DOCSLIB.ORG

Read Ebook {PDF EPUB} Pas Pleurer by Lydie Salvayre Search Abebooks

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Ebook {PDF EPUB} Pas Pleurer by Lydie Salvayre Search Abebooks Read Ebook {PDF EPUB} Pas pleurer by Lydie Salvayre Search AbeBooks. We're sorry; the page you requested could not be found. AbeBooks offers millions of new, used, rare and out-of-print books, as well as cheap textbooks from thousands of booksellers around the world. Shopping on AbeBooks is easy, safe and 100% secure - search for your book, purchase a copy via our secure checkout and the bookseller ships it straight to you. Search thousands of booksellers selling millions of new & used books. New & Used Books. New and used copies of new releases, best sellers and award winners. Save money with our huge selection. Rare & Out of Print Books. From scarce first editions to sought-after signatures, find an array of rare, valuable and highly collectible books. Textbooks. Catch a break with big discounts and fantastic deals on new and used textbooks. Former psychiatrist Lydie Salvayre wins Prix Goncourt. A former psychiatrist has won France’s most prestigious literary prize, the Prix Goncourt, with her novel centred on the Spanish civil war. Lydie Salvayre’s book Pas Pleurer (Don’t Cry) saw off competition from, among others, the bestselling French author David Foenkinos, to win the coveted award. Salvayre, 66, whose parents were exiled republicans who fled Franco’s regime in Spain, grew up near the city of Toulouse in south-west France, speaking Spanish. She learned French after arriving at primary school. Her previous works have been translated into more than 20 languages and adapted for theatre productions. “I’m very happy and moved,” Salvayre told journalists after being named winner at the Drouant restaurant in Paris, where the annual award ceremony is traditionally held. Pas Pleurer was selected by the jury in the fifth round of voting by five votes against four for the novel Meursault Contre-enquête (Meursault, Counter-inquiry) by the Algerian columnist and novelist Kamel Daoud, who revisited Albert Camus’s celebrated work L’Étranger (The Outsider). The novel Charlotte by Foenkinos was favourite to win the Goncourt this year, with Daoud’s work close behind. Salvayre’s narrative interlaces the voice of her own mother recounting her experiences of the Spanish civil war with that of the rightwing French writer Georges Bernanos and is set in the summer of 1936. “We wanted to crown a novel of great literary quality and a book of very original writing, even if I regret there was sometimes a little too much Spanish [in it],” Bernard Pivot, the academy president, told journalists. As with previous winners, Salvayre received a symbolic prize of €10 (£7), but can expect the award to boost sales by at least 400,000 copies. In 2013, sales of Goncourt winner Pierre Lemaitre’s Au Revoir là-haut jumped from 30,000 to 620,000 according to his publisher, Albin Michel. The Prix Goncourt is given to the author of the “best and most imaginative prose work of the year”. It is named after Edmond de Goncourt, an author, critic and publisher, who willed that his estate be used to found the Académie Goncourt to present the annual award. Previous winners have included Marcel Proust for volume two of In Search of Lost Time, Simone de Beauvoir for The Mandarins, André Malraux for Man’s Fate, Marguerite Duras for The Lover, Jonathan Littell for The Kindly Ones, and Michel Houellebecq for The Map and the Territory. The first winner in 1903 was John-Antoine Nau, for his book Force Ennemie (Enemy Force), which was only translated into English in 2010. ISBN 13: 9782757854723. Prix Goncourt 2014 Bernanos était là. Il a tout vu. La répression franquiste à Majorque, la complaisance de l'Eglise face à la barbarie des Nationalistes, la terreur exercée contre les "mauvais pauvres". De la guerre civile, Montsé, elle, garde aujourd'hui un unique et radieux souvenir, celui de cet été 1936 ou, dans la ferveur libertaire, elle a rencontré André parmi les révolutionnaires de Barcelone. Deux récits s'entremêlent pour reconstruire cette Espagne en guerre, mais surtout ce qu'elle a laissé dans les coeurs des deux narrateurs. "synopsis" may belong to another edition of this title. Lydie Salvayre, est l'auteur de vingt romans, parmi lesquels La D�claration, La Compagnie des spectres (prix Novembre) et BW (prix Fran�oisBilletdoux). Ses livres sont traduits dans une vingtaine de langues. Certains ont �t� adapt�s au th��tre. Pas pleurer by Lydie Salvayre. This page is available to subscribers. Click here to sign in or get access. Paris. Éditions du Seuil. 