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Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
SIRIUS Satellite Radio Hires Dynamic Radio Industry Advertising Executives
SIRIUS Satellite Radio Hires Dynamic Radio Industry Advertising Executives Sam Benrubi, Stephen Smith To Form Cornerstone for Building SIRIUS' Ad Sales Team SIRIUS Committed to Building Ad Revenue on its Sports, Talk, Traffic, News, and Entertainment Channels NEW YORK - February 24, 2005 - SIRIUS Satellite Radio (NASDAQ: SIRI) today announced that it hired two of the radio industry's most respected and accomplished advertising executives, Sam Benrubi and Stephen Smith, to help build advertising revenue on its non-music channels. SIRIUS provides 65 channels of 100% commercial-free music; SIRIUS does offer commercial time to advertisers on its more than 55 talk, traffic, news, sports and entertainment channels. The appointments follow key programming announcements that enhance advertisers' ability to buy time on SIRIUS to reach a national audience. Recent programming announcements include this week's announcement that SIRIUS will be the new home of NASCAR in 2007; SIRIUS will sell all advertising time on its NASCAR channel and during the race broadcasts. "Sam and Steve are two of the best radio advertising sales executives in the country, with deep experience in broadcast advertising sales related to sports, Howard Stern, and other prominent talk show personalities," said Scott Greenstein, SIRIUS President of Entertainment and Sports. "Their appointments are an important part of the next step in the growth of SIRIUS, following our acquisition of significant programming assets that now allow SIRIUS promising advertising revenue possibilities. They will lead a team to build our advertising revenue stream to its fullest." Sam Benrubi, a senior nationwide advertising executive who has led network and local sales teams at Westwood One and Infinity Broadcasting, was named Senior Vice President, Advertising Sales. -
Ten Years Supporting, Delivering & Promoting the Whole Spectrum of Animation
TEN YEARS SUPPORTING, DELIVERING & PROMOTING THE WHOLE SPECTRUM OF ANIMATION Directors Message Wow – we made it to our 10th anniversary!! Who would have thought it? From very humble beginnings – our first festival in 2004 screened at the now-defunct Rupert Street Cinema in Piccadilly – to LIAF 2013, 10 days at 3 different venues. We have survived - sort of. Over 10 years we’ve received more than 12,000 entries, screened more than 2,500 films, and had some of the most talented animators in the world come and hang out with us. And we’ve had a ball on the way. It’s time to blow our own trumpet. As well as being the largest festival of it’s kind in the UK in terms of films and programmes screened, we have a substantial touring component and we run satellite events all year-round. We’ve screened at festivals, cinemas, theatres and colleges all around the world and in the UK and hopefully we have spread the word that animation is a valid artform that is only limited by the animator’s imagination. In short, our maxim is that in animation anything can happen. Long may this be. There are far too may people to thank here (hopefully you know who you are) but the guidance and immense work-rate of my co-Director Malcolm Turner has to be acknowledged. Way back when in our ground zero - actually in the year 1999 - I still vividly recall that very first meeting Malcolm and I had with our then-colleague Susi Allender in the back garden of our Melbourne flat. -
Experiments in the Performance of Participation and Democracy
Respublika! Experiments in the performance of participation and democracy edited by Nico Carpentier 1 2 3 Publisher NeMe, Cyprus, 2019 www.neme.org © 2019 NeMe Design by Natalie Demetriou, ndLine. Printed in Cyprus by Lithografica ISBN 978-9963-9695-8-6 Copyright for all texts and images remains with original artists and authors Respublika! A Cypriot community media arts festival was realised with the kind support from: main funder other funders in collaboration with support Further support has been provided by: CUTradio, Hoi Polloi (Simon Bahceli), Home for Cooperation, IKME Sociopolitical Studies Institute, Join2Media, KEY-Innovation in Culture, Education and Youth, Materia (Sotia Nicolaou and Marina Polycarpou), MYCYradio, Old Nicosia Revealed, Studio 21 (Dervish Zeybek), Uppsala Stadsteater, Chystalleni Loizidou, Evi Tselika, Anastasia Demosthenous, Angeliki Gazi, Hack66, Limassol Hacker Space, and Lefkosia Hacker Space. Respublika! Experiments in the performance of participation and democracy edited by Nico Carpentier viii Contents Foreword xv An Introduction to Respublika! Experiments in the Performance of 3 Participation and Democracy Nico Carpentier Part I: Participations 14 Introduction to Participations 17 Nico Carpentier Community Media as Rhizome 19 Nico Carpentier The Art of Community Media Organisations 29 Nico Carpentier Shaking the Airwaves: Participatory Radio Practices 34 Helen Hahmann Life:Moving 42 Briony Campbell and the Life:Moving participants and project team Life:Moving - The Six Participants 47 Briony Campbell -
