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Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney. -
Catalogue of Works Barry Peter Ould
Catalogue of Works Barry Peter Ould In preparing this catalogue, I am indebted to Thomas Slattery (The Instrumentalist 1974), Teresa Balough (University of Western Australia 1975), Kay Dreyfus (University of Mel- bourne 1978–95) and David Tall (London 1982) for their original pioneering work in cata- loguing Grainger’s music.1 My ongoing research as archivist to the Percy Grainger Society (UK) has built on those references, and they have greatly helped both in producing cata- logues for the Society and in my work as a music publisher. The Catalogue of Works for this volume lists all Grainger’s original compositions, settings and versions, as well as his arrangements of music by other composers. The many arrangements of Grainger’s music by others are not included, but details may be obtained by contacting the Percy Grainger Society.2 Works in the process of being edited are marked ‡. Key to abbreviations used in the list of compositions Grainger’s generic headings for original works and folk-song settings AFMS American folk-music settings BFMS British folk-music settings DFMS Danish folk-music settings EG Easy Grainger [a collection of keyboard arrangements] FI Faeroe Island dance folk-song settings KJBC Kipling Jungle Book cycle KS Kipling settings OEPM Settings of songs and tunes from William Chappell’s Old English Popular Music RMTB Room-Music Tit Bits S Sentimentals SCS Sea Chanty settings YT Youthful Toneworks Grainger’s generic headings for transcriptions and arrangements CGS Chosen Gems for Strings CGW Chosen Gems for Winds 1 See Bibliography above. 2 See Main Grainger Contacts below. -
F472aab6-Ca7c-43D1-Bb92-38Be9e2b83da.Pdf
NR TITEL ARTIEST 1 Hotel California Eagles 2 Bohemian Rhapsody Queen 3 Dancing Queen Abba 4 Stayin' Alive Bee Gees 5 You're The First, The Last, My Everything Barry White 6 Child In Time Deep Purple 7 Paradise By The Dashboard Light Meat Loaf 8 Go Your Own Way Fleetwood Mac 9 Stairway To Heaven Led Zeppelin 10 Sultans Of Swing Dire Straits 11 Piano Man Billy Joel 12 Heroes David Bowie 13 Roxanne Police 14 Let It Be Beatles 15 Music John Miles 16 I Will Survive Gloria Gaynor 17 Born To Run Bruce Springsteen 18 Nutbush City Limits Ike & Tina Turner 19 No Woman No Cry Bob Marley & The Wailers 20 We Will Rock You Queen 21 Baker Street Gerry Rafferty 22 Angie Rolling Stones 23 Whole Lotta Rosie AC/DC 24 I Was Made For Loving You Kiss 25 Another Brick In The Wall Pink Floyd 26 Radar Love Golden Earring 27 You're The One That I Want John Travolta & Olivia Newton-John 28 Wuthering Heights Kate Bush 29 Born To Be Alive Patrick Hernandez 30 Imagine John Lennon 31 Your Song Elton John 32 Denis Blondie 33 Mr. Blue Sky Electric Light Orchestra 34 Lola Kinks 35 Don't Stop Me Now Queen 36 Dreadlock Holiday 10CC 37 Meisjes Raymond Van Het Groenewoud 38 That's The Way I Like It KC & The Sunshine Band 39 Love Hurts Nazareth 40 Black Betty Ram Jam 41 Down Down Status Quo 42 Riders On The Storm Doors 43 Paranoid Black Sabbath 44 Highway To Hell AC/DC 45 Y.M.C.A. -
Old Time Banjo
