DOCSLIB.ORG

Alejo Vietti

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Alejo Vietti ALEJO VIETTI COSTUME DESIGNER United Scenic Artists Local 829 (917) 701-3438 [email protected] 31 Jane Street #17C, NYC 10014 Representation: Seth Glewen – Gersh Company NY - (212) 634-8124 - [email protected] Argentine Costume Designer based in NYC PERSONAL US Citizenship. Holds Italian -European Community- and Latin American (Mercosur) Passports. Fluent in English, Spanish, French and Portuguese. UPCOMING PROJECTS Celia and Fidel / Directed by Molly Smith / Arena Stage Round and Round the Garden / Directed by Maria Aitken A Touch of the Poet / Directed by Ciaran O’Reilly / Irish Rep NYC A Crossing / Directed and Choreographed by Josh Bergasse Change Agent / by Craig Lucas at Arena Stage The Sound Inside / Directed by Rib Ruggiero COSTUME DESIGNER BROADWAY: Show Director Company/Theatre Holiday Inn Gordon Greenberg Roundabout Theatre Co Allegiance Stafford Arima Longacre Theatre Beautiful – The Carole King Musical Marc Bruni Broadway / London / US Tour / Japan / Australia INTERNATIONAL: Disney’s The Hunchback of Notre Dame Scott Schwartz Japan / Germany The Wau Wau Sisters Trip Cullman Edinburgh Fringe Festival Rachmaninoff Second (Ballet) Konstantin Uralsky Donesk Opera Ukraine OFF-BROADWAY / NEW YORK: Show Director Company/Theatre Evita Sammi Cannold Encores! @ NY City Center Rogers and Hart I Married and Angel Josh Bergasse Encores! @ NY City Center Amy and the Orphans Scott Ellis Roundabout Theatre Company Smokey Joe’s Café Josh Bergasse Stage 42 - Off Broadway NYC Hey, Look Me Over Marc Bruni Encores! @ NY City Center The New Yorkers John Rando Encores! @ NY City Center NY Spring Spectacular (Selected Costumes) Warren Carlyle/Diane Paulus Radio City Music Hall Paint Your Wagon Marc Bruni Encores! @ NY City Center Heart & Lights Linda Haberman Radio City Music Hall The Dance of Death Joseph Hardy Red Bull Theatre Stars of David Gordon Greenberg DR2 Theatre Storefront Church John Patrick Shanley Atlantic Theatre Old Jews Telling Jokes Marc Bruni Westside Theatre NYC Tryst Joe Brancato Irish Rep NYC Manipulation Will Pomerantz Cherry Lane Theatre NYC Secrets of the Trade Matt Shakman Primary Stages, NYC Nightingale Joseph Hardy Manhattan Theatre Club Rooms Scott Schwartz New World Stages, NYC Grace Joseph Hardy MCC at the Lucille Lortel NYC Make Me a Song Rob Ruggiero New World Stages NYC Tryst Joe Brancato Promenade Theatre NYC/Westport Playhouse Of A White Christmas Trip Cullman Ohio Theatre The Wau Wau Sisters Trip Cullman Ars Nova Roulette Trip Cullman Ensemble Studio Theatre Five Flights Kent Nicholson Rattlestick Theatre The Last Sunday in June Trip Cullman Rattlestick and Century Center 16 Wounded Matt August Cherry Lane Theatre Two by Tennessee Trip Cullman Soho Rep Servicemen Sean Mathias The New Group Love’s Labor’s Lost Christopher Briggs Women’s Shakespeare Company Measure for Measure R.J. Tolan Women’s Shakespeare Company Othello Sydney Fortner Women’s Shakespeare Company REGIONAL (MUSICALS): Show Director Company/Theatre Newsies Molly Smith Arena Stage Company / DC Anything Goes Molly Smith Arena Stage Company / DC Evita Rob Ruggiero Repertory Theatre of St Louis Oliver Rob Ruggiero Goodspeed Opera The Royal Family of Broadway John Rando Barrington Stage Company The Pajama Game Alan Paul Arena Stage Company / DC Presto Change’O Marc Bruni Barrington Stage Company Kiss Me Kate Alan Paul Shakespeare Theatre Company / DC Beaches, The Musical Eric Schaeffer Drury lane Theatre / Chicago The Hunchback of Notre Dame Scott Schwartz La Jolla Playhouse / Paper Mill Playhouse Irving Berlin’s Holiday Inn Gordon Greenberg Goodspeed Opera / MUNY / Paper Mill Playhouse Fiddler on the Roof Rob Ruggiero Goodspeed Opera Nerds Marc Bruni North Carolina Theatre Stars of David Gordon Greenberg Philadelphia Theatre Company Allegiance Stafford