2014. ISBN 9782021116199. In the fall of 2014, Lydie Salvayre’s novel Pas pleurer (Don’t cry) received the Prix Goncourt, winning in a field that included Kamel Daoud’s Meursault contre-enquête (2014; Eng. The Meursault Investigation , 2015). Salvayre is a prolific author with over a dozen books, including the novel La Compagnie des spectres (1997; Eng. The Company of Ghosts , 2006), which explores the enduring consequences of France’s Vichy past. In Pas pleurer , Salvayre returns to themes found in La Compagnie des spectres such as memory, trauma, nationalism, and heritage. This novel about the Spanish civil war, however, ties these elements more directly to Salvayre’s own background: her parents fled Spain for France as refugees and the narrator bears a variation of her name: Lidia. Though Salvayre returns to themes and even some plot points from La Compagnie des spectres , such as the centrality of the mother-daughter relationship, the mother’s devotion to her deceased brother, and the missing or emotionally distant father, these do not lessen the experience of reading Pas pleurer . If anything, it gives the sense that Salvayre returned because she was not yet finished with these issues, and this novel contains as much rage and passion as the previous text. Most of Pas pleurer focuses on Montse, Lidia’s ninety-year-old mother. Her memory failing, the only time period the elderly Montse can recall is her final glorious summer in Spain in 1936 and her subsequent flight. The summer included a now nearly forgotten period during which social constraints were loosened and utopia seemed to be on the horizon. All was later eclipsed by the war’s violence. For sixteen-year-old Montse, it was a moment of possibility, freedom, and hope. Salvayre juxtaposes Montse’s story with interspersed accounts from another witness to the Spanish civil war: the semi-forgotten French novelist Georges Bernanos. He was a devout Catholic and, at times, a member of the nationalist group Action Française. Lidia describes her unsettling encounter with Bernanos’s Les Grands Cimetières sous la lune (1938; Eng. A Diary of My Times , 1938), a book that describes his experience as a witness to atrocities committed by Spanish nationalists as well as the complicity of many local representatives of the Catholic Church. Bernanos’s growing unease and disbelief give way to horror and a call for justice. The juxtaposition between the uncouth sixteen-year-old Montse and a middle-aged French monarchist seems odd initially, but both are strong, compelling characters who long for a better world, and their stories complement each other. Both are brought back from the shadows of history to speak to us in the present. Book Around the Corner. This is my second mini-billet to vanquish the TBW –To Be Written— pile. I think there is a reason why Cry, Mother Spain by Lydie Salvayre stayed so long on my TBW. I don’t quite know how to write a billet about it and I kept procrastinating. Before diving into the book, one has to wonder how the French title that means No Crying or Don’t Cry became Cry, Mother Spain . The answer to that question is in Simon’s review of the book, here. Lydie Salvayre is French but her parents were Spanish immigrants. In Pas pleurer , she comes back to her mother’s youth and how the Civil War in Spain changed her life forever. Her mother is named Montserrat Monclus Arjona, “Montse”, and she came from a small village in Spain. She and her brother José went to Barcelona in 1936, to help the Anarchist movement. An adventure and some bitter disappointments later, they are back to their village. This short time in Barcelona changed Montse’ life forever. In comparison to the liveliness and modernity of Barcelona, their village seems frozen in the Middle Ages with its rigid social hierarchy. Peasants remain dirt poor and under the rule of rich families. These immutable social rules remind me of what Mouloud Feraoun describes in The Poor Man’s Son . The 1936 Anarchist movement in Barcelona meant to take down these walls made of smothering traditions and free the country of rigid social conventions and religious constraints. Lydie Salvayre shows how the hope of a revolution, of a new world with more social justice reached even small villages. Through Montse’s story, we see how Franco’s followers took over and the divides that this conflict created in communities. We see the personal fate of a young woman who embraced life in Barcelona and had to live with the repercussions of her actions. We see how women are often the first victims of conflicts and of society’s rules. We also understand how powerful the resistance to change can be, how inexperienced the young revolutionaries were. People’s fear of change always works in favor of the ones who preach immobilism. In parallel to her mother’s story, Lydie Salvayre shares her reading of Les grands cimetières sous la lune , the non-fiction book in which Georges Bernanos relates the horror of the Spanish Civil War in Mallorca and how the Catholic Church was complicit of massacres.
