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Mending As Practice and Expression Pocosin Arts Online - August 2021 Material Suggestions
Mending as Practice and Expression Pocosin Arts Online - August 2021 Material Suggestions I want this experience to ft with what you have on hand and what you want to learn! I will link to sources of some supplies I like below, but there is no need to purchase anything unless you want to and think you will use it. You can also check the links to compare supplies to those you may already have. And of course you can get supplies anywhere you like. The most important thing you will need is some fabric scraps or worn-out textles to practce mending on (not your absolute favorite thing to start with). There are two broad categories of fabrics, based on how they are made; woven (like jeans, dress shirts, and sheets) and knited (like sweaters, socks, and T-shirts). We will talk a lot more about these in class. Each type lends itself to somewhat diferent tools and techniques. If you can, I encourage you to fnd a few scraps of each type to practce on, ideally in fabrics that are similar to the items you want to mend. These will also be a good source of material to cut patches from. I will be in touch before our class starts to fnd out about the projects you want to work on. For now, here are some general suggestons of materials and tools you may want to have on hand. In the meantme, feel free to contact me with any questons! [email protected] Threads You may want to use anything from sewing thread to wool yarn in your mending, depending on what you want to fx. -
What Is Sashiko?
What is Sashiko? Sashiko is a form of embroidery that originated in Japan around 200 years ago. It was used to repair and bulk up clothing, blankets, and other textiles for the cold weather as many regions of the country experienced frigid winters. As such, the focus was less on what the work looked like, and more on how quickly it could be made. Today, Sashiko has become a form of decorative embroidery enjoyed by many people around the world. Traditional patterns are still practiced among modern ones. However, the root of Sashiko remains the same: it doesn’t have to be perfect as long as you enjoy doing it. A jacket embroidered all over with Sashiko patterns from the Metropolitan Museum of Art collections. A closeup of a kimono with Sashiko detailing from the Metropolitan Museum of Art collections. Sashiko Project by Aya Kusumoto Instructions for Sashiko on paper Step 1 - Fold along the solid black line in the middle. Step 2 - Take your thread and fold it in half, then thread the folded end through the needle. This is called double-threading. You can single thread your needle instead but you will be able to see the pattern more clearly the thicker the thread is. Tie a double knot at the end. Step 3 - Start wherever you want on your pattern with the printed side facing up. The printed side will become the back with the knots. Pierce your needle through one end of a stitch, then without fully pulling your needle through, push it back up through the other end of the stitch. -
1 MULTIUSE, EMBROIDERY and SEWING SCISSORS Stainless Steel
WWW.RAMUNDI.IT GIMAP s.r.l. 23834 PREMANA (LC) ITALY Zona Ind. Giabbio Tel. +39 0341 818 000 The line is composed by extremely high performance items, result of over 70 years of research of perfect cutting performances. Every single item is produced with the best materials and is carefully controlled by the expert hands of our artisans, from the raw material to the last control phase. The Extra line quality will satisfy all your needs. MULTIUSE, EMBROIDERY AND SEWING SCISSORS Stainless steel and handles in nylon 6 Series of professional scissors for textile, embroidery and multipurpose use. Made in AISI 420 steel, these scissors will allow you to made every kind of job with an extreme confort and precision. The scissors are made with special machines that make a perfect finish and operation that lasts over time. Nylon 6 handle are made with fiberglass with an innovative design and it can be use in contact with food. multiuse scissors in stainless steel and handles 553/5 in nylon 6 13 cm 553/6 15 cm 553 552/7,5 19 cm 552/8,5 21 cm 552/9,5 24 cm 552/10,5 26 cm 552/11 28 cm 552M Left- hand 22 cm 552 240/1/3,5 Embroidery scissors 9 cm 241/1/4 Embroidery scissors bent 10 cm 241/1/4 240/1/3,5 351/4 Sewing scissors 10,5 cm 351/5 12,5 cm 351/6 15 cm 351 485/7 Multiuse scissors 19 cm 360MN/4,5 Thread clipper 485/7 360MN/4,5 1 WWW.RAMUNDI.IT GIMAP s.r.l. -
BL2102 February 2021