Arima The Old Globe Theatre Carousel Rob Ruggiero Goodspeed Opera Damn Yankees Mark Hoebee Paper Mill Playhouse/5Th Ave Theatre Sunday in the Park with George Rob Ruggiero St Louis Repertory Theater Guys and Dolls John Rando Barrington Stage Company Camelot Ted Pappas Pittsburgh Public Theatre Spelling Bee Marc Bruni Philadelphia Theatre Company/Paper Mill Backwards in Heels Scott Schwartz Asolo Theatre/Cleveland Play House Annie Get Your Gun Rob Ruggiero Goodspeed Opera Camelot Rob Ruggiero Goodspeed Opera 1776 Gordon Greenberg Paper Mill Playhouse Barnum Gordon Greenberg Asolo Repertory Theatre/Maltz Jupiter Theatre Big River Rob Ruggiero Goodspeed Opera Rooms Scott Schwartz MetroStage, VA/Geva Theatre Center 1776 Rob Ruggiero Goodspeed Opera Altar Boyz Stafford Arima St Louis Repertory / Cincinnati Playhouse Romantic Poetry John Patrick Shanley New York Stage & Film The Witches of Eastwick Eric Schaefer Signature Theatre Meet John Doe Eric Schaefer Goodspeed Opera / Ford’s Theatre DC Nerds Phil McKinley Philadelphia Theatre Company Make Me a Song Rob Ruggiero Theaterworks Hartford Travels With My Discontent William Finn Barrington Stage Company Follies Julianne Boyd Barrington Stage Company Ella Rob Ruggiero Over 25 regional theatres around the country Sweet Charity Rob Ruggiero Barrington Stage Company REGIONAL (PLAYS): Show Director Company/Theatre The Underpants Walter Bobbie The Old Globe Theatre The Three Musketeers Mark Shanahan Alley Theatre Familiar Edward Torres Old Globe Theatre A Doll’s House Part 2 Jenn Thompson Teaterworks I Hate Hamlet Marc Bruni Bucks County Playhouse Cleo Bob Balaban Alley Theatre A View From the Bridge Gregory Boyd Alley Theatre Relativity Rob Ruggiero Theaterworks Hartford Around the World in 80 Days Mark Shanahan Alley Theatre Private Lives James Bohnen American Players Theatre The Danish Widow John Patrick Shanley NY Stage & Film Wild With Happy Jeremy Cohen Centerstage Baltimore A Christmas Carol Michael Wilson Hartford Stage Company Hamlet John Langs American Players Theatre Sherlock Holmes and the Suicide Club Gregory Boyd Alley Theatre Seminar Scott Schwartz Philadelphia Theatre Company A Few Good Men Gregory Boyd Alley Theatre Noises Off! Gregory Boyd Alley Theatre What We’re Up Against Scott Schwartz Alley Theatre The Seagull Gregory Boyd Alley Theatre Red Anders Cato Philadelphia Theatre Company Engaging Shaw Henry Wishcamper The Old Globe Theatre August: Osage County Jackson Gay Alley Theatre Broadway Bound Scott Schwartz The Old Globe Theatre Brighton Beach Memoirs Scott Schwartz The Old Globe Theatre Lost in Yonkers Scott Schwartz The Old Globe Theatre Christmas Carol Michael Baron Ford’s Theatre DC Mistakes Were made Jeremy Cohen Hartford Stage Company Our Town Gregory Boyd Alley Theatre / Hartford Stage Rock ‘N’ Roll Gregory Boyd Alley Theatre Mauritius Scott Schwartz Alley Theatre Last Train to Nibroc Rob Ruggiero Cincinnati Playhouse in the Park Eurydice Gregory Boyd Alley Theatre Dying City Maxwell Williams Hartford Stage Company Cyrano de Bergerac Gregory Boyd Alley Theatre Home Joseph Hardy Williamstown Theatre Festival Othello Scott Schwartz Alley Theatre The Scene Jeremy Cohen Alley Theatre Nightingale Joseph Hardy Hartford Stage Company The Pillowman Steve Woolf Saint Louis Repertory Frankie and Johnny in the Clair de Lune Jeremy Cohen Hartford Stage Company Woman Before a Glass Steve Campo Theaterworks Hartford / Saint Louis Rep Bad Dates Jeremy Cohen Hartford Stage Co / Alley Theatre Enchanted April Michael Wilson Pasadena Playhouse/Cleveland Playhouse The Complete History of America Matt August The Hangar Theatre The Mystery of Irma Vep Michael Wilson Hartford Stage Co /Long Wharf Theatre OPERA/ BALLET Show Director Company/Theatre Séance on a Wet Afternoon Scott Schwartz NYC Opera The Sound of Music Marc Bruni Lyric Opera of Chicago Cosi Fan Tutte Peter Rothstein