Load more

Recommended publications
  • Litterature Francaise Contemporaine
    MASTER ’S PROGRAMME ETUDES FRANCOPHONES 2DYEAR OF STUDY, 1ST SEMESTER COURSE TITLE LITTERATURE FRANCAISE CONTEMPORAINE COURSE CODE COURSE TYPE full attendance COURSE LEVEL 2nd cycle (master’sdegree) YEAR OF STUDY, SEMESTER 2dyear of study,1stsemester NUMBER OF ECTS CREDITS NUMBER OF HOURS PER WEEK 2 lecture hours+ 1 seminar hour NAME OF LECTURE HOLDER Simona MODREANU NAME OF SEMINAR HOLDER ………….. PREREQUISITES Advanced level of French A GENERAL AND COURSE-SPECIFIC COMPETENCES General competences: → Identification of the marks of critical discourse on French literature, as opposed to literary discourse; → Identification of the main moments of European and especially French culture that reflect the idea of modernity; → Indentification of the marks of the modern and contemporary dramatic discourse, as opposed to the literary discourse in prose and poetry; → Identification of the stakes of critical and theoretical discourse, as well as of the modern dramatic one, according to the historical and cultural context in which the main studied currents appear; → Interpretative competences in reading the studied texts and competence of cultural analysis in context. Course-specific competences: → Skills of interpretation of texts; → Skills to identify the cultural models present in the studied texts; → Cultural expression skills and competences; B LEARNING OUTCOMES → Reading and interpretation skills of theoretical texts that is the main argument for the existence of a literary French metadiscourse → Understanding the interaction between literature and culture in modern and contemporary society and the possibility of applying this in connection with other types of cultural content; C LECTURE CONTENT Introduction; preliminary considerations Characteristics; evolutions of contemporary French literature. The novel - the dominant genre.
    [Show full text]
  • 1 Matt Phillips, 'French Studies: Literature, 2000 to the Present Day
    1 Matt Phillips, ‘French Studies: Literature, 2000 to the Present Day’, Year’s Work in Modern Language Studies, 80 (2020), 209–260 DOI for published version: https://doi.org/10.1163/22224297-08001010 [TT] Literature, 2000 to the Present Day [A] Matt Phillips, Royal Holloway, University of London This survey covers the years 2017 and 2018 [H2]1. General Alexandre Gefen, Réparer le monde: la littérature française face au XXIe siècle, Corti, 2017, 392 pp., argues that contemporary French literature has undergone a therapeutic turn, with both writing and reading now conceived in terms of healing, helping, and doing good. G. defends this thesis with extraordinary thoroughness as he examines the turn’s various guises: as objects of literature’s care here feature the self and its fractures; trauma, both individual and collective; illness, mental and physical; mourning and forgetfulness, personal and historical; and endangered bonds, with humans and beyond, on local and global scales. This amounts to what G. calls a new ‘paradigme clinique’ and, like any paradigm shift, this one appears replete with contradictions, tensions, and opponents, not least owing to the residual influence of preceding paradigms; G.’s analysis is especially impressive when unpicking the ways in which contemporary writers negotiate their sustained attachments to a formal, intransitive conception of literature, and/or more overtly revolutionary political projects. His thesis is supported by an enviable breadth of reference: G. lays out the diverse intellectual, technological, and socioeconomic histories at work in this development, and touches on close to 200 contemporary writers. Given the broad, synthetic nature of the work’s endeavour, individual writers/works are rarely discussed for longer than a page, and though G.’s commentary is always insightful, specialists on particular authors or social/historical trends will surely find much to work with and against here.
