism rejected the lingering certainty of Enlightenment thinking and also rejected the existence of a compassionate, all-powerful Creator God.[8] [9] In general, the term modernism encompasses the activities and output of those who felt the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated in the new economic, social, and political conditions of an Hans Hofmann, "The Gate", 1959–1960, emerging fully industrialized world. The poet Ezra Pound's 1934 collection: Solomon R. Guggenheim Museum. injunction to "Make it new!" was paradigmatic of the movement's Hofmann was renowned not only as an artist but approach towards the obsolete. Another paradigmatic exhortation was also as a teacher of art, and a modernist theorist articulated by philosopher and composer Theodor Adorno, who, in the both in his native Germany and later in the U.S. During the 1930s in New York and California he 1940s, challenged conventional surface coherence and appearance of introduced modernism and modernist theories to [10] harmony typical of the rationality of Enlightenment thinking. -
Hall of Fame Andy Partridge
Hall of Fame Andy Partridge Andrew John Partridge (born 11 November 1953) is an English singer, songwriter, guitarist, and record producer from Swindon. He is best known for co-founding the rock band XTC, in which he served as the group's primary songwriter and vocalist. While the band was formed as an early punk rock group, Partridge's music drew heavily from British Invasion songwriters, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only British top 10 hit, "Senses Working Overtime" (1982), was written by Partridge. In addition to his work with XTC, Partridge has released one solo album on Virgin Records in 1980 called Take Away / The Lure of Salvage. He has also collaborated (as performer, writer or record producer) with recording artists, including Martin Newell, with whom he recorded and produced an album in 1993 entitled The Greatest Living Englishman released in Japan as a duo album. Partridge was producer for the English band Blur during the recording of Modern Life Is Rubbish (1993). He was replaced by Stephen Street at the insistence of their record label, Food. According to Partridge he was unpaid for the sessions and received his expenses only. Partridge also wrote four songs for Disney's version of James and the Giant Peach (1996) but was replaced by Randy Newman when he could not get Disney to offer him "an acceptable deal". In the 2000s, Partridge began releasing demos of his songs under his own name in The Official Fuzzy Warbles Collector's Album and the Fuzzy Warbles album series on his APE House record label. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
The 101Ers 241 a Roy Acuff 224 Tony Adams 132, 235, 236 Cannonball
INDEX The 101ers 241 Byron Berline 34 Chuck Berry 77, 88, 119, 139, 156, 171, 190, 238 A Bhundu Boys 243 Tony Blair 90, 137, 138, 243 Roy Acuff 224 John Blake 29 Tony Adams 132, 235, 236 Art Blakey 190 Cannonball Adderley 190 Bobby Bland 200 Karin Aderhold 16 John Bonham 123 Marc Almond 12 Bono 49, 57 Any Trouble 221, 222 Booker T & The MGs 175 Louis Armstrong 75, 170 David Bowie 95, 195-203, 214 Virginia Astley 168 Paul Brady 223 Mick Avory 133 Brinsley Schwarz 225 Gary Brooker 116 Big Bill Broonzy 132, 140 B Mick Brown 172 Buddy Guy 17 Burt Bacharach 231, 232 Buffalo Springfield 192 Chet Baker 73, 83 Eric Burdon 96, 171 Ginger Baker 79 Johnny Burnette 103 Kenny Ball 170 James Burton 139, 231 Bangles 12 George Bush 243 Alan Bangs 24 The Byrds 192, 225 BAP 96 Wild Willy Barrett 166 Count Basie 169 C The Beach Boys 184 The Beatles 8, 43, 80, 98-102, Captain Beefheart 240, 242 105, 106, 110-112, 117-119, James Carr 231 123, 128, 149-153, 156, 161- Martin Carthy 17, 222, 223 163, 174, 177, 183, 188, 189, Neko Case 8 207, 213-216, 238, 241, 242 Johnny Cash 16, 244 Jeff Beck 32, 34, 143 Sid Catlett 73 Walter Becker 14 Marc Chagall 92 David Beckham 235 Ray Charles 101 Peter Bellamy 222 Marshall Chess 17 Fred Below 73 Chic 200 Tony Bennett 230 Charlie Christian 139 250 INDEX Guy Clark 227 Lonnie Donegan 102, 139 Allan Clarke 182, 185, 187, Val Doonican 211 190, 193, 211 Double Trouble 200 Kenny Clarke 77 Pete Drake 109, 228 The Clash 178, 216, 217, 219, The Drifters 170 220, 233, 234, 236, 241, 242 Sly Dunbar 33 Matt Clifford 46 Duran Duran -
Frank Zappa, Captain Beefheart and the Secret History of Maximalism
Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing. -