Minnesota Opera Rossini’s Il Turco in Italia Gregory Keller Wolftrap Opera Séance on a Wet Afternoon Scott Schwartz Opera Santa Barbara Rachmaninoff Second Konstantin Uralsky Colorado Ballet Trouble in Tahiti Rina Elisha Rockland Opera ADDITIONAL 2011 Radio City Music Hall Rockettes “Little Black Dress” publicity costume / Madame Tussauds Museum NYC Ringling Brothers.Barnum & Bailey Gold Unit Boom’A’Ring directed by Phil McKinley for Feld Entertainment Stylist for VH1: “The 50 Greatest Women of the Video Era” hosted by Julianna Margulies (2003) Stylist for HBO: Fall/Winter Advertising Campaign. (1999) Costume Designer for Fox TV: 2006 Upfronts Costume Designer for Panasonic Institutional video commercial for Japan and Europe (2006) Costume Designer for Shout and Showdown for Norwegian Cruise Line directed by John Carrafa (2008) Costume Designer for Disney’s Believe directed by Gordon Greenberg for Disney Cruise Line Costume Design for Flight, The Dream and The Gift for Royal Caribbean International EDUCATIONAL Master Classes and lectures for Yale School of Drama, SUNY Purchase College, Penn State University, Columbia University, University of San Diego California, Rutgers University, University of Houston, Webster University St Louis, University of Southern Mississippi, University of Louisiana at Lafayette and The National Arts Club NYC. AWARDS 2019 Helen Hayes Best Costume Design Award for Anything Goes at Arena Stage Company 2019 Australia Green Room Best Costume Design Award for Beautiful, The Carole King Musical 2019 St. Louis Theater Circle Awards Best Costume Design Nomination for Evita at The Repertory Theatre of St Louis 2019 Helen Hayes Awards Best Costume Design Nomination for The Pajama Game at Arena Stage Company 2018 Berkshire Theatre Awards Best Costume Design Award for The Royal Family of Broadway at Barrington Stage Company 2018 Helen Hayes Best
Load more

Recommended publications
  • OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
    Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 ​ ​ Tweet Share ​ ​ The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** ​ Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** ​ Produced by Lincoln Center Theater Written by J.T.
    [Show full text]
  • Download Chapter (PDF)
    PLATES 1. Cole Porter, Yale yearbook photograph (1913). 2. Westleigh Farms, Cole Porter’s childhood home in Indiana (2011). 3. Cole Porter’s World War I draft registration card (5 June 1917). War Department, Office of the Provost Marshal General. 4. Linda Porter, passport photograph (1919). 5. Cole Porter, Linda Porter, Bernard Berenson and Howard Sturges in Venice (c.1923). 6. Gerald Murphy, Ginny Carpenter, Cole Porter and Sara Murphy in Venice (1923). 7. Serge Diaghilev, Boris Kochno, Bronislava Nijinska, Ernest Ansermet and Igor Stravinsky in Monte Carlo (1923). Library of Congress, Music Division, Reproduction number: 200181841. 8. Letter from Cole Porter to Boris Kochno (September 1925). Courtesy of The Cole Porter Musical and Literary Property Trusts. 9. Scene from the original stage production of Fifty Million Frenchmen (1929). PHOTOFEST. 10. Irene Bordoni, star of Porter’s show Paris (1928). 11. Sheet music, ‘Love for Sale’ from The New Yorkers (1930). 12. Production designer Jo Mielziner showing a set for Jubilee (1935). PHOTOFEST. 13. Cole Porter composing as he reclines on a couch in the Ritz Hotel during out-of-town tryouts for Du Barry Was a Lady (1939). George Karger / Getty Images. 14. Cole and Linda Porter (c.1938). PHOTOFEST. 15. Ethel Merman in the New York production of Cole Porter’s Panama Hattie (1940). George Karger / Getty Images. vi PLATES 16. Sheet music, ‘Let’s Be Buddies’ from Panama Hattie (1940). 17. Draft of ‘I Am Ashamed that Women Are So Simple’ from Kiss Me, Kate (1948), Library of Congress. Courtesy of The Cole Porter Musical and Literary Property Trusts.