    [Show full text]
  • Didafictions. Littérarité, Didacticité Et Interdiscursivité Dans Douze
    Didafictions. Littérarité, didacticité et interdiscursivité dans douze romans de Robert Bober, Michel Houellebecq et Yasmina Khadra Karl Ågerup Forskningsrapporter / Cahiers de la Recherche 52 Didafictions Littérarité, didacticité et interdiscursivité dans douze romans de Robert Bober, Michel Houellebecq et Yasmina Khadra Karl Ågerup ©Karl Ågerup, Stockholm 2013 ISSN 1654-1294 ISBN 978-91-7447-748-1 Printed in Sweden by US-AB, Stockholm 2013 Distributor: Department of Romance Studies and Classics, Stockholm University Front page illustration: “Apskogen” (detail) by Clara Bergom Larsson Remerciements J’adresse mes profonds remerciements à mes directeurs de thèse, les profes- seurs Bengt Novén et Roland Lysell. L’extrême dévouement de M Bengt Novén ainsi que ses connaissances dans le domaine de la littérature moderne m’ont considérablement servi tout au cours du processus de travail. Pour M Roland Lysell je suis très reconnaissant qu’il ait accepté de me diriger bien qu’il appartienne à un autre département que le mien. M Lysell a depuis le début fait preuve d’une générosité remarquable en suivant mon travail de près avec une patience admirable. En outre, ses compétences dans le do- maine de la théorie littéraire ainsi que sa perspective historique exhaustive ont été décisives pour l’achèvement de la thèse. Je suis également reconnais- sant envers les collègues spécialisés sur l’analyse du discours, Mme la pro- fesseure Françoise Sullet-Nylander tout en particulier. Sans leur soutien et sans leurs commentaires toujours aussi pertinents je n’aurais pas pu conclure ce travail d’une manière satisfaisante. De même, je voudrais adresser mes remerciements les plus sincères à M Wandrille Micaux qui a accepté d’assurer la révision linguistique et qui m’a toujours encouragé en faisant preuve d’une passion contagieuse pour la littérature et pour l’enseignement.
    [Show full text]
  • Současná Francouzská Literatura Na Českém Knižním Trhu
    Současná francouzská literatura na českém knižním trhu Jovanka Šotolová • domácí jazyk francouzsky psaná • správní jazyk literatura • druhotný nebo neoficiální jazyk Francie, Monako, Belgie, Švýcarsko, Lucembursko, • frankofonní menšina Kanada (Québec), Libanon, Maghreb, Afrika, Madagaskar… Francouzská literatura česky v průběhu dvou staletí autoři - vývoj recepce 45 40 35 30 25 20 15 10 5 0 1860 1870 1880 1890 1900 1910 1920 1930 1940 1950 1960 1970 1980 1990 2000 2010 počet titulů vydanýchpočet v dekádě La Fontaine 0 2 1 2 0 0 4 0 2 2 0 1 1 2 7 3 Villon 0 0 0 0 1 0 1 3 5 3 2 0 1 2 10 1 Sade 0 0 0 0 0 0 2 3 0 0 0 0 0 14 10 2 Hugo 5 7 4 2 9 9 39 16 3 23 10 10 6 2 9 4 Musset 0 1 2 3 6 4 16 5 0 7 2 3 0 4 4 2 Zola 0 0 2 21 23 31 42 33 2 9 10 9 4 2 3 5 Stendhal 0 0 0 1 5 2 9 2 2 16 11 7 5 2 5 0 Flaubert 0 0 0 7 1 12 20 22 4 5 11 6 0 2 9 2 Rimbaud 0 0 0 0 0 2 0 4 0 5 5 2 2 3 4 2 Verlaine 0 0 0 0 1 3 1 4 3 2 2 4 1 9 9 0 Nerval 0 0 0 0 1 1 1 2 0 2 1 0 0 5 1 0 překlady beletrie z francouzštiny 1989 až 2018 160 140 139 140 133 134 127 122 118 118 120 117 111 112 113 108 106 103 100 101 102 99 97 97 100 94 91 91 88 90 85 80 60 43 40 33 20 0 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 • ediční preference ovlivňuje rozdílná velikost francouzského a českého knižního trhu • na knižních trzích panují různé zákonitosti a zvyklosti odlišný knižní • současní francouzští autoři u nás až trh na výjimky nepatří k obecně „známým“ jménům • literární ceny • (fr.) bestsellery, úspěšné tituly z (fr.) prodejních přehledů 587 autorů bylo v období 28 let (1990 až 2018) představeno 2% pouze jedním 3% přeloženým titulem, 6% 153 autorům vyšly dvě 5% knihy.