Blackwork Journey Blog, February 2021 Looking forward in 2021 and beyond! February is a difficult month in the UK, as although Christmas is behind us, Spring still seems a long way away. However, for the first time in a year there are some positive things to report. The vaccines are being rolled out and there is hope that we can start to see a way forward and begin to look, albeit tentatively, to the future. Sashiko and quilted Phoenix project This design was my way of saying that there is a way forward out of Covid-19 into a new future, like the mythical bird who rose from the ashes, reborn, stronger and more powerful. In Japan, as earlier in China, the Phoenix was adopted as a symbol of the imperial household, particularly the Empress. This mythical bird represents fire, the sun, justice, obedience and fidelity. The Asian Phoenix is different from the Phoenix found in Egypt and Greece and is a bird of completely different feathers and traditions. The ornamental design of the Dragon (Emperor) and Phoenix (Empress) on the doors of the Hall of Heavenly and Terrestrial Union, Beijing, China A phoenix depicted in a book of legendary creatures by FJ Bertuch (1747–1822) Presidential standard of Greece 1 Blackwork Journey © Blackwork Journey Blog, February 2021 The Phoenix from Greek mythology was a feathered creature of great size with large wings and talons, its plumage vibrant and beautiful. It is still used today as the emblem on the Presidential standard of Greece. The Phoenix lived for 500 years before it built its own funeral pyre, burst into flames and died, consumed in its own fiery inferno.. -
Astronauts in Lunar Orbit After Blastoff from Moon
ri . v f- ■ ,, Average Dally Net Press Ron 'I’hfe-Weather For The Week Ended Mostly cloudy, warm, humid through Wednesday with chance July 81, m i of ahowers/thunderstorms; low tonight near. 70 with consider 14,890 able night rain. Manchester— A City of Village Charm (Classified Advertising on Page 17) PRICE FIFTEEN CENTS VOL. LXXXX, NO. 257 (TWENTY PAGES) man(:hester, conn., Monday, august 2,1971 Steel Strike Averted But Pact Settles Astronauts in Lunar Orbit Prices Hiked PITTSBURGH (AP)— Rail Strike U.S. Steel Corp., the in After Blastoff from Moon dustry pacesetter, hiked WASHINGTON (A P)— Negotiators announced to prices on virtually all prod day a contract settlement providing 42 per cent wage ucts today, a little more hikes over 42 months for about 200,000 trainmen, and SPACE CENTER, Hous than 12 hours after the said pickets would be removed froih 10-strike-bound ton (A P)—Apollo 15 as steel industry and the railroads, -------------------- : tronauts David R. Scott and James B. Irwin blast United Steelworkers Settlement of the 18-day old President Charles Luna of the ' strikes in the dispute involving striking-AFO-CTO United Trans- ed off safely from the agreed on a strike-avert all of the nation’s major rail- portatlon Union, ing contract. moon today after three roads came after a 17-hour <‘nve arp very happy that this days of historic lunar ex The m oveby U.S. Steel came marathon bargaining session at long dispute has ended and that as most of the nation’s steel ploration. A television the Labor Department. -
A Pair of Scissors Wool a Sewing Needle Small Knitting
Easy peasy (well, it is if you take a look at the champion ‘how to knit’ guide at www.learn2knit.co.uk which will give you everything you need.) But if you’ve 1. Pop your feet up with a cup of tea. done a bit in the past, here’s a reminder of the main stitch. 2. Using double knitting yarn and some small needles, cast on 28 stitches. You’ll need this stuff: 3. Knit 2 rows. Then, starting with a knit row, work in stocking stitch (knit 1 row, purl 1 row, knit 1 row etc) for 12 more rows. small knitting 4. For the next row, knit 2 together to the end (14 a sewing a pair perhaps wool needles stitches). And for the row after that, purl 2 together needle of scissors some bobbles (31/4 mm - 4mm) to the end (7 stitches). 5. When you’ve finished, cut the yarn leaving about 25 cm. Thread the cut end of the yarn through a sewing needle, then run it through the loops and 1. Insert the tip of the right needle through the first loop remove the knitting needle (fig. A). on the left needle, from front to back. Then wrap the working yarn around the tip of the right needle. 6. Tighten the yarn (fig. B) and sew the little hat together at the side (fig. C). Once finished, turn it right-side out so that the seam you've just sewn runs up the inside. 7. Just to check you’re on the right track we reckon 2. -
Ipswich Lace Workshop Materials Information
