Central Florida Future, October 15, 1997
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The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes
Media Industries 5.2 (2018) The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes Annemarie Navar-Gill1 UNIVERSITY OF MICHIGAN amngill [AT] umich.edu Abstract Because companies, not writer-producers, are the legally protected “authors” of television shows, when production disputes between series creators and studio/ network suits arise, executives have every right to separate creators from their intellectual property creations. However, legally disempowered series creators can leverage an audience mandate to gain the upper hand in production disputes. Examining two case studies where an audience mandate was involved in overturning a corporate production decision—Rob Thomas’s seven-year quest to make a Veronica Mars movie and Dan Harmon’s firing from and subsequent rehiring to his position as the showrunner of Community—this article explores how the social media ecosystem around television rebalances power in disputes between creators and the corporate entities that produce and distribute their work. Keywords: Audiences, Authorship, Management, Production, Social Media, Television Scripted television shows have always had writers. For the most part, however, until the post-network era, those writers were not “authors.” As Catherine Fisk and Miranda Banks have shown in their respective historical accounts of the WGA (Writers Guild of America), television writers have a long history of negotiating the terms of what “authorship” meant in the context of their work, but for most of the medium’s history, the cultural validation afforded to an “author” eluded them.2 This began to change, however, in the 1990s, when the term “showrunner” began to appear in television trade press.3 “Showrunner” is an unofficial title referring to the executive producer and head writer of a television series, who acts in effect as the show’s CEO, overseeing the program’s story development and having final authority in essentially all production decisions. -
87 2019 Media Guide Orlando's Hometown Team 1979 Ncaa Iii
ORLANDO’S HOMETOWN TEAM YEAR-BY-YEAR RESULTS 1979 1982 • During his inaugural address, UCF President Trevor Colbourn • Following Don Jonas’ resignation, associate head coach Sam Weir is announces that the school will “explore the possibility of developing a named the program’s interim head coach. New athletics director Bill football program.” Later, Colbourn and director of athletics Jack O’Leary Peterson announces that UCF will compete as a Division II program approve a decision to form a football team to begin play in the fall of during the year. With the move to D-II, the school begins awarding 1979 as an NCAA Division III program. Former professional football athletics scholarships. Following the season, four Knights sign player Don Jonas becomes the school’s first coach on a volunteer basis. professional contracts: tight end Mike Carter with the National Football On Aug. 28, 148 prospective players participate in the program’s first League’s Denver Broncos and defensive end Ed Gantner, linebacker Bill practice. Less than one month later on Sept. 22, UCF travels to St. Leo Giovanetti and offensive lineman Mike Sommerfield with the Tampa Bay for its first game and wins 21-0. Bobby Joe Plain scores the school’s first Bandits of the United States Football League. Following the season, New touchdown on a 13-yard pass reception from Mike Cullison in the first York Yankees president and former Buffalo Bills head coach Lou Saban is quarter. The following week, UCF plays its first home contest at the named UCF’s head coach. Tangerine Bowl and posts a 7-6 victory over Fort Benning in front of 14,188 fans. -
Football Bowl Subdivision Records