    [Show full text]
  • Experiencing Literature 72
    Udasmoro / Experiencing Literature 72 EXPERIENCING LITERATURE Discourses of Islam through Michel Houellebecq’s Soumission Wening Udasmoro Universitas Gadjah Mada [email protected] Abstract This article departs from the conventional assumption that works of literature are only texts to be read. Instead, it argues that readers bring these works to life by contextualizing them within themselves and draw from their own life experiences to understand these literary texts’ deeper meanings and themes. Using Soumission (Surrender), a controversial French novel that utilizes stereotypes in its exploration of Islam in France, this research focuses on the consumption of literary texts by French readers who are living or have lived in a country with a Muslim majority, specifically Indonesia. It examines how the novel’s stereotypes of Muslims and Islam are understood by a sample of French readers with experience living in Indonesia. The research problematizes whether a textual and contextual gap exists in their reading of the novel, and how they justify this gap in their social practices. In any reading of a text, the literal meaning (surface meaning) is taken as it is or the hidden meaning (deep meaning), but in a text that is covert in meaning, the reader may either venture into probing the underlying true meaning or accept the literal meaning of the text. However, this remains a point of contention and this research explores this issue using critical discourse analysis in Soumission’s text, in which the author presents the narrator’s views about Islam. The question that underpins this analysis is whether a reader’s life experiences and the context influence his or her view about Islam in interpreting Soumission’s text.
    [Show full text]
  • Itinéraires, 2014-3 | 2015 De La « Noire » À La « Blanche » : La Position Mouvante Du Roman Policier Au
    Itinéraires Littérature, textes, cultures 2014-3 | 2015 Le polar en Europe : réécritures du genre De la « Noire » à la « Blanche » : la position mouvante du roman policier au sein de l’institution littéraire Marc Lits Éditeur Pléiade Édition électronique URL : http://itineraires.revues.org/2589 DOI : 10.4000/itineraires.2589 ISSN : 2427-920X Référence électronique Marc Lits, « De la « Noire » à la « Blanche » : la position mouvante du roman policier au sein de l’institution littéraire », Itinéraires [En ligne], 2014-3 | 2015, mis en ligne le 25 septembre 2015, consulté le 30 septembre 2016. URL : http://itineraires.revues.org/2589 ; DOI : 10.4000/itineraires.2589 Ce document a été généré automatiquement le 30 septembre 2016. Itinéraires est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. De la « Noire » à la « Blanche » : la position mouvante du roman policier au ... 1 De la « Noire » à la « Blanche » : la position mouvante du roman policier au sein de l’institution littéraire Marc Lits 1 Le journal Le Monde daté du 5 novembre 2013 annonce en ces termes l’attribution du nouveau prix Goncourt : « le roman de Pierre Lemaitre […] était depuis plusieurs semaines le favori des pronostics pour le prix Goncourt. Il marque le passage à la littérature “blanche” de cet auteur de polars reconnu, âgé de 62 ans, traduit en vingt langues ». Le quotidien La Libre Belgique du même jour titre ainsi la biographie de l’auteur consacré : « Venu du roman noir ». L’hebdomadaire Paris Match, dans son interview du romancier primé publié deux jours plus tard, le 7 novembre, revient sur ce passage de « la noire » à « la blanche » : — Pourquoi vouloir quitter l’univers des séries noires, justement ? — Quand on est un auteur noir, qu’on écrit des polars, il arrive un moment, dans notre carrière, où l’on a envie de « sniffer de la blanche » : d’écrire des romans et de devenir, enfin, un écrivain.