Score: a Hockey Musical
Mongrel Media Presents Score: A Hockey Musical A Film by Michael McGowan (92min., Canada, 2010) Preliminary press notes – as of July 14, 2010 Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html 1 OVERVIEW Music icon Olivia Newton-John (whose career has spanned over four decades, from Grease in 1978 to TV’s Glee in 2010) stars in Michael McGowan’s Score: A Hockey Musical, a film that combines musical numbers with Canada’s national sport. The film – which tells the story of a teenage hockey phenom who goes from obscurity to overnight fame – also stars a slew of Canadian talent. Among those are singer/songwriter Marc Jordan (whose composing credits include Rod Stewart’s “Rhythm of My Heart” and Cher’s “Taxi Taxi”), newcomers Noah Reid and Allie MacDonald, along with cameos by music artists Nelly Furtado, Dave Bidini, Hawksley Workman and John McDermott, journalists George Stroumboulopoulos and Evan Solomon, sports anchor Steve Kouleas, hockey dad Walter Gretzky and hockey star Theo Fleury. Unlike other musicals, the story doesn’t stop just for the sake of a song. Instead, the lyrics (written by McGowan) drive the plot. There are 20 original songs, among them one called “Darryl vs. the Kid” by Barenaked Ladies, as well as “Hugs” by Olivia Newton-John, Amy Sky and Marc Jordan, and five songs on which Hawksley Workman contributed. -
Byliner Staff About Humility and Gratitude
Join Us on September 2012 Newsletter of The Press Club of Cleveland From the President Rock Hall Panel Revisits WMMS’s Past and Ed Byers Speculates About Radio’s Future First off, it’s almost By Anastasia Pantsios, Cleveland SCENE Hall of Fame time and People who weren’t around or who were some full disclosure on too young to remember Cleveland in the Stuart Warner’s being ’70s and ’80s might wonder why anyone elected to the Hall of would make a fuss over a mundane “guy- Fame. zone” station like WMMS, with its bland As most of you know, commercial hard rock and its focus on Stuart has chaired The Press Club’s Hall sports and hot babes — appealing to a spe- of Fame committee for as long as I can cific group of males under 30. (L-R) WMMS’s staff; Walt Tiburski, Denny remember, which, in of itself, should In a special program, presented by The Sanders, Gaye Ramstrom, John Gorman, Billy qualify one for induction. But as we all Press Club of Cleveland and the Rock and Bass and moderator Jim Henke, curator, The know, Stuart’s journalism credentials are Roll Hall of Fame, five people who were Rock and Roll Hall of Fame and Museum. second to none. pivotal in creating the WMMS legend The instant we found out that Stuart’s spoke at the Rock Hall’s Foster Theatre Sanders, its evening air personality and name had been placed in nomination for about what made the station so dominant behind-the-scenes guide; John Gorman, the Hall, he not only stepped down as in Cleveland and so influential nationwide the hyper-competitive program direc- chairman, but departed the committee — and speculated on whether that influ- tor who took the station to the top of the altogether until after the election. -
Impact Report 2014 Iheartmedia Communities ™ Impact Report 2014 Contents
Impact Report 2014 iHeartMedia Communities ™ Impact Report 2014 Contents Company Overview 02 Executive Letter 04 Community Commitment 06 iHeartMedia 09 2014 Special Projects 12 National Radio Campaigns 30 Radiothons 102 Public Affairs Shows 116 Responding to Disasters 128 Wish Granting 132 Special Events and Fundraising 142 2014 Honorary Awards and Recognition 148 Music Development 160 Local Advisory Boards 174 On-Air Personalities 178 Station Highlights 196 Clear Channel Outdoor 240 Community Commitment 242 Protecting Our Communities 244 National Partners & Programs 248 Market Highlights 258 IMPACT REPORT 2014 | 1 Company Overview ABOUT IHEARTMEDIA, INC. iHeartMedia, Inc. is one of the leading global media and entertainment companies specializing in radio, digital, outdoor, mobile, live events, social and on-demand entertainment and information services for local communities and providing premier opportunities for advertisers. For more company information visit iHeartMedia.com. ABOUT IHEARTMEDIA With 245 million monthly listeners in the U.S., 97 million monthly digital uniques and 196 million monthly consumers of its Total Traffic and Weather Network, iHeartMedia has the largest