Proceedings of the International Conference on New Interfaces for Musical Expression, 30 May - 1 June 2011, Oslo, Norway Integra Live: a new graphical user interface for live electronic music Jamie Bullock Daniel Beattie Jerome Turner Birmingham Conservatoire Beelion Interactive User-lab, BIAD Birmingham, UK London, UK Birmingham, UK
[email protected] [email protected] [email protected] ABSTRACT acoustic instrumental study or composition and simply want In this paper we describe a new application, Integra Live, to experiment with live electronics. As a tool for dataflow designed to address the problems associated with software programming and DSP, Max may be highly usable, but for usability in live electronic music. We begin by outlining musicians with little experience in this area, Max presents the primary usability and user-experience issues relating to an unreasonably steep learning curve. A number of existing projects seek to address this prob- the predominance of graphical dataflow languages for the 3 composition and performance of live electronics. We then lem. For example, the Jamoma project provdes ‘a system discuss the specific development methodologies chosen to for developing high-level modules in the Max/MSP/Jitter address these issues, and illustrate how adopting a user- environment’[9], and more recently, a set of frameworks centred approach has resulted in a more usable and humane for developing Jamoma modules outside of Max[10, 11]. interface design. The main components and workflows of Jamoma offers significant advantages for both users and de- the user interface are discussed, giving a rationale for key velopers, presenting itself as a complete ‘platform’ within design decisions.