The Juilliard School presents Le Monde Galant

Juilliard415 Nicholas McGegan, Director

Recorded on May 1, 2021 | Peter Jay Sharp Theater

FRANCE ANDRÉ CAMPRA Ouverture from L’Europe Galante (1660–1744)

SOUTHERN EUROPE: ITALY AND SPAIN JEAN-MARIE LECLAIR Forlane from Scylla et Glaucus (1697–1764) Sicilienne from Scylla et Glaucus

CHRISTOPH WILLIBALD GLUCK Menuet from Don Juan (1714–87)

MICHEL RICHARD DE LALANDE légère des Maures from Les Folies (1657–1726) de Cardenio

CHARLES AVISON Con Furia from Concerto No. 6 in D Major, (1709-70) after

CELTIC LANDS: SCOTLAND AND IRELAND L’Eccossoise from Overture in D Major, TWV55:D19 (1681–1767)

NATHANIEL GOW Largo’s Fairy Dance: The Fairies Advancing and (1763–1831) Fairies Dance Cullen O’Neil, Solo Cello

TELEMANN L’Irlandoise from Overture in D Minor, TVW55:d2

EASTERN EUROPE: POLAND, BOHEMIA, AND HUNGARY ARR. TELEMANN Danse de Polonie No. 4, TWV45 Polonaise from Concerto Polonois, TWV43:G7

Danse de Polonie No. 1, TWV45 La Hanaquoise, TWV55:D3

TRADITIONAL Three 18th-century Hanák folk tunes

RUSSIA TELEMANN Les Moscovites from Overture in B-flat Major, TWV55:B5 Program continues

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EUROPE DREAMS OF THE EAST: THE OTTOMAN EMPIRE TELEMANN Les Janissaries from Overture in D Major, TWV55:D17 Mezzetin en turc from Overture-Burlesque in B-flat Major, TWV55:B8

PERSIA AND CHINA JEAN-PHILIPPE RAMEAU Air pour Borée from (1683–1764) Premier Air pour Zéphire from Les Indes galantes Seconde Air pour Zéphire from Les Indes galantes Entrée des Chinois from Air pour les Pagodes from Les Paladins

THE AMERICAS RAMEAU Prélude pour l’adoration du Soleil from Les Indes galantes Air pour l’adoration du Soleil from Les Indes galantes

TELEMANN L’Espérance du Mississippi from Ouverture in B-flat Major, “La Bourse,” TWV 55:B11

Welcome to the 2020-21 Historical Performance season!

The Historical Performance movement began as a revolution: a reimagining of musical conventions, a rediscovery of instruments, techniques, and artworks that inspire and teach us, and a celebration of diversity in repertoire. It is also a conversation with the past, a past whose legacy of racism and colonialism has silenced and excluded too many voices from being heard. We do not seek simply to recreate what might have been but to imagine what should be. We embrace Juilliard's values of equity, diversity, inclusion, and belonging through voices heard anew and historical works presented with empathetic perspectives, and we reject discrimination, exclusion, and marginalization. We recognize that we study and work on the traditional homeland of those who preceded us (see Juilliard's land acknowledgement statement, below). We are committed to collaborations with scholars and performers from a diverse range of viewpoints and backgrounds, and we seek to share the music we love so much in active engagement with the community around us. We invite you to laugh if you feel so moved, to clap whenever you feel inspired, and to find solace and joy in this music as we continue the ongoing innovation of the Historical Performance movement. Thank you for joining us!

This performance is sponsored by Qobuz.

Additional support for this performance was provided, in part, by the Muriel Gluck Production Fund.

Juilliard’s full-scholarship Historical Performance program was established and endowed in 2008 by the generous support of Bruce and Suzie Kovner.

Juilliard’s livestream technology is made possible by a gift in honor of President Emeritus Joseph W. Polisi, building on his legacy of broadening Juilliard’s global reach.

