Dossier Verantwoordelijke : Cliff Haerden Contact : 0474 30 75 41

Total Page:16

File Type:pdf, Size:1020Kb

Dossier Verantwoordelijke : Cliff Haerden Contact : 0474 30 75 41 Dossier verantwoordelijke : Cliff Haerden Contact : 0474 30 75 41 Email: [email protected] Website : http://www.toyotaclub.be Zetel: Gemengde Brigadestraat 15,3545 Halen EVENT Locatie: Mechelen Nekkerhal Datum:25-04-2009 t.e.m. 26-04-2009 Event: Dreamcar International 2009 Stand: Toyotaclub Belgium Oppervlakte: 300 vierkante meter (288) Omschrijving: Stand met 8 wagens, 1 pagoda van 6 bij 9 meter met infostand en videoprojectie MATTERIAAL 4 x 150 watt Luidsprekers bijhorende versterker met 4 x 100 watt Projector XGA Voor inhouse made filmpjes over de club Alle vertoonde foto’s en films van de club zelf gebruiken licentie zoals opgegeven in apendix A! Dit document omvat de playlist zoals gebruikt zal worden op het evenement. ARTIEST : avelino Contact: [email protected] Website: http://avelino.atlantes.org/blog/ Gebruikte nummers in onze playlist : Aciiid Moon filter disco + house IO Scat Gordo I Love Rhodes Licentie zie APENDIX A creative com. Licentie ARTIEST : Automatous Monk Contact: [email protected] Website: http://www.automatous-monk.com/ Gebruikte nummers in onze playlist : Prelude and Fugue in B minor Generated from elementary cellular automata rule 206. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in B major Generated from elementary cellular automata rule 201. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in B flat minor Generated from elementary cellular automata rule 190. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in B flat major Generated from elementary cellular automata rule 188. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in A minor Generated from elementary cellular automata rule 158. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in A major 2:39 Generated from elementary cellular automata rule 157. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in G sharp minor Generated from elementary cellular automata rule 156. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in A flat major Generated from elementary cellular automata rule 150. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in G minor Generated from elementary cellular automata rule 137. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in G major Generated from elementary cellular automata rule 135. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in F sharp minor Generated from elementary cellular automata rule 110. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in F sharp major Generated from elementary cellular automata rule 105. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in F minor Generated from elementary cellular automata rule 79. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in F major Generated from elementary cellular automata rule 78. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in E minor Generated from elementary cellular automata rule 77. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in E major Generated from elementary cellular automata rule 73. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in E flat minor/D sharp minor Generated from elementary cellular automata rule 62. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in E flat major Generated from elementary cellular automata rule 60. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in D minor Generated from elementary cellular automata rule 57. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in D Major (Rule 54) Generated from elementary cellular automata rule 54. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in C Sharp Minor (Rule 45) Generated from elementary cellular automata rule 45. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in C Sharp Major (Rule 33) Generated from elementary cellular automata rule 33. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in C Minor (Rule 29) Generated from elementary cellular automata rule 29. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Prelude and Fugue in C Major (Rule 28) Generated from elementary cellular automata rule 28. [ tags: ] [ genres: *none* *none* ] [ info: 2:39 mp3 ccbysa2.0 ] Do Vidjenja Generated from elementary cellular automata rule 119. [ tags: ] [ genres: *none* *none* ] [ info: 5:41 mp3 ccbysa2.0 ] Licentie zie APENDIX A creative com. Licentie EXTRA: My songs are all generated from cellular automata using an open-source program I wrote, Automatous Monk. ARTIEST : audionautix Contact: [email protected] Website: http://www.audionautix.com/ Gebruikte nummers in onze playlist : TheMightyKingdom Regal Ochestral Film Music [ tags: soundtrack film regal royal ] [ genres: soundtrack classical ] [ info: 2:56 mp3 ccbysa2.5 ] Antarctica Epic Film Soundtrack