    [Show full text]
  • Responsibility, Injustice and the American Dilemma
    Buffalo Human Rights Law Review Volume 11 Article 2 9-1-2005 Responsibility, Injustice and the American Dilemma Mohammad-Mahmoud Ould Mohamedou Harvard University Follow this and additional works at: https://digitalcommons.law.buffalo.edu/bhrlr Part of the Military, War, and Peace Commons Recommended Citation Mohammad-Mahmoud O. Mohamedou, Responsibility, Injustice and the American Dilemma, 11 Buff. Hum. Rts. L. Rev. 3 (2005). Available at: https://digitalcommons.law.buffalo.edu/bhrlr/vol11/iss1/2 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Buffalo Human Rights Law Review by an authorized editor of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. RESPONSIBILITY, INJUSTICE AND THE AMERICAN DILEMMA Mohammad-Mahmoud Ould Mohamedou* Catching a nonchalant America engaged more than ever in the busi- ness of entertaining itself and ignoring its responsibilities as a superpower, the September 11, 2001 attacks on New York and Washington marked the end of American insouciance. In spite of all that has been written and said about these events, there remains, paradoxically, a deep-seated reluctance in the United States to openly confront the reasons behind the assault, and to answer accurately the one question that continues to matter urgently: Why did this happen? Why indeed did this happen? What was driving the per- petrators of the attacks? What made these modem, urban-savvy, college- educated young men plan such an operation so professionally and so care- fully? From where did they muster their motivation and dedication? And why were they willing to give their lives in their prime? Because the attacks were the work of nineteen Arab Muslims (in- cluding fifteen Saudis led by an Egyptian, an Emirati, and a Lebanese), the required analysis also concerns the relationship between the United States (and the Western world as a whole) and the Arabo-Islamic world.
    [Show full text]
  • And the Author in Modern French Autobiography Marguerite Duras and Annie Ernaux
    Vol. 1, 259-270 ISSN: 0210-7287 THE «I» AND THE AUTHOR IN MODERN FRENCH AUTOBIOGRAPHY MARGUERITE DURAS AND ANNIE ERNAUX El «yo» y el autor en la autobiografía francesa moderna de Marguerite Duras y Annie Ernaux Netta NAKARI University of Tampere [email protected] Recibido: marzo de 2013; Aceptado: mayo de 2013; Publicado: diciembre de 2013 BIBLID [0210-7287 (2013) 3; 259-270] Ref. Bibl. NETTA NAKARI. THE «I» AND THE AUTHOR IN MODERN FRENCH AUTOBIOGRAPHY MARGUERITE DURAS AND ANNIE ERNAUX. 1616: Anuario de Literatura Comparada, 3 (2013), 259-270 RESUMEN: La emergencia de lo individual ha dominado durante algún tiempo la esfera pública francesa. Esto es especialmente notable cuando se trata de la escritura autobiográfica. Las obras de Marguerite Duras y Annie Ernaux se centran en el individuo y la relación entre el «yo» y la figura del autor en términos generales, y nos proporcionan diversas claves sobre la importancia de la escritura autobiográfica en relación con sus vidas y personalidades. En el análisis de lo individual en su obra son especialmente relevantes los múltiples estratos de autoconsciencia. Palabras clave: Marguerite Duras, Annie Ernaux, Autobiografía Francesa, Lo Individual, Autoconsciencia. © Ediciones Universidad de Salamanca 1616: Anuario de Literatura Comparada, 3, 2013, pp. 259-270 260 NETTA NAKARI THE «I» AND THE AUTHOR IN MODERN FRENCH ABSTRACT: The emergence of the individual has for some time now domi- nated the public field in France. This is especially visible when it comes to autobiographical writing. Marguerite Duras’s and Annie Ernaux’s works address the focus on the individual and the relationship between the «I» and the author in general, and also hold various clues to the importance of autobiographical writing to their lives and personalities.