FOOTBALL BOWL SUBDIVISION RECORDS Individual Records 2 Team Records 24 All-Time Individual Leaders on Offense 35 All-Time Individual Leaders on Defense 63 All-Time Individual Leaders on Special Teams 75 All-Time Team Season Leaders 86 Annual Team Champions 91 Toughest-Schedule Annual Leaders 98 Annual Most-Improved Teams 100 All-Time Won-Loss Records 103 Winningest Teams by Decade 106 National Poll Rankings 111 College Football Playoff 164 Bowl Coalition, Alliance and Bowl Championship Series History 166 Streaks and Rivalries 182 Major-College Statistics Trends 186 FBS Membership Since 1978 195 College Football Rules Changes 196 INDIVIDUAL RECORDS Under a three-division reorganization plan adopted by the special NCAA NCAA DEFENSIVE FOOTBALL STATISTICS COMPILATION Convention of August 1973, teams classified major-college in football on August 1, 1973, were placed in Division I. College-division teams were divided POLICIES into Division II and Division III. At the NCAA Convention of January 1978, All individual defensive statistics reported to the NCAA must be compiled by Division I was divided into Division I-A and Division I-AA for football only (In the press box statistics crew during the game. Defensive numbers compiled 2006, I-A was renamed Football Bowl Subdivision, and I-AA was renamed by the coaching staff or other university/college personnel using game film will Football Championship Subdivision.). not be considered “official” NCAA statistics. Before 2002, postseason games were not included in NCAA final football This policy does not preclude a conference or institution from making after- statistics or records. Beginning with the 2002 season, all postseason games the-game changes to press box numbers. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Download This Issue As
Wednesday, April 5, 2017 • Vol. 11 Issue 3 Celebrate Lafayette-Orinda Presbyterianwithwwiithth Church 26,000 copies •Easter Sunday Services, April 16 delivereddeliv biweekly to LamorindaLam homes & 6:30 a.m. • 8:00 a.m. • businesses 9:30 a.m. • 11:00 a.m. www.lamorindaweekly.com 925-377-0977 Visit LOPC.org/news/easter FREE for Holy Week Service Info 49 Knox Drive Lafayette CA 94549 (925) 283-8722 • LOPC.org Twins Sadie and Morgan took their father David to the Opening Day of the market after a morning playing Tot Baseball across the street at the Orinda Community Park. Photo Andy Scheck Farmers Market Celebrates 20th Anniversary By Sora O’Doherty t was no April Fool’s Joke when the Orinda Farmers attendance and offer some new attractions. According to Enabled by the Orinda Community Center’s donation Imarket cut the ribbon on its 20th season of providing Staci DeShasier, executive director of Contra Costa County of chairs, the market was able to expand its customer seat- fresh food on April 1. The Farmers Market will run Farmers’ Markets, Orinda accomplished that goal with a 10 ing area. DeShasier says that when they added top musi- until mid-November, with a focus on food and music from percent increase in customer attendance. DeShasier was de- cians in front of the new seating, it made the market the 9 a.m. to 1 p.m. Saturdays in front of the Rite Aide store lighted, noting that the increase translates into real dollars for place to be on Saturday mornings, and now the market has on Orinda Way. -
Jacksonville Sharks 2018
2018 JACKSONVILLE SHARKS CORPORATE PARTNERSHIPS PLAYBOOK The Jacksonville Sharks continue to provide our corporate partners with a unique, exciting and effective marketing environment. With four South Division titles in eight years, two American Conference titles, one ArenaBowl championship (2011) and a National Arena League Championship (2017). We look forward to building on the successes of current partners by adding your company to our team and working to achieve your marketing goals. The League 2018 NAL TEAMS ALLENTOWN, PA (LEIHIGH VALLEY) COLUMBUS, GA GREENSBORO, NC (CAROLINA) JACKSONVILLE, FL PORTLAND, ME (MAINE) FANS’ BILL OF RIGHTS • We believe that every Fan is entitled to a wholesome environment for guests and family members, free of violence, profane gestures and language or rude and invasive behavior that could in any way interfere with a first-class entertainment experience. NATIONAL ARENA LEAGUE • We believe that every Fan demands that we maintain absolute respect MISSION STATEMENT for the game of Arena Football and maintain the integrity of the finest of “To serve our community with pride and passion fair competition at all times. as a quality example of individual and team • We believe that every Fan deserves our very best effort on a consistent excellence on the field, in the office, at the basis, on every play on the field, every action in the stands, every call to arena and within the community by consistently our office, and every involvement in our community. exceeding our customers’ expectations • We believe that every Fan is entitled to a total entertainment by demonstrating the highest character, experience at an affordable cost for all members of the family from the appreciation and respect for our game, time they arrive at the arena to the time they depart. -