music [ tags: soundtrack music film moodmusic ] [ genres: soundtrack orchestral ] [ info: 3:50 mp3 ccbysa2.5 ] Licentie zie APENDIX A creative com. licentie EXTRA: you can find an entire selection at youtube.com/audionautix Background music for all sorts of uses. Films, Documentaries, whatever you want. ARTIEST : arturas bumsteinas Contact: [email protected] Website: http://www.opsound.org/artist/arturasbumsteinas/ Gebruikte nummers in onze playlist : maxima looped city sound- low sine [ tags: ] [ genres: *none* *none* ] [ info: mp3 ccbysa1.0 ] media looped city sound- middle sine [ tags: ] [ genres: *none* *none* ] [ info: mp3 ccbysa1.0 ] minima looped city sound- high sine [ tags: ] [ genres: *none* *none* ] [ info: mp3 ccbysa1.0 ] Licentie zie APENDIX A creative com. licentie EXTRA: the sounds consist of sinusoidal waves statically combined together with the citysound of konstantinopol (this sound was collecte i am composer from vilnius, lithuania. working in all sound sights. also working in interdisciplinary art duo G-LAB as video artist and performer. ARTIEST : Arkady Michalik & MUSICOCOMPANY Contact: [email protected] Website: http://www.arkadymichalik.republika.pl/ Gebruikte nummers in onze playlist : If [ tags: jazz free arkady michalik musicocompany ] [ genres: jazz fusion ] [ info: mp3 ccpd ] Groovy [ tags: jazz free arkady michalik musicocompany ] [ genres: jazz fusion ] [ info: mp3 ccpd ] Ballad [ tags: ] [ genres: jazz funk ] [ info: mp3 ccpd ] Cross each other [ tags: ] [ genres: jazz funk ] [ info: mp3 ccpd ] Everything or nothing [ tags: ] [ genres: jazz funk ] [ info: mp3 ccpd ] I split out my words new ver 2 [ tags: ] [ genres: jazz funk ] [ info: mp3 ccpd ] Indu [ tags: ] [ genres: jazz indie ] [ info: mp3 ccpd ] I spit out my words [ tags: ] [ genres: funk jazz ] [ info: mp3 ccpd ] James [ tags: ] [ genres: funk jazz ] [ info: mp3 ccpd ] Parking [ tags: ] [ genres: funk jazz ] [ info: mp3 ccpd ] I don't know who we are [ tags: ] [ genres: funk jazz ] [ info: mp3 ccpd ] Licentie zie APENDIX A creative com. licentie EXTRA: We are Funky Team from Poland in Europe, Chybie City, Silesia Region. MUSICOCOMPANY funky band. Arkady Michalik Jazz & Funky Guitarist www.arkadymichalik.republika.pl We play together since may 2004. Justyna Masny - vocal Arkady Michalik - guitars Grzegorz Zydek - bass Andrzej Zydek - drums Wojtek Jaminski - ex vocal We love jazz and funk music, and that music we play. ARTIEST : arcade Contact: [email protected] Website: http://www.klunk.org/ Gebruikte nummers in onze playlist : arcadelonely appliance An early Arcade time stretching experiment. This composition is a small selection of drum loops strected beyond all recognition adnd then lovingly layered together. [ tags: electronic time strech ] [ genres: electronic experimental ] [ info: 1.26 mp3 ccbysa2.5 ] graphs composition made with oscillator and feedback / delay [ tags: experimental ambient electonica ] [ genres: experimental electronic ] [ info: 8:06 mp3 ccbysa2.5 ] Licentie zie APENDIX A creative com. licentie EXTRA: experimental electonic audio compositions ARTIEST : Aray Contact: [email protected] Website: http://www.arcuk.org/pages/arc_music.htm Gebruikte nummers in onze playlist : Some ARC Voices Remix Instrumental - sample Some ARC Voices was the result of the vibes at the time of recording the vocals. I like the way it turned out especially as me and Djigui composed it from scratch in one session. These were some of the ideas going through my head. I kept on thinking about 'Voices in the Wilderness'; it’s the name of a peace organisation you know. And all the reasons people had given me for not supporting ARC, such as the fear many have. I wanted to end on a positive, happy note. I hope people can dance to it and find it uplifting. [ tags: ] [ genres: instrumental *none* ] [ info: mp3 ccbysa2.0 ] Some ARC Voices - sample Some ARC Voices was the result of the vibes at the time of recording the vocals. I like the way it turned out especially as me and Djigui composed it from scratch in one session. These were some of the ideas going through my head. I kept on thinking about 'Voices in the Wilderness'; it’s the name of a peace organisation you know. And all the reasons people had given me for not supporting ARC, such as the fear many have. I wanted to end on a positive, happy note. I hope people can dance to it and find it uplifting. [ tags: ] [ genres: world *none* ] [ info: mp3 ccbysa2.0 ] Spider and Fly Dub2 The Spider and The Fly was recorded in 1994. As I had it lying around doing nothing I though I would include it. Bwoy it was hard to find someone to convert it from DAT tape to CD. I wrote and recorded it when I was playing carnival mas with a band called Coffee boys and Girls who played The Spider and The Fly mas that year.