    [Show full text]
  • News Release for Immediate
    NEWS RELEASE FOR IMMEDIATE RELEASE: April 30, 2020 OFF-BROADWAY CAST OF “THE WHITE CHIP”, SEAN DANIELS’ CRITICALLY ACCLAIMED PLAY ABOUT HIS UNUSUAL PATH TO SOBRIETY, WILL DO A LIVE ONLINE READING AS A BENEFIT Performance Will Benefit The Voices Project and Arizona Theatre Company and is dedicated to Terrence McNally. In line with Arizona Theatre Company’s (ATC) ongoing commitment to bringing diverse creative content to audiences online, the original Off-Broadway cast of The White Chip will perform a live reading of Artistic Director Sean Daniels’ play about his unusual path to sobriety as a fundraiser for The Voices Project, a grassroots recovery advocacy organization, and Arizona Theatre Company. The benefit performance will be broadcast live at 5 p.m. (Pacific Time) / 8 p.m. (Eastern Time), Monday, May 11 simultaneously on Arizona Theatre Company’s Facebook page (@ArizonaTheatreCompany) and YouTube channel. The performance is free, but viewers are welcome to donate what they can. The performance will then be available for four days afterwards through ATC’s website and YouTube channel. All donations will be divided equally between the two organizations. A New York Times Critics’ Pick, The White Chip was last staged Off-Broadway at 59E59 Theaters in New York City, from Oct. 4 - 26, 2019. Tony Award-nominated director Sheryl Kaller, Tony Award-winning sound designer Leon Rothenberg and the original Off- Broadway cast (Joe Tapper, Genesis Oliver, Finnerty Steeves) will return for the reading. The Off-Broadway production was co-produced with Tony Award-winning producers Tom Kirdahy (Little Shop of Horrors, Hadestown) and Hunter Arnold (Little Shop of Horrors, Hadestown).
    [Show full text]
  • Performance Measurement Report
    THEATER SUBDISTRICT COUNCIL, LDC Performance Measurement Report I. How efficiently or effectively has TSC been in making grants which serve to enhance the long- term viability of Broadway through the production of plays and small musicals? The TSC awards grants, among other purposes, to facilitate the production of plays and musicals. The current round, awarding over $2.16 million in grants for programs, which have or are expected to result in the production of plays or musicals, have been awarded to the following organizations: • Classical Theatre of Harlem $100,000 (2009) Evaluation: A TSC grant enabled the Classical Theatre of Harlem to produce Archbishop Supreme Tartuffe at the Harold Clurman Theatre on Theatre Row in Summer 2009. This critically acclaimed reworking of Moliere’s Tartuffe directed by Alfred Preisser and featuring Andre DeShields was an audience success. The play was part of the theater’s Project Classics initiative, designed to bring theater to an underserved and under-represented segment of the community. Marketing efforts successfully targeted audiences from north of 116th Street through deep discounts and other ticket offers. • Fractured Atlas $200,000 (2010) Evaluation: Fractured Atlas used TSC support for a three-part program to improve the efficiency of rehearsal and performance space options, gather useful workspace data, and increase the availability of affordable workspace for performing arts groups in the five boroughs. Software designers created a space reservation calendar and rental engine; software for an enhanced data-reporting template was written, and strategies to increase the use of nontraditional spaces for rehearsal and performance were developed. • Lark Play Development Center $160,000 (2010) Evaluation: Lark selected four New York playwrights from diverse backgrounds to participate in a new fellowship program: Joshua Allen, Thomas Bradshaw, Bekah Brunstetter, and Andrea Thome.