reach of any radio or television outlet in America. It serves over 150 markets through 858 owned radio stations, and the company’s radio stations and content can be heard on AM/FM, HD digital radio, satellite radio, on the Internet at iHeartRadio.com and on the company’s radio station websites, on the iHeartRadio mobile app, in enhanced auto dashes, on tablets and smartphones, and on gaming consoles. iHeartRadio, iHeartMedia’s digital radio platform, is the No. 1 all-in-one digital audio service with over 500 million downloads; it reached its first 20 million registered users faster than any digital service in Internet history and reached 50 million users faster than any digital music service and even faster than Twitter, Facebook and Pinterest. -
Animatekapro Pitch 2018 3–4 December 2018 Old Power Station – Elektro Ljubljana
AnimatekaPRO Pitch 2018 3–4 December 2018 Old Power Station – Elektro Ljubljana A pitching competition for Ex-Yugoslav projects in development In exclusive partnership with CEE Animation 15th International Animated Film Festival Animateka 3–9 December 2018 Kinodvor, Slovenian Cinematheque, Old Power Station – Elektro Ljubljana Ljubljana AnimatekaPRO Pitch 2018 SCHEDULE 3 December 2018 Old Power Station – Elektro Ljubljana 14:00–20:00 Pitching training 4 December 2018 Old Power Station – Elektro Ljubljana 9:00–10:30 Pitching competition 14:30 AnimatekaPRO Pitch award winner announcement Index 3 About 4 Jury & Training Tutor 6 Projects in Competition 16 AnimatekaPRO 2018 21 CEE Animation Workshop 2 AnimatekaPRO Pitch 2018 We are proud to welcome you to the second edition of the AnimatekaPRO Pitch pitching competition, which is aimed at promoting new short animated films from ex-Yugoslav countries and helping them get a good start in the animation market circuit. AnimatekaPRO Pitch is open for animated projects in development for single short animated films of less than 20 minutes in length. It will take place in Ljubljana between 3 and 4 December, the first days of the 15th edition of the Animateka International Animated Film Festival (3-9 December 2018). The AnimatekaPRO Pitch 2018 selected projects are: • Raft, Marko Meštrović, Mia Bučević (Kreativni sindikat), Croatia • From the Ghetto, Lucija Bužančić, Andrijana Vidaček (Zagreb film), Croatia • Aqualia, Vladisav Knežević, Andrijana Vidaček (Zagreb film), Croatia • Mišja hiša/Mouse House, Timon Leder, Jure Vizjak (Invida), Slovenia • Legenda o Zlatorogu/The Legend of the Goldhorn, Lea Vučko, Damir Grbanović (Octopics), Slovenia Pitching sessions will be preceded by a workshop led by expert tutor Jožko Rutar, allowing the participants to discuss and/or fine-tune the strengths and weaknesses of their projects as well as best pitching strategies. -
17 April 2016
12 – 17 APRIL 2016 FESTIVAL CATALOGUE INHALT CONTENTS VORSPANN INTRO Programmplan Programme Schedule ......................................................................................................................................................................... 2 Tickets ...............................................................................................................................................................................................................................................4 Impressum Imprint ..................................................................................................................................................................................................................4 Grußworte Welcoming Addresses ..................................................................................................................................................................................6 Partner & Förderer Partners & Supporters ..............................................................................................................................................................10 Team ................................................................................................................................................................................................................................................. 11 Preise & Preisstifter Awards & Sponsors ...................................................................................................................................................................12 -
Cinematheque.Com