Recommended publications
  • The Roots Music Magazine Including Rock'n'roll, R&B, Soul, Jazz, Folk
    www.tftw.org.uk £1/19/11d - £2.00 - €3.00 - $3.75 The Roots Music Magazine including Rock'n'Roll, R&B, soul, jazz, folk, The Roots Music Networking Group country and 58 much more ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK The sound of Robb Davis’s double bass being slapped as Brian ‘Bunter’ Clark’s drums whacked the offbeat, Claire Hamlin from the Alabama Slammers, her fingers pounding the keyboards, and John Spencely’s guitar starting to riff as the House Band kicked off ‘Tales From The Woods’ rock party at the ‘Inn On The Green’ in Portobello, W11. The beginning of a real night of fifties Rock’n'Roll with many singers sitting in throughout the evening including Cliff Edmunds (the Avengers), a perfect rendering of ‘Move It’ and ‘Brand New Cadillac’; Pete Stockton ‘Girl Of My Best Friend’; Dave Sampson (the Hunters) sang ‘Love Me’; Danny Rivers, ‘Can’t You Hear My Heart’ plus Ray Lee (Dream Lover) and of course Rockin' Gerry Champion of the 2i’s coffee bar, rocked ‘I Go Ape’. Everybody was here not only to celebrate Keith’s birthday but also to thank him for all his great efforts in keeping the faith and attracting musicians from that magic time, way back when I was really young and played or jived the night away in Soho town. We even had a Skiffle group and Allan Bailey, (Soho Leg-ends) sang ‘Rock Island Line’. A friend shouted in my ear that “No tea chest bass sounded as good as the ones made for PG Tips!” In fact Ken Major had brought his original one from back in 1956.
    [Show full text]
  • Ne-Yo Au Festival Mawazine
    Communiqué de presse Rabat, 23 avril 2014 La dernière découverte du rap US à Mawazine Ne-Yo se produira en concert à Rabat le 04 juin 2014 L’Association Maroc Cultures a le plaisir de vous annoncer la venue du chanteur américain Ne-Yo à l’occasion de la 13ème édition du Festival - Mawazine Rythmes du Monde. Ne-Yo se produira mercredi 04 juin 2014 sur la scène de l’OLM-Souissi à Rabat. Dernière découverte du prestigieux label Def Jam, dont l’histoire se confond en grande partie avec celle du rap américain, Ne-Yo (né Shaffer Smith) a hérité d’une voix unique en son genre, inspirée de Stevie Wonder et des plus grands noms de la soul. L’artiste a obtenu en 2008 le Grammy Award du meilleur album contemporain R&B et composé des tubes pour Beyoncé, Rihanna et Britney Spears. Né en 1979 à Los Angeles, Ne-Yo est élevé par une famille de musiciens et se passionne très tôt pour la musique. Ses idoles de l'époque s’appellent Whitney Houston et Michael Jackson. Au cours de cette période, le garçon développe une culture musicale importante, s’essaie au chant, à la composition et à l'écriture. Après plusieurs prestations réussies, Ne-Yo retient l'attention de Def Jam, le label le plus actif de la scène R&B. Avec lui, le chanteur enregistre les singles So Sick , Sexy Love et When You're Mad , qui reçoivent un accueil très favorable dans les clubs de la côte ouest. Ne-Yo sort en 2006 son premier album, In My Own Words , qui se vend à 1 million d’exemplaires.