|--Compilations | |--Banjer Days | | |--01 Rippling Waters | | |--02 Johnny Don't Get Drunk | | |--03 Hand Me down My Old Suitcase | | |--04 Moonshiner | | |--05 Pass Around the Bottle | | |--06 Florida Blues | | |--07 Cuckoo | | |--08 Dixie Darling | | |--09 I Need a Prayer of Those I Love | | |--10 Waiting for the Robert E Lee | | |--11 Dead March | | |--12 Shady Grove | | |--13 Stay Out of Town | | |--14 I've Been Here a Long Long Time | | |--15 Rolling in My Sweet Baby's Arms | | |--16 Walking in the Parlour | | |--17 Rye Whiskey | | |--18 Little Stream of Whiskey (the dying Hobo) | | |--19 Old Joe Clark | | |--20 Sourwood Mountain | | |--21 Bonnie Blue Eyes | | |--22 Bonnie Prince Charlie | | |--23 Snake Chapman's Tune | | |--24 Rock Andy | | |--25 I'll go Home to My Honey | | `--banjer days | |--Banjo Babes | | |--Banjo Babes 1 | | | |--01 Little Orchid | | | |--02 When I Go To West Virginia | | | |--03 Precious Days | | | |--04 Georgia Buck | | | |--05 Boatman | | | |--06 Rappin Shady Grove | | | |--07 See That My Grave Is Kept Clean | | | |--08 Willie Moore | | | |--09 Greasy Coat | | | |--10 I Love My Honey | | | |--11 High On A Mountain | | | |--12 Maggie May | | | `--13 Banjo Jokes Over Pickin Chicken | | |--Banjo Babes 2 | | | |--01 Hammer Down Girlfriend | | | |--02 Goin' 'Round This World | | | |--03 Down to the Door:Lost Girl | | | |--04 Time to Swim | | | |--05 Chilly Winds | | | |--06 My Drug | | | |--07 Ill Get It Myself | | | |--08 Birdie on the Wire | | | |--09 Trouble on My Mind | | | |--10 Memories of Rain | | | |--12 -
DEUTSCHE KARAOKE LIEDER 2Raumwohnung 36 Grad DUI-7001
DEUTSCHE KARAOKE LIEDER 2Raumwohnung 36 Grad DUI-7001 Adel Tawil Ist Da Jemand DUI-7137 Amigos 110 Karat DUI-7166 Andrea Berg Das Gefuhl DUI-7111 Andrea Berg Davon Geht Mein Herz Nicht Unter DUI-7196 Andrea Berg Du Bist Das Feuer DUI-7116 Andrea Berg Du Hast Mich 1000 Mal Belogen DUI-7004 Andrea Berg Feuervogel DUI-7138 Andrea Berg Himmel Auf Erden DUI-7112 Andrea Berg In Dieser Nacht DUI-7003 Andrea Berg Lass Mich In Flammen Stehen DUI-7117 Andrea Berg Lust Auf Pures Leben DUI-7118 Andrea Berg Mosaik DUI-7197 Andrea Berg Wenn Du Jetzt Gehst, Nimm Auch Deine Liebe Mit DUI-7002 Andreas Gabalier I Sing A Liad Für Di DUI-7054 Andreas MarWn Du Bist Alles (Maria Maria) DUI-7139 Anna-Maria Zimmermann Du Hast Mir So Den Kopf Verdreht DUI-7119 Anna-Maria Zimmermann Scheiß Egal DUI-7167 Anstandslos & Durchgeknallt Egal DUI-7168 Beatrice Egli Fliegen DUI-7120 Beatrice Egli Keiner Küsst Mich (So Wie Du) DUI-7175 Beatrice Egli Mein Ein Und Alles DUI-7176 Beatrice Egli Was Geht Ab DUI-7177 Bill Ramsey Ohne Krimi Geht Die Mimi Nie Ins Bea DUI-7063 Cassandra Steen & Adel Tawil Stadt DUI-7055 Charly Brunner Wahre Liebe DUI-7178 Chris Roberts Du Kannst Nicht Immer 17 Sein DUI-7005 Chris Roberts Ich Bin Verliebt In Die Liebe DUI-7134 ChrisWan Anders Einsamkeit Had Viele Namen DUI-7006 ChrisWna Sturmer Engel Fliegen Einsam DUI-7007 ChrisWna Stürmer Mama Ana Ahabak DUI-7008 Cindy & Bert Immer Wieder Sonntags DUI-7136 Claudia Jung Mein Herz Lässt Dich Nie Allein DUI-7009 Conny & Peter Alexander Verliebt Verlobt Verheiratet DUI-7010 Conny Francis Schöner Fremder -
1 Soulsister the Way to Your Heart 1988 2 Two Man Sound Disco
1 Soulsister The Way To Your Heart 1988 2 Two Man Sound Disco Samba 1986 3 Clouseau Daar Gaat Ze 1990 4 Isabelle A He Lekker Beest 1990 5 Katrina & The Waves Walking On Sunshine 1985 6 Blof & Geike Arnaert Zoutelande 2017 7 Marianne Rosenberg Ich Bin Wie Du 1976 8 Kaoma Lambada 1989 9 George Baker Selection Paloma Blanca 1975 10 Helene Fischer Atemlos Durch Die Nacht 2014 11 Mavericks Dance The Night Away 1998 12 Elton John Nikita 1985 13 Vaya Con Dios Nah Neh Nah 1990 14 Dana Winner Westenwind 1995 15 Patrick Hernandez Born To Be Alive 1979 16 Roy Orbison You Got It 1989 17 Benny Neyman Waarom Fluister Ik Je Naam Nog 1985 18 Andre Hazes Jr. Leef 2015 19 Radio's She Goes Nana 1993 20 Will Tura Hemelsblauw 1994 21 Sandra Kim J'aime La Vie 1986 22 Linda De Suza Une Fille De Tous Les Pays 1982 23 Mixed Emotions You Want Love (Maria, Maria) 1987 24 John Spencer Een Meisje Voor Altijd 1984 25 A-Ha Take On Me 1985 26 Erik Van Neygen & Sanne Veel Te Mooi 1990 27 Al Bano & Romina Power Felicita 1982 28 Queen I Want To Break Free 1984 29 Adamo Vous Permettez Monsieur 1964 30 Frans Duijts Jij Denkt Maar Dat Je Alles Mag Van Mij 2008 31 Piet Veerman Sailin' Home 1987 32 Creedence Clearwater Revival Bad Moon Rising 1969 33 Andre Hazes Ik Meen 't 1985 34 Rob De Nijs Banger Hart 1996 35 VOF De Kunst Een Kopje Koffie 1987 36 Radio's I'm Into Folk 1989 37 Corry Konings Mooi Was Die Tijd 1990 38 Will Tura Mooi, 't Leven Is Mooi 1989 39 Nick MacKenzie Hello Good Morning 1980/1996 40 Noordkaap Ik Hou Van U 1995 41 F.R. -