    [Show full text]
  • PLAYBILL 2019 Media Kit
    ® PLAYBILL 2019 Media Kit ® rev.10.03.18 DECEMBER 2016 12.16 Cover.indd 1 11/10/16 3:19 PM 2019 Editorial Profile PLAYBILL Theatre As the exclusive and most-trusted magazine in the theatre community for over 130 years, PLAYBILL’s coverage and access to the most exciting events and personalities on the stage is unparalleled. Inside a PLAYBILL, theatregoers find a wealth of stories dedicated to productions around the world, as well as pieces advising theatregoers on travel, dining and drinks. Playbill magazine features these beloved staples: • ”PROGRAM” SECTION: An essential guide to the show you are about to see, including: Who’s Who bios of the actors, creative team, producers etc.; a list of the musical numbers or play scenes and acts; and other theatre particulars. • THEATRE QUIZ: A magazine staple for decades that is a conversation generator before curtain and during intermission. • ON THE TOWN: PLAYBILL’s invaluable tool to navigating the culinary and bar scenes in and around the theatre district and city at large. It includes “Celebrity Choice,” featuring stage stars’ picks for their favorite dining experiences. • HOW MANY HAVE YOU SEEN?: The go-to listing for current productions. • PLAYBILL INTERVIEWS with the industry’s most respected talents, stars in the making and people working behind the scenes. 212.557.5757 729 Seventh Avenue, 4th floor [email protected] New York, NY 10019 PLAYBILL is a registered trademark of PLAYBILL Incorporated, NYC 2019 Editorial Profile PLAYBILL Classic Arts PLAYBILL’s Classic Arts editions present editorial content that enhances and deepens a concertgoer’s appreciation of the classical arts - from the solo piano recital to the most lavish opera production to thrilling high-concept festivals.
    [Show full text]
  • T H E P Ro G
    Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St.
    [Show full text]
  • HERRICK GOLDMAN LIGHTING DESIGNER Website: HG Lighting Design Inc
    IGHTING ESIGNER HERRICK GOLDMAN L D Website: HG Lighting Design inc. Phone: 917-797-3624 www.HGLightingDesign.com 1460 Broadway 16th floor E-mail: [email protected] New York, NY 10036 Honors & Awards: •2009 LDI Redden Award for Excellence in Theatrical Design •2009 Henry Hewes (formerly American Theatre Wing) Nominee for “Rooms a Rock Romance” •2009 ISES Big Apple award for Best Event Lighting •2010 Live Design Excellence award for Best Theatrical Lighting Design •2011 Henry Hewes Nominee for Joe DiPietro’s “Falling for Eve” Upcoming: Alice in Wonderland Pittsburgh Ballet, Winter ‘17 Selected Experience: •New York Theater (partial). Jason Bishop The New Victory Theater, Fall ‘16 Jasper in Deadland Ryan Scott Oliver/ Brandon Ivie dir. Prospect Theater Company Off-Broadway, NYC March ‘14 50 Shades! the Musical (Parody) Elektra Theatre Off-Broadway, NYC Jan ‘14 Two Point Oh 59 e 59 theatres Off-Broadway, NYC Oct. ‘13 Amigo Duende (Joshua Henry & Luis Salgado) Museo Del Barrio, NYC Oct. ‘12 Myths & Hymns Adam Guettel Prospect Theater co. Off-Broadway, NYC Jan. ‘12 Falling For Eve by Joe Dipietro The York Theater, Off-Broadway NYC July. ‘10 I’ll Be Damned The Vineyard Theater, Off-Broadway NYC June. ‘10 666 The Minetta Lane Theater Off-Broadway, NYC March. ‘10 Loaded Theater Row Off-Broadway, NYC Nov. ‘09 Flamingo Court New World Stages Off-Broadway, NYC June ‘09 Rooms a Rock Romance Directed by Scott Schwartz, New World Stages, NYC March. ‘09 The Who’s Tommy 15th anniversary concert August Wilson Theater, Broadway, NYC Dec. ‘08 Flamingo Court New World Stages Off-Broadway, NYC July ‘08 The Last Starfighter (The musical) Theater @ St.