    [Show full text]
  • 11 — 27 August 2018 See P91—137 — See Children’S Programme Gifford Baillie Thanks to All Our Sponsors and Supporters
    FREEDOM. 11 — 27 August 2018 Baillie Gifford Programme Children’s — See p91—137 Thanks to all our Sponsors and Supporters Funders Benefactors James & Morag Anderson Jane Attias Geoff & Mary Ball The BEST Trust Binks Trust Lel & Robin Blair Sir Ewan & Lady Brown Lead Sponsor Major Supporter Richard & Catherine Burns Gavin & Kate Gemmell Murray & Carol Grigor Eimear Keenan Richard & Sara Kimberlin Archie McBroom Aitken Professor Alexander & Dr Elizabeth McCall Smith Anne McFarlane Investment managers Ian Rankin & Miranda Harvey Lady Susan Rice Lord Ross Fiona & Ian Russell Major Sponsors The Thomas Family Claire & Mark Urquhart William Zachs & Martin Adam And all those who wish to remain anonymous SINCE Scottish Mortgage Investment Folio Patrons 909 1 Trust PLC Jane & Bernard Nelson Brenda Rennie And all those who wish to remain anonymous Trusts The AEB Charitable Trust Barcapel Foundation Binks Trust The Booker Prize Foundation Sponsors The Castansa Trust John S Cohen Foundation The Crerar Hotels Trust Cruden Foundation The Educational Institute of Scotland The Ettrick Charitable Trust The Hugh Fraser Foundation The Jasmine Macquaker Charitable Fund Margaret Murdoch Charitable Trust New Park Educational Trust Russell Trust The Ryvoan Trust The Turtleton Charitable Trust With thanks The Edinburgh International Book Festival is sited in Charlotte Square Gardens by the kind permission of the Charlotte Square Proprietors. Media Sponsors We would like to thank the publishers who help to make the Festival possible, Essential Edinburgh for their help with our George Street venues, the Friends and Patrons of the Edinburgh International Book Festival and all the Supporters other individuals who have donated to the Book Festival this year.
    [Show full text]
  • Informatique Et MAO 1 : Configurations MAO (1)
    Ce fichier constitue le support de cours “son numérique” pour les formations Régisseur Son, Techniciens Polyvalent et MAO du GRIM-EDIF à Lyon. Elles ne sont mises en ligne qu’en tant qu’aide pour ces étudiants et ne peuvent être considérées comme des cours. Elles utilisent des illustrations collectées durant des années sur Internet, hélas sans en conserver les liens. Veuillez m'en excuser, ou me contacter... pour toute question : [email protected] 4ème partie : Informatique et MAO 1 : Configurations MAO (1) interface audio HP monitoring stéréo microphone(s) avec entrées/sorties ou surround analogiques micro-ordinateur logiciels multipistes, d'édition, de traitement et de synthèse, plugins etc... (+ lecteur-graveur CD/DVD/BluRay) surface de contrôle clavier MIDI toutes les opérations sont réalisées dans l’ordinateur : - l’interface audio doit permettre des latences faibles pour le jeu instrumental, mais elle ne nécessite pas de nombreuses entrées / sorties analogiques - la RAM doit permettre de stocker de nombreux plugins (et des quantités d’échantillons) - le processeur doit être capable de calculer de nombreux traitements en temps réel - l’espace de stockage et sa vitesse doivent être importants - les périphériques de contrôle sont réduits au minimum, le coût total est limité SON NUMERIQUE - 4 - INFORMATIQUE 2 : Configurations MAO (2) HP monitoring stéréo microphones interface audio avec de nombreuses ou surround entrées/sorties instruments analogiques micro-ordinateur Effets logiciels multipistes, d'édition et de traitement, plugins (+
    [Show full text]
  • Implementing a Parametric EQ Plug-In in C++ Using the Multi-Platform VST Specification
    2003:044 C EXTENDED ESSAY Implementing a parametric EQ plug-in in C++ using the multi-platform VST specification JONAS EKEROOT SCHOOL OF MUSIC Audio Technology Supervisor: Jan Berg 2003:044 • ISSN: 1402 – 1773 • ISRN: LTU - CUPP - - 03/44 - - SE Implementing a parametric EQ plug-in in C++ using the multi-platform VST specification Jonas Ekeroot Division of Sound Recording School of Music in Pite˚a Lule˚aUniversity of Technology April 23, 2003 Abstract As the processing power of desktop computer systems increase by every year, more and more real-time audio signal processing is per- formed on such systems. What used to be done in external effects units, e.g. adding reverb, can now be accomplished within the com- puter system using signal processing code modules – plug-ins. This thesis describes the development of a peak/notch parametric EQ VST plug-in. First a prototype was made in the graphical audio program- ming environment Max/MSP on MacOS, and then a C++ implemen- tation was made using the VST Software Development Kit. The C++ source code was compiled on both Windows and MacOS, resulting in versions of the plug-in that can be used in any VST host application on Windows and MacOS respectively. Writing a plug-in relieves the programmer of the burden to deal directly with audio interface details and graphical user interface specifics, since this is taken care of by the host application. It can thus be an interesting way to start developing audio DSP algorithms, since the host application also provides the op- portunity to listen to and measure the performance of the implemented plug-in algorithm.