Juilliard is committed to the diversity of our community and to fostering an environment that is inclusive, supportive, and welcoming to all. For information on our equity, diversity, inclusion, and belonging efforts, and to see Juilliard's land acknowledgment statement, please visit our website at juilliard.edu.

2 About Nicholas McGegan

Nicholas McGegan has dedicated five decades to conducting. The 2019-20 season marked the end of his 34-year tenure as music director of Philharmonia and Chorale, for which he is now music director laureate. He is principal guest conductor of the Pasadena Symphony and Hungary’s Capella Savaria. McGegan’s approach—intelligent, infused with joy, and never dogmatic—has led to appearances with many of the world’s major , including those in Cleveland, Chicago, Los Angeles, New York, Philadelphia, , Hong Kong, and Sydney as well as the Royal Concertgebouw, and regular collaboration with choreographer Mark Morris on numerous projects. His discography includes more than 100 releases spanning five decades, including more than 40 with Philharmonia Baroque and Chorale, and close to 20 with Capella Savaria, which appointed him principal guest conductor for life. He was made an Officer of the Most Excellent Order of the British Empire (OBE) “for services to music overseas.” McGegan is committed to the next generation of musicians, frequently conducting and coaching students in regular engagements at Juilliard, Yale, Harvard, the Colburn School, Aspen Music Festival, and more.

Juilliard415

Violin 1 Bass Natalie Rose Kress Jonathan Luik Rachel Prendergast Aniela Eddy Sammy Andonian Kelsey Burnham Sandra Miller Violin 2 Majka Demcak Shelby Yamin Pablo O’Connell Manami Mizumoto Gaia Saetermoe-Howard

Viola Joseph Lorang Catalina Guevara Viquez Graham Cohen Cello Kevin C. Devine Cullen O’Neil Matt Zucker Percussion Simon Herron

3 Juilliard415

Since its founding in 2009, Juilliard415, the school’s principal period-instrument ensemble, has made significant contributions to musical life in New York and beyond, bringing major figures in the field of early music to lead performances of both rare and canonical works by composers of the 17th and 18th centuries. The many distinguished guests who have led Juilliard415 include Harry Bicket, William Christie, Monica Huggett, Nicholas McGegan, Rachel Podger, and . Juilliard415 tours extensively in the U.S. and abroad, having performed on five continents, with notable appearances at the Boston Early Music Festival, Leipzig Bachfest, and Utrecht Early Music Festival, where Juilliard was the first-ever conservatory in residence. Juilliard415 made its South American debut with concerts in Bolivia, a tour sponsored by the U.S. Department of State, and has twice toured to New Zealand.

With its frequent musical collaborator the Yale Institute of Sacred Music, the ensemble has performed throughout Scandinavia, Italy, Japan, Southeast Asia, the U.K., and India. In a concert with the Bach Collegium Japan, conducted by Masaaki Suzuki, Juilliard415 played a historic period-instrument performance of Mendelssohn’s Elijah at the Leipzig Gewandhaus in Germany. Previous seasons have been notable for side-by-side collaborations with Les Arts Florissants at the Philharmonie de Paris and the Philharmonia Baroque in San Francisco as well as concerts directed by such eminent musicians as Ton Koopman, Kristian Bezuidenhout, Robert Mealy, and the late .

Juilliard415, which takes its name from the pitch commonly associated with the performance of (A=415), has performed major oratorios and baroque every year since its founding, including a rare fully staged production of Rameau’s during the 2017-18 season. During the 2018-19 season, the ensemble presented Purcell’s at Holland Park in London and the Royal Opera House of Versailles. The ensemble has also had the distinction of premiering new works for period instruments, most recently The Seven Last Words Project, a Holy Week concert at the Cathedral of St. John the Divine for which the ensemble commissioned seven leading composers including Nico Muhly, , and Tania León.

While the 2020-21 season has curtailed touring and public performances, Juilliard415 has been able to collaborate with distinguished guest artists Rachel Podger, Nicholas McGegan, and Kristian Bezuidenhout and is featured in a made-for-video production of Handel’s Teseo.