DARK CITY HIGH the High School Noir of Brick and Veronica Mars Jason A
DARK CITY HIGH THE HIGH SCHOOL NOIR OF BRICK AND VERONICA MARS Jason A. Ney ackstabbing, adultery, blackmail, robbery, corruption, and murder—you’ll find them all here, in a place where no vice is in short supply. You want drugs? Done. Dames? They’re a dime a dozen. But stay on your toes because they’ll take you for all you’re worth. Everyone is work- ing an angle, looking out for number one. Your friend could become your enemy, and if the circumstances are right, your enemy could just as easily become your friend. Alliances are as unpredictable and shifty as a career criminal’s moral compass. Is all this the world of 1940’s and 50’s film noir? Absolutely. But, tures like the Glenn Ford vehicle The Blackboard Jungle (1955) and Bas two recent works—the television show Veronica Mars (2004- melodramas like James Dean’s first feature,Rebel Without a Cause 2007) and the filmBrick (2005)—convincingly argue, it is also the (1955). But a noir film from the years of the typically accepted noir world of the contemporary American high school. cycle (1940-1958) populated primarily by teenagers and set inside a That film noir didn’t extend its seductive, deadly reach into the high school simply does not exist. Perhaps noir didn’t make it all the high schools of the forties and fifties is somewhat surprising, given way into the halls of adolescent learning because adults still wanted how much filmmakers danced around the edges of what we now to believe that the teens of their time retained an element of their call noir when crafting darker stories about teens gone bad. -
2016 Arena Football League Record & Fact Book
ARENA FOOTBALL LEAGUE 2016 RECORD AND FACT BOOK 29TH SEASON AMERICAN CONFERENCE NATIONAL CONFERENCE ARENA FOOTBALL LEAGUE TABLE OF CONTENTS ARENA FOOTBALL LEAGUE 2016 RECORD AND FACT BOOK LEAGUE INFORMATION 1993 SEASON 69 COMMISSIONER SCOTT C. BUTERA 3 1994 SEASON 71 MISSION STATEMENT 3 1995 SEASON 73 FANS’ BILL OF RIGHTS 3 1996 SEASON 75 2016 BROADCAST SCHEDULE 4 1997 SEASON 77 2016 WEEK-BY-WEEK SCHEDULE 6 1998 SEASON 79 RULES OF THE GAME 7 1999 SEASON 81 GLOSSARY OF TERMS 8 2000 SEASON 83 MISCELLANEOUS INFORMATION 9 2001 SEASON 83 KEY 2016 DATES 9 2002 SEASON 87 LEAGUE DIRECTORY 10 2003 SEASON 89 ROSTER OF OFFICIALS 10 2004 SEASON 91 MEDIA CONTACTS 10 2005 SEASON 93 TEAM INFORMATION 2006 SEASON 95 ARIZONA RATTLERS 12 2007 SEASON 97 CLEVELAND GLADIATORS 17 2008 SEASON 99 JACKSONVILLE SHARKS 21 2010 SEASON 101 LOS ANGELES KISS 24 2011 SEASON 103 ORLANDO PREDATORS 27 2012 SEASON 105 PHILADELPHIA SOUL 32 2013 SEASON 107 PORTLAND STEEL 36 2014 SEASON 109 TAMPA BAY STORM 39 ALL-TIME OUTSTANDING PERFORMANCES 111 2015 REVIEW ALL-TIME AWARDS 129 STANDINGS 45 ALL-TIME COACHING RECORDS 144 INDIVIDUAL LEADERS 45 HALL OF FAME 151 AWARDS 46 RECORDS TOP PERFORMANCES 47 REGULAR SEASON TEAM LEADERS 48 INDIVIDUAL RECORDS 157 ATTENDANCE 50 TEAM RECORDS 165 HISTORICAL INFORMATION TEAM W-L RECORDS 173 LEAGUE HISTORY 52 POSTSEASON 1987 SEASON 57 INDIVIDUAL RECORDS 177 1988 SEASON 59 TEAM RECORDS 180 1989 SEASON 61 TEAM W-L RECORDS 183 1990 SEASON 63 ARENABOWL 1991 SEASON 65 INDIVIDUAL RECORDS 186 1992 SEASON 67 TEAM RECORDS 189 TEAM W-L RECORDS 192 PATENT -
Investigating Veronica Mars the Noir and Teen Clash in Neptune, California
Investigating Veronica Mars The Noir and Teen Clash in Neptune, California by Kim Johansen Østby Master’s Thesis in Media Studies Department of Media and Communication University of Oslo Spring 2010 “[…] why is Veronica Mars so good? It bears little resemblance to life as I know it, but I can't take my eyes off the damn thing.” (Stephen King, Entertainment Weekly, 01/02-2007) I Abstract What happens when you combine the long tradition of film noir and the contemporary television teen drama? Through genre analysis, this thesis explores how the television show Veronica Mars (2004-2007) mixes noir and teen drama and how this creates a dark vision of society and teen life. Through four chapters I investigate key points of the