Ipswich Lace Workshop Materials Information Patterns, etc. provided to the students from the instructor: 1. Two Ipswich pattern packs of your choice. Please choose from the attached list. The samples are listed in approximate level of difficulty, with #2 being the easiest. 2. Prickings are printed on light grey cardstock and mailed to your snail mail address. 3. Color-coded working diagram 4. Corresponding pictures of the reconstructed lace and the original 1790 sample. Supply list: 1. Lace pillow, your preferred style for continuous lace, large enough to accommodate up to 50 pairs of bobbins 2. Bobbins (your preferred style) up to 50 pairs, depending on pattern choice 3. Pins – all the same size. The Ipswich lacemakers used handmade pins, which were approximately .60 to .65 mm in diameter. 4. Black silk thread, such as YLI 50, Clover 50, or Tiger (approximately 35-36 wraps/cm), or Piper spun silk 140/2 or Kreinik Au Ver a Soie 130/2 (42 wraps/cm) 5. Gimp thread: Gütermann 30/3 (S1003, 3-ply, approx. 16 wraps/cm) or Soie Perlee for a slightly thinner gimp. Or use 4-6 strands of your lace thread. 6. Two cover cloths. The one on the pillow, under the bobbins should be light color to contrast with the black threads. 7. Several short bobbin holders 8. Scissors, other regular bobbin lace supplies for continuous lace technique. 9. Wind on each bobbin about 4 times the length of lace you plan to make. Wind the number of bobbins indicated on your chosen pattern, singly or in pairs, depending on your preference. -
Dragonfly's Delight
Create with us In our shop at 241 Thorndon Quay or on our websites: www.nancys.co.nz - unique embroidery & patchwork kits www.theyarnstudio.co.nz - gorgeous knitting yarns, patterns & needles www.jenniferpudney.com - fun needlepoint, felt kits & fabrics www.strandnz.com - for crewel yarn & kitsets FON Newsletter No 96, June 2012 (04) 473 4047 PO Box 245, Wellington 6140 0800 783 639 [email protected] Sometimes as we put our When I was looking on the internet I find that children and young people newsletter together a theme for ideas for scarves and the will faithfully wear their favourite soft appears, such as curling up with a fashionable cowls, one of the sites garments until they fall to pieces. good book in front of the fire and recommended the touch test, put When that happens you know making lots of cosy things for the the wool under your chin to feel the your time and expense has been people we love. softness. I don’t know about you but worthwhile. Mary Dragonfly’s Delight Join us on Facebook to get updates of exciting new products and weekly The pattern has the design printed promotions. http://www.facebook. on to linen twill, detailed stitch com/pages/Nancys-Embroidery- instructions and a list of the colours Shop/213654182030566 of Appletons crewel wool that were used. You can, of course use your Japan My daughter’s latest job, teaching own colours and what you have in in Tokyo, gave us an excuse to your stash. The other designs in the visit Japan and experience some range are the Floral Bower and Tree of the interesting Japanese culture. -
Theories and Methods in Japanese Studies: Current State and Future Developments
Hans Dieter Ölschleger (ed.) Theories and Methods in Japanese Studies: Current State and Future Developments Papers in Honor of Josef Kreiner V&R unipress Bonn University Press Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.des abrufbar. ISBN 978-3-89971-355-8 Veröffentlichungen der Bonn University Press erscheinen im Verlag V&R unipress GmbH. © 2008, V&R unipress in Göttingen / www.vr-unipress.de Alle Rechte vorbehalten. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Hinweis zu § 52a UrhG: Weder das Werk noch seine Teile dürfen ohne vorherige schriftliche Einwilligung des Verlages öffentlich zugänglich gemacht werden. Dies gilt auch bei einer entsprechenden Nutzung für Lehr- und Unterrichtszwecke. Printed in Germany. Gedruckt auf alterungsbeständigem Papier. Table of Contents PREFACE...........................................................................................................7 Ronald DORE Japan – Sixty Years of Modernization? .........................................................11 KUWAYAMA Takami Japanese Anthropology and Folklore Studies................................................25 ITŌ Abito The Distinctiveness and Marginality of Japanese Culture.............................43 FUKUTA AJIO -
How It Was Made