    [Show full text]
  • TRU Speak Program 021821 XS
    THEATER RESOURCES UNLIMITED VIRTUAL BENEFIT PLAYBILL TRU SPEAK Hear Our Voices! An evening of awareness to benefit THEATER RESOURCES UNLIMITED executive producer Bob Ost associate producers Iben Cenholt and Joe Nelms benefit chair Sanford Silverberg plays produced by Jonathan Hogue, Stephanie Pope Lofgren, James Rocco, Claudia Zahn assistant to the producers Maureen Condon technical coordinator Iben Cenholt/RuneFilms editor-technologists Iben Cenholt/RuneFilms, Andrea Lynn Green, Carley Santori, Henry Garrou/Whitetree, LLC video editors Sam Berland/Play It Again Sam’s Video Productions, Joe Nelms art direction & graphics Gary Hughes casting by Jamibeth Margolis Casting Social Media Coordinator Jeslie Pineda featuring MAGGIE BAIRD • BRENDAN BRADLEY • BRENDA BRAXTON JIM BROCHU • NICK CEARLEY • ROBERT CUCCIOLI • ANDREA LYNN GREEN ANN HARADA • DICKIE HEARTS • CADY HUFFMAN • CRYSTAL KELLOGG WILL MADER • LAUREN MOLINA • JANA ROBBINS • REGINA TAYLOR CRYSTAL TIGNEY • TATIANA WECHSLER with Robert Batiste, Jianzi Colon-Soto, Gha'il Rhodes Benjamin, Adante Carter, Tyrone Hall, Shariff Sinclair, Taiya, and Stephanie Pope Lofgren as the Voice of TRU special appearances by JERRY MITCHELL • BAAYORK LEE • JAMES MORGAN • JILL PAICE TONYA PINKINS •DOMINIQUE SHARPTON • RON SIMONS HALEY SWINDAL • CHERYL WIESENFELD TRUSpeak VIP After Party hosted by Write Act Repertory TRUSpeak VIP After Party production and tech John Lant, Tamra Pica, Iben Cenholt, Jennifer Stewart, Emily Pierce Virtual Happy Hour an online musical by Richard Castle & Matthew Levine directed
    [Show full text]
  • Southern Comfort
    FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience.
    [Show full text]
  • Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit.
    [Show full text]
  • Clothes Playbill
    Ticketing Services Provided By WHITE HORSE THEATER COMPANY PRESENTS..... White Horse Theater website & the contents of this playbill (excluding the front cover) are designed, produced and maintained by Right Side of NY. www.WhiteHorseTheater.com February 5 to 21, 2010 ❖ Hudson Guild Theatre “Life ended for me when Zelda and I crashed. If she could get well, I would be happy again. Otherwise, never.” - SPECIAL POST-SHOW DISCUSSION ON F. Scott Fitzgerald* SUNDAY, FEB 14TH! With Renowned Williams Scholar Dr. Annette J. Saddik "I determined to find an impersonal escape, a world in which I and Nancy Milford, author of Zelda could express myself and walk without the help of somebody who was always far from me." - Zelda Fitzgerald** Moderated by Jennifer-Scott Mobley, Ph.D. Candidate in Theater History & Criticism, CUNY Graduate Center Clothes for a Summer Hotel, Mr. Williams’ highly theatrical and evocative “ghost play”, imagines an ethereal final meeting Dr. Saddik is an Associate Professor in the English between the restless ghosts of literary great F. Scott Fitzgerald Department at New York City College of Technology and his wife Zelda. Set on a windy hilltop at the gates of the Asheville, NC asylum where Zelda was institutionalized before her (CUNY), a teacher in the Ph.D. Program in Theatre at the death by fire in 1948, a desperate Scott pleads for CUNY Graduate Center and the author of Contemporary reconciliation while Zelda blames him for her failed writing American Drama and The Politics of Reputation: The career and ensuing madness. Taking extraordinary liberties with time and place, Clothes fuses the past, present and future as Critical Reception of Tennessee Williams’ Later Plays.
    [Show full text]
  • Scenic Design for the Musical Godspell
    Scenic design for the musical Godspell Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Graduate School of The Ohio State University By Sarah Sugarbaker Graduate Program in Theatre The Ohio State University 2009 Master’s Examination Committee: Professor Dan Gray, M.F.A. Advisor Professor Mandy Fox, M.F.A. Professor Kristine Kearney, M.F.A. Copyright by Sarah Sugarbaker 2009 Abstract In April of 2009 the Ohio State University Theatre Department produced Godspell, a musical originally conceived by John‐Michael Tebelak with music by Stephen Schwartz. This production was built and technically rehearsed in the Thurber Theatre, and then moved to the Southern Theatre in downtown Columbus, OH. As the scenic designer of this production I developed an environment in which the actors and director created their presentation of the text. Briefly, the director’s concept (Appendix A) for this production was to find a way to make the production relevant to the local population. Godspell centers around the creation and support of a community, so by choosing to reference the City Center Mall, an empty shopping center in downtown Columbus, the need for making a change as a community was emphasized. This environment consisted of three large walls that resembled an obscured version of the Columbus skyline, inspired by advertisements within the shopping center. Each wall had enlarged newspapers that could be seen under a paint treatment of vibrant colors. The headlines on these papers referenced articles that the local paper has written about the situation at the shopping center, therefore making the connection more clear.
    [Show full text]