Harmonic Resources in 1980S Hard Rock and Heavy Metal Music
HARMONIC RESOURCES IN 1980S HARD ROCK AND HEAVY METAL MUSIC A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts in Music Theory by Erin M. Vaughn December, 2015 Thesis written by Erin M. Vaughn B.M., The University of Akron, 2003 M.A., Kent State University, 2015 Approved by ____________________________________________ Richard O. Devore, Thesis Advisor ____________________________________________ Ralph Lorenz, Director, School of Music _____________________________________________ John R. Crawford-Spinelli, Dean, College of the Arts ii Table of Contents LIST OF FIGURES ............................................................................................................................... v CHAPTER I........................................................................................................................................ 1 INTRODUCTION ........................................................................................................................... 1 GOALS AND METHODS ................................................................................................................ 3 REVIEW OF RELATED LITERATURE............................................................................................... 5 CHAPTER II..................................................................................................................................... 36 ANALYSIS OF “MASTER OF PUPPETS” ...................................................................................... -
Vahdah Olcott-Bickford Collection, 1800-2008
http://oac.cdlib.org/findaid/ark:/13030/c8zp4c79 No online items Guide to the Vahdah Olcott-Bickford Collection, 1800-2008 Special Collections & Archives Oviatt Library California State University, Northridge 18111 Nordhoff St. Northridge, CA, 91330 URL: http://library.csun.edu/SCA Email: [email protected] Phone: (818) 677-2832 Fax: (818) 677-2589 © Copyright 2012 Special Collections & Archives. All rights reserved. Guide to the Vahdah IGRA/VOB 1 Olcott-Bickford Collection, 1800-2008 Overview of the Collection Collection Title: Vahdah Olcott-Bickford Collection Dates: 1800-2008 Bulk Dates: 1923-1979 Identification: IGRA/VOB Creator: Olcott-Bickford, Vahdah, 1885-1980 Physical Description: 88.71 linear feet Language of Materials: English French German Spanish; Castilian Italian Portuguese Repository: International Guitar Research Archives (IGRA) Abstract: Vahdah Olcott-Bickford, née Ethel Lucretia Olcott, was an professional teacher of the Guitar, most well known for her influential Guitar Method, Op. 25, and the Advanced Course, Op. 116. She also wrote numerous articles about the guitar, and corresponded with other musicians and enthusiasts about the instrument throughout her long career. The Vahdah Olcott-Bickford Collection documents Olcott-Bickford’s professional life as a classical guitarist, an avid member of various organizations in the United States, her work with guitarists around the world, and her personal life. The collection includes scores, letters, photographs, newspaper clippings, receipts, articles, lecture notes, and guest books, and dates from 1874-1980. Biographical Information: Ethel Lucretia Olcott was born on October 17, 1885 in Norwalk, Ohio. She was three years old when she and her parents moved to Los Angeles, California. At the age of eight she started guitar lessons with George Lindsay, a well-known classic guitarist. -