PROGRAM SCHEDULE SEP T • OCT 2009 Infoline: 925-3457 100 Arthur St. IN THE EXCHANGE www.winnipegcinematheque.com MONTREAL MAIN (see page 3 for details) Please join the Winnipeg Film Group CinemaCinema LoungeLounge Acclaimed Canadian director John Greyson introduces for the release of our latest publication: Montreal Main, by director Frank Vitale PLACE, a 128 page book Wednesday, 21 October 2009 October 25, 7:00 PM • See page 3 for details featuring 13 essays on 5 – 7 PM > 100 Arthur Street 13 independent feature > Filmmakers and authors in attendance filmmakers from Winnipeg For Sale > winnipegfilmgroup.com DOCUMENTARIES OF THE 21ST CENTURY IN QUEBEC WITH ESSAYS BY October 23 – 25 • See page 4 for details DANISHKA ESTERHAZY ON NORMA BAILEY | SOLOMON NAGLER ON JEFFREY ERBACH | JONAS CHERNICK ON SEAN GARRITY | IOANNIS MOOKAS ON NOAM GONICK | CAELUM VATNSDAL ON GREG HANEC 13 ESSAYS LARISSA FAN ON CLIVE HOLDEN | TRICIA WASNEY ON PAULA KELLY 13 FILMMAKERS Poetic Passages: 1 CITY KENNETH GEORGE GODWIN ON JOHN KOZAK | MIYE BROMBERG ON A PHILIP HOFFMAN RETROSPECTIVE GUY MADDIN | MATTHEW RANKIN ON WINSTON WASHINGTON MOXAM Wednesday Oct. 7, 7:00 & 9:00 PM • See page 5 for details GEOFF PEVERE ON JOHN PAIZS | JONATHAN BALL ON JEFF SOLYLO AND SEAN CARNEY ON CAELUM VATNSDAL The Cinematheque is proud to be in partnership with UMFM Campus Radio...and is a sponsor of Winnipeg’s only film talk radio show Ultrasonic Film. Tune to 101.5 on the FM dial every Thursday evening from 10 PM to 11 PM for the best in film reviews and discussion with hosts James and Lindsay. -
Popular Music, Popular Myth and Cultural Heritage in Cleveland Emerald Studies in POPULAR Music and Place
POPULAR MUSIC, POPULAR MYTH AND CULTURAL HERITAGE IN CLEVELAND EMERALD STUDIES IN POPULAR MUSIC AND PLACE Series Editors: Brett Lashua, Leeds Beckett University, UK Stephen Wagg, Leeds Beckett University, UK Studies of the relations between popular music and place offer rich conceptual and empirical terrain. This interdisciplinary book series publishes research on popular music and its geo-spatial relations by scholars working in the wider dis- ciplines and subject fields of popular music studies, cultural geography, cultural studies, sociology, urban studies, youth studies, leisure studies, and beyond. Titles in the series focus not only on specific cities, but also rural and suburban places, alternative or marginal spaces, online spaces, and other music geogra- phies, for example, histories of vanished or erased places, music tourist attrac- tions, thanatological spaces (e.g., cemeteries and other memorializations for deceased musicians), music museums, and so on. The series promotes work by scholars interested in popular music, place and space, cultural identities, globali- zation, history, and cultural heritage. In turn, the book series offers a critical space for scholars to theorize about the changing place of popular music where it is encountered, enjoyed, and contested. If you are interested in publishing in this series please contact the series editors at [email protected] and [email protected] POPULAR MUSIC, POPULAR MYTH AND CULTURAL HERITAGE IN CLEVELAND: THE MOONDOG, THE BUZZARD, AND THE BATTLE FOR THE ROCK AND ROLL HALL OF FAME BRETT LASHUA Leeds Beckett University, UK United Kingdom – North America – Japan – India – Malaysia – China Emerald Publishing Limited Howard House, Wagon Lane, Bingley BD16 1WA, UK First edition 2019 Copyright © Brett Lashua. -
Festival Runway, Limp Into the Air (Barely Missing the Trees) and Splutter up Into the Clouds
1 DIRECTOR’S MESSAGE Malcolm Turner Greetings to fans, first-timers and the animatedly curious. DIRECTOR Despite the crazed improbability of it all, MIAF is still here doing its thing. It certainly suffers from the so-called ‘bumble bee’ syndrome. That is to say, on paper there’s no way Melbourne International you can prove it will fly. Somehow though, Air MIAF has found a way to bump down the Animation Festival runway, limp into the air (barely missing the trees) and splutter up into the clouds. Dunno how we do it, to be honest. It certainly wouldn’t happen without the support of ACMI, Screen Australia and each and every one of the sponsors. Nor would it happen without the core crew who give up a great deal of their time and varying slivers of their sanity to make this thing work. And it definitely wouldn’t happen without the filmmakers. It surprises alot of people (including me sometimes) just how many short animated films are being made. We get over 2,000 entries every year and the vast majority of them are made for the simple reason that somebody has felt compelled to create them – in much the same way that a painter feels compelled to paint a picture or a playwright feels compelled to create an imaginary universe, populated with a fictional tribe who have something on their mind they want to share. Animation, as a technological achievement, surrounds us and is woven into so many elements of our daily lives. It is a workhorse technology that is pressed into service by any number of plump jockeys who vie for our scarce and shattered attentions as we go through our day.