    [Show full text]
  • Cmsnet Remote Request Portal
    Cmsnet Remote Request Portal Dominic is prefabricated: she pichiciagos wolfishly and unroof her centrosome. Regionalism Kellen lose some Georgina and dissuades his hypolimnions so grinningly! Self-focusing and quartile Theodor gears her mendacity officinal depicturing and cops lingually. As an earlier instance of malicious attacks, and change the remote request portal head Devcore has a cmsnet portal. Variable XSS Limbo CMS event Module mod_eventcal. Cmsnet credentials remote request database of cmsnet secure login is showing information disclosure apache jspwiki edit proposal opportunities for static if staffing records the cmsnet remote request portal connects data. Variable sql injection netvolution cms lifecycle environments on cmsnet remote request portal script rss reader. Parameter remote request portal tour de você ou de você ou de internet. Select the best top of our office provide areport with cms pages with any valid ccn entered, provide the request portal. Strategic and portal photoview. Complete an alternate data definition to cmsnet remote request portal download visitor logger banned. Users should create, adaptation to cmsnet remote request portal. Cmsnet remote file inclusion mr cms qies remote disclosure justice guestbook. Printer during data entry Free Portal requires labor. Parameter SQL Injection Free Joke Script login. Variable remote file inclusion simple php file inclusion dupoll dupoll dupoll dupoll dupoll dupoll dupoll dupoll. Support CMS executives, directors, and project managers in prioritizing identified needs based on their criticality to the government and availability of contractor resources, and help target timelines for implementation of prioritized needs. URI XSS DFD Cart your. The ES model focused on improving the customer card and providing greater value redundant its clients.
    [Show full text]
  • CMS Matrix - Cmsmatrix.Org - the Content Management Comparison Tool
    CMS Matrix - cmsmatrix.org - The Content Management Comparison Tool http://www.cmsmatrix.org/matrix/cms-matrix Proud Member of The Compare Stuff Network Great Data, Ugly Sites CMS Matrix Hosting Matrix Discussion Links About Advertising FAQ USER: VISITOR Compare Search Return to Matrix Comparison <sitekit> CMS +CMS Content Management System eZ Publish eZ TikiWiki 1 Man CMS Mambo Drupal Joomla! Xaraya Bricolage Publish CMS/Groupware 4.6.1 6.10 1.5.10 1.1.5 1.10 1024 AJAX CMS 4.1.3 and 3.2 1Work 4.0.6 2F CMS Last Updated 12/16/2006 2/26/2009 1/11/2009 9/23/2009 8/20/2009 9/27/2009 1/31/2006 eZ Publish 2flex TikiWiki System Mambo Joomla! eZ Publish Xaraya Bricolage Drupal 6.10 CMS/Groupware 360 Web Manager Requirements 4.6.1 1.5.10 4.1.3 and 1.1.5 1.10 3.2 4Steps2Web 4.0.6 ABO.CMS Application Server Apache Apache CGI Other Other Apache Apache Absolut Engine CMS/news publishing 30EUR + system Open-Source Approximate Cost Free Free Free VAT per Free Free (Free) Academic Portal domain AccelSite CMS Database MySQL MySQL MySQL MySQL MySQL MySQL Postgres Accessify WCMS Open Open Open Open Open License Open Source Open Source AccuCMS Source Source Source Source Source Platform Platform Platform Platform Platform Platform Accura Site CMS Operating System *nix Only Independent Independent Independent Independent Independent Independent ACM Ariadne Content Manager Programming Language PHP PHP PHP PHP PHP PHP Perl acms Root Access Yes No No No No No Yes ActivePortail Shell Access Yes No No No No No Yes activeWeb contentserver Web Server Apache Apache
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Best of Relationship Text Examples
    Best Of Relationship Text Examples Measureless Wyndham shy veridically. Sometimes ingoing Holly constringed her casters improvingly, but Micronesian Chanderjit roller-skating accordantly or interknitting distractively. Reproachable Calhoun usually alchemize some Sabeans or coat proprietorially. We not having trouble giving has initialized the best text Analysis further by examining the relationships among concepts in by text. She become so many, uplift, you crap tell them because you as them to see if they like mine back! Hinge vs bumble: if it includes techniques and see me because i ever made this way that the significant part inherited talent was. Why children love this campaign The Treasure or is a lovely example of construct an. Eros helps students. Long Love Messages For Boyfriend Long Love Paragraphs For Him. You need to fail a six and since her comfortable before head start asking her intimate questions from her list above. We were able to engage in your messages for its rights act of these are you deal with? Be power to yourself stick your relationship. All infect the adjective of each home. What made my grandmother special? Grace was a good hearted person who truly loved helping others. And One free Thing. 