The ensemble looks forward to resuming its full slate of activity in 2021-22, including a collaboration with Philharmonia Baroque in California, concerts in New York, Boston, and the Netherlands with the Royal Conservatoire of The Hague, and performances throughout Germany with the Yale Institute of Sacred Music. Next season also sees the return of Pablo Heras-Casado, Masaaki Suzuki, and William Christie as well as the New York debut of Elisa Citterio.

4 Historical Performance Administration

Robert Mealy, Director Benjamin D. Sosland, Administrative Director Rosemary Metcalf, Assistant Administrative Director Sophia Ennocenti, Schedule and Administrative Coordinator Masayuki Maki, Chief Tuner and Coordinator for Historical Keyboard Collection

Historical Performance Faculty

Violin Harpsichord Elizabeth Blumenstock Robert Mealy Béatrice Martin Cynthia Roberts Peter Sykes

Cello Continuo Skills Phoebe Carrai Avi Stein

Viola da Gamba Core Studies Sarah Cunningham Thomas Forrest Kelly Robert Mealy Bass Peter Sykes Douglas Balliett Historical Theory/Improvisation Flute Peter Sykes Sandra Miller Charles Weaver

Oboe Secondary Lessons Gonzalo Ruiz Nina Stern (recorder) John Thiessen () Bassoon Todd Williams (horn) Dominic Teresi Artists in Residence Plucked Instruments William Christie Daniel Swenberg Richard Egarr Charles Weaver Rachel Podger

5 Juilliard Board of Trustees and Administration

BOARD OF TRUSTEES Jazz Wynton Marsalis, Director of Juilliard Jazz Bruce Kovner, Chair Aaron Flagg, Chair and Associate Director J. Christopher Kojima, Vice Chair Joshua Black Stephanie Palmer McClelland Ellen and James S. Marcus Institute for Vocal Arts Julie Anne Choi Christina McInerney Brian Zeger, Artistic Director Kent A. Clark Lester S. Morse Jr. Emily Wells, Director of Administration Barbara G. Fleischman Rebecca Morse Andrew Gaines, Director of Opera Activities Mary Graham Stephen A. Novick Lila Acheson Wallace Library and Doctoral Fellows Program Joan W. Harris Susan W. Rose Jane Gottlieb, Vice President for Library and Information Resources; Matt Jacobson Jeffrey Seller Director of the C.V. Starr Doctoral Fellows Program Edward E. Johnson Jr. Deborah Simon Jeni Dahmus Farah, Director, Archives Philippe Khuong-Huu Sarah Billinghurst Solomon Alan Klein, Director of Library Technical Services Karen M. Levy William E. “Wes” Stricker, MD Teresa E. Lindsay Yael Taqqu Preparatory Division Laura Linney Reginald Van Lee Weston Sprott, Dean Vincent A. Mai Damian Woetzel Anthony McGill, Artistic Director, Music Advancement Program Ellen Marcus Camille Zamora Rebecca Reuter, Administrative Director, Music Advancement Program Greg Margolies Ekaterina Lawson, Director of Admissions and Academic Affairs, Pre-College Anna Royzman, Director of Performance Activities, Pre-College TRUSTEES EMERITI