    [Show full text]
  • WARREN F. MOTTE JR. Department of French and Italian 3374 16Th
    WARREN F. MOTTE JR. Department of French and Italian 3374 16th Street University of Colorado Boulder Boulder, Colorado 80309-0238 Colorado 80304 Tel: 303-492-6993 Tel: 303-440-4323 [email protected] [email protected] EDUCATION Ph.D. University of Pennsylvania French Literature 1981 A.M. University of Pennsylvania French Literature 1979 Maîtrise Université de Bordeaux Anglo-American Literature 1976 A.B. University of Pennsylvania English Literature 1974 INTERESTS Contemporary French Literature Comparative Literature Theory of Literature Literary Experimentalism POSITIONS HELD DISTINGUISHED PROFESSOR, University of Colorado, 2018- COLLEGE PROFESSOR OF DISTINCTION, University of Colorado, 2016- PROFESSOR, University of Colorado, 1991- ASSOCIATE PROFESSOR, University of Colorado, 1987-91 ASSOCIATE PROFESSOR, University of Nebraska, 1986-87 ASSISTANT PROFESSOR, University of Nebraska, 1982-86 LECTEUR, Université de Bordeaux, 1975-77 TEACHING FELLOW, University of Pennsylvania, 1974-75; 1977-82 Motte 2 PUBLICATIONS BOOKS The Poetics of Experiment: A Study of the Work of Georges Perec (Lexington: French Forum Monographs, 1984). Questioning Edmond Jabès (Lincoln: University of Nebraska Press, 1990). Playtexts: Ludics in Contemporary Literature (Lincoln: University of Nebraska Press, 1995). Small Worlds: Minimalism in Contemporary French Literature (Lincoln: University of Nebraska Press, 1999). Fables of the Novel: French Fiction Since 1990 (Normal: Dalkey Archive Press, 2003). Fiction Now: The French Novel in the Twenty-First Century (Champaign: Dalkey Archive Press, 2008). Mirror Gazing (Champaign: Dalkey Archive Press, 2014). French Fiction Today (Victoria: Dalkey Archive Press, 2017). EDITED VOLUMES Oulipo: A Primer of Potential Literature (Lincoln: University of Nebraska Press, 1986). Translated and edited. Rev. ed. Normal: Dalkey Archive Press, 1998; rpt. 2007.
    [Show full text]
  • 14-18. Écrire La Guerre « Le Blog De L'école Des Lettres
    ecoledeslettres.fr http://www.ecoledeslettres.fr/blog/arts/14-18-ecrire-la-guerre-2/#more-13245 14-18. Écrire la guerre « Le Blog de l'École des lettres Le numéro de juin de l’École des lettres est consacré à la Première Guerre mondiale. Labellisé par la Mission du Centenaire, il propose plusieurs angles d’approche pour explorer un immense champ de lecture, des romans et récits écrits au cœur même du conflit à ceux qui, de nos jours, interrogent encore le cataclysme. Ce dossier prolonge une série d’études et de recherches de l’École des lettres sur la littérature et la guerre que l’on trouvera rassemblées ici. Il sera régulièrement augmenté de contributions liées aux recherches suscitées par la commémoration du conflit et est ouvert à vos propositions. .. 14-18. Écrire la guerre . La Mission du Centenaire de la Première Guerre mondiale. Entretien avec Alexandre Lafon, historien, conseiller pour l’action pédagogique auprès de la Mission. La Mission du Centenaire, groupement d’intérêt public créé en 2012, a pour objet de mettre en œuvre, en 2014, les commémorations de la Première Guerre mondiale afin de donner à celle-ci sa pleine dimension historique, sur le modèle du bicentenaire de la Révolution française de 1989. L’un des enjeux majeurs de ces commémorations est la transmission des mémoires et de l’histoire de la Première Guerre mondiale : il s’agit de la rendre compréhensible et d’en faire un héritage commun partagé, notamment chez les jeunes. Il s’agit de mettre les élèves en position d’héritiers pour « patrimonialiser » cette guerre, au sens vivant du terme, afin qu’ils deviennent eux-mêmes les acteurs de cet héritage.