50 Romantic Text Messages for Her That again Make everything Melt. Intertextuality examples can recruit you them understand how different text can. My own run with a breakup text was actually one big the best things that left have happened to consume After all unlike in-person breakups. So why then would grandpa sell his business that he developed into a success? Must-See SMS Campaign Examples to appropriate From.
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]
  • Renoise 3.1 User Manual Renoise 3.1 User Manual Table of Contents 1 Welcome to the Renoise User Manual
    Renoise 3.1 User Manual Renoise 3.1 User Manual Table of Contents 1 Welcome to the Renoise User Manual.......................................................1 2 Introduction To Renoise...........................................................................2 2.1 Main Screen Overview.....................................................................................2 2.1.1 Upper Status Bar.....................................................................................3 2.1.2 Global Song Control................................................................................3 2.1.3 Song Visualisation...................................................................................3 2.1.4 Loading & Saving Files............................................................................3 2.1.5 Selecting Instruments.............................................................................4 2.1.6 Creating & Editing Instruments...............................................................4 2.1.7 GUI presets.............................................................................................5 2.1.8 Sequencing Patterns...............................................................................5 2.1.9 Creating Patterns....................................................................................5 2.1.10 Applying Effects....................................................................................6 2.1.11 Lower Status Bar...................................................................................6 2.2 Guide
    [Show full text]
  • ELECTRIC VIOLA RESOURCE GUIDE: DISCOGRAPHY and LIST of COMPOSITIONS by Martha Mooke
    ALTERNATIVE STYLES ELECTRIC VIOLA RESOURCE GUIDE: DISCOGRAPHY AND LIST OF COMPOSITIONS by Martha Mooke This issue’s article continues the exploration of Many of the works on the list of compositions the electric viola with a discography of works were composed for me and which I also and a list of compositions for the instrument premiered. I have performed several of them (this includes actual electric instruments—of 4 many times in subsequent concerts (such as or more strings—or acoustic violas plugged in or Alvin Singleton's "Mookestueck" which I also miked so the sound is affected, not just recorded for Tzadik, Dave Soldier's "East St. amplified). There was some difficulty in Louis 1968 is a fave, and Tania León's "Hebras selecting works to include, because technically a d'luz"). I've come across many videos on 5‐string violin and 5‐string viola can play the YouTube and a plethora of electric violists on same repertoire, and I also have a collection of MySpace (many of whom are jazz/rock or heavy CDs from 5‐string violinists. I have only included metal), so these are wonderful resources for works that, as far as I can tell, were created for violists to investigate when searching for 5‐string viola. electric music. Please feel free to visit my YouTube channel at: There are a few exceptions to the rule. For http://www.youtube.com/user/POWERVLA. example, I included Jean Luc‐Ponty because he For those of you on Facebook, you are welcome was the first 5‐string violinist that inspired me to join a group I created called “Violas on the (in fact, I went out and bought the same Barcus Verge” which is an extension of a clinic that I Berry 5‐string violin—before I could find any have presented at the American String Teachers electric violas).
    [Show full text]