show, such as the narration and aesthetics, the representation of the noir universe through the show’s depiction of social class inequalities and an incapacitated criminal justice system, the show’s exploration of teen drama themes and how this is affected by noir and finally, an analysis of the main characters and how they relate to this hybrid universe. Noir and teen elements pulsate throughout the entire show. Together they create a tense, paranoid and mysterious atmosphere and allow the show to repeatedly explore dark themes and plots that do not commonly appear in teen dramas. The teen private investigator protagonist Veronica must tackle mysteries ranging everywhere from disappearances, blackmail, scams and theft, to situations where she must deceive the FBI, confront and battle a serial rapist and solve the mass murder of her fellow classmates, all while making her way through high school and college. -
2002 NCAA Football Records Book
Individual Collegiate Records Individual Collegiate Records...............................248 248 INDIVIDUAL COLLEGIATE RECORDS Individual Collegiate Records Individual collegiate records are determined by comparing the best records in all four divisions (I-A, I-AA, II and III) in comparable categories. Included are career records of players who played in two divisions (e.g., Dennis Shaw of San Diego St., Howard Stevens of Randolph-Macon and Louisville, and Tom Ehrhardt of C. W. Post and Rhode Island). Players who played seasons other than in the NCAA will have statistics only including NCAA seasons. Total Offense CAREER YARDS PER GAME (Minimum 5,500 Yards) Player, Team (Division[s]) Years G Plays Yards TDR‡ Yd . P G Steve McNair, Alcorn St. (I-AA)........................................... 1991-94 42 2,055 *16,823 152 *400.5 Tim Rattay, Louisiana Tech (I-A)........................................... 1997-99 33 1,705 12,618 117 382.4 Justin Peery, Westminster (Mo.) (III)...................................... 1996-99 39 2,001 13,645 *166 349.9 Aaron Flowers, Cal St. Northridge (I-AA)............................. 1996-97 20 944 6,754 60 337.7 Terry Peebles, Hanover (III) ................................................. 1992-95 23 1,140 7,672 89 333.6 Dave Dickenson, Montana (I-AA) ........................................ 1992-95 35 1,539 11,523 116 329.2 Eric Bruns, Hanover (III) ...................................................... 1999-00 20 995 6,512 44 325.6 Willie Totten, Mississippi Val. (I-AA) .................................... 1982-85 40 1,812 13,007 157 325.2 Grady Benton, West Tex. A&M (II) ...................................... 1994-95 18 844 5,831 55 323.9 Ty Detmer, Brigham Young (I-A) .......................................... 1988-91 46 1,795 14,665 135 318.8 Neil Lomax, Portland St. -
Master 2009.Indd
Louisiana football... ...Geaux Cajuns! total offense RECORDS TEAM RECORDS 100 YARDS RUSHING AND PASSING IN SAME GAME Most team records available since 1949 Total Rush Pass Player Most Rushing and Passing Plays 476 271 205 Brian Mitchell (11/21/87) Game: 99 at Middle Tennessee [2003] 447 134 313 Brian Mitchell (10/21/89) Season: 856 [1995] 403 150 253 Michael Desormeaux (9/20/08) 387 232 155 Brian Mitchell (11/18/89) Most Rushing and Passing Yards 376 214 162 Brian Mitchell (11/11/89) record book Game: 641 at Idaho [2001] 340 123 217 Michael Desormeaux (10/11/08) Season: 5,390 [2008] 335 101 234 Michael Desormeaux (9/8/07) 335 193 142 Brian Mitchell (9/30/89) Most First Downs 327 175 152 Michael Desormeaux (11/10/07) Game: 33 vs. New Mexico State [1995]; 321 149 172 Michael Desormeaux (10/4/08) vs. Arkansas State [1996]; at Middle Tenn. [2003] 321 139 182 Brian Mitchell (10/29/88) 317 159 158 Michael Desormeaux (9/22/07) Season: 256 [1995] 299 100 199 George Roussel (11/8/69) 267 103 164 Brian Mitchell (10/7/89) Most First Downs Rushing 266 145 121 Michael Desormeaux (10/20/07) Game: 23 at Tulane [1986] 264 150 114 Michael Desormeaux (10/6/07) Season: 149 [2007] 258 116 142 Brian Mitchell (10/15/88) 257 114 143 Brian Mitchell (9/23/89) Most First Downs Passing 242 133 109 Jerry Babb (11/5/05) Game: 22 at Middle Tennessee [2003] 240 121 119 Brian Mitchell (11/7/87) Season: 139 [1995] 229 101 128 Jerry Babb (9/18/04) Jerry Babb 224 100 124 Brian Mitchell (10/24/87) Most First Downs by Penalty 205 102 103 Richard Pannell (10/11/86) Game: 9 vs.