2019 Roslindale Porch Fest Schedule by Zone
Zone 1- North of Adams Park between Belgrade & Washington 1:30-2:30pm Description 3:00-4:00pm Description 4:30-5:30pm Description Barry Hynes Singer/guitarist doing covers, with Barry Hynes Singer/guitarist doing covers, with 1 39 Ardale Band special guests Band special guests Muddy River Trio with banjo, guitar, Muddy Artisan Cheese Singer, guitarist, bass player and harmonica & vocals. American River/Artisan drummer playing covers, from the 2 97 Ardale roots music. Cheese 80's to today. Basement Covers of some of our favorite The Nocturnal Duo with Bass,Vocals & Mandolin. Martin, Morell Power trio composed of Boston Ramblers tunes from last 50 years or so Adoration Original music, fast, slow, medium. and Fredette music veterans Eric Martin, Steve 3 37 Fairview Society Morell & David Fredette. Sleepyhead- Pop/Rock. A touch of Big Star and a 4 25 Farquhar little side of Fleetwood Mac The Melted Classic Rock Band. 2 guitars Coo & Howl Quintet (3/5 from Rozzie): lead Chapstixs Bass and Lead singer. vocalist, bassist, guitarist, keys/backup vocalist, & 1aux- percussionist. Mostly original 5 46 Farquhar rock/folk. This Crazy Acoustic-electric duo playing Birds aren’t 5 person band, guitarist,bassist, Thing an eclectic mix of well-known real piano, drums, & vocals classic pop/rock from the 60's 6 16 Fletcher /70s / 80s / 90s / 00s The Next Band jazz ensemble with drums, The Grand Original rock songs intended to Theo's Little Vocal Pop Band (covers) bass, guitar, trumpet, flute & Undoing accompany the big slide off of the Combo 7 109 Hewlett vocalist dish. -
CAMERATA PONTRESINA 2018 Konzertprogramm 17
CAMERATA PONTRESINA 2018 Konzertprogramm 17. Juni bis 23. September © Schocher © Morgenkonzert im Taiswald Camerata Pontresina La Camerata, zu deutsch «Kammer gemeinschaft, Gefährten», die mit ihrer musikalischen Tätigkeit zur Freude der Zuhörer und zur eigenen Freude ihre künstlerischen Fähigkeiten als echtes Team – als «primi inter pares» – wirken lässt. Allgemeine Informationen Ort Im Taiswald, bei ungünstiger Witte rung im Kongress und Kultur zentrum Pontresina oder in der reformierten Kirche (Hinweistafeln im Dorf beachten). Dauer 1 Stunde, 11.00 bis 12.00 Uhr Eintritt Frei Impresario Dr. Jürg H. Frei Website www.pontresina.ch/camerata Camerata Pontresina 2018 03 PROGRAMM DER 99 MORGENKONZERTE vom 17. Juni bis 23. September, täglich von 11.00 bis 12.00 Uhr Grusswort 04 Das CamerataTeam 2018 06 17. Juni bis 14. Juli 07 Kammermusikensembles der Camerata Pontresina 15. Juli bis 12. August 13 Camerata Pontresina 13. August bis 23. September 19 Kammermusik ensembles der Camerata Pontresina Vesperkonzerte in der Kirche Sta. Maria 29 Führungen und Angebote in Pontresina 30 CAMERATA PONTRESINA – 99 MORGENKONZERTE 2018 Musikalischer und hochalpiner Genuss im Taiswald Pontresina bietet laufend neue Angebote an. So zu können. Für die Morgenkonzerte der Camerata zum Beispiel das SteinbockParadies Pontresina, Pontresina sollten Sie sich unbedingt einen sol das im Sommer 2017 neu eröffnet worden ist. chen Platz frei halten, um diesen in vollen Zügen Denn rund um Pontresina fühlt sich das Bündner geniessen zu können. Einen kurzen Spaziergang Wappentier besonders wohl. Nicht umsonst lebt vom Dorf entfernt, auf einer mystischen Lichtung am Piz Albris (3 166 m), gleich bei Pontresina, eine im Wald, liegt der Konzertplatz Tais. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7.