June Noble Larkin, Chair Emerita Sidney R. Knafel Enrollment Management and Student Development (in memoriam) Nancy A. Marks Joan D. Warren, Vice President Mary Ellin Barrett Elizabeth McCormack, Barrett Hipes, Dean of Student Development Kenneth S. Davidson (in memoriam) Kathleen Tesar, Associate Dean for Enrollment Management Keith R. Gollust Katheryn C. Patterson Alice Jones, Assistant Dean of Community Engagement and Career Services Joseph W. Polisi, President Emeritus Sabrina Tanbara, Assistant Dean of Student Affairs Vanessa Valenzuela, Assistant Dean, International Advisement and Student Diversity Initiatives JUILLIARD COUNCIL William Buse, Director of Counseling Services Mitchell Nelson, Chair Rachel Christensen, Administrative Director, Alan D. Marks Center for Career Services and Entrepreneurship Michelle Demus Auerbach Terry Morgenthaler Katherine Gertson, Registrar Barbara Brandt John G. Popp Tina Gonzalez, Director of Financial Aid Eric J. Friedman Grace E. Richardson Camille Pajor, Director of Bias Response and Title IX Coordinator Brian J. Heidtke Mary K. Riew Todd Porter, Assistant Dean, Residence Life Peter L. Kend Jeremy T. Smith Howard Rosenberg MD, Medical Director Younghee Kim-Wait Alexander I. Tachmes Dan Stokes, Director of Academic Support and Disability Services Sophie Laffont Anita Volpe Beth Techow, Administrative Director of Health and Counseling Services Jean-Hughes Monier Development Alexandra Wheeler, Vice President and Chief Advancement Officer EXECUTIVE OFFICERS Katie Murtha, Director of Major Gifts AND SENIOR ADMINISTRATION Lori Padua, Director of Planned Giving Damian Woetzel, President Rebecca Vaccarelli, Director of Alumni Relations Kim Furano, Director of Foundation and Corporate Relations Office of the President Robyn Calmann, Director of Special Events Ciaran Escoffery, Chief of Staff Toniya Katsarov, Director of Development Operations Ara Guzelimian, Special Advisor Kathryn Kozlark, Artistic Producer and Director for Creative Enterprise Public Affairs Christina Salgado, Director for Equity, Diversity, Inclusion, and Rosalie Contreras, Vice President of Public Affairs Belonging Initiatives Benedict Campbell, Website Director Susan Jackson, Editorial Director Office of the Provost Anna Sayer, Design Director Adam Meyer, Provost Mara Vlatkovic, Director of Marketing, Community Relations Kirstin Ek, Associate Provost José García-León, Dean of Academic Affairs and Assessment Office of the Chief Operating Officer and Corporate Secretary Amy Evans, Assistant Dean for Academic Affairs Lesley Rosenthal, Chief Operating Officer and Corporate Secretary John-Morgan Bush, Director of Lifelong Learning Christine Todd, Vice President and CFO Mark Shelton, Chief of Public Safety Dance Division Adam Gagan, Director of Security Alicia Graf Mack, Dean and Director of the Dance Division Cameron Christensen, Associate Vice President, Facilities Katie Friis, Administrative Director Kent McKay, Associate Vice President for Production Mario Alberto Zambrano, Associate Director Richard Mannoia, Senior Director of Education and Strategy, K-12 Programs and Initiatives Drama Division Michael Kerstan, Controller Evan Yionoulis, Richard Rodgers Dean and Director of the Irina Shteyn, Director of Financial Planning and Analysis Drama Division Nicholas Mazzurco, Director of Student Accounts/Bursar Richard Feldman, Associate Director Nicholas Saunders, Director of Concert Operations Katherine Hood, Managing Director Tina Matin, Director of Earned Revenue Operations Kevin Boutote, Director of Recording and Classroom Technology Music Division Benjamin Sosland, Interim Dean and Director of the Music Division Administration and Law David Ludwig, Dean and Director of the Music Division Maurice F. Edelson, Vice President for Administration and Bärli Nugent, Assistant Dean, Director of General Counsel Joseph Soucy, Assistant Dean for Orchestral Studies Carl Young, Chief Information Officer Mario Igrec, Chief Piano Technician Dmitriy Aminov, Director of IT Engineering Joanna K. Trebelhorn, Director of Orchestral and Ensemble Operations Clara Perdiz, Director of Client Services, IT Jeremy Pinquist, Director of Enterprise Applications Historical Performance Katie Germana, Director of Human Resources Robert Mealy, Director Jennifer Wilcox, Director of Apprentice Program Benjamin D. Sosland, Administrative Director; Assistant Dean for the Kovner Fellowships