    [Show full text]
  • Centenaire Grande Guerre 1914-1918
    La Grande Guerre Un film de Mario MONICELLI (Italie, 1959) "La Grande Guerre a 100 ans" Avec Alberto Sordi, Vittorio Gassman, Bernard Blier Deux soldats italiens, couards et veules, engagés sur le front, cherchent par tous les moyens possibles à éviter de se faire tuer pour la patrie. Ce récit picaresque, mélange de farce, d’humour Lire, voir et entendre la Première Guerre mondiale dans noir, et de tragique assumé, définit tout le style de Monicelli : provoquer le rire pour mieux dénon- cer l’inacceptable. Cette tentative d’un des maîtres de la comédie italienne fait mouche, nous les collections du Réseau des idées prouvant que sous l’apparente légèreté se profile une authentique réflexion sur cette épreuve chaotique ultime qu’est la guerre. VHS disponible à la Médiathèque André Malraux. 1918 1915 Pour l’exemple Un film de Joseph LOSEY (Grande-Bretagne, 1964) Avec Tom Courtenay, Dirk Bogarde 1917, année de la grande mutinerie sur tous les fronts armés. Un avocat militaire est chargé de défendre un soldat accusé de désertion par sa hiérarchie. Il s’agit de faire un exemple… Sobriété et efficacité traduisent le style d’un film construit en huis-clos, qui par son économie de moyens revendiquée, parvient néanmoins à s’imposer comme un réquisitoire critique lucide 1914 1917 contre la guerre, son absurdité, sa cruauté, son absence de fondamentale humanité. 1916 Dirk Bogarde et Tom Courtenay impeccables dans un Losey parfaitement maîtrisé. DVD disponible à la Médiathèque André Malraux. La Maison des bois Une série télévisée réalisée par Maurice PIALAT (France, 1970) Avec Pierre Doris, Jacqueline Dufranne, Hervé Lévy Peu connu dans la filmographie de Pialat, ce feuilleton produit par l’ORTF est considéré par cer- La Première Guerre mondiale a cent ans.
    [Show full text]
  • Literary Translation
    Literary Translation 1. Dionysia Press Ltd, UK Books: 1. The Density of Now; Alexis Stamatis (GR to EN) 2. Raising of the Soul, On the Salty Earth, From the Ends of the Earth; Byron Leodaris (GR to EN) 3. 15 October 1960, The secret burial of Eleanor Tilsen; Nikos Davetas (GR to EN) 4. Hold Hands among the Atoms, Demon; Edwin Morgan (EN to GR) 5. Like Words, The Body without a Passkey; Zefi Daraki (GR to EN) Community funding: € 44.579 2. IBERBOREA, IT Books: 1. Gramosinn Gloir; Thor Vilhjalmsson (ISL to IT) 2. I Brokiga Namnet; Torgny Lindgren (SW to IT) 3. Iloisen Kotiinpaluun Asuinsijat; Leena Lander (FI to IT) 4. Popularmusik fran vittula; Nikael Niemi (SW to IT) Community funding: € 13.903 3. Norstedts Förlag, SE Books: 1. Vandrehistorier; John Erik Riley (NO to SW) 2. Sejd; Suzanne Brogger (DA to SW) 3. Galyanaplo; Imre Kertesz (HU to SW) 4. Requiem pour l’est; Andrei Makine (FR to SW) Community funding: € 20.667 4. PAX FORLAG, NO Books: 1. The Biographer’s Tale; A.S. Byatt (EN to NO) 2. The Rotter’s Club; Jonathan Coe (EN to NO) 3. L’Enfant du Peuple Ancien; Anouar Benmalek (FR to NO) 4. Det rigtige; Vibeke Gronfeldt (DA to NO) 5. Tristanakkord; Hans-Ulrich Treichel (DE to NO) 6. Popularmusik fran Vittula; Mikael Niemi (SW to NO) Community funding: € 37.521 5. Rabén & Sjögren Bokförlag, SE Books: 1. Icke naken, Icke klett; Torun Lian (NO to SW) 2. Witch Child; Celia Rees (EN to SW) 3. Charmed; Diana Jones (EN to SW) 4.
    [Show full text]