To put what text you want here just click HOWand type, to add anIT image WAS click insert > image then drag it here/resize it and delete MADEthis text Scissors Scissors have two arms each with blades at one end and a round hole for the fingers at the other. These arms are pinned together with a screw or rivet which allows them to move and be opened and closed, sliding the blades against each other to cut. They are different from shears or spring scissors which are made from one piece of metal bent in half to make two arms, each with a blade at the end. Diagram of scissor parts The blades and bows of scissors vary enormously depending on their intended use and user. Blades can have one or both points which are: round, square, curved or pointed. Bows can be equal/unequal in size, straight or offset to one side (sidebent), higher than the blades (i.e. have a bent shank) and can be shaped and highly decorated. ‘Scissorsmyths’ or ‘Scissar makers’ and ‘shearsmiths’ were active in Sheffield from the early 1600s (see ‘Tweedale’s Directory of Sheffield Cutlery Manufacturers 1740-2010’ by G. Tweedale, 2010) and by the mid-1600s Sheffield was well known for its manufacture of steel and cutlery – table knives, trade knives, razors and scissors - taking advantage of the availability of water power, skilled labour, and the raw materials needed (see ‘A History of Sheffield’ by David Hey, 2005). In the 1700s and 1800s the cutlery industry grew, particularly after the invention of crucible steel by Benjamin Huntsman in the 1740s with an increase in both domestic and export trade. -
Tiny Scissors Needlework Accessories Cross Stitch Pattern by Marie-Anne Réthoret-Mélin
Tiny Scissors Needlework Accessories cross stitch pattern by Marie-Anne Réthoret-Mélin Manufacturer: Marie-Anne Réthoret-Mélin Reference:MAR168 Price: $4.99 Options: download pdf file : English Marie-Anne Réthoret-Mélin - Tiny Scissors Needlework Accessories (cross stitch pattern) Tiny Scissors Needlework Accessories COUNTED CROSS STITCH CHART BY MARIE-ANNE RETHORET-MELIN The focus of this cross stitch design by Marie-Anne Rethoret is on a tiny pair of scissors right in the centre of the pattern. The chart includes a smaller and a larger pattern from which you can create a whole series of needlework accessories including: - a scissor case - a scissor fob (so you never lose you scissors again) - a pincushion - a needlebook (to keep embroidery needle neat and tidy) If you're feeling creative you could even adapt these patterns to other projects like a sewing box. All you would need to do is to extend the borders to adjust them to the size of the box. The pattern includes instructions for making the accessories as well as a step-by-step tutorial for mounting the scissor case which is lined. The stitching combines cross stitch, backstitch and half stitch using a pretty floss color in pretty hues of red and purple so you never need to change you thread. The piece shown was stitched on Linen Aida which is very easy to stitch. A design by Marie-Anne Réthoret-Mélin. >> visit Marie-Anne Réthoret-Mélin's pattern boutique. Number of stitches: 61 x 61 + 26 x 26 (wide x high) Stitches: Cross stitch (no fractional stitches), Backstitch, Chart: Color Threads: DMC Color Variations Embroidery floss Number of colors: 1 Themes: Needlework accessories, scissors >> see all red monochrome patterns (all designers) >> see all stitcher's accessories' patterns (all designers) All patterns on Creative Poppy's website are printable and available for instant download. -
SM024 Instruction Book
INSTRUCTION MANUAL SM024 This household sewing machine is designed to comply with IEC/EN/CSA C22.2 No.60335-1 & 60335-2-28 and UL1594. IMPORTANT SAFETY INSTRUCTIONS When using an electrical appliance, basic safety precautions should always be followed, including the following: Read all instructions before using this household sewing machine. Keep the instructions at a suitable place close to the machine. Make sure to hand them over if the machine is given to a third party. DANGER - TO REDUCE THE RISK OF ELECTRIC SHOCK: • A sewing machine should never be left unattended when plugged in. Always unplug this sewing machine from the electric outlet immediately after using and before cleaning, removing covers, lubricating or when making any other user servicing adjustments mentioned in the instruction manual. WARNING - TO REDUCE THE RISK OF BURNS, FIRE, ELECTRIC SHOCK, OR INJURY TO PERSON: • Do not allow to be used as a toy. Close attention is necessary when this sewing machine is used by or near children. • Use this sewing machine only for its intended use as described in this manual. Use only attachments recommended by the manufacturer as contained in this manual. • Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water. Return the sewing machine to the nearest authorized service center for examination, repair, electrical or mechanical adjustment. • Never operate the sewing machine with any air openings blocked. Keep ventilation openings of the sewing machine and foot control free from the accumulation of lint, dust, and loose cloth.